
Shashwat Singh on singing Zamaana Lage with Arijit Singh: It was a market call
When asked if Arijit's smooth voice and popularity could pose a threat to singers across generations, especially when it comes to romantic numbers, he said,'I don't think that's the right word,' adding, 'I think we can all learn a few things from him, and form our own identities. Once you get noticed, you will have your own songs. But as I mentioned earlier, these things are not in our hands.'Shashwat Singh went on to speak about how Bollywood is currently missing true-blue romantic songs, especially ballads. While acknowledging that the number of such tracks may have declined, he believes there are still enough love songs out there. 'Something like 'Metro... In Dino' may not have happened for a while, but there are so many romantic songs. I agree that there was a lull period in Bollywood, but now the genre is making a comeback," he added. We also quizzed him about the challenges of catering to a young audience that is growing up on trending and viral music, with access to global sounds. 'If you ask a 15-year-old from a cosmopolitan city whether they're listening to Bollywood music, they would say no. But in smaller cities, people still love cheesy romantic songs and enjoy Bollywood too. People keep saying our films and songs are no longer relevant, but that's far from the truth,' he shared.advertisementOn a final note, he addressed the subject of royalties - a debatable topic that's often only discussed in whispers. 'There's a lot of improvement in the current state of royalty distribution. We have bodies and boards for support, especially for singers. It's a positive and encouraging change, as people have been fighting for this for years. Of course, how it should be done and how much it should be - that's another discussion. Singers create the audio but are then told, 'You just sang what we asked you to', so it's definitely a big debate we'll have another day,' Singh added.'Metro...In Dino' released in theatres on July 4.- Ends

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India Today
41 minutes ago
- India Today
‘Saiyaara' and a nation in the mood for love
(NOTE: This article was originally published in the India Today issue dated August 4, 2025)No reels were shot. No interviews given. No city tours or visits to malls and colleges. Relying on its ballad-heavy soundtrack and the track record of director Mohit Suri (who has done most of the pre-release heavy lifting), a romantic drama featuring two newcomers—Ahaan Panday and Aneet Padda—has sprung out of nowhere to create a mini tremor at the box office. Opening day collections? Rs 21.5 crore. Doubts about the figure being inflated or fudged were abound, but by the weekend of July 18, nobody could deny that Saiyaara, a new film about a young couple whose love is challenged when one of them develops early-onset Alzheimer's, is a smash hit. Rs 83 crore in three days! Records have already piled up: biggest opening weekend for a film featuring rookies, biggest opening for a romantic film in Indian cinema... With week one set to easily cross the Rs 150 crore mark, the film is destined to enter the Rs 300 crore club. That these numbers come at a time when the love story was deemed a deadbeat genre on the big screen has made this accomplishment all the more how did it happen? The key, as has been the case with many of Suri's previous romantic outings (Murder 2, Aashiqui 2, Ek Villain), may be the soundtrack, which not only complements his emotional narratives but at times also supercedes it. Saiyaara's album features fresh vocal talent like Faheem Abdullah, who has sung and co-composed the title track, which has busted the charts and has the youth singing Suri, 'If I have had a good musical record, it's because my education has been with a company that prioritised and paid attention to music and lyrics.' He credits his uncles Mahesh and Mukesh Bhatt, whose banner Vishesh Films gave him his big break, and adds, 'Music and romance go hand in hand. Tell me one love story that did well but didn't have good music. I like to have my ears to the ground, to stay in touch with what people are hearing and connecting to.' Earworms he's anchored like 'Phir Mohabbat', 'Tum Hi Ho' and 'Galliyan' still dominating the airwaves are proof that he knows what he's doing. MUSIC MEETS FILMJust a track record of successful romantic releases, however, didn't mean that Suri had an easy time selling the movie to producers. He conceived the film at a time when the genre was struggling to put bums on seats. The industry belief has been that ever since COVID-19, the audience has been content watching love stories from the comfort of their homes on OTT platforms and it is the adrenaline-heavy, larger-than-life action spectacles that are thriving on the big felt the void. It helped that he had just happened to see The Romantics, the Netflix documentary series tracking the origin and rise of Yash Raj Films (YRF). 'I was roaming around with the script and a lot of people were genuinely concerned about me and said that no one is going to make a film like this,' he says. Loosely inspired by Korean film A Moment to Remember, Suri wanted to craft a musical romance around a creative partnership—a hotheaded singer and a heartbroken writer who inspires him and he male lead, played by Panday] has bare raw talent who doesn't know what to do with it; [the female lead, Padda] has the words and knows how to channelise the best from him. They are soul mates but can't be together,' he adds. This dynamic is different from the one in his other blockbuster romance, Aashiqui 2, which was more supportive than did Suri know that Yash Raj Films, otherwise busy building up their Spy Universe, was on the lookout for a love story. To invest Rs 50 crore on a film with two twentysomething newcomers was a gamble they were willing to take. Casting director Shanoo Sharma, who has brought to Bollywood talents like Anushka Sharma, Ranveer Singh and Bhumi Pednekar, found the perfect pair in Panday (cousin of Ananya Panday) and Padda, whose earlier credit is a little-seen web series Big Girls Don't Cry. YRF was confident it had an ace up its sleeves with the genre it was once synonymous with—romance.'It meant a lot to me that mine was the film with which YRF wanted to come back to the genre,' says Suri. 'My education in romantic films was going to theatres and watching Yash [Chopra] ji and Adi [Aditya] sir's films. We all grew up falling in love with the kind of films they did.'advertisementInterestingly, the young leads were spared the burden of a promotional blitz. 'We wanted to take away those expectations,' says Suri. 'I think they have excelled. They have given it their all. They went all in, their hunger is there. They are more skilled and prepared than [we were when] we started out. They want their work to talk.'RETURN OF ROMANCEAnd talk it has, with 27-year-old Panday, particularly, being celebrated as the next big thing. Much chatter has been around how the film could portend the return of romance in Hindi cinema. After all, not since Kaho Naa Pyaar Hai, 25 years back, has a love story with debutants been embraced with such the crystal ball remains hazy. Kaho Naa... came at the tail-end of a decade of love stories, in which Shah Rukh Khan led the wave with his trademark outstretched arms. In recent times, the only other Hindi romantic film to have connected so feverishly with audiences was Sandeep Reddy Vanga's Kabir Singh (2019), with its wild-child of a hero leaving some audiences unsettled by his rage and Yet the industry appears hopeful. 'Thankfully, Saiyaara has made heads turn and made everyone realise that it's the big intrinsic idea that really drives the box office.... I hope it makes the industry realise that what we need is not one genre over and over again. We need to give audiences a variety,' says Akkshay Rathie, director at Aashirwad Theatres and a film exhibitor. Annukampa Harsh, a fortysomething writer who saw the film with her mother, says that Saiyaara is proof that 'the old school works.... We don't need 'modern' love stories. The only thing new about love today is how we seek it.'advertisementWhether any of the upcoming romantic films in the next few months (see Love is in the Air) will resonate the way Saiyaara has with the audiences remains to be seen. But what is clear right now is that Panday and Padda are two of the industry's brightest young stars basking in the success of a debut that could only have been written in the to India Today Magazine- Ends


