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Hannah Spearritt and Louie Spence quit Celebrity SAS first

Hannah Spearritt and Louie Spence quit Celebrity SAS first

S Club 7 singer Hannah Spearritt and former TV dancer Louie Spence will no longer take part in the new series of Celebrity SAS: Who Dares Wins.
The Channel 4 military reality show opened with the 14 celebrity recruits hooded and standing on a breakwater before they were asked for their identities by chief instructor Billy Billingham who told many of the celebrities 'don't grin at me'.
He then led them on two tasks, the first to plunge 26ft into the water and swim to intercept a boat, which picked them up, and the second to rescue three hostages from a building before blowing it up with a grenade.
2 Celebrity SAS recruits quit in first episode
Before the second challenge began, Spearritt, 44, handed over her number tag to directing staff, telling them: 'I'm done, I'm sorry, I've reached a point'.
In a pre-recorded interview which was played after her withdrawal, she said: 'I don't think I'll go on the first day,' adding she 'wouldn't forgive myself'.
During the task, Spence, who is best known for the Sky TV show Pineapple Dance Studios, threw a grenade into the building while it still had two hostages in it and afterwards told the directing staff he wanted to withdraw.
He was given a second chance to put his armband back on but turned it down.
Spence said: 'I want to do an immediate withdrawal, I just don't have the conviction, and I feel as though I'm not dedicated enough.'
He was told that he 'hadn't even started' but Spence replied 'that's what I mean'.
After the first task, former model Rebecca Loos was pulled in by directing staff after she gave up during the swimming challenge.
She was asked to open up on her alleged affair with footballer Sir David Beckham, who she worked for as a personal assistant, during the interrogation.
In an interview before the first task, former Drag Race UK star Bimini Bon Boulash said the show would be 'a piece of p***' after growing up as a queer person in Norfolk.
Top 10 best British TV series
After the second task, former Watford striker Troy Deeney, who also threw a grenade into the building before clearing the hostages, was pulled in by the instructors where he opened up on physical abuse he and his mother received from his late father.
The show sees celebrities enter SAS training where they are not eliminated and are instead culled by the directing staff or able to withdraw themselves, with those who remain at the end declared the winners.
Celebrity SAS: Who Dares Wins full lineup
Here is the full lineup for the latest series of Celebrity SAS: Who Dares Wins.
With two recruits already gone, the remaining lineup includes:
Traitors winner and former soldier Harry Clark
Media personality Rebecca Loos
Former Premier League Footballer Troy Deeney
Professional boxer Conor Benn
Former Love Island contestant Tasha Ghouri
Former X Factor contestant Lucy Spraggan
Former footballer and broadcaster Adebayo 'The Beast' Akinfenwa
Former Love Island contestant Chloe Burrows
Former Love Island contestant Adam Collard
Author Michaella McCollum
Rapper Lady Leshurr
Drag artist and DJ Bimini
Recommended reading:
How to watch Celebrity SAS: Who Dares Wins 2025
Celebrity SAS: Who Dares Wins continues on Channel 4 on Monday, August 4 at 9pm.
New episodes will air on Sundays and Mondays.
If you missed the first episode, you can catch up on the Channel 4 website.
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Rattigan's films are as important as his plays
Rattigan's films are as important as his plays

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Rattigan's films are as important as his plays

A campaign is under way to rename the West End's Duchess Theatre after the playwright Terence Rattigan. Supported as it is by the likes of Judi Dench and Rattigan Society president David Suchet, there's evidently a desire to right a historical wrong. Author of classics such as The Browning Version, The Winslow Boy and Separate Tables, Rattigan was known for his poise, melancholy and restraint, all of which put him at odds with the coterie of upstart writers of the 1950s – still amusingly known as the Angry Young Men. It's an oft-repeated chapter of theatre history that arch-kitchen-sinkers such as John Osborne made the environment virtually impossible for Rattigan to work in. Rattigan joked about it at the 1956 opening of Look Back in Anger. It was as if Osborne were saying, 'Look, Ma, I'm not Terence Rattigan!' he quipped. However, the Rattigan-bashing was always an empty indulgence. 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But French Without Tears was chiefly important because its adaptation in 1940 was Rattigan's first collaboration with director Anthony Asquith – and the first success of his screen career. Few could match Asquith's ability to adapt stage classics for film. The son of liberal prime minister Herbert, Asquith junior had directed an Oscar-nominated Pygmalion (1938), with Leslie Howard and Wendy Hiller, as well as the most celebrated version of The Importance of Being Earnest (1952), with Edith Evans as the definitive Lady Bracknell. Like so many British artists, Rattigan and Asquith were drafted into propaganda duties during the war. And it resulted in their first truly great work, The Way to the Stars (1945). The film had a Who's Who cast – Michael Redgrave, John Mills and Trevor Howard, all of whom would return to work with Asquith and Rattigan – and in its quieter moments, observing the grin-and-bear-it times of a British bomber base, hinted at their true creative potential. Postwar, Asquith returned to Rattigan's stage work with an adaptation of The Winslow Boy in 1948. It perfectly captured the it's-just-not-cricket mentality of the original play with its story of a boy unjustly expelled from naval college. Rattigan would take up these themes again (to lesser effect) in The Final Test (1953), but The Winslow Boy had the advantage of Robert Donat in the lead role at the height of his powers. Asquith's take on The Browning Version was another great example of his refusal to follow the growing spectacle – albeit much of it magnificent – of contemporaries such as David Lean and Michael Powell. Refraining from visual tricks or even much of a musical score, Asquith allows Rattigan's poise and melancholy to speak for itself. It may be one of the most quietly devastating English films ever made. And as the retiring classics teacher who may or may not be missed by his pupils, Michael Redgrave gives one of his most heart-wrenching performances as Crocker-Harris. 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(He received his first in 1952 for scripting David Lean's The Sound Barrier.) What happened next might have been the apex of Rattigan's screen career yet turned out to be the beginning of the end. In 1960 he had started working with the Rank Organisation to adapt his T.E. Lawrence play Ross. It was to star Dirk Bogarde and Asquith was slated to direct. But there was a problem: another Lawrence film was already in the works. Out of respect to David Lean – and under some pressure from Lawrence of Arabia producer Sam Spiegel – the studio pulled the plug on the project. Bogarde called it his 'bitterest disappointment'. Rattigan and Asquith ploughed on, assembling star-studded casts for two further movies, The V.I.P.s (1963) and The Yellow Rolls-Royce (1964), with all favours from friends called in. But even with Rattigan's work finding new audiences on television, the 1960s were relentlessly unforgiving. His last screenplay of note was the wonderful musical adaptation of Goodbye, Mr Chips (1969), with Peter O'Toole, before he fled into creative (and tax) exile to Bermuda. A knighthood in 1971 and a minor reconciliation with the theatre industry before his death in 1977 did little to remedy his unhappiness. The West End rediscovers Rattigan's work almost every decade. But the screen never forgot him. Terence Davies's hypnotic version of The Deep Blue Sea (2011) with Rachel Weisz and Tom Hiddleston converted a whole new generation. Rattigan no doubt deserves a theatre. His contribution continues to enrich the British stage – especially in its deeply English themes, its styling and restraint. But his dedication to the screen suggests a Rattigan cinema wouldn't go amiss either.

Love Island star Yasmin suffers heartbreak just days after leaving villa
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Daily Mirror

time2 hours ago

  • Daily Mirror

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Tommy Fury cosies up to Molly-Mae and Bambi on family holiday after she revealed reason they don't film together

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