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Jenna Ortega And The Weeknd Hurry Up Tomorrow Reactions

Jenna Ortega And The Weeknd Hurry Up Tomorrow Reactions

Buzz Feed16-05-2025

Jenna Ortega and Abel Tesfaye, aka "The Weeknd," are in a film called Hurry Up Tomorrow, and the reaction is a bit surprising.
So, the film is technically a companion to The Weeknd's sixth studio album, which has the same name.
In the movie, he plays a fictional version of himself who gets caught up with this mysterious woman named Anima (Jenna).
The movie also stars Barry Keoghan as his manager and friend, Lee.
When a scene featuring Abel and Jenna went viral, people really had a lot to say about it.
Perhaps Abel's last adventure into dramatic acting with The Idol rubbed people the wrong way, because all it took was for one scene to go viral on the internet, and now everybody's dragging the movie.
As of writing this, Hurry Up Tomorrow had a shocking 15% rating on Rotten Tomatoes.
Jordan Hoffman of Entertainment Weekly said, "The nearly plot-free movie is self-indulgent, overly serious, and, worst of all, just plain dull."Maria Sherman of the Associated Press said the movie was "An exciting vanity project with surrealist imagiation but stiff writing, no stakes, limited emotional weight and an unclear narrative."
While the Audience Score for Rotten Tomatoes wasn't too bad, based on the internet reactions, people seem to be mostly siding with the critics.
One person said, "Hurry Up Tomorrow one of those ones where my interest increases the worse the reviews get."
"One of the worst vanity projects I have ever seen. Could not believe my eyes at the ridiculous shit in this movie," somoene wrote.
But according to this person, the third act is basically "a full on ad for The Weeknd's music," so that sounds like a win because his music is undeniably good.
This person did come to the defense of the movie, writing, "We need to get rid of movie critics because it ruins the vision of the movie. Movies are made because its a form of art not because its getting graded. If The Room got 24% on rotten tomatoes the Hurry Up Tomorrow minimum should get that."
Another person said, "I love HURRY UP TOMORROW for all the wrong reason. A beautifully crafted experimental art piece with gorgeous cinematography, a half-baked plot, and an atrocious lead performance, #HurryUpTomorrow is so film school coded that it almost made me feel nostalgic."
Another fan wrote, "What a beautiful experience this movie was!! Loved the raw and natural emotions displayed by the cast. The concept was very smart, loved the visuals & Jenna was brilliant! Phenomenal movie by Abel for his fans, this is a must watch especially if you're a fan."
So, perhaps to fully appreciate the movie, you have to be a fan of The Weeknd and understand the lore of his music? If not, you're in for a bumpy ride.

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Misty Copeland broke barriers in ballet. Now she's retiring and moving to ‘the next stage'

timean hour ago

Misty Copeland broke barriers in ballet. Now she's retiring and moving to ‘the next stage'

NEW YORK -- Ten years ago this month, Misty Copeland sat in front of a hastily arranged news conference at American Ballet Theatre, fighting back tears of pride over her new role: principal dancer. 'This is it,' she said, with emotion. 'This has been my dream since I was 13.' The occasion was highly unusual — normally, when a dancer is promoted, a brief press release is issued. But this was Copeland, a crossover star with fame far beyond the insular world of ballet. And now she was becoming the first Black female principal in the company's 75-year history — just days after her New York debut as the lead in 'Swan Lake' brought a refreshingly diverse, packed audience to the Metropolitan Opera House. Now, a decade and many accomplishments later, Copeland is retiring from the company she joined as a teenager. 'It's been 25 years at ABT, and I think it's time,' Copeland, 42, told the Associated Press last week ahead of Monday's official announcement of her move. 'It's time for me to move to the next stage.' The company is planning a splashy farewell on Oct. 22, featuring performances by Copeland — for the first time in five years — and other dancers. There will be speeches and film clips. And Copeland, who's been heavily involved in the planning, will get a chance to venture one more time onto that balcony in Verona; she'll dance again in the beautiful 'Romeo and Juliet' pas de deux. Honorary chairs for the evening will be Caroline Kennedy and Oprah Winfrey. A lot has happened in a quarter-century. Copeland, whose success brought new energy to an art form that has always been overwhelmingly white, has authored a number of books, including a memoir and and several works for young people. The second installment of 'Bunheads' arrives in September, and more are already planned in a series she calls 'a reflection of my journey, showing the range of cultures and types of people that can be a part of the ballet world.' Copeland has also made a short film with her production company. And her philanthropic organization, The Misty Copeland Foundation, works on increasing diversity in the dance world and giving more kids who grew up economically disadvantaged, like she did, the chance to dance. 'It was so important for children growing up and seeing somebody like Misty and saying, 'Oh my gosh, she looks like I do,'' says Susan Jaffe, ABT's artistic director, who is overseeing the farewell performance. 'Through her books, through her lectures, even her endorsements, she has really been a trailblazer." Still, progress moves slowly. When Copeland exits ABT, there will no longer be a Black female principal dancer at the company — nor at many ballet companies around the globe. Copeland discussed that continued challenge in the dance world, among other topics, in the AP interview last week. Remarks have been edited for clarity and brevity. COPELAND: You know, I've become the person that I am today, and have all the opportunities I have today, because of ballet, (and) because of American Ballet Theatre. I feel like this is me saying thank you to the company. So it's a farewell. (But) it won't be the end of me dancing. … Never say never. COPELAND: I've noticed that the conversation is not something we shy away from anymore in terms of the lack of equity, the lack of diversity in this (dance) world. That's one of the biggest shifts I've seen … a lot of young people that just can imagine being part of it in some way. They can imagine stepping into Lincoln Center and being at the Metropolitan Opera House. COPELAND: It's definitely concerning, and I think I've just gotten to a place in my career where there's only so much I can do on a stage. There's only so much that visual representation like that can do. 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Can the Angels' offense be saved? It probably (mostly) depends on Mike Trout
Can the Angels' offense be saved? It probably (mostly) depends on Mike Trout

