
How F1: The Movie locked down an astounding $40 million in real sponsorship
THE BEST RACING MOVIES OF ALL TIME: The 9 greatest racing films ever
While the budget of F1: The Movie has been estimated anywhere from $200-$300 million, a piece of that has apparently been chipped away by actual sponsorship sales. In the fictional story, washed up driver Sonny Hayes (Pitt) ends up joining the APX GP Formula 1 racing team alongside up-and-coming rookie Joshua Pearce (Damson Idris). While APX GP isn't a real team, the sponsorships for the driving team certainly were.
According to Forbes, producer David Leneer racked up around $40 million in actual sponsorships, including Mercedes, OMP, Tommy Hilfiger, Shark, Geico, EA Sports and APX GP's main sponsor Expensify. Leneer, who Forbes' Matt Craig described as "a pioneer of brand integrations in movies for nearly 30 years," brought in more dollars for F1: The Movie than his other projects like Top Gun: Maverick or the National Treasure and Transformers series.
It's a far more natural fit to put brands and logos into a movie that features a sport that is normally covered in brands and logos, but it is certainly a fascinating piece to Apple's latest release.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Geek Girl Authority
43 minutes ago
- Geek Girl Authority
Welcome to the Chatsubo: Apple TV+'s NEUROMANCER Is Now in Production
Highlights Apple shared a brief teaser for its highly anticipated adaptation of Neuromancer , which you can watch below. Neuromancer The 10-episode first season goes into production on the same day as the publishing anniversary of William Gibson's award-winning sci-fi novel of the same name. Callum Turner leads the cast as Case, a hacker plunged into a world of espionage. Neuromancer Welcome to the Chatsubo, cowboy. Neuromancer is now in production. Apple shared a brief teaser to celebrate the beginning of the production process for the 10-episode first season. Adapted from William Gibson's award-winning sci-fi novel of the same name, July 1 also marks the 41st publishing anniversary. That's right: Neuromancer hit bookshelves on July 1, 1984. RELATED: The Mule Wreaks Havoc in Foundation Season 3 Trailer and New Photos The aforementioned teaser showcases the Chatsubo, a bar in Ninsei of Chiba City. It attracts a bevy of colorful underworld characters, from hackers and dealers to criminals. Ratz, a man with a prosthetic arm, usually tends bar. About the Series Here's a synopsis per Apple: 'BAFTA Award-nominee Callum Turner ( Masters of the Air ) will star in the new 10-episode drama that follows a damaged, top-rung super-hacker named Case who is thrust into a web of digital espionage and high stakes crime with his partner Molly (played by Briana Middleton), a razor-girl assassin with mirrored eyes aiming to pull a heist on a corporate dynasty with untold secrets.' RELATED: New TV Shows This Week (June 29 – July 5) The Cast and Crew In addition to Turner as Case and Middleton as Molly, the rest of the Neuromancer main cast includes Joseph Lee, Mark Strong, Cleménce Poésy, Peter Sarsgaard, Emma Laird, Dane DeHaan, André De Shields, Max Irons and Marc Menchaca. Graham Roland and J.D. Dillard are co-creators, while the former takes on the role of showrunner. Dillard will be at the helm for the pilot episode. Roland and Dillard will also executive produce alongside David Ellison, Dana Goldberg and Matt Thunell for Skydance Television; Anonymous Content; Drake, Adel 'Future' Nur and Jason Shrier for DreamCrew Entertainment; and Zack Hayden and William Gibson. In Production Neuromancer will premiere on Apple TV+. As of writing, we don't have a release date. Before you go, check out the 'In Production' teaser below. On Location: The Lighterman in Apple TV+'s SLOW HORSES Contact: [email protected] What I do: I'm GGA's Managing Editor, a Senior Contributor, and Press Coordinator. I manage, contribute, and coordinate. Sometimes all at once. Joking aside, I oversee day-to-day operations for GGA, write, edit, and assess interview opportunities/press events. Who I am: Before moving to Los Angeles after studying theater in college, I was born and raised in Amish country, Ohio. No, I am not Amish, even if I sometimes sport a modest bonnet. Bylines in: Tell-Tale TV, Culturess, Sideshow Collectibles, and inkMend on Medium. Critic: Rotten Tomatoes, CherryPicks, and the Hollywood Creative Alliance.
Yahoo
2 hours ago
- Yahoo
Apple Music to Open 15,000-Square-Foot Studio in L.A.
