
The Guide: Kevin Hart, Twenty One Pilots, Cork Fringe Festival and other events to see, shows to book and ones to catch before they end
Kevin Hart
Saturday, May 3rd, and Sunday, May 4th, SSE Arena, Belfast, 8pm, £128/£73; Tuesday, May 6th, 3Arena, Dublin, 7.30pm, €88.25/€72.70,
ticketmaster.ie
From being booed off stage in his native Philadelphia in the late 1990s to becoming one of the most bankable names in comedy – he has sold millions of tickets to his stand-up shows over the past 25 years or so, not to mention becoming a familiar face in Hollywood movies – Kevin Hart has had quite the career trajectory. The comic, production-company founder, actor, awards host, singer, author and reality-television star manages to keep a whole pressful of plates spinning. At the centre of his Acting My Age tour, says Hart – who last year added the Mark Twain Prize for American Humor to his awards cabinet – are some deeply personal stories.
Gigs
Hayden Thorpe & Propellor Ensemble
Wednesday, May 7th, Deer's Head Music Hall, Belfast, 8pm, £15, cqaf.com; Thursday, May 8th, Grand Social, Dublin, 8pm, €23.65,
foggynotions.ie
Hayden Thorpe. Photograph: Eeva Rinne
Living in the bucolic setting of the Lake District, in northwest England, had a clear influence on Ness, the most recent album from Hayden Thorpe, the former lead singer of Wild Beasts. It's a musical reading of Robert Macfarlane's prose poem of the same name, from 2019, which was inspired by the landscape and history of Orford Ness, a former missile testing site on the Suffolk coast. Thorpe arrives in Ireland with a slimmer version of the boundary-breaking Propeller Ensemble.
Twenty One Pilots
Thursday, May 8th, SSE Arena, Belfast, 6.30pm, £62.50; Friday, May 9th, 3Arena, Dublin, 6.30pm, €61.35,
ticketmaster.ie
Rock bands rarely interrupt their performances with backflips and other gymnastics, but Twenty One Pilots isn't your average music act. The duo of Tyler Joseph and Josh Dun emerged from the Christian rock/rap scene in Ohio, but soon gravitated towards an expansive fusion of rock, rap, electro and pop. The pair arrive in Ireland close to the end of their world tour for last year's studio album, Clancy, which Kerrang! magazine described as creative, colourful and endlessly charismatic.
Festivals
Baggot Street Blues Festival
Saturday-Monday, May 3rd-5th, Star Bar, Dublin, various times, free,
thestarbardublin.com
The inaugural Baggot Street Blues Festival moves the bank-holiday weekend in the right direction. Across three days, from 3pm to late, the Star Bar, a new venue, will feature established hot-to-the-touch blues acts (Mary Stokes Band, Dublin Blues Cartel, Ben Prevo Band), ambitious up-and-comers (Blind Boys of Kilnamanagh, Steven McCann Trio) and international musicians (including the Turkish band Melted). The festival is free, although QR codes are available throughout the venue for artist donations.
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International Dublin Gay Theatre Festival
From Monday, May 5th, until Sunday, May 18th, Teacher's Club, Dublin, various times and prices,
gaytheatre.ie
Homo(sapien)
Since its inception in 2004, International Dublin Gay Theatre Festival has raised awareness of and support for established and developing gay artists and theatrical work. This year's highlights include The Strange Case of Dr Dillon, the true story of the Anglo-Irish trans pioneer Michael Dillon (Monday-Saturday, May 5th-10th), and Homo(sapien), a comedy solo show about self-discovery within a Catholic worldview (Monday-Saturday, May 12th-17th).
Féasta Ceoil an Spidéil '25
From Thursday, May 8th, until Friday, May 30th, Stiúideo Cuan, Spiddal, Co Galway, various days and times, €25/€22.50,
stiuideocuan.ie
Pádraig Rynne, Tara Breen, Jim Murray
Anyone who finds themselves out west in May should visit Stiúideo Cuan, one of Europe's finest recording facilities. Featuring a range of concerts by Ireland's leading traditional musicians, Féasta Ceoil an Spidéil '25 gets under way with Cormac Breatnach, Martin Dunlea and Brian Fleming (Thursday, May 8th) and Tara Breen, Pádraig Rynne and Jim Murray (Friday, May 9th). The series concludes with a concert by Steve Cooney and Breandán Begley (Friday, May 30th).
