Outlander's Lauren Lyle admits she's ‘extremely grateful' in heartfelt tribute
Outlander's Lauren Lyle addressed the show's "impact"
Outlander star Lauren Lyle has offered a heartfelt tribute to the series, praising its remarkable worldwide acclaim, reports the Scottish Daily Express.
Best known for portraying Marsali Fraser on the Starz programme, Lyle expressed her appreciation for being part of such a successful show at the special Outlander and Blood of My Blood: The Gathering event hosted by Starz.
The 31 year old Glaswegian actress reflected on the powerful impact the show has had, recounting her encounters with fans who have experienced profound changes in their lives due to the series.
"I think with this fandom, I remember the first time meeting some of these people who this show has changed their lives, or they've made so many friends through it, or it's got them through grief, or something.
"And I had no idea the impact that the stories and the characters and all of it has had."
Speaking with nostalgia and admiration, Lyle observed how significant it was to discover she was part of something that held deep meaning for many.
"And I think it was quite profound to learn that you're a part of something that is as meaningful as that."
She expressed her wishes that the cast of the spin-off Outlander: Blood of My Blood would share similar experiences.
"So I hope [the cast of Outlander: Blood of My Blood] all get to experience that as well."
Lyle concluded with gratitude and recognition of the unique nature of the show's success.
"I think it's a really special and also a very unique anomaly to be a part of. So I don't know, I'm extremely grateful."
The actor's comments were made during a panel that united the casts of both Outlander and Blood of My Blood, where discussions delved into all aspects of the Fraser and MacKenzie saga.
August will see the premiere of Outlander: Blood of My Blood, narrating two epic romances, one unfolding in the 17th century Scottish Highlands and the other amidst World War One.
Claire Fraser's (portrayed by Caitríona Balfe) parents Henry Beauchamp (Jeremy Irvine) and Julia Moriston (Hermione Corfield) are at the heart of the 20th century love story, while Jamie Fraser's (Sam Heughan) parents Ellen MacKenzie (Harriet Slater) and Brian Fraser (Jamie Roy) form the central romantic pair in the past.
Outlander: Blood of My Blood isn't tied to any original material, giving the writers more creative freedom, especially when it comes to the narrative of Claire's parents.
While Jamie has shared the passionate history of Brian and Ellen with Claire, Henry and Julia remain enigmatic.
The 10-episode series is set to provide some clarity for Outlander fans, with time travel likely playing a role in connecting the two love stories.
Lyle was notably missing from Outlander's seventh season, with both Marsali and Fergus Fraser (played by César Domboy) absent from the plot.
However, both Lyle and Domboy will be back for the eighth and final season, having confirmed their return for one last appearance.
Both actors have seen their careers take off thanks to Outlander, with Lyle now leading ITV detective drama Karen Pirie, as well as featuring in Vigil, Netflix's Toxic Town, The Bombing of Pan Am 103 and The Outrun.
She is set to appear next in the new series of Karen Pirie and the BBC drama The Ridge.
Meanwhile, Domboy has had roles in No Limit, SAS Rogue Heroes, Bonnard: Pierre and Marthe, Rich Flu and TV series Culte.