Apple announced a new Los Angeles studio for its Apple Music division, touting it as the company's 'most ambitious creative project to date.' The Apple Music L.A. studio space, a three-story facility spanning more than 15,000 square feet, is slated to open later this summer — coinciding with the 10-year anniversary of Apple Music's June 2015 debut. It's located in Culver City in the Hayden Tract neighborhood. Nearby, the tech giant is building a 550,000-square-foot building complex on the border of Culver City and the City of Los Angeles, which will serve as its headquarters for the region and Apple TV+. More from Variety Apple's Latest iPad Air Model Is on Sale for Its Lowest Price Ever Beats Discounts Latest Headphones by Nearly Half Off for Limited Time The Beats Powerbeats Pro 2 Wireless Earbuds Are Marked Down, Ahead of Father's Day: Here's Where to Buy a Pair Online A central feature of the Apple Music L.A. studio is a 4,000-square-foot soundstage for live performances, multicam shoots, fan events and screenings. The facility has 'two advanced radio studios' with immersive Spatial Audio playback and adaptable setups for 'live interviews, casual chats, or impromptu performances.' There's a dedicated Spatial Audio mixing room outfitted with a 9.2.4 PMC speaker system as well as a photo and social media lab, edit room and green room. In addition, the L.A. studio has 'private isolation booths' for songwriting, podcasting, and one-on-one interviews. The building also has 'The A-List Corridor' and 'Archive Corridor,' showcasing images and artwork of 'unforgettable moments from Apple Music's past and present.' According to the company, the new L.A. studio will 'anchor' a global network of Apple Music's creative hubs already active in locations including New York, Tokyo, Berlin, Paris and Nashville, with additional studios 'coming soon.' 'Apple Music Radio has always been a home for storytelling and artistry, serving as a space for bold conversations and surprising moments,' Rachel Newman, who was recently appointed Apple Music's co-head, said in a statement. 'With this new studio, we are furthering our commitment to creating a space for artists to create, connect, and share their vision.' To celebrate its 10-year anniversary, Apple Music Radio is featuring week of specials and live programming. That includes the unveiling of the service's top 500 most-streamed songs over the last 10 years in a special countdown beginning on Tuesday, July 1; 100 songs will be announced per day, culminating with Apple Music's top 100 most-streamed songs to date on July 5. Apple Music is also launching Replay All Time, a special version of the annual Replay experience that allows listeners to see and stream the songs they've played the most since joining Apple Music. Best of Variety Oscars 2026: George Clooney, Jennifer Lopez, Julia Roberts, Wagner Moura and More Among Early Contenders to Watch New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
Yahoo
3 hours ago
- Yahoo
Euronews Culture's Film of the Week: 'F1 The Movie' - if ‘Top Gun: Maverick' was in the pits
Stop me if you've seen this one before... A talented, reckless loner who has seen better days gets coaxed out of retirement for one last ride. Along the way, he'll butt heads with a cocky whippersnapper who still has plenty to learn. And wouldn't you know it, the initial frostiness between the two hunky men melts into mutual respect, and the grouchy veteran ends up learning something too as he finally walks into the sunset, having become richer for the experience. Yeah, that's what we're working with for this Apple Original, Lewis Hamilton-produced sports film which yearns to be an old-school, high-octane celebration of Formula One. To be fair, in this respect, F1 – or should that be, F1® The Movie, for algorithmic purposes you understand - succeeds. However, as a high stakes drama featuring three dimensional characters and a decent script that isn't just an excuse for cramming in as much product placement as humanly possible and showing off quite to what extent Brad Pitt still looks like a Greek God aged 61, F1® The Movie is a broadly enjoyable but soulless blockbuster that passes the time providing you like your macho loners roguish and watching cars go vroom vroom vroooooom. You really can't fault them for trying. Following the success of Netflix's hit documentary series Formula One: Drive To Survive, making a big budget ad with a sponsors-pleasing trademark symbol in the title seems like a sure-fire way to get bums in theatre seats. But when you have a reported $300 million budget to play with, the least anyone could have done was chuck a few quid in the direction of the writer's room. In F1® The Movie, we follow how veteran driver Sonny Hayes (Pitt) is tempted back by former teammate Ruben Cervantes (Javier Bardem, charming as ever) to get behind the wheel of an F1 car, as a last-ditch attempt to save his flagging APXGP team from being sold by the shareholders. Along for the ride is Joshua Pearce (Damon Idris), a talented rookie in dire need of a mentor, and the team's technical director, Kate McKenna (standout Kerry Condon), who is tasked with turning the 'shitbox' car into a 'combat' machine. At least she's an age-appropriate love interest, because we all know where this leads. The team have nine races leading to the Abu Dhabi Grand Prix to turn it all around and show quite to what extent the world of Formula One is really terrific and not at all a problematic sport like so many others, la la la we can't hear you. Director Joseph Kosinski, cinematographer Claudio Miranda and screenwriter Ehren Kruger, who previously collaborated on 2022's Top Gun: Maverick, are all reunited here to... well, do much of the same. Except this time, it's with Brad Pitt and not Tom Cruise. To their credit, Kosinski and Miranda manage to shoot cars like they did planes, and make the racing scenes immersive. By using shooting on real circuits with the full co-operation of the organisers and using new, smaller IMAX cameras that sit on the cars, this will be the closest you'll get to living the F1 experience. The Easter egg cameos from real F1 pilots like Max Verstappen and Hamilton also add an air of authenticity to the proceedings. The weak link is Kruger, whose formulaic screenplay underserves the talent and resumes itself to: macho bravado is great, and lines like: "I'm just as bad as I used to be" and 'Do we have the car?' / 'We have THE DRIVER!' Add the lazy exposition from voice-over commentators during the races ('This is not where he wants to be – last place' - oh, gee, thanks a bunch, scribe!) and there are genuinely moments when you want to wrap your lips around an exhaust pipe. But then again, this is the same Ehren Kruger who botched up Scream 3, gave us scripts for Transformers: Revenge of the Fallen, Dark of the Moon and Age of Extinction, as well as the much-maligned live-action remake of Ghost in the Shell... So let's not act too surprised about the generic nature of this underdog sports drama. For all the F1® The Movie bashing, this crowd-pleaser isn't a bad time at the talkies. Provided you can look past the formulaic plot and the fact F1® The Movie is often half a movie and half a blatant PR exercise brimming with distracting product placement, it has its moments. Condon is great; the score by the ever-reliable Hans Zimmer is strong; some nice (if obvious) needle drops from classic rock legends Queen and Led Zeppelin sit well alongside chart-toppers RAYE, Tate McRae and Doja Cat; and again, the race scenes deliver the rubber-burning goods. If only they'd spent a bit more time and money on avoiding clichés and crafting something that feels less like an expensive corporate promo... Then the pedal could have truly been put to the metal. is out in cinemas now.