
Queen, Guns N' Roses And AC/DC Hit The Same Milestone Together
Linkin Park, Metallica, Queen, AC/DC, and even 3 Doors Down and more see smashes hit 250 weeks on ... More the Hard Rock Streaming Songs chart. DETROIT, MI - MAY 7: (L-R) Drummer Steven Adler, Duff McKagan, vocals Axl Rose, guitarist Slash and guitarist Izzy Stradlin of the music group Guns N' Roses pose for a portrait on May 7, 1988, at the Detroit State Theater in Detroit, Michigan. (Photo by)
Hard rock may not dominate the mainstream like it once did, but many of the genre's most famous hits continue to rack up massive play counts on streaming platforms week after week. This frame, a number of beloved classics simultaneously reach a major milestone on Billboard's Hard Rock Streaming Songs chart, showing indisputably that huge numbers of people continue to stream them non-stop, even after years – or, in some cases, decades. Some of them have become so consistently popular that it's difficult to imagine a time when they won't be featured on the tally.
Out of the 25 songs currently featured on Billboard's Hard Rock Streaming Songs chart, eight of them now claim a staggering 250 weeks on the list. Nearly one-third of the roster is made up of tunes that have remained among the most-played in the style in the U.S. for almost five years — a feat few songs in any genre can match.
The list of legendary hits that have now reached this impressive mark includes 'Kryptonite' by Three Doors Down, 'Numb' and 'In the End' by Linkin Park, 'Thunderstruck' by AC/DC, 'Sweet Child O' Mine' by Guns N' Roses, 'Enter Sandman' by Metallica, 'Bohemian Rhapsody' by Queen, and 'Livin' on a Prayer' by Bon Jovi.
A closer look at the upper tier of the current chart shows just how popular these titles are to this day. This week, half of the top 10 tracks on the Hard Rock Streaming Songs ranking are the ones celebrating 250 weeks on the list.
Three Doors Down's 'Kryptonite' is the highest-ranking among them, holding steady at No. 2. Just ahead at No. 1 is Creed's 'One Last Breath,' which remains unmoved from its perch.
Linkin Park stands out as the only act with two entries among the 250-week club. Impressively, both 'Numb' and 'In the End' are also situated within the top five.
While eight tunes have now reached 250 frames on the tally, several others are on the cusp of achieving the same feat. Foo Fighters' 'Everlong' is just behind with 230 weeks, and Evanescence's 'Bring Me to Life,' featuring Paul McCoy, isn't far off either with 248.
Perhaps the most agonizingly close of all is AC/DC's 'Back in Black.' The classic rock anthem is now up to 249 weeks on the chart. Barring a major drop-off in plays, it's all but certain the cut will join the 250-week club next frame – and if it doesn't do so in a few days, it surely will sometime in the near future.
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'There's a kind of intimacy afforded to us,' said Bono, who added that immersive technologies tap into viewers senses and emotions more deeply than traditional media. 'It's not just being in the room. You can be in your head.' These days, experiences like Bono's concert film have become the next frontier of music, film and live performances. Headset devices like the Vision Pro and Meta's Quest 3, alongside next-gen venues such as the Sphere and Cosm, are making these experiences borderless, turning every seat into the best one in the house. Some of music's biggest names — including U2, Metallica, Megan Thee Stallion, Alicia Keys, T-Pain, Phish and The Weeknd — have had projects featured on these platforms. Even the iconic film 'The Matrix' has been reintroduced in this immersive space. 'This is the future. These experiences enhance the connection,' said Robert Trujillo, guitarist for Metallica, whose powerhouse Mexico City performance was delivered in an immersive concert experience through the Vision Pro in March. After watching their show on the device, he was in awe. 'It almost felt like you could touch the crowd and us,' he said. 'It was really incredible. The sound is amazing. The dynamic ranges from the ambient noises and the crowd. It's a special experience.' How music greats view future of immersion tech for industry Bono has long embraced innovation and technology to forge a connection with U2's audience. The band's 2014 album 'Songs of Innocence" was added to every Mac, iPhone, iPad, and iPod. In 2023, the foursome became the first band to perform at the Sphere, launching a successful residency at the $2.3 billion, 366-foot-tall Las Vegas venue that illuminates the city's skyline. U2 guitarist The Edge felt the Sphere was a 'quantum leap forward' in terms of the sensory impacts of a live concert. Now, with 'Stories of Surrender,' Bono goes solo, reflecting on his life from childhood and family to his career as a rock star and activist. It's the first feature film shot in Apple Immersive Video, bringing the artwork from his book 'Surrender: 40 Songs, One Story' to life with 3D animation. Bono even used the Apple Pencil Pro to create images featured in the film. He believes the immersive technology can connect with audiences on a profound level and hopes the $3,500 Vision Pro will eventually become more affordable. 