
Critical: Between Life and Death reveals extent of Lambeth fairground crash
Netflix' s latest docuseries Critical: Between Life and Death arrives on the streamer tonight, taking viewers behind the scenes at Royal London Hospital as NHS trauma teams attempt to save patients with life-threatening injuries.
The hard-working unit is thrown into a dire situation from the first few minutes, with several patients fighting for their lives after being injured at a fairground in Brockwell Park. Four people were left with serious injuries in June last year when a fairground ride at the Lambeth Country Show malfunctioned.
"I saw heads and bodies crash into the railings, like crash test dummies," Claire Collins - who witnessed her sister Alison and Alison's boyfriend Nick sustain injuries from the incident - tells the Netflix documentary.
"I immediately jumped up onto the ride, and my sister and Nick were still in their seats. The whole of the side of Nick's face was basically open. Just this big hole. It looked so, so serious. I was really concerned he wasn't going to make it."
With Critical: Between Life and Death looking into the aftermath of the horrific incident, here's everything you need to know about what happened at the Lambeth Country Show.
What happened at the Lambeth Country Show fairground?
The Lambeth Country Show hit the headlines last year, when a fairground ride failed and people were thrown through the air. Four people were rushed to hospital as a result of the incident, with emergency services being alerted at 6:20pm on Saturday 8 June 2024.
One eyewitness told the MailOnline at the time: "People were running towards us and crying and screaming ... Saw a lady with blood streaming down her face. She had paramedics carrying her off the ride." While another said: "I am told a ride collapsed and all hell broke loose. It was horrific. The screams were terrible. Four people flew off and went through the air. It was like a horror movie."
A spokesperson for Lambeth Council said at the time that a "thorough" investigation was being carried out into the cause of the malfunction. "The situation is being closely monitored. The area around the ride is secure and the funfair has been closed ... Additional safety inspections are being carried out on all rides and attractions at the show," a spokesperson said.
Those who attended the fair soon took to social media to warn others, with one writing on X: "They need to shut the whole thing down. Do not take your kids, do not go on any of the rides. I am scarred for life. I really hope they are OK. My wife was physically sick. Saw the air ambulance coming over about 15 minutes after it happened."
The Metropolitan Police later said in a statement: "Emergency services responded at around 6.20pm on Saturday to a fairground ride having failed at the Lambeth Country Show in Brockwell Park. Four people have been taken to hospital. We await an assessment of their conditions. Nobody is trapped on the ride.
"Enquiries are under way to establish the circumstances. Cordons are in place at the location. The Health & Safety Executive will be informed."
Among those injured was Alison Collins, who was left fighting for her life in the hospital after suffering horrific injuries. Meanwhile, her boyfriend Nick was also admitted to the hospital after suffering injuries to his face and head.
Silvana, 11, was also admitted to the hospital with injuries to her legs, pelvis and lower back, while her grandfather, Sebastiano, sustained a broken nose. During the incident, Sebastiano threw himself between Silvana and a flying speaker, which smashed into his face. 'I was given a bag with my dad's things, like his ring,' Sebastiano's daughter Marcia told The Mirror. "It was covered in blood."
Just weeks after the incident, the Health and Safety Executive (HSE) launched an investigation into the ride failure. They said that the ride was being "forensically examined by specialists". HSE inspector Stacey Gamwell said in July last year: "We will continue to thoroughly investigate what happened and determine whether there were any breaches of health and safety law at the time of this incident.
"Once we have finished our investigation, a decision will then be made on whether formal enforcement is required in line with our enforcement policy. We remain in contact with those affected by the ride's malfunction and will keep them updated throughout our investigation."
What happened to the victims?
While Critical: Between Life and Death viewers will see that Alison's skull fracture and chest injuries were a cause of concern, both she and her boyfriend Nick made a full recovery.
Speaking in the documentary, Alison said: "Everybody tells me that when I started to come around, I was sort of talking a load of rubbish and generally, I'm sort of quite good with memory and words.
"Initially, I was told that I would probably be in hospital for five or six weeks. I was stuck in a bed, and didn't even know if I could walk. When can I get out of here? In reality, I managed to get better a lot quicker. So I came out of hospital, I think, after two and a half weeks."