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Daily Record
5 hours ago
- Daily Record
Outlander's Lauren Lyle admits she's ‘extremely grateful' in heartfelt tribute
Outlander's Lauren Lyle addressed the show's "impact" Outlander star Lauren Lyle has offered a heartfelt tribute to the series, praising its remarkable worldwide acclaim, reports the Scottish Daily Express. Best known for portraying Marsali Fraser on the Starz programme, Lyle expressed her appreciation for being part of such a successful show at the special Outlander and Blood of My Blood: The Gathering event hosted by Starz. The 31 year old Glaswegian actress reflected on the powerful impact the show has had, recounting her encounters with fans who have experienced profound changes in their lives due to the series. "I think with this fandom, I remember the first time meeting some of these people who this show has changed their lives, or they've made so many friends through it, or it's got them through grief, or something. "And I had no idea the impact that the stories and the characters and all of it has had." Speaking with nostalgia and admiration, Lyle observed how significant it was to discover she was part of something that held deep meaning for many. "And I think it was quite profound to learn that you're a part of something that is as meaningful as that." She expressed her wishes that the cast of the spin-off Outlander: Blood of My Blood would share similar experiences. "So I hope [the cast of Outlander: Blood of My Blood] all get to experience that as well." Lyle concluded with gratitude and recognition of the unique nature of the show's success. "I think it's a really special and also a very unique anomaly to be a part of. So I don't know, I'm extremely grateful." The actor's comments were made during a panel that united the casts of both Outlander and Blood of My Blood, where discussions delved into all aspects of the Fraser and MacKenzie saga. August will see the premiere of Outlander: Blood of My Blood, narrating two epic romances, one unfolding in the 17th century Scottish Highlands and the other amidst World War One. Claire Fraser's (portrayed by Caitríona Balfe) parents Henry Beauchamp (Jeremy Irvine) and Julia Moriston (Hermione Corfield) are at the heart of the 20th century love story, while Jamie Fraser's (Sam Heughan) parents Ellen MacKenzie (Harriet Slater) and Brian Fraser (Jamie Roy) form the central romantic pair in the past. Outlander: Blood of My Blood isn't tied to any original material, giving the writers more creative freedom, especially when it comes to the narrative of Claire's parents. While Jamie has shared the passionate history of Brian and Ellen with Claire, Henry and Julia remain enigmatic. The 10-episode series is set to provide some clarity for Outlander fans, with time travel likely playing a role in connecting the two love stories. Lyle was notably missing from Outlander's seventh season, with both Marsali and Fergus Fraser (played by César Domboy) absent from the plot. However, both Lyle and Domboy will be back for the eighth and final season, having confirmed their return for one last appearance. Both actors have seen their careers take off thanks to Outlander, with Lyle now leading ITV detective drama Karen Pirie, as well as featuring in Vigil, Netflix's Toxic Town, The Bombing of Pan Am 103 and The Outrun. She is set to appear next in the new series of Karen Pirie and the BBC drama The Ridge. Meanwhile, Domboy has had roles in No Limit, SAS Rogue Heroes, Bonnard: Pierre and Marthe, Rich Flu and TV series Culte.
The Herald Scotland
a day ago
- The Herald Scotland
James Kelman's delightfully deplorable language is f***ing necessary
So casually powerful. So f*****g unnecessary. So rhythmically right. Could have come from the mouth of a character in a novel or short story by this week's Icon. A typical James Kelman tale takes us into the foul-mouthed mind of a downtrodden proletarian. Its Glaswegian is unsparing, its language delightfully or because of this, his novel How Late It Was, How Late won the Booker Prize for Punctuality in 1994 … with hilarious consequences. Ructions were occasioned. Strops occurred. The English language formed a picket line. So, who was this stirrer? Well, James Kelman was born on 9 June 1947 in Glasgow, a large city in western Scotland. He has spake thusly: 'My own background is as normal or abnormal as anyone else's. Born and bred in Govan and Drumchapel, inner city tenement to the housing scheme homeland on the outer reaches of the city.' He left school at 15 to undertake a six-year printing apprenticeship. After driving buses in Govan, he began writing when he worked in London's Barbican Centre. 