logo
Everything to Know About ‘The Last of Us' Season 3

Everything to Know About ‘The Last of Us' Season 3

Yahooa day ago

The Last of Us, HBO's post-apocalyptic drama based on the PlayStation video game series of the same name, will return for a third season of mushroom monsters and character-driven storytelling. Like Season 2, Season 3 will be based on the game The Last of Us Part II, and tell the story from the perspective of Abby (Kaitlyn Dever), the traumatized soldier who (spoiler alert) tortured and killed Joel (Pedro Pascal) in front of his adopted daughter Ellie (Bella Ramsey) early in Season 2. Abby is a playable character in the game, so the shift in perspective is an established part of the story, and an important element in establishing its themes of empathy and forgiveness.
While we wait for news about Season 3, which could take a long while to produce, here's what we know about The Last of Us Season 3 so far, including cast, story, and potential premiere date.
More from GoldDerby
Jay Duplass on exposing his 'dad bod' and playing a 'soft villain' in 'Dying for Sex': 'Easily one of my biggest acting challenges'
5 slots isn't enough: More limited series deserve a chance to compete with 'Adolescence'
Laugh tracks: The state of the 2025 Emmy comedy race
The Last of Us was officially renewed for Season 3 in April 2025, shortly before the Season 2 premiere. There was a more than two-year gap between Seasons 1 and 2, and while the gap between Seasons 2 and 3 is likely to be shorter — the delay was partially due to the 2023 writers' and actors' strikes — it's still going to be long. It's rare for productions as large and visual effects-intensive as The Last of Us to take less than 18 months between seasons. Meanwhile, showrunners Craig Mazin and Neil Druckmann and executive producer Halley Gross are still in the process of writing Season 3, and no start-of-filming date has been announced, let alone a premiere date.
It's unclear if Season 3 will be the final season, but whether it is or not, the producers hope to get it out into the world in a reasonable amount of time. 'It feels like we've got one or two more seasons,' Mazin told Variety ahead of the Season 2 premiere. 'It's getting harder to make, because every episode gets big. You don't want to wait four years for a 17-episode finish, or whatever it is.'
Season 2 picks up about five years after the end of Season 1, when Joel massacred a hospital full of people in order to save Ellie, who is immune from the cordyceps infection that decimated humanity, from being killed so doctors could study her blood in order to find a cure. Ellie and Joel have found a home in the community of Jackson, Wyo., but their relationship has become strained because Joel lied to Ellie about what he did to save her. Ellie would like to forgive him, but doesn't know if she can.
One day, during a simultaneous infected attack on Jackson, Abby, who is the daughter of the doctor Joel killed as he was about to operate on Ellie, and her crew of followers reach Jackson and capture Joel, Ellie, and Ellie's friend Dina (Isabela Merced). Abby kills Joel, and Ellie vows to get revenge (or justice, which is how she thinks of it) as Abby and her people leave.
Ellie and Dina set out on a mission to find Abby, during the course of which they become a couple, Ellie reveals she's immune, and Dina reveals that she's pregnant. They track Abby to Seattle, where the paramilitary organization she's part of, the WLF, is involved in an ongoing conflict with a group of religious fanatics called the Seraphites. Ellie finds a member of Abby's group, Nora (Tati Gabrielle), and tortures her for Abby's whereabouts. Ellie ends up killing two more of Abby's friends, Owen (Spencer Lord) and Mel (Ariela Barer), the latter of whom was pregnant, before Abby finds her and Jesse (Young Mazino), the father of Dina's baby who has come from Jackson to help them. She kills Jesse, and as she's holding Ellie at gunpoint, we hear a shot ring out but don't see what happens. We then flash back to three days earlier, from Abby's point of view.
Season 3 will primarily be told from Abby's point of view as she develops a friendship with Seraphite dissidents Yara and Lev while the WLF, led by ruthless pragmatist Isaac (Jeffrey Wright), prepares to attack the Seraphites' base. Dever, who was a guest star in Season 2, will become the show's lead, while Ramsey will shift to a supporting role for at least some of the season, though how much is still TBD. 'I think that I'm going to be there, but not a whole bunch,' Ramsey told Variety. 'We've had conversations about that. I sort of have a rough idea of what it's going to be, but I can't tell you.'
Mazin said that how much already established characters like Ellie, Dina, Jesse, and Tommy (Gabriel Luna) will appear in Season 3 is still being worked out. 'All I can say is we haven't seen the last of Kaitlyn Dever and we haven't seen the last of Bella Ramsey, and we haven't seen the last of Isabela Merced, and we haven't seen the last of a lot of people who are currently dead in the story,' he said during a press conference for the Season 2 finale.
Bella Ramsey and Kaitlyn Dever will of course return as Ellie and Abby, respectively. Isabela Merced will return as Dina and Gabriel Luna will return as Joel's brother Tommy. Jeffrey Wright will have a larger role as Isaac, who only appeared a few times in Season 2. Spencer Lord and Ariela Barer will also likely return, as Owen and Mel play important parts in Abby's story. But, again, the story for Season 3 is still being worked out, and the cast is officially unconfirmed.
Season 3 will also introduce new characters, most importantly the aforementioned Yara and Lev, who have not been cast yet. Yara was played in the game by Victoria Grace, while Lev was played by Ian Alexander.
It's possible that Pedro Pascal could return in flashbacks as Joel, but that's perhaps unlikely, as all of his important scenes from The Last of Us Part II were incorporated into Season 2.
Like Seasons 1 and 2, Season 3 will air on HBO and be available to stream on HBO Max.
Best of GoldDerby
Jay Duplass on exposing his 'dad bod' and playing a 'soft villain' in 'Dying for Sex': 'Easily one of my biggest acting challenges'
Jon Hamm on 'Your Friends and Neighbors': 'None of us are perfect specimens'
'I'm very happy to be busy': O-T Fagbenle on his trio of Emmy-eligible performances
Click here to read the full article.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Andor' star Genevieve O'Reilly on her unlikely two-decade Mon Mothma journey: ‘I've closed the circle on her'
‘Andor' star Genevieve O'Reilly on her unlikely two-decade Mon Mothma journey: ‘I've closed the circle on her'