Nick's recovery took slightly longer. "It's the last thing you think is going to happen when you go to a country fair, that you'll be in hospital for a few months. It brings it home to you, how lucky we are to have the NHS and critical care when something goes wrong. The skill involved in the surgeon who repaired my face - which to me is absolutely astounding."
Alison added: "It's been challenging but we cheated death so we look forward." Sebastiano suffered multiple fractures to his nose but was discharged from hospital, while Silvana's injuries were also not life-threatening. "Well, end of the day, I feel lucky," he told the documentary. "Very lucky."
Sebastiano's daughter Marcia said that her family worked with the fun fair and it has now left their business in limbo. 'In a way, we're out of work but we go to different locations.' And her family have made a huge decision: 'My brother said, 'I'm never taking the kids to a fun fair ride again.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Metro
an hour ago
- Metro
Best new mobile games on iOS and Android – August 2025 round-up
A mobile version of Subnautica, a Zack Snyder movie tie-in, and the return of Angry Birds are amongst this month's most interesting mobile games. Like Google before it, Netflix's foray into video games doesn't appear to be going to plan. Despite concentrating on mobile – a more accessible sector with a faster turnaround than PC or console titles – the recent deletion of 20 games from its roster, including crown jewels like Hades and Monument Valley 3, isn't a great sign. There's a move afoot to concentrate on Netflix IP, as typified by this month's Blood Line: A Rebel Moon Game, which while perfectly competent is a little uninspiring. Netflix subscribers will still find all-time classics like Into The Breach are available, but it may be wise to make the most of them while you can. iOS & Android, £8.99 (Playdigious) Released for PC in 2018, Subnautica finally makes its way to mobile with this excellent port. Once again your spaceship suffers a rapid unscheduled disassembly over watery planet 4546B, leaving you with just an escape capsule bobbing on the waves, which when you begin the game, is on fire. Sign up to the GameCentral newsletter for a unique take on the week in gaming, alongside the latest reviews and more. Delivered to your inbox every Saturday morning. To survive on your own, in an alien ocean, you need to harvest crafting materials to make useful props, like The Swiss Family Robinson but with a fabricator. Starting with longer lasting oxygen tanks and flippers for speedier underwater swimming, you're soon building submarines and entire undersea bases. Touch controls are rarely ideal, but the slow-moving undersea environment doesn't demand twitch reactions, although you will still need to make the odd swift getaway from large aquatic predators. The lovely undersea environments, gradual exploration, and drip feed of new construction blueprints remains hugely compelling. Score: 8/10 iOS & Android, included with Netflix subscription (Netflix) Based on the instantly forgettable Zack Snyder films, Blood Line uses Rebel Moon's lore and universe, which means the plot is complex but turgid, its poker-faced dialogue delivered by still drawings of generic, bearded sci-fi bodybuilders. Behind the characterless facade you'll find a twin stick shooter, whose missions – steal fuel supplies, destroy signal jammers, acquire holographic MacGuffin – boil down to shooting some people and robots, activating switches, then defending an area from more people and robots, before being extracted back to the bearded muscleman mothership. It looks fine, you can play co-op with randos online, and its guns look and feel powerful, with a variety of different characters and skills to experiment with. The action is pretty mindless but also moderately entertaining, provided you skip through the plot exposition at high enough speed. Score: 6/10 iOS & Android, £4.99 (Headup Games) Physics-based bridge building games work really well on a touchscreen, especially on the slightly roomier screen of an iPad, and Bridge Constructor Studio is no exception, its interface proving straightforward and intuitive. Start by sizing up the gap you need to cross, available anchor points, and the vehicles you'll need to get to the other side, then make a bridge using as few materials as possible to bring it in under budget, earning a golden screw for each level successfully completed. In fellow bridge maker, Poly Bridge 3, you could view the winning constructions of players on its leaderboard, which was a nice twist, but even without that Bridge Constructor Studio is a polished puzzle game with near endless scope for tinkering, as you try and complete each challenge with fewer and cheaper materials. Score: 8/10 iOS & Android, free (Pusilung) Borrowing the core gameplay of last year's free-to-play Nightfall: Kingdom Frontier TD, Shadow Kingdom may not look quite as refined, but it's no mere rip-off. Underneath the mild plagiarism and less cartoony art style is a much more balanced and interesting game. Centred around a controllable hero defender, you use the winnings from each wave's dispatched enemies to build resource generators, defensive towers, and