logo
Beyoncé changes visual during third show after cease-and-desist from Sphere owner

Beyoncé changes visual during third show after cease-and-desist from Sphere owner

USA Today05-05-2025

Beyoncé changes visual during third show after cease-and-desist from Sphere owner
Show Caption
Hide Caption
Fans react as Beyoncé's 'Cowboy Carter' tour kicks off
USA Today's Beyoncé reporter Caché McClay went to the 'Cowboy Carter' opening night.
Beyoncé altered visuals in her "Cowboy Carter" tour after receiving a cease-and-desist letter from Sphere Entertainment Group.
The original visuals depicted Beyoncé interacting with the Las Vegas Sphere, which the Sphere claimed was unauthorized use of their intellectual property.
The cease-and-desist letter fueled speculation about a potential Beyoncé residency at the Sphere.
Beyoncé-Knowles-Carter made a change to the visuals used on her "Cowboy Carter" tour after receiving a cease-and-desist letter from Las Vegas Sphere owner James Dolan.
The Grammy-winning singer took hold of the stage at SoFi Stadium in Los Angeles for the third night of her Cowboy Carter and the Rodeo Chitlin Circuit Tour on May 4. The groundbreaking concert seemingly went on without a hitch. However, there was a minor, yet significant, change in a visual involving the Sphere.
In the original interlude, Beyoncé was seen towering hundreds of feet tall while striding through the Las Vegas skyline before she picks up and toys with the the Sphere. During Sunday night's show, she replaced the Sphere visual with Vegas' Allegiant Stadium — where she'll close out her tour in July. And her Parkwood Entertainment company made sure to reiterate this by posting the new visual on Instagram during the show.
Prior to the change, Sphere Entertainment Group Co. reportedly demanded the singer remove the visual by May 5, claiming she used Sphere's imagery 'without permission." According to the letter, it amounted to "unauthorized use of the company's intellectual property.'
The entertainment group accused Beyoncé of 'impermissible use and violation' of the company's intellectual property rights, which 'has resulted in significant speculation that Beyoncé will end her tour with a Sphere residency.'
As fans know, Beyoncé first debuted her tour at SoFi Stadium in Los Angles on April 28 with 39 songs on the set list. Her second show took place May 1 on the same stage. The groundbreaking concert proved to be spectacle of many things including fashion, different music genres and most notably country music and political commentary.
As fans know, Beyoncé first released the 27-track project in March 2024. It has since made history and broken multiple records. As Beyoncé's first country album, she deliberately featured country legends and emerging Black country artists alike. She became the first Black woman to win best country album at the 2025 Grammys and also took home album of the year.
The nine-city tour will span the U.S. and Europe with the grand finale taking place in Las Vegas on July 26. She's set to make history again with her scheduled tour dates, including by playing the most dates at SoFi Stadium of any artist.
Follow Caché McClay, the USA TODAY Network's Beyoncé Knowles-Carter reporter, on Instagram, TikTok and X as @cachemcclay.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Review: ‘She Who Dared' lovingly fact-checks civil rights history
Review: ‘She Who Dared' lovingly fact-checks civil rights history