Cork Fringe Festival
From Friday, May 9th, until Sunday, May 11th, various venues, times and prices,
corkfringe.com
The inaugural Cork Fringe Festival, which features 20 events at 10 venues, celebrates 'the weird, the wonderful and the often under-represented' in the city's vibrant arts scene. Highlights include music (Rob Carlile, Friday, May 9th, the Roundy, 6.30pm, €12.50), theatre (In a Bad Way/Happy Capital, Saturday, May 10th, Everyman, 7.30pm, €21), comedy (How Do You Feel?, Sunday, May 11th, the Roundy, 7.30pm, €15) and visual art (Dreamscape/Eden, Friday, May 9th, until Sunday, May 11th, Laneway Gallery, free).
In conversation
John Boyne
Tuesday, May 6th, Pavilion Theatre, Dún Laoghaire, Co Dublin, 8pm, €15,
paviliontheatre.ie
John Boyne
Since 2023 the Dublin-based author John Boyne has been publishing novella-length books –
Water
,
Earth
,
Fire
– that, while ostensibly separate, have connected plots and characters. With the imminent publication of Air, about the relationship between a father and his teenage son as they travel thousands of kilometres together towards an uncertain future, Boyne has come to the end of his single-minded and well-received Elements quartet, so there's a lot to discuss. He's in conversation with his fellow author Claire Kilroy (whose 2023 novel,
Soldier Sailor
, was shortlisted for the Women's Prize for Fiction).
Still running
Myra's Story
From Monday, May 5th, until Saturday, May 10th, Gaiety Theatre, Dublin, 7.30pm, €41.05/€30.95/€26.45,
ticketmaster.ie
Fíonna Hewitt-Twamley
Myra's Story features the Ifta-nominated actor Fíonna Hewitt-Twamley not only as the homeless alcoholic of the title but also as more than a dozen other characters. Brian Foster's play is equal parts heart-warming and sad, with Hewitt-Twamley giving what the online magazine WhatsOnStage calls a virtuoso performance.
Book it this week
Matty Matheson, Vicar Street, Dublin, June 5th,
ticketmaster.ie
Clonmel Junction Arts Festival, Co Tipperary, July 4th-13th,
junctionfestival.com
West Cork Literary Festival, Bantry, Co Cork, July 11th-18th,
westcorkmusic.ie
Sounds from a Safe Harbour, Cork, September 11th-14th,
soundsfromasafeharbour.com
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Irish Examiner
2 hours ago
- Irish Examiner
Kevin Rowland of Dexys Midnight Runners: 'There was a lot of anti-Irish racism'
A loss to the Catholic Church, but a great blessing for popular music. Kevin Rowland was turned down for seminary school, but his alternative path did lead him to Dexys Midnight Runners and an impressive output since they broke through in the late 1970s. You can hear a light Wolverhampton accent, but Rowland, stylish as ever, speaks with a gentle lilt, passed on from his Irish parents. An altar boy in his early days, his calling must have been every Catholic mother's dream? "Yes, I think it is. She was very pleased and took me to see the bishop,' says Rowland, 72 this month. 'I asked her about it in 2007; she passed in 2016. I told her I was surprised about not getting into priest college. It turned out my parents were surprised too because there was a desperate shortage then, as there is now. I can only presume it was about getting into trouble at school and that they went to the headmistress for a reference." His impressive new Bless Me Father has a cinematic quality. He describes how a fractious relationship with his disapproving father nudges him into teenage rebellion, with a rap sheet that included arson, stealing a scooter, and violence. But then music and style become his saviour. As frontman of Dexys Midnight Runners, he is asked to suppress his Irish-ness at the same time as being driven by it. The band's first single, released in 1979, Burn It Down, had its title changed at the insistence of management to Dance Stance. "When I left school in 1968 and even before the last phase of the conflict kicked off in 1969, there was a lot of anti-Irish racism," explains Rowland. "At school, there was a lot about 'thick Paddies', and it intensified with the Birmingham pub bombings in '74, which were horrific. The Irish jokes made me fucking angry, which is what Burn It Down was about. I was quoting people like Behan because if the Irish are so fucking stupid, then why have they produced so many great writers? The people making the jokes were as thick as two short planks. I was living in Smethwick, and they would tell me these jokes because I had an English accent. I would tell them the same joke back, but make it about someone from Smethwick. I got so angry one night, I went home and wrote that song." When the band appeared on Top of the Pops in January 1980, as Rowland points out, this