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Kim Kardashian heist subject of 'must-watch' documentary coming soon

Kim Kardashian heist subject of 'must-watch' documentary coming soon

Yahoo5 hours ago

An incident that Kim Kardashian once called the "most terrifying experience" of her life will be the subject of a new documentary coming soon.
The three-part series coming to Discovery+ will delve into the events surrounding the 2016 robbery, in which jewellery worth $6 million was stolen from the star's hotel room during Paris Fashion Week.
During the robbery, men dressed as police burst into her room and bound her hands and legs with zip ties. She had a gun pointed at her while the robbers took her jewellery, including an engagement ring from her bedside table.
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After they left, she managed to free herself with the aid of her stylist and ran onto her balcony to call for help.
The documentary announcement today (June 18) comes hot on the heels of a Paris court finding eight people - all aged in their sixties and seventies - guilty in the armed robbery of the reality star, while two of the 10 defendants were acquitted. Those found guilty will not return to prison because of time served.
In the wake of the verdicts Kim said: "The crime was the most terrifying experience of my life, leaving a lasting impact on me and my family.
"While I'll never forget what happened, I believe in the power of growth and accountability and pray for healing for all. I remain committed to advocating for justice, and promoting a fair legal system."
The upcoming documentary, made up of 60 minute episodes, will feature interviews with concierge Abderrahmane Ouatiki, who was handcuffed and threatened by the robbers, as well as others close to the case.
"Last month, 10 people stood trial in Paris, accused of being involved in the 2016 robbery of one of the world's most famous reality stars," the synopsis says.
"With access to the accused, their defence, the police investigators and exclusive access to the concierge, Mr Ouatiki, who was held at gunpoint with Kim Kardashian that night, this fast-paced documentary series follows the French trial and unravels the complex layers of this extraordinary crime."
Discussing the upcoming release, Discovery+'s content chief Graham Lafferty said: "With all eyes on one of the most intriguing true crime stories in recent years, we're pleased to work with Wall to Wall on The Kim Kardashian Heist.
"With first-hand and exclusive testimony from those closest to the heist, including concierge Abderrahmane Ouatiki, this documentary dives deep into new aspects of the case and is a must watch on Discovery+"
The Kim Kardashian Heist is released on Discovery+ in September

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‘Each season's got its own sort of flavor': ‘Slow Horses' director on crafting a darker, more emotional chapter
‘Each season's got its own sort of flavor': ‘Slow Horses' director on crafting a darker, more emotional chapter

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‘Each season's got its own sort of flavor': ‘Slow Horses' director on crafting a darker, more emotional chapter

Although it might be intimidating for a director to hop aboard a successful television series a few seasons in, Adam Randall didn't have that problem on Slow Horses. "The speed with which the show is filmed meant that only season one was out when I got the job," he told Gold Derby. "Season 2 was coming out about two weeks later, and Season 3 was when I was already in post [production]. So it hadn't reached the level of success that it was going to [have], but it would still have made a big splash" given its high pedigree and A-list cast. "I was unbelievably excited and definitely intimidated going in." Based solely on what he had seen and read, it was clear to Randall that "each season was very different" and evolving. "They've established a world, they've established these characters, but each season's got its own sort of flavor, plays with genres in different ways, has its own tone. So that was one of the really exciting things, being able to take something from this remarkable world and put a stamp on it," Randall said. And in this case, "We definitely felt that it was a darker season," and every decision he made branched off from that. More from GoldDerby Tom Cruise finally gets his (honorary) Oscar moment: Here's his complete awards history Alan Cumming would be the 4th person to repeat in Best Reality Host: See fresh Emmy odds Dolly Parton adds honorary Oscar to her trophy shelf: A look back at her legendary awards history Season 4 of Slow Horses was "heavier emotionally, and in a way, it was the first season that was genuinely emotional," considering it dealt with, among other things, retired MI5 officer David Cartwright's (Jonathan Pryce) decline into dementia and the effect it has on his grandson, River (Jack Lowden). Combined with the inciting terrorist attack in Episode 1 and Frank's (Hugo Weaving) "bizarre" story set at a French compound "allowed for a much darker, heavier visual palette and score." There were even "elements of horror in there" in its portrayal of David's decline, "as well as the thriller elements," but also "the comedy and the drama that people love" from previous seasons. Slow Horses was Randall's first foray into television, as he'd previously only worked in films. Considering he directed all six episodes, "it was a very easy transition, because in effect these are six-hour movies." That was mandated from the beginning by Gary Oldman, who stars as crotchety MI5 agent Jackson Lamb. "That was one of the things that he was adamant about, that he wanted one director for all six [episodes] and to treat them like a movie." Because of this, "the show was allowed to be very director-led," Randall explains, "so once I figured out the lay of the land," he realized it was "very similar to a film, and I could push it in certain directions and think about it from start to finish." He gives due credit to lead writer Will Smith, who is "the loveliest man on earth, as well as incredibly talented and very, very funny." The two had actually met years prior because, Randall reveals, "he was in a short film I'd directed a long time ago that no one should ever see," even though, "Will was good in it, and it was lovely meeting him through it." Although the scripts Smith had written "were already great," Randall was able to bring in his own "had thoughts and ideas," especially when it came to the action sequences. "They just have to evolve and change, and he was always really open and allowed me a lot of freedom." SEE Gary Oldman on 'Slow Horses' being 'an extraordinary show to work on' and 'one of the highlights of my career' That collaborative spirit extended to his relationship with the cast. "It's interesting with this, because obviously most of them have done three seasons, so in some ways I was catching up," Randall divulges. "I was asking them about their characters," and also "what they wanted to achieve in season four." Although he'd rehearse certain scenes before filming, his directorial technique "really depends on the actor. Some actors like to keep it very fresh on the day, some actors like to talk in a lot of detail about everything, from the props they may be holding to their intention in a scene." When they arrived on set, "we'd just be very loose and play," coming up with new ideas on the day. "The one thing with those actors is how remarkable they already are," Randall continues. Whereas in "some of my previous work" he had to "try to find the performance," in Slow Horses, "it was already of such a standard that had I have not turned up it still would've been a great scene. So you're not trying to find the performance, you're trying to find what else can we bring? What other nuances can we bring? How can we play? Can we bring out any humor here? Is there any more we can push it towards?" It helped that "we also had a lot of new cast" who brought "different energies," which allowed the veteran stars "to do very different things this season." Randall submitted the fourth-season final for Emmy consideration, which he admits "was a hard decision." He chose the episode because, "I thought it balanced a lot of the different things that I was really proud of." For one thing, "it was the most emotional episode" for all of the characters, especially River and David. There was also "a lot of action, which we were really proud of, and we were bold in how we did it." The finale "was a way of weaving all of these different elements together, telling all of these different character's stories, holding this emotion in a way" that still feels in keeping with the rest of the series. It was "a huge challenge," yet the result was "an hour of drama that I'm really proud of." As Season 5 is set to premiere in September, Randall is already in post-production on Season 6, although true to the art of spy-craft, he's keeping tight-lipped about any details. "I definitely can't share details, other than I'm really, really proud of it," he reveals. "It takes this show to new places. It's a big, dramatic, and emotional season, and I'm very excited about it." Slow Horses is streaming on Apple TV+. 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The Mancunian Way: ‘If they can say sorry, why can't you?'
The Mancunian Way: ‘If they can say sorry, why can't you?'