'All of this is impressive,' he said. 'I think about the film, when I'm singing about my mother, and (my mother's name) Iris start to appear. I was completely taken aback, even though I'd drawn the Iris. There are other moments when I see my father in the chair beside me as a drawing partially by me.' Bono added: 'Then I thought, 'We might be getting beyond technology here into some kind of magic. Not just a magic trick like 'Hey, presto.' But more alchemy, more of 'What did I just feel?'" Trujillo, who typically avoids watching replays of his performances, found himself drawn in by the immersive experience of their show, which included interviews and close-ups of fans. He said the technology amplifies the energy of a live performance at a time when that excitement can feel diminished. 'For a lot of bands, especially in the hard rock genre, it felt like it was disappearing,' he said. "To me, this really brings it back and relevant again. It shows you the strength in the performance and the emotional attachment to the fans.' How immersive venues are making their mark While virtual reality headsets offer a personal window into performances, venues like the Sphere and Cosm are expanding these experiences to entire crowds. In their own way, both are redefining the possibilities of live performances and shared experiences. 'It's virtual reality without the glasses,' said Baz Halpin, the CEO and founder of Silent House Group, who produced and designed the Eagles' residency at the 17,500-seat Sphere. Halpin said Silent House will also be involved in the Backstreet Boys upcoming Sphere residency, kicking off in July. 'You can create optical illusions that I didn't think were frankly possible,' Halpin said. 'It's such a big swing. It's such a bold idea. It's still that concert experience, but somehow the visuals have turned into a rollercoaster and movie, and you're apart of it." Shared reality through "The Matrix" While the Sphere looms large over Las Vegas, Cosm offers a more intimate experience, featuring a new venture into Keanu Reeves' iconic world as Neo. Cosm is stepping into 'The Matrix' with a shared reality cinematic experience, celebrating the film's 25th anniversary with screenings at their locations in Dallas and Inglewood, California, starting June 6. Inside Cosm's 87-foot LED dome, the original film plays while the environment dynamically mirrors the on-screen action, pulling audiences deeper into the world. 'We are continuing to push the immersive tech industry forward,' said Jeb Terry, the CEO and president at Cosm, which also hosts live sports, 'O' by Cirque du Soleil, 'Orbital' and 'Big Wave: No Room for Error." The company plans to open its third location in Atlanta in 2026. With 'The Matrix,' Cosm believes the shared reality experience will pave the way for showcasing more classic films, complementing the traditional movie theater experience. 'We're really commemorating some of these legendary amazing films,' said Alexis Scalice, Cosm's vice president of business development and entertainment. 'We're keeping that interactive and exciting approach to it.' What's next for Sphere? The vision for a second Sphere location will come to fruition in the United Arab Emirates. In collaboration with the Abu Dhabi Department of Culture and Tourism, the new venue will replicate the cutting-edge technology and scale of the Las Vegas version. The Abu Dhabi Sphere is part of a broader plan to establish additional Spheres globally and domestically, alongside smaller U.S. venues with seating capacities of 3,000 to 6,000. 'We are advancing our vision of this global network,' said Jennifer Koester, the president and COO at Sphere. She said the smaller Spheres will make the concept more deployable across different markets. As construction of the Abu Dhabi location progresses, the Las Vegas Sphere is preparing to bring a timeless classic to life. In late August, the original 'The Wizard of Oz' is set to premiere at the venue. Koester said AI models were trained on original scene drawings, set designs and materials sourced from the Academy Museum to fully fill the Sphere's massive screen. She said that evolving the technology is key to staying ahead. 'In the industry, we're seeing a lot of people talk about bringing forward experiences that are more immersive,' she said. 'People are looking for it, and people are expecting it. The bar is going to continue to get higher and higher.'