was the first expression from a new generation writing about the Irish diaspora while defining pop culture in Britain. "Yes, there was Shane MacGowan, Johnny Rotten, Elvis Costello, and Chas Smash - who was quite a significant part of Madness — Siobhan Fahey in Bananarama, Boy George, The Smiths, and it goes right up to Oasis; all of them were second generation Irish. It's quite mad." A few months later, Rowland and co were invited back on Top of the Pops to perform Geno. This time their image was more developed and inspired by Brando's Terry Malloy and the New Jersey dockers from On The Waterfront (1954), as well as the small-time criminals in Scorsese's Mean Streets (1973). During the performance, they band looked like a gang, and the soulful horns, along with Rowland's 'crying' style vocal would help set the tone for the new decade. The tribute to R&B singer Geno Washington written by Rowland and Kevin Archer was a UK number one. For the release of their debut album, Searching For The Young Soul Rebels, they reinstated the original title of the single to Burn It Down. The cover image was of a 13-year-old Catholic boy being burned out of his home in 1971 during the Troubles. I suggest it was a brave move. "Yes, thank-you, it was and I felt it," he replies "It felt quite subversive because nobody wanted to hear anything about Irish culture. It was a no-no, but at the same time I was sneaking things in." Rowland felt a kindred spirit in Shane MacGowan, but the relationship would soon turn sour: "We were way before The Pogues, and I knew Shane; we talked about Behan. He had supported us with The Nips, and I thought 'great', but in his first interview, he slagged me off. The guy who interviewed him said it was mischief and that he loved Dexys, but I took it personally." There were comings and goings in the Dexys line-up, but the departure of Kevin Archer was keenly felt. The band moved on in a new direction, adopting the 'gentlemen of the road' look partly inspired by the Irish Travellers Rowland met during a nomadic time in his teens, and a more Celtic sound was embraced. Come On Eileen, released in the summer of 1982, would be a global sensation, hitting the number one spot in several countries. It remains a definitive song of the era. After the success of the band's second album Too-Rye-Ay, their third, Don't Stand Me Down, saw another shift in aesthetics with the reduced line-up appearing on the cover in suits. "There's a song on there, This is What She's Like, I think it's the best song I've ever written," says Rowland. While the album wasn't a commercial success, its influence has been cited by an eclectic selection of musicians including Taylor Swift's co-songwriter and producer Jack Antonoff, Belfast DJ and producer David Holmes and Rolling Stone Ronnie Wood. What followed was a time of despair and addiction after the band split in 1987: "It was really difficult, I'd been doing Dexys obsessively for seven years. It was weird, I was waking up to a bad dream every day. I'd been ripped off, it was horrible, I was wondering what the fuck happened to my life, all the money had gone through my hands and I'd not enjoyed it much, there were bills coming in from everywhere.' Bless Me Father, which has taken 20 years to write "to get to the truth", delivers rare honesty and self-reflection. It was a final moment of desperation during cocaine addiction when he turned to prayer that eventually led to counselling and recovery. There are many moving moments that deal with the death of his parents and brother Pat. He writes beautifully of a return to Mayo: "I love it where my family is from close to the mountain, and if it wasn't so cold, I would live there; it's the one place I feel at home." Rowland, as the only constant member, reformed the band in 2003. He shortened the name to Dexys in 2012 but says they will soon relaunch again as Dexys Midnight Runners. The mix of performance and spoken word elements which he hinted at on 1985 track This Is What She's Like, were eventually realised. "That song gets the biggest applause when we do it. We don't do revival shows. For the last tour of The Feminine Divine [2022 album], it was in theatres, and we played the whole album in sequence. It was a drama with an interval, and then we played the old stuff, but it was the first half of the show that got the standing ovations." 'I wouldn't do it if there wasn't a new album, you have to keep moving forward, but I'm grateful for the past. I still get money from the old stuff, but that was more than 40 years ago. Van Morrison has a great quote about that when he says: 'It's hard to be someone else's nostalgia'.'


