'The Righteous Gemstones' Season 4, Episode 3 recap: Seann William Scott arrives, Tony Cavalero devil monologue
One of the biggest questions heading into Season 4, Episode 3 of The Righteous Gemstones is what will happen between Eli Gemstone (John Goodman) and Lori Milsap (Megan Mullally) after the kiss at the end of last week's episode. But before we get into that, Righteous Gemstones shows us what a perfectly placed flashback looks like.
The first episode of Righteous Gemstones Season 4 started with a big flashback to Elijah Gemstone (played by Bradley Cooper) during the American Civil War, but the flashback returned this week, this time just to the 2000s. Previous seasons of Danny McBride's show, in addition to its final season, prove that the talents behind the show know how to give their audience a flashback that's never used as a distraction or a gimmick, but really adds richness, and of course comedy, to the story.
"Initially we only did that in what we called the interlude, and it was usually Episode 5, and we would show some version of the Gemstones when they were younger, ... and to show a dynamic between Eli and Aimee-Leigh, and Aimee-Leigh and the kids, and why she means so much to all of them," Edi Patterson, who's a writer in addition to playing Judy, said about conversations related to the flashback moments throughout the show's run.
"I think [Season 3] was when we started going, maybe we can kind of weave this in. It just felt organic. And I think maybe that's the key, is just when it feels right, and [it's not] a narration in a movie or something, which can start to get like, 'Oh they just didn't know how to show, not tell, this.' We just never wanted it to feel like that. We only wanted to use it when it was necessary and super additive or super funny. And I think maybe that was the rule of thumb. ... Use it as a very special sauce."
SPOILERS FOR THE RIGHTEOUS GEMSTONES SEASON 4, EPISODE 3 INCLUDED BEYOND THIS POINT
This week's episode begins on a stormy night 2002, where we see someone has broken into the Gemstones home and is trashing the place, but specifically breaks the glass box surrounding Eli's gold-plated bible. Yes, this is the bible that Elijah took from chaplain Abel Grieves in 1862, after killing him and assuming his identity.
Hiding under the bed, trying not to be seen by the robber, is a young Kelvin, who comes face-to-face with the vandal. That's when we cut to adult Kelvin, played by Adam Devine, who has woken up from the nightmare scene we just saw. This is a regular terror Kelvin has, with Keefe (Tony Cavalero) pointing out that Kelvin's night sweats and nightmares have been getting worse. Kelvin says they're particularly triggered by stormy weather.
"I hate storms. ... It's like the devil peeing on ya," Kelvin says.
That's when Keefe gives a lengthy and truly phenomenal monologue about the rain being attached to satan's urine, ending with him getting an erection.
"At first it's gross, but it's the devil's piss, so it can play tricks on us, make people think that it's actually delicious," Keefe says. "He laughs watching the humans lick up all his evil rain piss. ... Your hot sorcery piss can't hurt us in here. Be gone, devil."
It's truly a moment only Tony Cavalero can pull off.
While Kelvin is battling night terrors, he also stalled the threat of his childhood treehouse being torn down, after it was damaged by the storm. And a particular highlight, he's been nominated for the prestigious Top Christ Following Man of the Year award, which instantly makes Jesse (Danny McBride), who's never been nominated, jealous.
Kelvin is quick to hit back at his brother who questions whether Kelvin is deserving of the nomination, saying that the work he's done with Prism has been far more successful than Jesse's Prayer Pods, which are now all being returned by their buyers.
Jesse maintains that the "death of Prayer Pods" is proof that there's "a war against Christianity" in the U.S., but Judy corrects him.
"The death of Prayer Pods dude is because people were jacking off in them," she says. "They were not praying. Homeboy over here even stocked them full of lotion."
"On gay Reddit they refer to them as Squirt Yurts," Keefe adds.
But the Prayer Pods aren't the only issue for Jesse. Firstly, he's trying to mentor Gideon (Skyler Gisondo), so his son sees him as his mentor figure, not Eli. And then Jesse finds out Vance Simkins (Stephen Dorff), who's also nominated for Top Christ Following Man of the Year, is opening more mini-mall churches, right next to existing Gemstone establishment. And of course, Vance is quick to point out to Jesse, at a meeting of The Cape and Pistol Society, that he has the upper hand over Jesse in this rivalry.
Things are also getting rocky for Judy and BJ (Tim Baltz).
While BJ was thriving in his pole dance competition, with Judy cheering him on from the front row, his last moved ended with a fall that resulted in him needing to be in a wheelchair. And the transition makes things tense between the couple, quickly.
But on to the new love bird, Eli and Lori, who are trying to hook up without the Gemstone kids or Lori's son, Corey (Seann William Scott), who grew up with the Gemstones, and his wife Jana (Arden Myrin), finding out. But at a barbecue with the Gemstones, Corey is already suspicious, with his suspicion getting stronger when they all have lunch at Jason's Steakhouse.
Ultimately, Eli and Lori have to confess that they've been "f**king," and it doesn't go over well.
"This is like horror movie shit," Judy says.
