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The Weeknd Might Not Be Retiring His Music Persona After All

The Weeknd Might Not Be Retiring His Music Persona After All

Yahoo06-06-2025
The Weeknd has teased that Hurry Up Tomorrow— his sixth album and upcoming film of the same name— also marks the end of the artist fans have grown to love for over 15 years.
However, that may not necessarily be the case.
While promoting the film at CinemaCon 2025, Abel Tesfaye told EW that this moment feels like both a death and resurrection. 'It feels like it [the end of the Weeknd]. I mean, I've kind of toyed with the idea in the past with albums,' he noted. 'But it could also just be a rebirth. Who knows?'
Back in January, the 35-year-old announced plans to retire his alter ego. 'It's a headspace I've gotta get into that I just don't have any more desire for,' he explained to Variety. 'You have a persona, but then you have the competition of it all. It becomes this rat race: more accolades, more success, more shows, more albums, more awards and more No. 1s. It never ends until you end it.'
Hurry Up Tomorrow marks the conclusion in the trilogy that began with 2020's After Hours, which was followed by 2022's Dawn FM.
The film follows a fictionalized version of himself, also named Abel, who gets taken on an insane ride by a seductive stranger, Anima (Jenna Ortega). Director Trey Edward Shults, shared with EW in February that he 'tried to make the movie in a way where, for his fans and people who want to approach it at that level, I hope it's very satisfying and you get a good meal out of it.'
Shults confirmed that it was an 'absolute possibility' that the movie would be The Weeknd's last hurrah chapter, adding 'For people that aren't his fans and don't know anything about him or even care about the final capping of the Weeknd, I think you still have a great movie to go through.'
The Weeknd considers the film to be 'really introspective and cathartic.' It hits theaters this Friday.
More from VIBE.com
The Weeknd's 'Hurry Up Tomorrow' Film Trailer Hints At A Mind-Bending Experience
The Weeknd Earns Fifth No. 1 Album With 'Hurry Up Tomorrow' Debut
The Weeknd Releases Star-Studded 'Hurry Up Tomorrow' Movie Trailer
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Timothée Chalamet Transforms into a Ping Pong Star in A24's 'Marty Supreme'
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When Peter Jackson's epic adaptation of The Lord of the Rings: The Fellowship of the Ring debuted on December 10, 2001, it was considered a likely boondoggle. Hollywood hadn't launched a truly successful fantasy film franchise since the first Star Wars trilogy in the 1970s. If it was going to create one now, the savvy take was that the Harry Potter movies were a better bet, with a more active fan base and a simpler, more movie-friendly plot structure than that boasted by JRR Tolkien's labyrinthine Lord of the Rings trilogy. What's more, Peter Jackson's last major film, 1996's The Frighteners, was a flop. Jackson, Variety wrote at the time, with slight incredulity, 'must have convinced someone that he would do it right.' Vox Culture Culture reflects society. Get our best explainers on everything from money to entertainment to what everyone is talking about online. Email (required) Sign Up By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Fellowship and its sequels became a template for what Hollywood success would look like over the next two decades. It showed executives that people were eager to see expensive, high-production value adaptations of intellectual property they already knew and loved, and that they would pay well for the privilege. It showed that audiences were willing to put up with a certain amount of lore — even labyrinthine lore — in exchange for high-stakes battles with a little artful CGI to make them look all the more epic. But Fellowship had a special resonance with its audience because of the moment in which it came out: a mere three months after September 11, 2001. It met an American audience ready and eager to throw themselves into the story of an epic battle between good and evil — one that good was definitely going to win. The parallels felt almost too good to be true. It met an American audience ready and eager to throw themselves into the story of an epic battle between good and evil — one that good was definitely going to win. 'With the world newly obsessed with the clash of good and evil, the time would seem to be ideal for 'The Lord of the Rings,'' mused Variety. 'Tolkien's tale of good people who band together against a Dark Lord and his minions has never been more timely than in our troubled age,' declared the New York Post. The Fellowship of the Ring introduced audiences to the peaceful, prosperous Shire, only to show them how its vulnerable borders left it open to attack by the faceless, subhuman hordes of the forces of evil. Tolkien's The Lord of the Rings, with its pacifist hobbit hero, is frequently read as an antiwar tract. But to an American audience that felt newly vulnerable and desperate for revenge, Jackson's Fellowship felt like a perfect allegory for why a 'war on terror' was not just desirable but in fact necessary. 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