barracks to train ground troops. Each level's geography, tower availability, and the constituency of its waves of enemies makes it a singular puzzle to unpick. Watching the occasional ad does help the war effort, and there are deliberate pay walls that take a bit of grinding to get through, but Shadow Frontier still manages to deliver a decent sense of progress and thought-provoking challenges, that often take a few attempts to figure out. Score: 7/10 iOS, included with Apple Arcade Subscription (Apple) One of the founding pillars of the mobile video game ecosystem, Angry Birds has been around seemingly forever. Its latest instalment, Bounce, returns to sling-shotting ball-shaped birds, but this time rather than knocking down buildings, you're trying to eliminate tiles by catapulting and rebounding birds into them. Once again, different birds come with their own destructive properties, so choosing the right ammo for each level really helps you get through it, and since this is Apple Arcade, all hint of microtransaction has been expunged, leaving you to enjoy as much of it as you like. As is traditional for the franchise, it's actually pretty tough once you get going, its cartoon-style good looks belying serious difficulty, even if it never quite manages to match the charm of the Puzzle Bobble games, which relied on a similar mechanic. Score: 6/10 iOS & Android, free (IGG Singapore) More Trending A blatant and terrible looking AI introductory sequence, with poorly translated dialogue, helps set the scene for a game that plays exactly like Kingshot and its ilk. That means you'll be refurbishing a cute village, bulking up its army and defences, and joining a clan. After those gentle introductory hours, you're then unleashed into the wider world, where you'll instantly fall prey to players who've spent more money than you and will repeatedly and ruthlessly demolish your settlement. Given just how many games are built around these mechanics, it suggests there's a market for its brand of skill-free pay-to-win warmongering. And yet it's baffling that a game that only rewards you for waiting and paying would be worth making in the first place, especially when it's dressed up in dismal generative AI art assets. Score: 2/10 Email gamecentral@ leave a comment below, follow us on Twitter. To submit Inbox letters and Reader's Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. MORE: Gradius Origins review – shooting the core in Salamander 3 MORE: Time Flies review – the life and death of a bluebottle MORE: Ninja Gaiden: Ragebound review – don't rage against the machine


The Independent
3 hours ago
- The Independent
Why is Percy Hynes White not in Wednesday season 2?
Percy Hynes White, who portrayed Xavier Thorpe in Netflix 's hit series Wednesday, has been dropped from the show's second season, which premiered on August 6. His removal follows allegations of sexual misconduct made against him in January 2023, which the Canadian actor has denied, calling them a 'campaign of misinformation'. Netflix has not officially confirmed the specific reason for White's departure from the Addams Family spin-off. Within the show's narrative, White's character, Xavier, is explained to have left Nevermore Academy and been sent to Reichenbach Academy in Switzerland. White stated in June 2023 that the accusations were false and led to his family being doxxed and friends receiving death threats.


Daily Mirror
3 hours ago
- Daily Mirror
Kelsey Parker breaks silence on baby loss with heartbreaking admission
EXCLUSIVE: Podcaster and Tom Parker's widow Kelsey Parker has devastatingly shared how she told her children about the death of her baby Phoenix and how they are navigating grief Kelsey Parker is "taking each day as it comes" as she opens up for the first time about the loss of her baby Phoenix. The podcast host and widow of The Wanted's Tom Parker sadly announced her third child was born stillborn at 39 weeks in June. She had looked forward to welcoming her first child with partner Will Lindsay, who she found love with two years after Tom's tragic death from an inoperable brain tumor in 2022. After announcing she was pregnant in January, five months later, Kelsey broke the devastating news that the little boy who they had named Phoenix, was stillborn. A bereft Kelsey took time away from social media and from work. Speaking out in her first interview since the tragedy, Kelsey said: "I didn't think I'd be living a relived experience, first losing Tom and now losing Phoenix. "But I think with any grief and loss, you have to take each day as it come and work through it." About one in every 250 births results in a stillbirth, according to the NHS. Kelsey is mum to children Aurelia, six, and Bodhi, four, with The Wanted singer, and now the family have now experienced death again with their younger sibling. "For the kids, it just breaks my heart for them because obviously we wanted the happy ever after and to have Phoenix but that didn't pan out for us," Kelsey says. The mum said when it came to breaking the sad news to Aurelia and Bodhi so soon after they'd lost their father, she used her first encounter with grief to guide her with the latest heartbreak. "I spoke about it like I did with Tom, I just told them the truth. "I