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Can the Angels' offense be saved? It probably (mostly) depends on Mike Trout

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Read more: Angels can't pull off sweep, striking out 18 times in loss to Mariners Advertisement Finding ways to improve the Angels' productivity at the plate could prove even more daunting. They have the second-most strikeouts (622) and second-fewest walks (163) in MLB. Washington understands it's a problem, but acknowledges the solution isn't easily attainable. 'Adjustments is something in the game of baseball that's never ending, so we just got to keep making adjustments,' Washington said. 'That's it. If I knew, if anybody knew the adjustment to make to get an offense going, you would never see offense putter. That's baseball. You just got to keep adjusting, readjusting, adjusting, readjusting, adjusting, readjusting, adjusting, readjusting.' The Angels held the third-worst batting average (.229) and fourth-worst on-base percentage (.301) in MLB a year ago. Three months into the 2025 season, they've regressed. The team's batting average stands at .225 heading into Monday and the team's on-base percentage is considerably lower over last year at .287. During the Angels' eight-game winning streak in May, it seemed as if hitting coach Johnny Washington — in his second year with the team — discovered something to help the offense click. They tallied a .291 batting average and averaged almost eight runs a game. Advertisement The Angels then lost five consecutive games and entered Monday having lost nine of their last 14. 'I think it's come down to guys just continuing the process with trying to simplify guys' approaches, keeping it with their strengths, giving these guys the best chance to succeed versus a given pitcher, and continue the game plan,' Johnny Washington said. 'Been doing it all year. There are some youth, but there's a ton of growth taking place. I know it hasn't been pretty at certain times, but it's a great group.' Angels manager Ron Washington talks to Chris Taylor during a win over the Mariners on Friday. (Eric Thayer / Associated Press) In their last two series against Boston and Seattle, there were encouraging signs on offense. The Angels scored five or more runs in four of the six games, and cut down on their strikeout totals, with seven or fewer strikeouts coming in four games. Advertisement Chris Taylor, who struggled at the plate since signing with the team on May 26, began making hard contact — going two for three in two of three games against the Mariners, homering for the first time this season on Saturday. Sunday, however, proved to be much different. In the Angels' 3-2 loss to the Mariners, the lineup struck out a season-high 18 times. 'I think it's kind of just like snapping out of it,' said first baseman Nolan Schanuel on Friday, a day after the Angels returned from a six-game trip in which they averaged more than five runs a game. 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'He's been a huge help to our offensive group, to us as coaches and as well to the players" Get the best, most interesting and strangest stories of the day from the L.A. sports scene and beyond from our newsletter The Sports Report. This story originally appeared in Los Angeles Times.

'The Last of Us' co-creator reacts to fans angry over Pedro Pascal's shocking exit: 'He's in literally everything else'
'The Last of Us' co-creator reacts to fans angry over Pedro Pascal's shocking exit: 'He's in literally everything else'

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'The Last of Us' co-creator reacts to fans angry over Pedro Pascal's shocking exit: 'He's in literally everything else'

Pedro Pascal may have been brutally dispatched from The Last of Us, but at least he's, in the words of series co-creator Craig Mazin, "in literally everything else." "He did a thing. Everyone lost their s---, and then I had to do that same thing, because he did the thing, I loved doing the thing, I thought it was great," Mazin told Variety during Thursday's "A Night in the Writers' Room" event in Los Angeles. Though Mazin and co-creator Neil Druckmann were simply following the story set forth in the video game The Last of Us is based on, fans were still shocked by the death of Pascal's series lead Joel in the second episode of the second season. That shock has transformed for some into anger, which has given voice to ample criticism. "The big complaint that I've gotten is, 'Why did you kill Pedro Pascal?' And I keep explaining, we didn't kill him! He's a man, he's alive. He's fine. And he's in literally everything else. So I don't know what the problem is!" Mazin joked. Fans aren't the only ones still reeling from having to watch Joel die at the hands of Kaitlyn Dever's Abby. Pascal himself told Entertainment Weekly in April that he's in "active denial" about his own character's fate. "I realize this more and more as I get older, I find myself slipping into denial that anything is over. I know that I'm forever bonded to so many members of the experience and just have to see them under different circumstances, but never will under the circumstances of playing Joel on The Last of Us," Pascal said. "And, no, I don't spend a lot of time thinking about it because it makes me sad." The Chile-born actor's sister, Lux, also said in May that she "wanted to throw the iPad" when she got to the scene depicting Joel's death. Lux joked that it's "not the first time he's done it to me, it's not the second time he's done it to me. I think it's the fourth time he's done it to me. Because how many deaths has he had? Game of Thrones, Equalizer 2, The Last of Us — each is more violent than the other.... Seeing my brother die that way, I didn't like it at all." Some of the "everything else" Mazin referred to include Ari Aster's film Eddington (releasing July 18), which Pascal was recently seen in Cannes promoting at the seaside town's illustrious annual film festival. He can be seen Friday in theaters in Celine Song's Dakota Johnson and Chris Evans rom-com Materialists, and he also stars as Reed Richards in July 23 Marvel release The Fantastic Four: First Steps, a character he'll reprise for Avengers: Doomsday. Read the original article on Entertainment Weekly

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