
Coronation Street icon who left soap after 25 years lands exciting new role
Coronation Street legend Sue Cleaver may have only just left her role as Eileen Grimshaw on the cobbles, but already she has her next job lined up.
Eileen left Weatherfield for a new life in Thailand earlier this month, after confessing that she had fallen out of love with George Shuttleworth (Tony Maudsley).
Having been given the chance to invest in son Jason Grimshaw's bar, Eileen decided to make her trip to Thailand permanent.
Sue announced her exit at the beginning of the year, explaining that she wanted to try new things.
'The door is still firmly open, but as I reached my 60th year, I decided it was time to embrace change, look for new adventures, and live fearlessly,' Sue said.
Now, she is doing just that as she joins the cast of Snake in the Grass at the Theatr Clwyd and Octagon Theatre Bolton.
She is set to star alongside Nicola Stephenson and Lisa Zahra when the production hits the stage this autumn.
Sue spent 25 years on Coronation Street, and previously revealed that she was 'privileged' to have done so.
Talking to Metro at the British Soap Awards, Sue's co-star Gareth Pierce, who plays on-screen son Todd Grimshaw, opened up about her departure.
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video
'It's so sad,' he told me. 'Sue's amazing and she really welcomed me in, as well. I screen-tested with Sue as well as with Dan Brocklebank and Peter Ash when I was coming in and that was probably one of the things that got me the job was that they both treated it as we were just filming those scenes by that stage. More Trending
'I was so lucky that Sue was so generous that we fell into the mother/son dynamic very easily. That's testament to her as much as anything that I did.
'We're hugely going to miss Sue. She's brilliant. Eileen is such an iconic character. But I think she's also a brilliantly equipped actress to see what else is out there. I think it's been a burning desire of Sue's for a while. I think she'll be brilliant in whatever she does.'
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This article was originally published on 9th June 2025.
If you've got a soap or TV story, video or pictures get in touch by emailing us soaps@metro.co.uk – we'd love to hear from you.
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Metro
4 hours ago
- Metro
Coronation Street icon who left soap after 25 years lands exciting new role
Coronation Street legend Sue Cleaver may have only just left her role as Eileen Grimshaw on the cobbles, but already she has her next job lined up. Eileen left Weatherfield for a new life in Thailand earlier this month, after confessing that she had fallen out of love with George Shuttleworth (Tony Maudsley). Having been given the chance to invest in son Jason Grimshaw's bar, Eileen decided to make her trip to Thailand permanent. Sue announced her exit at the beginning of the year, explaining that she wanted to try new things. 'The door is still firmly open, but as I reached my 60th year, I decided it was time to embrace change, look for new adventures, and live fearlessly,' Sue said. Now, she is doing just that as she joins the cast of Snake in the Grass at the Theatr Clwyd and Octagon Theatre Bolton. She is set to star alongside Nicola Stephenson and Lisa Zahra when the production hits the stage this autumn. Sue spent 25 years on Coronation Street, and previously revealed that she was 'privileged' to have done so. Talking to Metro at the British Soap Awards, Sue's co-star Gareth Pierce, who plays on-screen son Todd Grimshaw, opened up about her departure. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video 'It's so sad,' he told me. 'Sue's amazing and she really welcomed me in, as well. I screen-tested with Sue as well as with Dan Brocklebank and Peter Ash when I was coming in and that was probably one of the things that got me the job was that they both treated it as we were just filming those scenes by that stage. More Trending 'I was so lucky that Sue was so generous that we fell into the mother/son dynamic very easily. That's testament to her as much as anything that I did. 'We're hugely going to miss Sue. She's brilliant. Eileen is such an iconic character. But I think she's also a brilliantly equipped actress to see what else is out there. I think it's been a burning desire of Sue's for a while. I think she'll be brilliant in whatever she does.' View More » This article was originally published on 9th June 2025. If you've got a soap or TV story, video or pictures get in touch by emailing us soaps@ – we'd love to hear from you. Join the community by leaving a comment below and stay updated on all things soaps on our homepage. MORE: Natalie Cassidy slams 'disgusting and disgraceful' fake news story MORE: Coronation Street legend to stage TV return just weeks after exit MORE: Coronation Street star devastated as business burns down in fire


Metro
5 hours ago