Chicago Tribune

timean hour ago

  • Chicago Tribune

Review: ‘She Who Dared' lovingly fact-checks civil rights history

At what point does history become hagiography? Composer Jasmine Barnes and librettist Deborah D.E.E.P. Mouton tackle that question in 'She Who Dared,' Chicago Opera Theater's world-premiere retelling of the 1950s Montgomery bus boycotts—the real story, that is. It also may be making history itself: COT has advertised 'She Who Dared' as the first professionally staged opera written by two Black women. As we're reminded — or taught — more or less immediately in the opera, 15-year-old Claudette Colvin (soprano Jasmine Habersham), brainy and brash in equal measure, was actually the first arrested for refusing to give up her seat to white bus riders, in 1955. But local activists decided she was too risky to prop up as a martyr. Colvin (by then also pregnant) was too young, too untested, too dark. Instead, the boycott coalesced around Rosa Parks (soprano Jacqueline Echols), a light-skinned seamstress respected by Black and white Montgomery residents alike. 'Let the flame burn like Claudette, but keep it inside,' activists sing to Parks at one point in the opera. The movement's dismissal of Colvin — still very much alive, at 85 — in favor of Parks is usually a one-liner in history books, if that. 'She Who Dared' elevates it to the status of a secondary conflict, using the decision as a cipher to address colorism, classism, sexism, and other stigmas within the movement. Quite like last month's fabulous 'Treemonisha: A Musical Reimagining' at Harris Theater, 'She Who Dared' ends up being not just a history lesson but a trenchant satire of respectability politics. While its thesis is serious, the opera manages to strike a consciously light-hearted tone without making light of its subject matter. The opening to Act 2 is just as biting as it is amusing, with Echols, as Parks, hammily cavorting around Montgomery. At one point, a police officer tips his hat and offers Parks the crook of his arm. The opera's principals further represent the nuance of the movement in Montgomery. Susie McDonald (mezzo-soprano Leah Dexter) is a wealthy, white-passing widow; she was in her 70s at the time she was arrested. We follow Jeanetta Reese (mezzo-soprano Cierra Byrd) — an original plaintiff in Browder v. Gayle, the resulting 1956 Supreme Court ruling striking down segregation on public transportation — as she decides, agonizingly, to withdraw from the case, representing those who stepped away from activism out of fear for their lives. 'She Who Dared' is already strong, but it's further vaulted by COT's strong cast. Habersham's explosive, easily combustible soprano captures Colvin's fire. Like Parks herself, Echols is a master of reserve and release, stoking her big Act 2 aria like a slow burn. As McDonald, Dexter is pointed and iridescent. Meanwhile, Byrd's wide dramatic palette and flexible voice make the most of thankless roles as the movement's deserter and Montgomery's white power brokers. Filling out the cast were mezzo-soprano Chrystal E. Williams, bringing poise and chutzpah to the role of Aurelia Browder, Browder v. Gayle's lead plaintiff; lightning-bright soprano Lindsey Reynolds, another singer with local credits, as Mary Louise Smith, another young voice in the boycotts; and mezzo-soprano Deborah Nansteel as Jo Ann Robinson, a calm anchor through the opera's storms. Barnes has already marked herself as a composer to watch at other city institutions like the Chicago Symphony and Ravinia. In her first evening-length opera, she's already a natural, grazing gospel, tango and even klezmer in an ever-lively orchestration, guided with lyricism and grace by pit conductor Michael Ellis Ingram. Whether crackling with humor or invoking prayer, Mouton's text says what it means — not a subtle libretto, but one which drives the action forward well. In a marked improvement over October's 'Leonora,' 'She Who Dared's' set, designed by Junghyun Georgia Lee, was a stirring example of minimalism done right. Its centerpiece is a faithful rendering of a 1950s Montgomery bus, rotated by stagehands dressed as repairmen. Likewise, Yvonne L. Miranda's costuming embraces the show's scale, rather than working against it. In some scenes, characters donned just one extra piece of clothing to temporarily step into another role: a suit jacket to turn Robinson into Fred Gray, the boycotters' attorney, or a hat, shades and nightstick to turn Reese into a Montgomery city cop. It gave the opera the feel of reminiscing among friends — an appealing and deft way to handle historical retelling. Timothy Douglas's insightful direction supported this reading, squeezing as much characterization as possible out of the seven principals while keeping the action buoyant. The opera needs some TLC to land its ending. 'She Who Dared' loses its narrative drive in the final two scenes, defaulting to platitudes ('We brought a movement to Montgomery!') and cloying tunes. After reenacting the initial district court trial — in which Colvin, Browder, McDonald and Smith testified—the opera skims over the Supreme Court decision upholding the ruling. But it was that court which ended the boycott and desegregated public transit systems nationwide, not the district courts. (Plus, the appeal process alone almost doubled the length of the boycott — a significant sacrifice by the protestors.) That ending also evaded a darker coda to the bus boycotts, acknowledged in the show's comprehensive program notes: Black commuters faced vicious harassment once they resumed riding city buses. Some even maintained the old bus rules, just to avoid trouble. 'She Who Dared's' finale tries to nod at this, but it's too heavy-handed: The woman wait for the bus, then sing another number aboard it, noting there's 'so much change left to make.' A lighter touch would go further: boarding that bus, but acknowledging that we, to date, still don't know where it's going. Save a slightly racy account of Colvin's affair with an older man, 'She Who Dared' carries a kid-friendly approachability. In this political climate, that's an asset. I could see future stagings — and let's hope there's many more of those — inviting school groups to runs. With civil rights education under attack nationally, the arts are poised to step in, even as they wear new targets themselves. In fact, 'She Who Dared' itself received $30,000 from an NEA grant that has since been canceled. But general director Lawrence Edelson struck a note of defiance in his opening remarks on Friday, to cheers. 'We've already received the money,' he told the audience, 'and, as I've said before, they're not getting it back.' Hannah Edgar is a freelance critic. Review: 'She Who Dared' (3.5 stars) When: Through June 8 Where: Studebaker Theater in the Fine Arts Building, 410 S. Michigan Ave. Tickets: $60-$160 at