"Daddy you slut," Jesse adds, before all the Gemstone kids hide in the restaurant's walk-in freezer.
"If I could have anything in this world, I'd have you mama back, alive, with me," Eli says, starting to cry. "But I can never have that again. ... I've been so lonely, I wish you could understand."
To end the episode, while the Kelvin, Judy and Jesse have a service at a church across from one operated by the Simkins, in an attempt to ensure the existing congregation stays with Gemstone Ministries, we see Jesse's group of goons throw Molotov cocktails into the new Simkins church.
As the church goes up in flames, we hear Jesse preaching about the Gemstones being "good, honest people" who are "doing the Lord's work."
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To be able to play with those guys and see what they're going to do, and then when they were looking for directors, I think they just were starting to kind of pay attention to what our crew was doing. And our guys and I had told them that David Green made some of the funniest movies that were at our school. At that point he had only made sort of these serious Indies. But I knew he had a very wicked sense of humor that was very distinct and mischievous. So those guys sat down with David, and then he was booked on it, and we were off to the races. [The fight scene] I think was my first week of filming. With Seth and Franco coming in, and I'm explaining to them that it was my cat's birthday. I mean, we were just riffing. All that stuff was just riff. We were just pulling it all out of our ass. And it was so much fun to play with those guys. And I mean, that was a long fight. Shoot. I remember everyone got hurt at some point. I got concussed, I got hit in the back of the head with a bong and that kind of laid me out for a few moments. I think Seth broke his hand or fractured his hand or something. Everybody was getting banged up, but it felt like you weren't really participating in the fight scene if you didn't have some scars by the end of it. McBride stole even more scenes as the trigger-happy explosives expert on the set of a Hollywood war movie in this hit comedy directed by Stiller, who costarred with Robert Downey Jr., Jack Black, Jay Baruchel, Bill Hader, Matthew McConaughey, Nick Nolte, Tom Cruise, and more. That was that was such an insane shoot. I mean, it was like movie star camp … I was the new kid on the block. And suddenly I'm at a table reading with Tom Cruise and Jack Black and Robert Downey Jr. I mean, I was just trying not to shit my pants the entire time. But I can remember that it took a while to shoot that first sequence in Tropic Thunder, where it's the war scene at the beginning. I think it was almost like three weeks of shooting. And every day there's so much going on there. And so every day everyone was called in and you had no idea if you were going to be on camera or not. And I was so nervous. I hadn't said a word in this movie yet. And every day I would go in with my stomach in knots, up in that tower, waiting to blow the whole scene up. And every day I would get ready for it. And then the day would move on and they're not going to get to me. They're still shooting stuff with Steve Coogan, or they're still shooting helicopters flying in. And so for three weeks, I was just like at the edge of my seat every day, like, 'F--k, I got to do this. And in front of all these people.' And they finally got to me, like on the last day of [shooting there]. They just came up into the tower and just let me rip it. And I was just pulling all these lines out of my ass and just trying to make Ben laugh. It was all just sort of improv and I remember as soon as it was done, everyone on the crew started clapping and I was so relieved. Basically, I could breathe, finally. And Ben was like, 'You know, you did it. That's that.' And so I felt like I had passed the first test, but it was definitely three weeks of just sitting on the edge of my seat of like, 'Am I going to get canned when I open my mouth in this movie? Is that what everyone's going to realize I don't belong here?' McBride created Eastbound & Down with Foot Fist Way collaborators Hill and Best shortly after their indie film breakout scored a release from Paramount Vantage. It starred McBride as the very politically incorrect Kenny Powers, a disgraced ex-pro baseball player forced to return to his small hometown, and became a cultishly adored hit for HBO. After we got [Foot Fist Way] set up, Will and Adam were curious of what we wanted to do next. I just had a vision of just moving into television, and they were kind of surprised about that because most people were trying to get out of TV to make movies. This was in 2006, so TV wasn't quite what it is right now. But there was something about the format of storytelling, about breaking a comedy and having like three or four hours to tell a story as opposed to just an hour and a half. It just felt like we could be a little bit more outside the box and maybe take some more risks and chances and maybe create something a little bit more unexpected. I would just sort of make choices and decisions based on what I wanted to see. I don't think it was really until maybe a season or two into Eastbound, where I started to kind of feel confident in what we were doing. Jodi and I were very lucky on Eastbound because I think if we would have made that as a film, I think it would have probably done nothing. And at that time period, a lot of these comedies were really going through the test screening process, where you put the movie up in front of a test audience and people would give their opinions. Like Foot Fist Way, they put that to a test. I mean, it was fucking abysmal. I think [the score] was in the 30s or something, and it was because it was unexpected and it was strange and it wasn't like other stuff that was out there. And I just kind of knew that our tone and our style wouldn't survive that process. It takes a little bit for people to get their heads around what we were doing, especially with the kind of characters we were choosing to tell stories about. So I don't think at the beginning our stuff was made for a mass audience. But I think the more we created stuff, I think the audience caught up to what we were doing and started to understand our style more. Kenny is so, so special. They are all my children. I've had a good time inhabiting all of these sickos. But, yeah, Kenny was just something really special. Even just [with] the making of every season of that, we were going