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I watched 28 Years Later despite hating horror films - scaredy-cats should too
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To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video And I have to say, even as someone who despises jumpscares, it's definitely worth seeing. I do have a slight disclaimer in that I did demand Metro's senior film reporter Tori Brazier – who had seen the film the day before – warn me about the scariest moments. I was met with instructions like 'when you see the deer skull, close your eyes', and 'turn away when they enter the train carriage'. For those who have spent a life trying to stay blissfully unaware of the plot of the zombie trilogy, it's this: 28 years before the most recent installment, animal rights activists release chimpanzee lab subjects who essentially spread a rage-inducing virus across the UK creating 'the infected' (aka zombies). These running, blood-vomiting, shrieking monsters (who are largely naked by 28 Years Later) terrorise the UK to the point that the nation is placed in global quarantine, with human survivors left to defend themselves while life goes on in the rest of the world. In a little community, on a small island off the mainland, separated by one road through the water, 12-year-old Spike (Alfie Williams), his mum Isla (Jodie Comer) and his dad Jamie (Aaron Taylor-Johnson), have found safety. The film sees Spike and both of his parents make trips to the mainland; in his dad's case, it's so Spike can make his first kill; in his mum's, Spike's looking to find the mysterious Dr Kelson (Ralph Fiennes) who lives on the mainland and who Spike believes can cure Isla of her unknown illness. And of course, there's the infected to navigate around – especially the new alphas (aka super zombies) providing ample opportunity for blood, gore and scares. There's the opening five minutes, where we wait with bated breath to see if a roomful of terrified children survive the infected descending. Well, you can guess how that goes. And there's the scene where we see an alpha rip a man's head from his neck, withdrawing his spine like a bone from a tender beef rib, and using it to batter another man. But you know what, despite Tori's warnings, I only closed my eyes once (I did, however, jump out of my skin twice). Because, in that moment, I really felt like I would be missing out if I decided to watch the insides of my eyelids instead. The acting in this film is phenomenal. Right before it screened, Danny Boyle talked about the 'Harry Potter effect' and how there are an incredible amount of talented young wannabe-actors out there. We saw it with Owen Cooper in Adolescence, and we see it again with Alfie Williams who does a stand-out job, considering it is his character that leads the entire plot of the film. We feel his terror, fear for his safety from the offset, feel the immense pressure that's on him, see his youthful innocence when he notices his dad is exaggerating their successes, and treasure the moments he has with his mum, pulling silly faces in a crumbling cathedral. The main cast may be small but they are mighty. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes don't have a huge amount of screen time each but when they do appear, they draw you in with their quirks, flaws and humanness (which is kind of the whole point of the film, I know). Yes, I might have found the straddling of the slapstick comedy vs the heart-wrenching vs the horror jarring at times, but I'm well-assured that that is the beauty of Danny Boyle, and in honesty the film would be a lot weaker if even one of these aspects were missing. As part of her warning, Tori mentioned that there was one scary scene I must keep my eyes open for, and I'm glad I listened. Thinking they've escaped an alpha after a night of near-death experiences, Jamie and Spike walk back across the causeway, the stress falling away as they joke around. The peace doesn't last and we see an immense chase scene, with the camera panning in and out to show the splash of the father and son's strides being closely followed by that of their pursuer, all under an inky blue sky peppered with stars and northern lights. More Trending It's utterly gorgeous while also bringing you out in a cold sweat. I'd have been a fool to look away. And so I'm glad I faced my fears and gave into the horror genre. I would hardly say I'm a convert (I'll still be comfort-watching Miss Congeniality for the rest of my days), but maybe I'll go back and give 28 Days and 28 Weeks later a go. Maybe I'll even like them. Maybe I'll finally be able to face Hot Fuzz. Do you have a story you'd like to share? Get in touch by emailing Share your views in the comments below. 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Metro
5 hours ago
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Exit story for EastEnders' Bernie ‘confirmed' as The Six is revisited
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