'I wanted to write as one of my own people,' he has declared. His first short story collection, Not Not While the Giro, was published in 1983, with 26 tales including the titular one, wherein the protagonist briefly contemplates suicide before remembering his benefit cheque is due. Kelman's first published novel was The Busconductor Hines (1984), a portrait of a man who hates his job, is bored with life, and dreams without expectation of better days. GONE TO THE DOGS ANOTHER collection, Greyhound for Breakfast, featured 47 stories, some v. short, such as the eight-line 'Leader from a Quality Newspaper', and some jolly long, such as the one involving the aforementioned canine repast, about a hopelessly unemployed man who spends his last money optimistically on a racing dog, which he cannot afford to feed. His pals laugh and he responds: 'I'll tell yous mob something: see if this f*****g dog doesn't get me the holiday money I'll eat it for my f*****g breakfast.' Blimey, at this rate, Herald stores will be running out of f*****g asterisks. Bizarrely, Greyhound won the, er, Cheltenham Prize for Literature. But, by now, it was clear that Kelman had been unduly influenced by The Good Life with Richard Briers and Penelope Keith. His 1989 novel A Disaffection was shortlisted for the Booker and won the James Tait Black Memorial Prize for Fiction. It tells of a week in the life of a Glaswegian school teacher afflicted by boredom, loneliness, depression, municipal gloom and sexual frustration.A London Review of Books critic judged A Disaffection 'pretty terrific', while a Times Literary Supplement reviewer said it 'can be read as a fuller orchestration of its solipsistic lament'. Solipsistic, aye. But let's cut to the stooshie proper with the English Literary Establishment. It's fair to say that, despite its poncy sounding title, How Late It Was, How Late would not make ideal beach holiday reading. In it, unemployed Glaswegian Sammy Samuleson wakes up in a police cell after a night on the swallie, only to find he's gone blind. The consequent narrative recounts his struggle against baffling bureaucracy, unhelpful doctors and cruel strangers. One American news outlet found its vernacular 'difficult for non-Scottish readers'. And, oh, the profanity! In its 400 pages, the 'common street word for sex' was used 4,000 times. This became a major issue, though not the only one, when in 1994 How Late won the Booker Prize, with Kelman the first Scot so honoured. At the ceremony, he stood out like a bottle of Buckie at Harrod's, wearing a regular suit and open-necked shirt to the glittering, televised, black tie dinner at London's Guildhall. JUDGMENT DAZE THE judging panel was divided, but Kelman won by three votes to two. One judge, Rabbi Julia Neuberger, stormed out, denouncing the decision as 'a disgrace'. The book, she said was 'not publicly accessible' and 'frankly', she added in an ironically unsophisticated critique, 'crap'. Kelman protested: 'My culture and my language have the right to exist, and no one has the authority to dismiss that.'One executive from food distributor and sponsor Booker McConnell was overheard calling his performance 'a bloody disgrace.' Well, that was certainly food distribution for Simon Jenkins, writing in the Times, a tabloid-shaped newspaper, said Kelman had done no more than 'transcribe the rambling thoughts of a blind Glaswegian drunk'. He called the award 'literary vandalism' and likened Kelman to an 'illiterate savage'. Lest anyone think this a Scotland v England thing, Sam Jordison, writing some years later in the Guardian, described How Late as 'one of the best winners in the prize's history', adding: '[A]ttacks on Kelman for having the audacity to use a demotic voice, and allow his protagonist to speak and think in his own tongue, now just seem like so much snobbery.' In the New York Times, Richard Bausch said: 'Objections to the language in which this good book is couched seem to me to be so far beside the point as to be rather ridiculous.' Nevertheless, Kelman's work has been called monotonous, miserable, unpunctuated, foulmouthed, boring, tedious, narrow, minimalistic, claustrophobic and repetitive. He has also been called repetitive. So, pretty good then. READ MORE: Robert McNeil: I detest yon Romans but I dig excavating their wee fortlets RAB MCNEIL'S SCOTTISH ICONS: John Knox – the fiery preacher whose pal got burnt at the stake Rab McNeil: All this talk about celebs and their neuroses is getting on my nerves ABOUT A BOY HIS 2008 novel Kieron Smith, Boy, about a young laddie in post-war Glasgow whose family moves from a traditional tenement to a new housing scheme, was hailed as 'a masterpiece' and won both the Saltire Society's and Scottish Arts Council's books of the year. In 2010's short story collection, If It Is Your Life, wider social life is tentatively explored, with a Scottish student returning from England and talking 'properly' because, if he did not, 'people did not know what I was talking about'. On the other hand, in 'Death Is Not.', the dying narrator declares: 'Death is not, is not, isnay … death is not, it is nought. Death is not really, it isnay …' Soon to be made into a film by Walt Isnay.
