
The body-swappers are back! Lohan, Curtis return for chaotic sequel ‘Freakier Friday'
So it's hardly surprising that "Freaky Friday,' the 2003 version of the 1972 Mary Rodgers novel starring Lindsay Lohan and Jamie Lee Curtis, was a hit. Lohan was endearing and charismatic as an appealing, mildly turbulent teenager, and Curtis was a comic hoot as her control-freak therapist mom.
And while there were a few misfires - the stereotypical Asian representation has aged badly - the film was powered by an easy chemistry between the two stars. So why not revisit the story in 2025? Sequels are often made for far less compelling reasons.
The chief weakness of "Freakier Friday' - which brings Curtis and Lohan back for an amiable, often joyful and certainly chaotic reunion - is that while it hews overly closely to the structure, storyline and even dialogue of the original, it tries too hard to up the ante. The comedy is thus a bit more manic, and the plot machinations more overwrought (or sometimes distractingly silly).
Then there's the double body-swapping. Because one major swap isn't enough, here we have two sets of swappers - a quixotic quartet of lives disrupted during the lead-up to, yes, another wedding! The problem is that sometimes, it's actually hard to keep track of who's inhabiting whom, and therefore why they're doing what.
Not to say that "Freakier Friday,' directed with gusto by Nisha Ganatra, doesn't have moments of comic glee. I'll admit to laughing out loud - with everyone else older than 30 near me - when two teens were trying to locate an adult contact and one of them pulled up Facebook, explaining: "It's like a database of old people!' Touché, guys.
These "youngsters' are actually Lohan and Curtis, playing ninth-graders trapped in adult bodies. Before we get to that, though: We begin 22 years after we last saw Lohan's Anna, playing electric guitar at her mom's wedding. Now a single mom herself with a job managing a young pop star, she's trying to get her daughter up for school. Harper (the excellent Julia Butters) is - surprise! - an appealing, mildly turbulent teenager. And just like Anna two decades ago, she keeps people out of her bedroom. "Prepare to be triggered!' Anna yells before barging in. (The dialogue has been duly updated to the present time.)
Driving to school drop-off, Anna is joined by her mom, Tess (Curtis), who has stylish gray hair now and is still a practicing therapist, podcaster and author whose latest topic is "Rebelling with Respect.' Dropping Harper off, Anna calls out "Make good choices!' - just what mom Tess used to say, natch.
At school, Harper butts heads with transfer student Lily (Sophia Hammons), a budding fashion designer who hails from Britain and is very snooty. Anna is called to see the principal. There, she meets Lily's dishy chef dad Eric (Manny Jacinto), and the two flirt so intensely, the principal herself makes them a dinner reservation.
All it takes is one cute dating montage, and poof, Anna and Eric are engaged. But things are still bad between Harper and Lily, whose animosity triggers a weirdly violent, all-school food fight on bake sale day. But they all have a bachelorette party to attend. There, a wacky fortune-teller and barista and business-card maker - Vanessa Bayer, in a cameo that perhaps, no definitely goes on too long - reads their palms. And then the earth starts shaking.
"Freaky' fans know what happens next. The four awaken the next morning, each inhabiting someone else. Anna is Harper. Tess is Lily. Harper is Anna. Lily is Tess. We'll be testing you on this later!
Seriously, it's easy to lose the thread. Also, one wonders: why doesn't Lily's British accent travel with her to Tess's body? If Curtis suddenly had a British accent, the pairing would make a lot more sense.
Anyway, they go about their days. Lily, in Tess' body, plays pickleball awkwardly with husband Ryan (Mark Harmon is back, in a thankless part). Harper, in Anna's body, goes to a pre-wedding tango lesson with Eric, with disastrous results. Meanwhile, Anna and Tess, in their teen bodies, feast on junk food with impunity. "I haven't eaten real dairy since the Bush administration,' one says.
Curtis, aka Lily, gets her best moment in a drugstore when her hubby asks her to get supplies from the "senior' aisle, and she stockpiles everything from adult diapers to enemas. Lohan's at her comic best when, as Harper, she tries to flirt the way she thinks her mother would. She's flirting with Jake (Chad Michael Murray) - yes, the hunky guy from the original - and her flirting is so weird, Jake thinks she's having a stroke.
It all barrels toward a conclusion that we won't spoil. Will the wedding be derailed by the efforts of Lily and Harper? Will that derailment be temporary? Will the sisters-to-be reach an understanding? Will Lohan get to play the electric guitar? Will everyone grow to appreciate each other?
That last question, we can answer. Of course they will. Whoever they are, and whatever they just did.