Meghan Markle Shares Pics of Archie and Lilibet Experiencing 'Pure Joy' at Disneyland
Meghan Markle Shares Pics of Archie and Lilibet Experiencing 'Pure Joy' at Disneyland

Elle

timean hour ago

  • Elle

Meghan Markle Shares Pics of Archie and Lilibet Experiencing 'Pure Joy' at Disneyland

Prince Harry and Meghan Markle appeared to enjoy Disneyland almost as much as their kids, Prince Archie and Princess Lilibet, in a Reel posted to Instagram by the Duchess of Sussex on Friday. 'Thank you @disneyland for giving our family two days of pure joy!' Meghan wrote in the caption of the adorable montage of the family's adventures. The whole group was at the amusement park for Lilibet's fourth birthday. Playing to Peggy Lee's song 'It's A Good Day,' the first clip showed a nervous Lilibet holding her mom's hand as she approached her hero, Elsa from Frozen. Lili was also gifted a Little Mermaid-themed birthday cake reading 'Happy Birthday Lili,' making it a day of Disney princesses for the royal one. The group could then be seen on various rides, including Tiana's Bayou Adventure, Buzz Lightyear's Astro Blasters, Space Mountain, Dumbo the Flying Elephant, and the King Arthur Carousel. Meghan shared a clip of just herself and Harry on the more demanding Rise of the Resistance, laughing and screaming together as they came down on the roller coaster. In a group shot, Meghan covered her kids' faces, but showed off her Minnie Mouse ears. Harry was kneeling by the two children and has his arm around Archie. Lili is barefoot and wearing a white dress covered in a colorful graphic bow pattern. Before the Disney party, Meghan celebrated Lili's fourth birthday with never-before-seen footage from the delivery room taken just ahead of her daughter's birth. In the clips, she and Harry are dancing together to help induce labor, because both Lili and Archie arrived past their due dates. 'Four years ago today, this also happened,' she wrote in the caption. 'Both of our children were a week past their due dates. So when spicy food, all that walking, and acupuncture didn't work—there was only one thing left to do! 😂.'

Video: Toddler's Thoughts on Friendship Is What We Need To Hear Today
Video: Toddler's Thoughts on Friendship Is What We Need To Hear Today

Yahoo

timean hour ago

  • Yahoo

Video: Toddler's Thoughts on Friendship Is What We Need To Hear Today

Kids often say the darnedest things; their unsolicited advice sometimes cracks everyone up, and we love them for that. Even Instagram mom Katy Robin experienced something similar with her daughter Emi. Her toddler's wise words left her emotional rather than surprised. In their Instagram video, the mom wells up upon hearing the toddler's 'thoughts on friendship.' Hear their heart-touching conversation in the clip to understand the true meaning of friendship from a child's perspective. It was a tear-jerking moment for Katy Robin (@katyrobinbird) when she heard Emi's 'thoughts on friendship' while 'biking home from preschool.' Their heartfelt conversation was a 'reminder' of what real friends are like. The toddler's friendship video starts with 3-year-old Emi politely expressing her desire to have a 'playdate with Frankie because she's so funny.' The mom appreciates her wish, saying, 'Good friends bring out the best in us,' and the toddler could not agree more. Emi goes on to explain that when she is 'super scared,' she runs over to Frankie. And what do you think Frankie does? Calm down Emi? No. She does something even better. Frankie laughs when Emi is crying. As a result, Emi laughs and they get 'better and better and better and better.' That is why Frankie is her best friend in the 'entire world.' For Emi, Frankie is 'the special-est.' This light-hearted conversation leaves the mom happy yet emotional. Emi's wise words in the toddler's friendship video struck a chord even with the netizens. Many commented on the post, with one person saying, 'This child has the wisdom of a gentle old soul. I love her and everything about her!' While another added, 'She has seriously amazing awareness and communication for a three-year-old! Wow! And obviously she is also a total love. Thanks for sharing.' Some users even admired Emi for being good at 'expressing' herself and 'articulating her feelings.' The adorable video has more than 346K likes on Instagram, thanks to Emi's words of wisdom. The post Video: Toddler's Thoughts on Friendship Is What We Need To Hear Today appeared first on Momtastic.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store