think that's all you can do with your children, in anything you're going through, be honest. Because I think people underestimate their children and what their children can cope with. Children have little ears and they listen to a lot of conversations." While filming her documentary, Kelsey Parker: Life After Tom, the mum met a family who lost their dad to suicide. "The children said they felt so shut out because all the adults kept coming and having conversations in rooms and shutting the children out and I think they felt isolated. Whereas I don't want my children to feel like that, they are very involved in the conversations." Kelsey revealed losing their dad Tom actually helped Aurelia and Bodhi grieve Phoenix. "I think for them it actually makes it easier because they've gone through loss, they understand what death is. "We're sort of almost like the Addams Family because we've gone though so much death and darkness. The children are very aware. "Aurelia likes to tell people that her dad's died and her brother's died. She will openly say it, but it's other people's reactions. They can't cope with how honest and open we are. "But it's a fact of life, we are all going to die that is one thing guaranteed. We're going to be born and we're going die." Kelsey has received the love and support from her family during the devastating time, and been supported by Tom's parents who she remains close with. "Noreen and Nige, Tom's mum and dad, have literally been there for me every day since. We were absolutely devastated. I call Noreen all the time, we always talk. "We're going through grief again." Noreen had shared her blessings when Kelsey became pregnant with Phoenix. "I knew she would [be ok with her having another child] because she wants me to be happy," said Kelsey. "She wants her grandchildren to be happy, that's all we want after going through something so tragic. She's just there for me and she's a massive, massive support. "We spoke to each other every day since losing Phoenix and she was just as devastated as as every family member because she wanted that happiness for me and the kids." Kelsey decided to announce Phoenix's death with an emotional and touching poem, which was titled: "For Phoenix, Born Sleeping, Forever Loved." It read: "The world grew quiet as you arrived. So loved, so longed for, yet not alive. Our precious boy, our angel light. Born with wings, took silent flight. "We named you Phoenix, brave and bright. A soul of love, of warmth and light. Though we never heard you cry, you'll live in hearts that won't ask why." Kelsey's poem for her late son concluded: "No breath you drew, no eyes to see. Still, you mean everything to me. You'll journey with us, softly near. In every sigh, in every tear." Sharing her decision to post the poem, Kelsey said she was feeling 'raw' about the loss but wanted to be honest about what had happened. "I knew everyone was going to be so devastated for me because the messages I've had. [People say] 'how can you go through this again? You've lost the love of your life, now you're going through this'." Kelsey still finds grief in the public eye hard, but there are some aspects that add comfort. "People know on a public level what I've been through so if I had lost Phoenix and had to go and do the school run and people didn't know, I think that would be really hard because people would be saying 'where's the baby'." Kelsey has decided to slowly return to work as she navigates her grief. She has teamed up with Virgin Media O2 and Hubbub for a campaign aiming to get people to revisit memories trapped in old phones, so the device can be donated to someone who needs it. "Work gets me through hard times," Kelsey shared. "Some people don't like work, I love work. I am trying to take it slowly, ease myself back in." She has been supported by her Mum's the Word podcast co-host Georgia Jones during her break away. "Georgia has actually been a massive support and she's messaging me each week and checking in and making sure I'm okay," Kelsey shared. She also threw herself and her kids into routine following Phoenix's death, something she is finding harder now it is the school summer break. Sharing the reason behind her tough decision, Kelsey confessed: "I think that was important for people to see me at the school and for the kids to see that you have to be strong and you have to be brave however tough life is. "You have to be brave and show up and that's what I try and do. Show up for my children so they can look at me and go, you know what, my mummy's very strong. She will get us through anything." Yet, not everyday is straight forward in grief. "It's the same when I lost Tom, you have really, really s**t days that you actually can't get out of bed and you think, am I ever going to get through this? But I have two children that need me. You can literally be one second laughing, the next minute crying. Grief hits you different times." Kelsey Parker is supporting Virgin Media O2 and Hubbub's Community Calling initiative to encourage people to donate unwanted smartphones to those who need them. Through Community Calling – an initiative set up to tackle digital exclusion – unused, working devices can be rehomed to someone in need. More information can be found at