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The Bear's Will Poulter splits from 14 years older model girlfriend and is growing close to stunning Top Boy actress

The Bear's Will Poulter splits from 14 years older model girlfriend and is growing close to stunning Top Boy actress

Scottish Sun16-07-2025
Over recent years Will has become one of the UK's most sought after actors
STAR BREAK-UP The Bear's Will Poulter splits from 14 years older model girlfriend and is growing close to stunning Top Boy actress
WILL Poulter has quietly split from his model girlfriend - and has grown close to a stunning actress.
The Bear star, 32, called it quits with mum-of-one Bobby T, 45, earlier this year after a whirlwind romance before getting to know Top Boy Saffron Hocking.
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British Actor Will Poulter has reportedly split from his girlfriend
Credit: Shutterstock Editorial
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The Hollywood star started dating Bobby T last year
Credit: Shutterstock Editorial
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Will is now reportedly getting close to Top Boy's Saffron Hocking
Credit: SWNS
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Will is well known for starring in The Bear
Credit: Disney
Will was spotted looking very close with Saffron over a lunch date in London last week after hanging out at Glastonbury festival last month and enjoying Wimbledon together.
An insider revealed: 'Will and Bobby had a great time together but at the end of the day they realised it wasn't going to last long term.
'Bobby's main priority will always be her son and she lives in America, which is fine when Will is working there but can be hard work.
'He's known Saffron for a while but they have been spending more time together recently.
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'They were both hosted by Barbour at Glasto and got on like a house on fire.'
They added: 'It's very early days and while they might be telling people they are just friends, the sparks between them are obvious to everyone.'
Saffron, 31, is a British actress who has worked on a number of hit shows and is well loved for playing Jaq's sister Lauryn Lawrence on the award winning Top Boy.
Will and Saffron are thought to have first met two years ago when they both worked on a Friend of the Earth campaign.
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It was first revealed that the Guardians of the Galaxy star, was dating Bobby, who is 14 years his senior, in January of last year after they reportedly spent Christmas together.
The pair previously sparked romance interest in 2022 when they were spotted kissing on the streets of West Hollywood.
Will Poulter is terrified of new horror Midsommar - even though he's IN it, he tells Chris Evans Virgin Radio Breakfast Show
Bobby, real name Erin Campaneris, made a name for herself by modelling with a string of US agencies including Ford Models, LA models and New York Models.
Will first rose to fame in the early 2010s after starring in The Chronicles of Narnia: The Voyage of the Dawn Treader.
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Since then, he has been seen in several other productions including Dopestick, We're the Millers alongside Jennifer Aniston, Maze Runner: The Death Cure, and Black Mirror: Bandersnatch.
He also worked with the likes of Leonardo DiCaprio in The Revenant.
The star has also won multiple awards including the 2014 BAFTA Rising Star Awards, and the 2015 MTV Movie & TV Award for Best Fight.
He started off his career in the Son of Rambow at the age of 13.
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Will previously dated Netflix actress Yasmeen Scott between 2018 and 2019 and were spotted holding hands together at red carpet events.
Will's rep declined to comment.
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Rattigan's films are as important as his plays
Rattigan's films are as important as his plays

