Bryan Cranston Reveals How He Ensures His Daughter Taylor Makes Her ‘Own Proper Decisions' at 32
The apple doesn't fall far from the tree for Bryan Cranston.
In addition to his successful career in shows like Breaking Bad and Malcolm in the Middle, the 69-year-old actor has watched his daughter, Taylor Dearden, follow in his acting footsteps. This year, she found mega-success this year in HBO Max's hospital drama, The Pitt, as Dr. Melissa King.
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Still, the 32-year-old actress isn't knocking down her father's door for Hollywood advice.
'First of all, as her dad, she does not want my direct advice,' Cranston joked to Today on June 13.
'Taylor is a wonderful, hardworking actor. She grew up in this business with my wife and I being actors. And so, we're so proud of her.'
Yep, even mom Robin Dearden is a part of the entertainment industry with roles on Magnum, P.I., and an episode of Breaking Bad. Cranston does have a few wise words to share with his daughter — if she decides to seek out his advice.
'The only thing that I can relay to her is how I have been for her 32 years on this planet and try to live a good life and be an exemplar to her, as she can look at and say, 'Well, this is how he did things and that seemed to work for him.' Or 'Oh, he tried that and that didn't work, so I'm going to do something different,'' Cranston continued. 'That's basically it. Just live a true life and let your kids see that and hopefully, they'll make their own proper decisions.'
Dearden appears to keep more of her interviews focused on her work on the streaming series, perhaps hoping to avoid the dreaded 'nepo baby' label — she wants her work to stand on its own.
Still, she has Cranston to sing her praises in the press — he's one proud dad.
'There is nothing that's more gratifying than when your kid receives praise. Nothing. No one can say anything to me that's better than that,' he gushed to the Associated Press on June 9. 'Her mom and I are just over the moon with her work on it. She's a very hard-working person. She grew up in it, so it's in her bones. She's in it for the right reasons and she loves it'Best of SheKnows
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Forever No. 1: The Beach Boys, ‘Help Me, Rhonda'
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But leader Brian Wilson believed in the song's potential, and after the band re-recorded it or single release (and for inclusion on the band's second 1965 album, Summer Days (And Summer Nights!!)) as 'Help Me, Rhonda,' it became the latest in a stunning streak of smashes for the family-and-friends quintet from Southern California. More from Billboard The 20 Best Beach Boys Songs (Staff Picks) Addison Rae Announces Dates For Debut 2025 Headlining World Tour How Brandon Lake Is Leading A Whole New Flock To 'What's Real And What's True' In Christian Music In fact, by early 1965, The Beach Boys was one of the only American bands still holding its own against the pop-rock raiders from overseas. The British Invasion was in full swing, and The Beatles alone had topped the Hot 100 six times in 1964. 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The flip-side to 'Dance, Dance, Dance' was 'Please Let Me Wonder,' another Spectorian love song with strikingly fragile verses and a near choir-like refrain. And perhaps most notably, Today! included the lovely but disquieting 'She Knows Me Too Well,' Wilson's first real lyrical examination of his own romantic insecurities and failings. All of these would ultimately point the way to the artistic leap forward the band would take on 1966's Pet Sounds, the band's intensely personal and overwhelmingly lush masterwork which disappointed commercially, but made them critics' darlings for the first time. But they weren't there yet. In mid-'65, they were still fighting to maintain their place in an increasingly crowded pop-rock landscape — and, not having reached the Hot 100's top five since 'I Get Around' nearly a full year earlier, they needed a no-doubter to lead off Summer Days. So Brian Wilson dug back in on the song he'd relegated to deep-cut status on the album before. 'Ronda' was much more in line with the group's earlier, simpler hits than the more lyrically and musically complex fare Wilson was starting to explore, but he was right that the song had real potential: It was a clever number that basically managed to be both a breakup ballad and an upbeat love song at once, with a chorus so relentless that you could hear it once and remember it for the rest of your life. It just needed a little extra maintenance. In truth, Brian did a lot more on the re-recording of 'Help Me, Ronda' than add an 'h' to her name and keep his finger steadier on the volume controls. He also clipped the intro, so it began right with its 'Well, since she put me down…' intro, dropping you right into the middle of the song's narrative. He tightened the tempo a little, and added some 'bow-bow-bow-bow' backing vocals to tie together the 'help-help me, Rhonda' pleas of the chorus. He added some extra piano and guitar to give the song's instrumental bridge a little extra zip. And perhaps most importantly, he laid an extra falsetto backing 'Help me, Rhonda, yeah!' on top of the chorus climax to make it stand out a little better from the rest of the refrain. They're all small additions, but you don't realize how much difference they make until you go back to the Today! original and wonder why the whole thing sounds so empty and lifeless by comparison. But while Brian Wilson allowed the song to soar, 'Rhonda' was anchored by a less-celebrated Beach Boy: Al Jardine. A high school friend of Brian's, Jardine had mostly served as a glue guy in the band to that point and had never sung lead on one of their songs, much less a single A-side. But Brian was intent on giving his buddy a spotlight moment, and decided Jardine would take the reins for 'Rhonda.' It was a good match: While the Wilsons' voices drifted towards the ethereal and sentimental, and Mike Love's had a more muscular, occasionally snide edge to it, Al Jardine's voice had both a sturdiness and an unassuming everyman quality to it. He was the Beach Boy best equipped to sell a relatable song like 'Rhonda.' And while 'Rhonda' was a less musically and lyrically ambitious song than others Wilson was attempting contemporaneously, there is still a bit of trickiness to it. It's a lyric that mourns a romantic split with one girl while attempting to simultaneously ask a new girl to ease his pain — and the vocal matches the shift; Jardine's singing is frenzied and pained and in the first half of his verses and smooth and composed in the second. From a less likable or compelling vocalist, the whole thing could've very easily come off like a cheap come-on, like he doesn't actually give a damn about either girl. 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By 1966, the group was pushing pop music into the future at a rate that would ultimately prove uncomfortable for both the public and for the Beach Boys themselves — though it would culminate in one more all-time classic pop single before it all fell apart. And 'Help Me, Rhonda' stands alone in all of pop history in at least one respect: It remains the lone Billboard Hot 100 representation for all Rhondas worldwide. No other song (or artist) with that name — outside of a No. 22-peaking Johnny Rivers cover of the song in 1975, featuring Brian on backing vocals — has ever reached the chart since its 1958 introduction. (No 'Ronda's either.) Tomorrow, we look at the final of the Beach Boys' three Brian Wilson-led No. 1s: the forever singular 'Good Vibrations.' 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