Yahoo

time28 minutes ago

  • Yahoo

‘Andor' star Genevieve O'Reilly on her unlikely two-decade Mon Mothma journey: ‘I've closed the circle on her'

Andor actress Genevieve O'Reilly's Star Wars journey has been longer and more circuitous than most actors in the franchise, but what a payoff she received. The ethereal Rebel leader Mon Mothma was originally portrayed by actress Caroline Blakiston in Star Wars: Return of the Jedi. Though her appearance lasted less than 30 seconds, the character quickly became an iconic part of Star Wars lore. O'Reilly later stepped into the role in her 20s for Star Wars: Revenge of the Sith — a brief appearance as well, but one that laid the groundwork for her deeper involvement in the franchise later on. More from GoldDerby Tramell Tillman could make Emmy history as the first Black Best Drama Supporting Actor winner Kristen Kish dishes on Season 22 of 'Top Chef,' Emmys, and the show's global impact: 'It's all driven by the fans' Patricia Arquette's 'Severance' character talks like that because 'she thinks that's what power sounds like' Much to her surprise, O'Reilly returned to the franchise as Mon Mothma just over a decade later in a slightly more fleshed-out role for Rogue One: A Star Wars Story, accompanied by turns voicing the character for the animated series Star Wars Rebels. But those brief stints were just the amuse bouche for the gourmet feast that awaited the actress as Mon Mothma moved to the head of the table for Andor. The Chandrilan senator was given a sweeping backstory loaded with all the gravitas, sacrifice and subterfuge one could expect of an emerging Rebel hero; meanwhile O'Reilly was given her own epic opus as an actress. Attending an FYC event for the Disney+ series at the Writers Guild of America Theater in Beverly Hills, O'Reilly joined Gold Derby to reflect on her wildly unexpected two-decade tour of duty in the Rebellion (which has also continued forward in Ahsoka), including the challenging moments that tested her commitment as much as her character's. Lucasfilm/Disney Gold Derby: Is it too soon to lobby for a Mon Mothma series? From the end of this show to the end of , there's a lot of potential story still in there for her. Genevieve O'Reilly: I bet! Would you be excited if the right call came to pick this character up yet again? I mean, do you know what? It's been such a gift of a surprise for me to come back — and back — and Andor has been revelatory for me in regard to this woman. So, always! If we could go further, I don't know if that's possible because of what Andor has achieved, it's just extraordinary. But yes. You've participated in a lot of different projects. What did that mean to you to of be a part of what may be a whole new direction for a certain type of film or series? I can only speak from my perspective to the writing, to Tony [Gilroy] and all those writers and what they achieved, in regard to a depth of character, the depth of interaction. And I think something that Season 2 really achieved was by jumping that year every three episodes it allowed for a real specificity of character, a real specificity of this moment and who this is, which allowed for kind of big swings — swings of character. So that was really interesting to me, that you didn't have to carry the audience with you from one moment to the next. You could drop in and just reveal something quite different. Did you have any unanswered questions about Mon Mothma at the end of this, or are you pretty satisfied with what you do understand about her? I remember something when I started this so long ago, that there was something in Caroline Blakiston's performance [in Return of the Jedi] that I was really curious about, and what that pain was at the center of her. And I was always seeking that. And I feel like at the end of Andor I've kind of closed the circle on her. I understand her pain. I understand that personal trauma and that personal relationship to sacrifice the Rebellion much more. Tell me about when you got that very first call to pick up this character all those years ago, what your reaction was then? And now, when you're become truly the custodian of that character after all this time and really been the one who got to play the things that deepened her and filled out her mythology. Can you compare and contrast those moments? There're three big moments for me, actually. The first one was just getting that role when I was a very young actor and just being wide-eyed and just it was so extraordinary to step onto those sets and be a tiny part of that. The real interesting moment for me was when they called me to ask me to do Rogue One, because that was 10 years later. So much had happened in that time. They didn't have to ring. They didn't have to ask me, do you know what I mean? They kind of could have reached out to anyone at that point and that felt special. So I thought, 'OK, maybe I have something to offer here.' And then when Tony rang in regard to Andor, I mean he's such an extraordinary writer. He had such a vision for the piece and he really wanted to allow space for her to have a proper story, to have story time, narrative time, rather than just be an expositional force, which she was previously. What was the most challenging but perhaps the most gratifying day of work on for you? Yeah, that was the speech. Mon's speech. It took a day and it was extraordinary and that was so important to me. It was so important to me. I felt it was the fulcrum of who she is, really the center. I thought that everything else makes sense if she can land that, it was a real gift that he gave to me and trusted me with and, yeah, I brought everything I could to it. And I'm sure, too, the dance. The dance is her transition — now she's . There's blood in her hands at that point. And being able to release her physically was just everything, because it is a lens into character. And we'd never seen her move, we'd never really seen her outside of that calm that she has. So to be able to expose that trauma, that chaos, physically was so wonderful. Yeah, revelatory, I hope, for the audience, and also for me as an actor. Best of GoldDerby 'Say Nothing' star Anthony Boyle on playing IRA activist Brendan Hughes: We 'get to the humanity as opposed to the mythology' The Making of 'The Eyes of the World: From D-Day to VE Day': PBS variety special 'comes from the heart' From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Click here to read the full article.

Olivia Williams was more than happy to be ‘the wise old bird' on the ‘Dune: Prophecy' set
Olivia Williams was more than happy to be ‘the wise old bird' on the ‘Dune: Prophecy' set

Yahoo

time29 minutes ago

  • Yahoo

Olivia Williams was more than happy to be ‘the wise old bird' on the ‘Dune: Prophecy' set