"Freakier Friday,' a Walt Disney Studios release, has been rated PG by the Motion Picture Association for thematic elements, rude humor, language, and some suggestive references.' Running time: 111 minutes. Two and a half stars out of four.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Arab Times
16 hours ago
- Arab Times
Taylor Swift announces 12th studio album, 'The Life of a Showgirl'
NEW YORK, Aug 12, (AP): Look what you made her do - Taylor Swift has announced her 12th studio album, "The Life of a Showgirl.' Swift announced the album on her website shortly after a countdown timer expired at 12:12 a.m. Tuesday. No release date was announced, but her site said vinyl editions of the album would ship before Oct. 13. Fans have long theorized that Swift's 12th album would soon arrive. On Monday, Taylor Nation - an official branch of the pop superstar's marketing team - posted a TikTok slideshow of 12 images with the caption "Thinking about when she said 'See you next era…'' Swift is seen wearing orange in every image. A special limited vinyl edition of the album will be released in "Portofino orange glitter," according to a pre-order page on her site. A special cassette edition is also available for pre-order. Sensing a pattern, eagle-eyed fans noticed that 12 minutes earlier, the popular "New Heights' podcast posted a tease for Wednesday. The show, hosted by Swift's boyfriend and Chiefs tight end Travis Kelce alongside his brother, former Eagles center Jason Kelce, posted an orange image on social media with a mysterious silhouette, many believing to be Swift. The podcast announced early Tuesday that Swift would appear on "New Heights' and a teaser video posted about her appearance showed her pulling the album from a briefcase. The actual album artwork, just as it is on her website, is blurred. "The Life of a Showgirl' follows last year's "The Tortured Poets Department,' announced during the 2024 Grammys and released during her record-breaking tour, which raked in over $2.2 billion across two years and five continents, making it the highest-grossing tour of all time. The album is also her first release since Swift regained control over her entire body of work. In May, that pop star said she purchased her catalog of recordings - originally released through Big Machine Records - from their most recent owner, the private equity firm Shamrock Capital. She did not disclose the amount. In recent years, Swift has been rerecording and releasing her first six albums in an attempt to regain control of her music. The project was instigated by Hybe America CEO Scooter Braun's purchase and sale of her early catalog and represents Swift's effort to control her own songs and how they're used. Previous "Taylor's Version' releases have been more than conventional re-recordings, arriving with new "from the vault' music, Easter eggs, and visuals that deepen understanding of her work. So far, there have been four rerecorded albums, beginning with "Fearless (Taylor's Version)' and "Red (Taylor's Version)' in 2021. All four have been massive commercial and cultural successes, each one debuting at No. 1 on the Billboard 200. Swift's last rerecording, "1989 (Taylor's Version),' arrived in October 2023, just four months after the release of "Speak Now (Taylor's Version).' That was the same year Swift claimed the record for the woman with the most No. 1 albums in history.


Arab Times
2 days ago
- Arab Times
Hollywood's focus on profit is killing creativity: Jackie Chan
SWITZERLAND, Aug 10: During a Q&A session at the Locarno Film Festival, Jackie Chan expressed his belief that the quality of modern Hollywood movies is suffering because studios are overly focused on financial returns. 'I think the old movies are better than today,' Chan remarked. He explained that many big studios are run by business-minded executives rather than true filmmakers. 'They invest $40 million and think, 'How can I get it back?' You can't go over budget. It's very difficult to make a good movie now.' Speaking with Locarno festival head Giona Nazzaro, Chan recounted stories from his career, including his start in the film industry, his Hollywood experiences, and performing many of his own dangerous stunts. Throughout the discussion, Chan emphasized his commitment to mastering all aspects of filmmaking—from acting and stunt work to directing and sound. He joked that only two people in Asian cinema possess such a broad skill set. 'In all of Asia, only two directors can do everything: writing, directing, acting, stunt coordination, fighting, and editing. One is Sammo Hung, the other is Jackie Chan,' he said, adding with a smile, 'And I'm better because I know how to sing.' Chan explained that he learned to sing because he didn't want to be limited to stunt roles. Early in his career, appearing on U.S. late-night shows, he was always asked to perform fights or stunts, which he realized wasn't sustainable. 'I thought, I cannot do this forever. It's just too dangerous,' Chan recalled. 'They'd ask me how to punch and kick. I thought I should learn to sing. So I started learning.' He said his professional goal became longevity, with a personal mantra: 'I want to be the Asian Robert De Niro.' Chan also shared that by the early 2000s, he grew frustrated with Hollywood, feeling disconnected from American audiences and disappointed with the quality of scripts offered to him. Before deciding to step away from Hollywood, he took on one final project—the buddy cop hit Rush Hour. 'Rush Hour was my last try. If it didn't succeed, I was done,' he said. Despite production challenges like budget limits and tight action sequences, Chan believes the film was a turning point. 'I think Rush Hour changed the culture,' he said. Chan added that his overarching goal in Hollywood has always been to serve as a cultural bridge between the U.S. and China. This year at Locarno, Chan was honored with the Pardo alla Carriera award for lifetime achievement. His early directorial works, Project A and Police Story, were also screened at the festival.