Spectator

time2 hours ago

  • Spectator

Rattigan's films are as important as his plays

A campaign is under way to rename the West End's Duchess Theatre after the playwright Terence Rattigan. Supported as it is by the likes of Judi Dench and Rattigan Society president David Suchet, there's evidently a desire to right a historical wrong. Author of classics such as The Browning Version, The Winslow Boy and Separate Tables, Rattigan was known for his poise, melancholy and restraint, all of which put him at odds with the coterie of upstart writers of the 1950s – still amusingly known as the Angry Young Men. It's an oft-repeated chapter of theatre history that arch-kitchen-sinkers such as John Osborne made the environment virtually impossible for Rattigan to work in. Rattigan joked about it at the 1956 opening of Look Back in Anger. It was as if Osborne were saying, 'Look, Ma, I'm not Terence Rattigan!' he quipped. However, the Rattigan-bashing was always an empty indulgence. Osborne himself admitted as much on these very pages in 1993, writing: 'I have been intrigued by the success of the current revival of Terence Rattigan's The Deep Blue Sea. Rattigan was under the general frown when I first joined the Royal Court Theatre in 1956, and both George Devine and Tony Richardson were appalled when I confessed to being moved by the play.' Perhaps a Rattigan Theatre would indeed lay some of the ghosts to rest. But on first hearing news of the campaign, another thought occurred: Rattigan deserves a cinema as well. Film was arguably much kinder to him than theatre ever was in the low ebbs of his career. It supplied him with constant work, saw some of his best adaptations, and allowed his writing to weather the storm. Without his breakout play French Without Tears (1936), British cinema wouldn't have acquired one of its classic rogues, Rex Harrison, whose name it thrust into the spotlight. But French Without Tears was chiefly important because its adaptation in 1940 was Rattigan's first collaboration with director Anthony Asquith – and the first success of his screen career. Few could match Asquith's ability to adapt stage classics for film. The son of liberal prime minister Herbert, Asquith junior had directed an Oscar-nominated Pygmalion (1938), with Leslie Howard and Wendy Hiller, as well as the most celebrated version of The Importance of Being Earnest (1952), with Edith Evans as the definitive Lady Bracknell. Like so many British artists, Rattigan and Asquith were drafted into propaganda duties during the war. And it resulted in their first truly great work, The Way to the Stars (1945). The film had a Who's Who cast – Michael Redgrave, John Mills and Trevor Howard, all of whom would return to work with Asquith and Rattigan – and in its quieter moments, observing the grin-and-bear-it times of a British bomber base, hinted at their true creative potential. Postwar, Asquith returned to Rattigan's stage work with an adaptation of The Winslow Boy in 1948. It perfectly captured the it's-just-not-cricket mentality of the original play with its story of a boy unjustly expelled from naval college. Rattigan would take up these themes again (to lesser effect) in The Final Test (1953), but The Winslow Boy had the advantage of Robert Donat in the lead role at the height of his powers. Asquith's take on The Browning Version was another great example of his refusal to follow the growing spectacle – albeit much of it magnificent – of contemporaries such as David Lean and Michael Powell. Refraining from visual tricks or even much of a musical score, Asquith allows Rattigan's poise and melancholy to speak for itself. It may be one of the most quietly devastating English films ever made. And as the retiring classics teacher who may or may not be missed by his pupils, Michael Redgrave gives one of his most heart-wrenching performances as Crocker-Harris. Rattigan was not tied to Asquith, and pursued multiple projects outside of his preoccupation with upper-middle-class England. He created the original screenplay for Brighton Rock (1948), for example, Graham Greene's story of wide-boy knife gangs directed by John Boulting. It was reworked before reaching the screen but Greene crucially retained Rattigan's vision of the work as a thriller rather than an intellectual treatise. The Boultings kept Rattigan's change of ending, too, in which a gramophone recording of Pinkie (Richard Attenborough) jams on 'I love you…' before he lays into his love interest. Rattigan didn't generally shy away from the brutality of romantic relationships. The Deep Blue Sea (1955) is testament to that. Influenced by the relationship between Rattigan and actor Kenneth Morgan, the play's curtain-twitching portrait of a squalid postwar London is still one of his most unflinching of love stories. Vivien Leigh was cast as Hester, the spurned lover of RAF pilot Freddie, played by Kenneth More, who had transferred from the original play. More suggested that Leigh brought too much glamour to the part. Yet with Leigh's mental health deteriorating and her personal life crumbling, she appears in hindsight to have been all too right for The Deep Blue Sea. Rattigan then teamed up with Leigh's husband Laurence Olivier on The Prince and the Showgirl (1957), but Rattigan's last great screen work was his collaboration a year later with Delbert Mann on the Oscar-nominated Separate Tables. Another of his tragic ensemble pieces, the film saw a wealth of stars gathered in a run-down Bournemouth hotel, all forced to examine their lives after the revelation of a scandal involving the retired Major Pollock played by David Niven. Niven has the film to thank for the only Oscar win of his career, and Rattigan for his second nomination. (He received his first in 1952 for scripting David Lean's The Sound Barrier.) What happened next might have been the apex of Rattigan's screen career yet turned out to be the beginning of the end. In 1960 he had started working with the Rank Organisation to adapt his T.E. Lawrence play Ross. It was to star Dirk Bogarde and Asquith was slated to direct. But there was a problem: another Lawrence film was already in the works. Out of respect to David Lean – and under some pressure from Lawrence of Arabia producer Sam Spiegel – the studio pulled the plug on the project. Bogarde called it his 'bitterest disappointment'. Rattigan and Asquith ploughed on, assembling star-studded casts for two further movies, The V.I.P.s (1963) and The Yellow Rolls-Royce (1964), with all favours from friends called in. But even with Rattigan's work finding new audiences on television, the 1960s were relentlessly unforgiving. His last screenplay of note was the wonderful musical adaptation of Goodbye, Mr Chips (1969), with Peter O'Toole, before he fled into creative (and tax) exile to Bermuda. A knighthood in 1971 and a minor reconciliation with the theatre industry before his death in 1977 did little to remedy his unhappiness. The West End rediscovers Rattigan's work almost every decade. But the screen never forgot him. Terence Davies's hypnotic version of The Deep Blue Sea (2011) with Rachel Weisz and Tom Hiddleston converted a whole new generation. Rattigan no doubt deserves a theatre. His contribution continues to enrich the British stage – especially in its deeply English themes, its styling and restraint. But his dedication to the screen suggests a Rattigan cinema wouldn't go amiss either.