The first season of Dune: Prophecy led to a revelation that redefined HBO series core relationship and shed new light on the origin of its central villain. Throughout the first six episodes of the series, which was renewed for a second season at the end of last year, viewers watched a Tula Harkonnen (Olivia Williams), dedicated member of the Sisterhood and literal sister to Valya (Emily Watson), played surrogate mother to the young acolytes of her order. More from GoldDerby 'Andor' star Genevieve O'Reilly on her unlikely two-decade Mon Mothma journey: 'I've closed the circle on her' 'Forever' star Lovie Simone on traveling back to a 'nostalgic' time for Netflix's teenage romance show 'Severance' star Tramell Tillman could make Emmy history as the first Black Best Drama Supporting Actor winner And there was a very good reason for that. Toward the end of the season, a flashback revealed that not only did Tula give birth to the child of a Atreides, but the fire-wielding Desmond Hart (Travis Fimmel) was that baby. The two were eventually reunited, but under terrible conditions. Hart ordered Tula's arrest, no doubt setting up more confrontation in Season Two. Gold Derby caught up with Williams to discuss how she worked her character's secret into her performance and how the dynamics between the characters of the Sisterhood were reflected between the actors on set. Gold Derby: How familiar were you with the world of before the show? Olivia Williams: I have to be completely honest with you — or, I don't have to be, but I'm going to be—I didn't know anything about it at all. But I had a very quick crash course as soon as I was up for the job. And [showrunner] Alison Schapker is very good at explaining it. What were your first impressions of Tula once you got your hands on the script and got to know her a bit? It's an absolute bloody gift, isn't it? I had a teacher at drama school, and he was old enough to be Prussian. I don't know how old you were, but that's a country that's only in the history books now. He used to say to us, "Ducky, your subtext is showing," which was a warning that set me up very well for Tula. All you want as an actor is to be playing someone who has a massive secret that they cannot divulge with a nod or a wink. You have to absolutely play it as secretive. It was wonderful to carry around that secret until the amazing actress playing younger me got to enact what my big secret was. Something that's true across the show's two timelines is great casting for the younger version of the characters. Yes! It's so weird in movies, this six degrees of separation, but Jess[ica Barden, who plays younger Valya] had played my daughter in Hanna with Saoirse Ronan a million years ago. So she and I knew each other, and we're weirdly sisters across the universe, having played mother and daughter. She and I filmed Hanna in North Africa in Marrakech and in Hamburg the year of the volcano in Iceland, which grounded all the airplanes in Europe. She and I had been in a small people-carrier, driving from Marrakech to London a decade ago or even more, when she was a recalcitrant 15-year-old and I was a slightly haggard mother of young children. And now she's a slightly haggard mother of young children and I'm a wise old bird. And we're reunited! ... I think they did a really great job finding our younger selves. Emma Canning [who plays younger Tula] just nailed it. She was cast after me, so I had a chance to establish the character. She was studying my tells and habits and twitches and ticks. What was it like finally getting to see her performance? I was glued to telly, watching her every move. I wanted to say, "Oh, I wouldn't have done it like that," but I really couldn't. I was like, "No, actually, I really would have done it like that." The likeness is extraordinary. She's brilliant and a very lovely person. Did you know from the start of the job what Tula's secret was? I'm a cynical old bird, and I don't get involved in these things