India Today
2 hours ago
- India Today
England lose morale battle as heroic India pull off Manchester heist
India Today Podcasts Desk UPDATED: Jul 29, 2025 19:15 IST India scripted a great escape in the 4th Test match at Manchester. Ben Stokes's England were left frustrated by the grit of Ravindra Jadeja and Washington Sundar. Controversy struck on the final day of the Test match when Jadeja and Sundar refused to go off the field, despite the hassling of Ben Stokes and Co. England, led by Stokes, wanted the batters to call it curtains much before the scheduled closure of play after realising that they were not going to win the match. A massive wave of criticism followed Stokes and his team for unsportsmanlike conduct and trying to dictate the opposition's approach with the bat. Safe to say, the self-proclaimed custodians of the game failed morally as well. In the latest episode of the Sledging Room Podcast, Akshay Ramesh, Saurabh Kumar and Kingshuk Kusari discuss the draw in Manchester, which felt like a win. They also build up to the 5th and final Test match of the series, which might have major workload concerns for both teams. Produced by Garvit Srivastava Sound mixed by Rohan Bharti


India Today
4 hours ago
- India Today
Simbu-Vetri Maaran film not shelved, film to begin shooting in mid-September
Filmmaker Vetri Maaran's much-anticipated film, starring Silambarasan TR aka Simbu, is officially set to begin shooting in mid-September. The project, tentatively titled 'STR 49', had been subject to speculation regarding possible shelving due to financial hurdles and external pressure. However, these rumours have been dispelled by a source closer to the production. India Today has exclusively learnt that the film's production is on film, under the direction of Vetri Maaran, is linked to the universe of his iconic film 'Vada Chennai', which starred Dhanush, Samuthirakani, Ameer and Aishwarya Rajesh. This connection excites fans and promises a continuation of the gritty cinematic world previously to the intrigue, director Nelson Dilipkumar will play a cameo in the film. Known for directing 'Doctor' and 'Jailer', he brings additional star power to the project, alongside confirmed cameos by actors Kavin and Manikandan. Despite the financial rumours, production is moving forward with Silambarasan TR opting for a unique remuneration model. "Silambarasan TR has opted for a profit-sharing model instead of upfront remuneration," said the source. Earlier, a promo teaser was shot, and it may release theatrically with 'Coolie' on August 14. Produced by Kalaipuli S Thanu's V Creations, the film promises to maintain the quality and storytelling depth associated with Vetri Maaran's previous works. The presence of returning cast members Andrea Jeremiah, Samuthirakani, and Kishore, who were part of 'Vada Chennai', further strengthens the continuity and depth of the the team's dedication, the film remains on schedule, with preparations for the regular shooting phase underway. The excitement surrounding 'STR 49' is palpable, with its continuation of a beloved cinematic universe and the promise of innovative storytelling.- Ends