The Fortune Hotel viewers devastated as pair are axed in shock elimination twist
The Fortune Hotel viewers devastated as pair are axed in shock elimination twist

Scottish Sun

time3 hours ago

  • Scottish Sun

The Fortune Hotel viewers devastated as pair are axed in shock elimination twist

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) THE Fortune Hotel viewers were left gutted as a pair were axed in a brutal elimination twist. Hosted by Stephen Mangan, the hit ITV game show returned for a second series. Sign up for the Entertainment newsletter Sign up 3 The Fortune Hotel introduced a shock twist in its return Credit: ITV 3 Stephen Mangan is back as host Credit: Shutterstock Editorial 3 Chelsea and Briony were the unfortunate pair Credit: Shutterstock Editorial Viewers watched 11 pairs make their debut - but were immediately faced with a twist. Only 10 pairs would get a room in The Fortune Hotel - as one duo would be eliminated at the first hurdle. The contestants took part in a tense boat race, with the first five pairs to arrive guaranteed safety. However, the bottom six were at risk of leaving before the contest fully began. One by one, they picked a case while hoping they didn't find the dreaded early checkout card. Business partners Briony and Chelsea were the unlucky pair - with their Fortune Hotel journey ultimately short and sweet. One viewer wrote on X: "So unlucky for Bryony and Chelsey #TheFortuneHotel." Another added: "Awww poor Briony and Chelsea! #TheFortuneHotel." A third chimed in: "Well that lasted long. Gutted for them both!! "They would have been so funny to watch! #TheFortuneHotel." ITV issue major update on series two of The Fortune Hotel with Stephen Mangan following 'fakery row' A fourth suggested: "I'm guessing that Chelsey and Briony will get some kind of reprieve later in the series." A fifth penned: "OUCH!! Chelsey & Briony has wound up with the early checkout card. They are heading straight home no sooner than they arrived & they didn't even get to spend a night in the hotel." While a sixth said: "#TheFortuneHotel Getting the unfortunate card and going home Is Briony and Chelsea! "Such a shame to see them both go home so soon." The Fortune Hotel airs on ITV1 and ITVX.