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The Mancunian Way: ‘If they can say sorry, why can't you?'

Peter Tatchell wants an apology - and not the first time. In fact, the LGBT activist has been calling for Greater Manchester Police to apologise for past 'homophobic witch-hunts' for two years. In particular he says former chief constable James Anderton - nicknamed 'God's copper' - left an indelible mark on the force's reputation with gay, lesbian, bisexual and trans people. READ MORE: Tesco shoppers shocked after spotting new £10 item on supermarket shelves READ MORE: Coronation Street's Maria Windass star declares love as she reveals link to co-star But current chief constable Stephen Watson says an apology could be seen as 'merely performative'. Anderton's views on homosexuality are well known. At the height of the AIDS crisis, the devout Christian denounced gay people as 'swirling in a human cesspit of their own making'. Tatchell says the force under Anderton 'became synonymous with open hostility towards the LGBT+ community' and claims he directed officers to 'illegally harass gay venues' - including a notorious raid by 23 police officers on Napoleon's bar in 1984. The human rights activist is calling for an apology for the 'abusive and often unlawful manner' in which now-repealed homophobic laws were enforced. This isn't ancient history. We're talking about police action less than 40 years ago. Many of those who felt the brunt of Anderton's words and actions are still alive today. Tatchell says a formal apology would be 'an important act of healing'. But Chief Constable Watson says that while he is 'of course sorry' that police bodies prior to the GMP's foundation in 1974 'didn't always perform to the standards deserved by those whom we serve', it would 'nevertheless be quite unjust for me as the current Chief Constable to cast some sort of sweeping assertion as to the general conduct of the force over a prolonged period of time'. In a letter to Tatchell dated in April, he says 'virtually no serving officer in the entire force can speak to the period with any personal knowledge' and an apology would make 'little or no difference'. It's a point our LGBT+ writer Adam Maidment simply can't accept. 'By not apologising, we're sort of at a cross-roads where progress in certain areas just can't, and won't, be made,' he says in this illuminating comment piece. 'With Mr Watson refusing to apologise and starting the efforts to firmly strike a line through past behaviour, the wound is still there - it's basically just being left to fester. 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Residents in Marple say three areas around the town's historic canal locks and the River Goyt have become dumping grounds for rubbish and larger items. More here. HMOs: Bolton council has agreed new rules to control the number of homes being converted into rental properties for multiple tenants. In 2021, the borough had 117 houses of multiple occupation (HMO), but by the end of last year there were 720. Details here. He's one of the best known voices in rock n' roll and one of the most famous faces in music - but Liam Gallagher is more than just a music icon. He is a thinker, a philosopher - a Descartes for our times. If you ever need sage counsel, you need only look to Liam. As we all prepare to see Oasis take to the stage again for the first time in years, I've been looking at some of Liam's wittiest one liners and best pieces of advice. You can read them all here.

200-year-old condom decorated with erotic art on display in Amsterdam's Rijksmuseum

timean hour ago

200-year-old condom decorated with erotic art on display in Amsterdam's Rijksmuseum

THE HAGUE, Netherlands -- The Netherlands' national museum has a new object on display that merges art with Amsterdam's infamous Red Light District: a nearly 200-year-old condom, emblazoned with erotic art. The Rijksmuseum said in a statement that the playful prophylactic, believed to be made around 1830 from a sheep's appendix, 'depicts both the playful and the serious side of sexual health.' It is part of an exhibition called 'Safe Sex?' about 19th century sex work that opened on Tuesday. The condom, possibly a souvenir from a brothel, is decorated with an erotic image of a nun and three clergymen. The phrase 'This is my choice' is written along the sheath in French. According to the museum, this is a reference to a story from Greek mythology in which the Trojan prince Paris judges a beauty contest among three goddesses, and which has been depicted in numerous artworks. The condom is on display until the end of November. —— This story was first published on Jun. 3, 2025. It was updated on Jun. 10, 2025 to correct that the reference on the condom was to the story of the judgment of Paris in Greek mythology, not specifically to the Renoir painting.

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