through so many different things in our lives. And it was with just all my friends from film school. And then suddenly… Adam McKay's there, and Will Ferrell was there. And the next season we're all down in Puerto Rico shooting another season, and every season someone else would get married or someone else would have kids. I don't go back and watch things again. But every now and then people will send me clips from the show and instantly be transported in time to what that felt like and how exciting that was and how much fun we were all having. I get that question a lot, [if we're surprised we got away with being so politically incorrect]. But it wasn't like people were asking for that even then. We definitely would get hounded by critics for some of the stuff that was in there. I think that Kenny's wrongheadedness always was an extension of his character. So for us, it felt like you could get away with that stuff as much as you could get away with a character murdering someone. None of it is admirable. I think ultimately, there's obviously risky, crazy shit in there, but I think all of it was an extension of that character. And I think when you're showing a character, there's latitude there to explore things that are uncomfortable or that sometimes hit those third rails if it's in service of a story and not necessarily in service of just insulting people or just trying to be provocative. For us, as provocative as some of that shit was, it always to us felt like it served a larger purpose. McBride's status as a major contemporary comedy force was even further solidified when he was cast as 'himself' alongside other self-satirizing stars Seth Rogen, James Franco, Jonah Hill, Craig Robinson and Jay Baurchel in this apocalyptic comedy directed by Rogen and Goldberg. It was honestly so much fun. I mean, what Seth and Evan built over those several years for R-rated comedies, it was sort of like unprecedented for our generation at that time. I always would look back at groups of people who made things I loved. Like growing up, watching all the old John Hughes movies or knowing that George Lucas and [Steven] Spielberg and [Francis Ford] Coppola and those guys all knew each other, or even just like watching the old cast from SNL, and seeing this group of people having fun, being around each other, creating, there's something about it and that's always what I love the most about comedies. Things like Ghostbusters and just seeing all these different talents working on something together. And I think with what Seth and Evan and Judd created for those several years, it was fun to see those familiar faces. It was fun to see everyone in something together. And that one especially was just an absolute blast because everybody was friends on there. And the fact that Seth and Evan were directing and there was nobody else calling the shots. It was these guys who were in the trenches with us making it, and man, we would have these 45-minute long takes. We would have takes that we would have to stop because the cameras overheated. They were running for so long and you would just go into a time warp. [They] would yell 'Action!' and then it was almost like the Holy Spirit was speaking through you. You just start speaking in tongues, just saying the most awful shit and just going at one another. And it was a complete joy. Vice Principals, created by McBride and Hill and starring McBride and Walton Goggins as two co-administrators vying for their high school's top post, only lasted two seasons on HBO. But it begot a fruitful relationship for McBride and his future Righteous Gemstones costar Goggins. The first time I met Walton, he actually had come in to audition for the third season of Eastbound. 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[Creating these stories and characters] is kind of what drives me more than anything. I just love telling stories, and I like creating stories, and it's honestly part of why I'm closing the chapter on Gemstones, as much fun as I've had making the show. As much as I love the entire cast and I've loved making it, I just want to tell more stories. And I see how quick time's moving on and I've been on Gemstones since I wrote the pilot in 2017. And it's been an absolute blast, but my brain is just firing and wanting to tell other stories as well. For me, that's kind of my driving force. What inspires me the most is just trying to find a new world and new characters to explore. I've never had a negative reaction to [the religious aspects]. I mean, it's not to say that maybe people haven't had a negative response, but it's been surprisingly positive. I think if you're a religious person, you might be turned off by, like, the profanity. And Walton Goggins's d--k hanging out. But ultimately, you also kind of despise these false prophets as well. This is a type of ministry that I don't think anyone who's religious really is trying to defend. And being from this region and even growing up in a religious house, I don't think the M.O. of the show was ever to be like a takedown of religion by any means. I really wanted us to walk a fine line that the butt of the joke was never someone's faith or was never belief. The butt of the joke was hypocrisy. And that's where we would find our humor. We wouldn't find it in mocking what people believe ultimately at the end of the day. And so I feel good about how we rode that line. And I think when you do that, I think you invite more people to come and enjoy the show. The [guest stars] have all been so awesome. I mean, any time we can convince anyone to come down here and play with us, we've never been disappointed, which is great. 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I will miss [Gemstones], and I miss all of them. I have good, fond memories of Eastbound and VPs. And I have so many great memories about Gemstones. But I'll keep working on something new, and if I wouldn't have stopped those shows, then I wouldn't have had Gemstones. So I just think about what's next? And what's the next world? And who are the next people I'll be able to talk into coming down here and f--king around with me. This interview has been edited for length and clarity. Best of GoldDerby Stephen King movies: 14 greatest films ranked worst to best The Making of 'The Eyes of the World: From D-Day to VE Day': PBS variety special 'comes from the heart' 'The Life of Chuck' cast reveal their favorite Stephen King works, including Mark Hamill's love of the 'terrifying' 'Pet Sematary' Click here to read the full article.