Arab Times
3 days ago
- Arab Times
The body-swappers are back! Lohan, Curtis return for chaotic sequel ‘Freakier Friday'
LOS ANGELES, Aug 9, (AP): It's a tale as old as time - or at least, a tale Hollywood loves to tell again and again: Body-swapping. It's magical. It's comical. It carries heartwarming messages about walking in another's shoes and learning about oneself along the way. So it's hardly surprising that "Freaky Friday,' the 2003 version of the 1972 Mary Rodgers novel starring Lindsay Lohan and Jamie Lee Curtis, was a hit. Lohan was endearing and charismatic as an appealing, mildly turbulent teenager, and Curtis was a comic hoot as her control-freak therapist mom. And while there were a few misfires - the stereotypical Asian representation has aged badly - the film was powered by an easy chemistry between the two stars. So why not revisit the story in 2025? Sequels are often made for far less compelling reasons. The chief weakness of "Freakier Friday' - which brings Curtis and Lohan back for an amiable, often joyful and certainly chaotic reunion - is that while it hews overly closely to the structure, storyline and even dialogue of the original, it tries too hard to up the ante. The comedy is thus a bit more manic, and the plot machinations more overwrought (or sometimes distractingly silly). Then there's the double body-swapping. Because one major swap isn't enough, here we have two sets of swappers - a quixotic quartet of lives disrupted during the lead-up to, yes, another wedding! The problem is that sometimes, it's actually hard to keep track of who's inhabiting whom, and therefore why they're doing what. Not to say that "Freakier Friday,' directed with gusto by Nisha Ganatra, doesn't have moments of comic glee. I'll admit to laughing out loud - with everyone else older than 30 near me - when two teens were trying to locate an adult contact and one of them pulled up Facebook, explaining: "It's like a database of old people!' Touché, guys. These "youngsters' are actually Lohan and Curtis, playing ninth-graders trapped in adult bodies. Before we get to that, though: We begin 22 years after we last saw Lohan's Anna, playing electric guitar at her mom's wedding. Now a single mom herself with a job managing a young pop star, she's trying to get her daughter up for school. Harper (the excellent Julia Butters) is - surprise! - an appealing, mildly turbulent teenager. And just like Anna two decades ago, she keeps people out of her bedroom. "Prepare to be triggered!' Anna yells before barging in. (The dialogue has been duly updated to the present time.) Driving to school drop-off, Anna is joined by her mom, Tess (Curtis), who has stylish gray hair now and is still a practicing therapist, podcaster and author whose latest topic is "Rebelling with Respect.' Dropping Harper off, Anna calls out "Make good choices!' - just what mom Tess used to say, natch. At school, Harper butts heads with transfer student Lily (Sophia Hammons), a budding fashion designer who hails from Britain and is very snooty. Anna is called to see the principal. There, she meets Lily's dishy chef dad Eric (Manny Jacinto), and the two flirt so intensely, the principal herself makes them a dinner reservation. All it takes is one cute dating montage, and poof, Anna and Eric are engaged. But things are still bad between Harper and Lily, whose animosity triggers a weirdly violent, all-school food fight on bake sale day. But they all have a bachelorette party to attend. There, a wacky fortune-teller and barista and business-card maker - Vanessa Bayer, in a cameo that perhaps, no definitely goes on too long - reads their palms. And then the earth starts shaking. "Freaky' fans know what happens next. The four awaken the next morning, each inhabiting someone else. Anna is Harper. Tess is Lily. Harper is Anna. Lily is Tess. We'll be testing you on this later! Seriously, it's easy to lose the thread. Also, one wonders: why doesn't Lily's British accent travel with her to Tess's body? If Curtis suddenly had a British accent, the pairing would make a lot more sense. Anyway, they go about their days. Lily, in Tess' body, plays pickleball awkwardly with husband Ryan (Mark Harmon is back, in a thankless part). Harper, in Anna's body, goes to a pre-wedding tango lesson with Eric, with disastrous results. Meanwhile, Anna and Tess, in their teen bodies, feast on junk food with impunity. "I haven't eaten real dairy since the Bush administration,' one says. Curtis, aka Lily, gets her best moment in a drugstore when her hubby asks her to get supplies from the "senior' aisle, and she stockpiles everything from adult diapers to enemas. Lohan's at her comic best when, as Harper, she tries to flirt the way she thinks her mother would. She's flirting with Jake (Chad Michael Murray) - yes, the hunky guy from the original - and her flirting is so weird, Jake thinks she's having a stroke. It all barrels toward a conclusion that we won't spoil. Will the wedding be derailed by the efforts of Lily and Harper? Will that derailment be temporary? Will the sisters-to-be reach an understanding? Will Lohan get to play the electric guitar? Will everyone grow to appreciate each other? That last question, we can answer. Of course they will. Whoever they are, and whatever they just did. "Freakier Friday,' a Walt Disney Studios release, has been rated PG by the Motion Picture Association for thematic elements, rude humor, language, and some suggestive references.' Running time: 111 minutes. Two and a half stars out of four.