unless I've got something to do. There was a definite sense that closer to the finish of my career—though, not the end — I'm not wasting my time standing around for background action. I'd rather be in something small and have something to do than be in Hungary for six months on a big show with nothing to do. I made it very clear that I wanted to know whether this was going to be worth the time away from my family and dramatically, I wanted something to do. ... [The showrunners] were gloriously honest with me about what I was involved in, and I loved it from the beginning. ... Nothing is accidental. Everything that happened to me was present when we started shooting. Your readers might be astounded to learn how rarely that is the case with long-running series. What is it like going into a scene like the meeting between Tula and Desmond Hart? It can be many thing depending on the actor and how they work and how much contact you've had. If you were doing a play, you'd have sat down and talked about it like having therapy. But the way this was it was like having that real encounter. I don't know if you've watched any reality shows were people are reunited or united with their long-lost parent, and it doesn't go as either of them expect. In Travis' head, which I'm sure was born of the preparation he had done, he was absolutely driven with anger and resentment. And I went into it thinking, "My darling, dear lost child." That so often happens with family encounters. Each person goes into it assuming the other person thinks like they do, and there's that appalling realization that you come at something from polar-opposite positions. It was a sort of body blow, both real and metaphorical, that he wasn't pleased to see me and put me under arrest. We just went with the truth of that. I literally reached out my hands to embrace him, and he clamped me in irons. It was pretty shocking. We were in this exterior set, in the dying days of the shoot in Hungary, as Hungary plunged into a cold and bitter winter. The weather really reflected what was going on emotionally. It was tough shooting conditions and a tough scene to shoot emotionally as well. What was the experience of filming the scene in which Tula guides the acolytes through their dream? It's this appalling delusion of increasing age that I still think of myself as the youngest person on set. But I end up looking on in horror as these amazing young actors came up and said, "It's so amazing to work with someone with so much experience," which is a euphemism for "You're so old." But it was amazing as a different role to be cast in. Emily [Watson] and I were the wise old birds of the set, and once I got used to being a wise old bird, I settled sort of comfortably into that role and was prepared to give everyone the benefit of my wisdom whenever they were prepared to listen to it. To watch Chloe [Lea, who plays Sister Lila], in particular because our characters had a connection, she actually turned 18 as we were shooting and graduated from needing her grandmother there to be a chaperone to being a young woman free to roam as she pleased. We were a very sociable group who cooperated. That's a beautiful thing about acting. There isn't an age hierarchy, where a young actor usually leads the show. When you were acting, you're all equal. There's a beautiful evenness to it. Outside of that, Jade Anouka [who plays Sister Theodosia] was raising a young child, and I've had two kids. So anybody with kids was coming to Emily and me and going, "How do you mix filming with motherhood and being a good spouse?" I'm afraid I fall into the giving of advice only too easily. Best of GoldDerby 'Say Nothing' star Anthony Boyle on playing IRA activist Brendan Hughes: We 'get to the humanity as opposed to the mythology' The Making of 'The Eyes of the World: From D-Day to VE Day': PBS variety special 'comes from the heart' From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Click here to read the full article.