Irish Examiner
a day ago
- Irish Examiner
Niall Horan pays himself €2.2m on back of sell out The Show tour
One of Ireland's most successful entertainers, singer-songwriter, Niall Horan last year paid himself €2.2m on the back on a sell out worldwide tour. New accounts filed by the Mullingar man's Jaredon Ltd show that pay at the firm increased by 20pc from €1.85m to €2.23m in the 12 months to the end of March 2025. Horan enjoyed the €2.2m pay bonanza after a gruelling tour schedule in 2024 which commenced on February 20th 2024 in Belfast and concluded on October 9th last in Bogota, Colombia. One of the tour venues included New York City's Madison Square Garden where the concert was filmed. Underling how lucrative The Show tour was for the 31 year old, figures from the trade industry journal, Pollstar show that Horan generated €2.65m at the box office from three shows at the 3Arena in Dublin in 2024. Box office receipts are shared between artist, venue, promoter and ticket seller. At the end of the tour in Bogota last October, Horan posted on X 'the past eight months have just been incredible. I'll never be able to thank you all enough for what you've done for me. Every single one of you who came out to each show and made it all an unforgettable experience. Let's do it all again sometime'. Horan - who has amassed 39.3m followers on X and Instagram and best known for songs like Slow Hands and Nice to Meet Ya - is a regular on Irish Rich List surveys after a career that was launched after securing a place on One Direction in 2010 from his appearance on UK TV show X Factor. In the year under review, Horan's Slow Hands and This Town each passed 1bn streams on Spotify. Jaredon employs three people including fellow directors and accountants to the stars, Alan McEvoy and Barry Downes from the Limerick-based Livewire Business Management, which specialises representing well known figures in the music, entertainment and sports industries. Pay to the three totalled €2.32m and included directors' emoluments in respect of qualifying services last year totalling €30,000.


Irish Independent
2 days ago
- Irish Independent
Niall Horan cashes in on success of worldwide tour with €2.2m paycheque
New accounts filed by the Mullingar man's Jaredon Ltd show that pay at the firm increased by 20pc from €1.85m to €2.23m in the 12 months to the end of March. Horan enjoyed the €2.2m pay bonanza after a gruelling tour schedule last year that started on February 20 in Belfast and concluded on October 9 in Bogota, Colombia. One of the tour venues included New York City's Madison Square Garden, where the concert was filmed. Underling how lucrative the tour was for the 31-year-old, figures from the trade industry journal Pollstar show that Horan generated €2.65m at the box office from three shows last year at the 3Arena in Dublin. Box-office receipts are shared between artist, venue, promoter and ticket seller. Horan – who has 39.3 million followers on X and Instagram and is best known for songs like Slow Hands and Nice to Meet Ya – is a regular on Irish rich lists after a career that was launched in One Direction in 2010 on hit TV show The X Factor. Jaredon employs three people, including fellow directors and accountants to the stars, Alan McEvoy and Barry Downes from the Limerick-based Livewire Business Management. Pay to the three totalled €2.32m and included directors' emoluments in respect of qualifying services last year totalling €30,000. Cash funds at the company declined from €1.85m to €106,944. Arising from the €2.32m staff costs, the company recorded a modest loss of €39,863 last year. Accumulated profits at the end of March this year totalled €93,000. ADVERTISEMENT Away from the music studio, Horan has been busy investing in the likes of the expanding Irish athleisure brand Gym+Coffee. He is also the founder of Modest! Golf Management, which counts Ireland's leading female golfer Leona Maguire among the growing roster of golfers that it represents. Leona and her sister, Lisa Maguire are both on the management firm's roster, which also includes three-time Ryder Cup player Tyrrell Hatton and young golfing stars including European Tour player Connor Syme; former Walker Cup player Jack Singh Brar; South African Christiaan Bezuidenhout; and former Italian No 1 amateur Guido Migliozzi.