'Most harrowing film ever made' still available to stream as Netflix pulls it
'Most harrowing film ever made' still available to stream as Netflix pulls it

Metro

time4 hours ago

  • Metro

'Most harrowing film ever made' still available to stream as Netflix pulls it

A brutal psychological thriller described as one of the most harrowing films ever made – and which sparked walkouts with its brutal content – has been removed from Netflix. However, it still has a streaming home for viewers in the UK. The award-winning 2018 film The Nightingale was part of the group of titles Netflix removed from its vast UK back catalogue during the fist few days of August, which also included movies from the Final Destination franchise and Shrek trilogy, alongside White House Down. But for those wanting to seek out the film described as 'the most shocking of the year' and hard to watch, it is available on Amazon Prime Video for subscribers free of charge. A disturbing period-set drama, The Nightingale takes place in 1825 and follows young Irish convict Clare (Aisling Franciosi) as she hunts a British officer, played by Sam Claflin, to extract revenge for the unspeakable acts of violence he committed against her and her family. Wake up to find news on your TV shows in your inbox every morning with Metro's TV Newsletter. Sign up to our newsletter and then select your show in the link we'll send you so we can get TV news tailored to you. On the way, she enlists the services of Aboriginal tracker Billy (Baykali Ganambarr), who is also marked by trauma from his own violence-filled past. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video The intense thriller is directed by Jennifer Kent, who made a name for herself as the writer and director of psychological horror film The Babadook, frequently cited as one of the best horror films in recent years. After premiering at Venice Film Festival, where it clinched the Special Jury Prize, The Nightingale screened as part of the Sydney Film Festival months later, where some cinemagoers revealed they had walked out over its intense and upsetting scenes. *Warning – descriptions of graphic scenes below* Alongside sequences depicting murder, assault and infanticide, there are also three visceral and horrifying rape scenes within the first 20 minutes, which according to local reports prompted protests and shouted criticisms at director Kent – who was sitting in the audience. Kent later defended the scenes, the breathtaking violence of which continues further into the film, as an 'honest and necessary depiction' of a particularly brutal moment in history in Tasmania, where the massacre of Aboriginals by British colonists intensified during the Black War. Critics and viewers also praised Kent for her unflinching take on things, with writer Michael Ouzas describing The Nightingale as 'essential viewing and an Australian classic' and @jesuevalle admitting on X that while he walked out 'to take myself away from that brutal space', he still recognised The Nightingale as 'an important film' and walked back in to finish watching it. We Live Entertainment's critic Scott Menzel called it a 'haunting and unforgettable masterpiece', while awarding The Nightingale 9.5 stars out of 10 and acknowledging its very dark nature. 'I don't think that any review can mentally, physically, or emotionally prepare you for what Kent has brought to life with this film,' he added. Meanwhile Alex Flood for NME branded it 'the most shocking film of the year' and advised that the film was 'not for the faint-hearted', while Little White Lies' Hannah Strong described it as a 'devastating, uncomfortable watch' while suggesting it needed to be 'exactly the film it is, bubbling with completely justified anger and pain'. The Nightingale holds an impressive 87% score from critics on review aggregator site Rotten Tomatoes, while boasting a decent 73% from the smaller pool of audience members sharing their reactions. 'Genuinely one of the most harrowing pieces of cinema I have ever experienced,' shared Dan L, who said that there 'aren't words for how incredible this film is'. More Trending 'I watched this a few months ago and I still think about it all the time. It's one of those movies that really sticks with you,' wrote Laura M, adding: 'This movie made me WEEP.' Meanwhile, Amanda H said she was 'hooked from start to finish', which Hua M agreed with, chiming in: 'Had me completely riveted/shook from start to finish. Incredible performances all around (but particularly by Aisling), and a nightmarish, visceral experience that I will not soon forget.' 'Although some scenes were hard to watch, I couldn't tear my eyes off the screen,' wrote Maria D. The Nightingale is streaming now on Prime Video in the UK. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: This Wednesday season 2 filming location has a devastating haunted past MORE: Wednesday fans baffled by Lady Gaga's season 2 role as they beg for answers MORE: Another major Neighbours star exits months before show finale

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