Troy Baker is the big cheese in Mouse: P.I. for Hire
Troy Baker is the big cheese in Mouse: P.I. for Hire

Engadget

time40 minutes ago

  • Engadget

Troy Baker is the big cheese in Mouse: P.I. for Hire

Troy Baker will don the cartoon fedora and play the lead role in Mouse: P.I. For Hire . The game has garnered buzz for its unique blending of genres. Imagine a film noir-infused cross between Cuphead and Doom . Baker will play Private Investigator Jack Pepper, the game's protagonist. He's a war hero turned detective who begins his journey responding to a cliché damsel in distress. Pepper's investigation then peels back the layers of the city's dark underbelly. It sounds like developer Fumi Games ticked all the items off the noir checklist. Oh, and don't forget the minor detail that he's a rodent. Expect plenty of cheesy (meaning puns about cheese) one-liners. Being a first-person shooter, Mouse: P.I. For Hire has plenty of Rambo-style room-clearing. Pepper's weapons range from conventional (shotgun) to comically ludicrous (turpentine cleanser). There's even an ode to Popeye: Down a can of spinach to beat your foes to smithereens. To view this content, you'll need to update your privacy settings. Please click here and view the "Content and social-media partners" setting to do so. The game's animation draws inspiration from the same 1930s cartoons as Cuphead . Like that game, Mouse: P.I. For Hire 's monochromatic visuals are all hand-drawn. (But whether it's as punishingly difficult as the 2017 classic remains to be seen.) Watching the delightfully wacky trailers, it's easy to see why gamers are keeping an eye on this one. It sounds like a wild ride. But that doesn't necessarily point to a game in need of an industry titan like Baker. So, perhaps there's more to the game's narrative than you might expect. Or, maybe The Last of Us actor is merely checking "played rodent" off his bucket list. (Couldn't blame him!) Baker said he's been following the game's development from its first teaser. "Its art style, gameplay and 1930s film-noir aesthetic continue to win me over. I cannot wait to keep working with the team to bring Jack Pepper to life and hope to have some exciting things to share as we get closer to launch!" You can check out the game's new trailer here. Mouse: P.I. for Hire arrives later this year. It will be available on all major platforms, including Switch 2.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store