Daily Record
a day ago
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Inside one of Scotland's most controversial murder cases which split small community
As The Orkney Assassin airs on Amazon Prime, Reach Screen Time speaks to two people involved in the case One of Scotland's most notorious murder cases is once again under scrutiny, thanks to a new documentary from Prime Video, reports the Scottish Daily Express. The Orkney Assassin delves into the chilling 1994 murder of Shamsuddin Mahmood, a waiter at the Indian restaurant Mumtaz in Kirkwall. Mahmood, a 26 year old Bangladeshi national, was brutally shot by a masked man in front of horrified diners, including families with children. Planning to return to Bangladesh and marry his girlfriend, Mahmood had previously worked on the island the year before his untimely death. After the shocking crime, the gunman disappeared into the night, leaving a lasting impact on the island that still resonates today. Michael Ross, who was just 15 at the time of the murder, was initially questioned by police but subsequently released. However, after a lengthy 14-year investigation, ex-Black Watch soldier Ross was finally convicted for the murder in 2008. In a dramatic turn of events, Ross attempted to flee the court following the guilty verdict, nearly making it out the door before being apprehended. A stash of weapons and camping equipment was later discovered in a vehicle hired by Ross in a nearby supermarket car park, which he claimed was part of his plan to escape and live off the land rather than face imprisonment. Ross is currently serving a 25-year sentence at HMP Shotts in Lanarkshire, one of Scotland's highest security prisons. He has made three escape attempts, which he claims were efforts to bring his case back into the public eye. Despite his conviction, Ross has always maintained his innocence. His family, including father and former policeman Eddy Ross, mother Moira, and other members of the Orkney community are campaigning for his release as part of the J4MR - Justice 4 Michael Ross group. Reach Screen Time exclusively interviewed both local newspaper reporter Ethan Flett and prosecutor Brian McConnachie KC, who provided further insights into the case that continues to divide the Orkney Island community. Flett, who keeps a close eye on the case as new information comes to light, commented: "I think there's quite a split in the community between those that think Ross is guilty and those that think he's innocent." Discussing why doubts persist about Ross' guilt despite the conviction, Flett observed: "There are a lot of inconsistencies and unanswered questions surrounding the case and the investigations that preceded the trial, dubious witnesses whose evidence seems to be rather important in the case, changing positions. Things like that got my interest in that." The journalist from Orkney's longest-running newspaper The Orcadian also noted that despite the "thorough police work" in the unprecedented case, "certain things were missed that look quite important", as well as issues with how the case was managed. Prosecutor McConnachie shared Flett's concerns about the divisions within the local community, stating: "I suspect it still does affect people." Although McConnachie is not an Orkney resident, he noted: "I think there's always going to be two sides." As the case took place in a relatively small community, McConnachie observed that it would inevitably impact the local atmosphere, with people holding differing views on Ross' innocence or guilt, particularly since his family still resides there. McConnachie described the Orkney murder as a "challenging" case and his most high-profile one, saying: "The number of times I have been asked about the case is incredible by comparison to any other case I've ever been involved in." Regarding the ongoing interest in the case, McConnachie attributed it to the fact that "I think because things keep happening" including Ross' multiple escape attempts, the most recent being in 2018. Addressing the lingering doubts about Ross' guilt, McConnachie stated: "I certainly haven't seen anything since the trial back in 2008 that suggests to me that the jury got it wrong." McConnachie further noted: "If you are trying to look for things that point towards guilt, then you might look at the circumstances of the last day of the trial, and the motor vehicle that he had and the things he had in them when he tried to escape from the court - never mind trying to escape from the prison. That there's something unnerving about what was contained within the car." Touching on the unwavering campaigns for Ross's freedom, he remarked, "I think if you are a family member and somebody is convicted and they tell you there are innocent, then the likelihood is that you are going to take their position on it and perhaps try and assist them as best you can in overcoming what they see as being a miscarriage of justice." Audiences are now able to watch The Orkney Assassin, which offers a comprehensive examination into the harrowing murder case and considers both perspectives.
