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What feud? Shaquille O'Neal to be presenter for Dwight Howard at Hall of Fame

What feud? Shaquille O'Neal to be presenter for Dwight Howard at Hall of Fame

NBC Sports4 hours ago
In a couple of weeks, when Dwight Howard is inducted into the Naismith Basketball Hall of Fame, Shaquille O'Neal will be by his side as one of his presenters. Shaq's addition to the list of Patrick Ewing, Robert Parish, Dennis Rodman, and Dominique Wilkins was announced by the Hall.
Let's make it official. See you soon @SHAQ. 😎 #25HoopClass pic.twitter.com/tobLF6xR8k
It's an interesting choice, given that Shaq and Howard have had a public feud that goes back more than 17 years. It was an inevitable tension as Shaq was not willing to cede his spot among the best centers in the game to another player, especially one Shaq saw as appropriating his 'Superman' image.
So u wear a cape and win a dunk contest and they call u superman
So
This feud continued after Shaq's playing days, with him once suggesting Brook Lopez was a better center than Howard (who had been named First Team All-NBA for five straight years at that point). Howard said Shaq was retired and needed to let it go. Shaq later said all this was a motivational tactic to fire up Howard, but it continued even a year ago when both were out of the game (Howard was inspired by the Mike Tyson/Jake Paul 'fight').
Gotta have more than one ring to get in the ring with me, I'll stick with a real champion like @RobGronkowski, and you can have the Superman belt, all yours buddy,
Now, though, it's apparently all good, and when Dwight Howard deservedly enters the Hall of Fame next month, Shaq will be there to present him and welcome him to the club.
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Movie Review: Ron Howard's 'Eden' brings 1920s chaos on a Galápagos island to life
Movie Review: Ron Howard's 'Eden' brings 1920s chaos on a Galápagos island to life

Associated Press

time2 minutes ago

  • Associated Press

Movie Review: Ron Howard's 'Eden' brings 1920s chaos on a Galápagos island to life

Ron Howard's 'Eden' opens with a bold statement: 'Fascism is spreading.' It'll surely carry weight in modern society, but the phrase is referencing events from nearly a century ago. Based on a true story, 'Eden' retraces what happened when a group of Europeans attempted to start anew on the remote island of Floreana, only to encounter the earthly failings they hoped to escape: chaos, blackmail, betrayal and even murder. Howard assembles an impressive cast, though it isn't always enough to make up for the overambitious plot of a film that drags in the middle. 1920s Germany, haunted after accepting blame for World War I, was on the brink of demise, as mass poverty and broad social unrest laid ground for the extremism that birthed the Nazi party. 'Eden' shows us none of that, instead dropping us on a small island of the Galápagos, where Dr. Friedrich Ritter ( Jude Law ) and his loyal partner, Dore Strauch Ritter ( Vanessa Kirby ) found solace after fleeing their native country. The idealist doctor is inspired by a newfound purpose of penning radical philosophy that will 'save humanity from itself.' Yet the historical resonance, which could have provided pointed commentary on the parallels between today and the 1920s, falls flat amid the film's overlong runtime, unlikable characters and shaky accents that most actors stumble in and out of. In the midst of the film's crafted chaos, the story inevitably loses focus. Still, 'Eden' made room for some memorable performances. More adventurists eventually arrive on the island, and just like that, human interaction starts to breed madness. The doctor's philosophical work has spread through letters and newspapers across Europe, attracting settlers like Heinz Wittmer, a veteran of the Great War played by Daniel Brühl, and his much younger second wife Margaret, played by Sydney Sweeney. The Ritters' quiet isolation is disrupted by the couple, who arrive with Wittmer's young son, chasing the promise of an island utopia to ease their deep disillusionment with everyday reality. The tension between the two groups further exacerbates when Eloise Bosquet de Wagner Wehrhorn ( Ana de Armas ), who calls herself the Baroness, arrives with her two lovers, determined to build a resort on the island. What results is a cat-and-mouse game between the three groups, ripe with betrayal, distrust and tension. The battle for resources exposes just how much of their morality these people are willing to give up for survival, at least attempting to — but never fully succeeding — in addressing the question: When do people bend to human instinct? The film lacks depth in exploring questions of morality and human nature while depicting Ritter's lofty goals to save humanity. His philosophy spirals into madness throughout the film, reduced to brief, sometimes painful and surface level sound bites that eventually devolve into incoherent ramblings. The movie is at its most compelling when its three female actors are on the screen. Different motivations bring them to the island, each of which ultimately centers on the same blind faith in the idea of the masculine leader. They all end up vastly disappointed. Dore is consumed by an unwavering devotion for Ritter, a man who never lives up to the image she's crafted in her mind. Margaret, having married an older man expecting guidance, is instead forced to build her family's future from the ground up, only to fight tooth and nail to preserve it after her husband nearly destroys them. And the Baroness, who confidently declares herself 'the embodiment of perfection,' oozing with seduction, ultimately crumbles at the rejection of a man. Arguably, Sweeney — who is almost unrecognizable as the timid and brunette Margaret — steals the show. She easily delivers the most impactful scene of the movie, as she was forced to give birth to a baby boy alone in the middle of the desolate island. It's not hard to guess who won't makes it off the island, either by choice or by force. It is a true story after all. The bloody ending feels unavoidable from the beginning, almost as predictable as human nature itself. But maybe that was the point all along. 'Eden,' a Vertical release in theaters Friday, is rated R by the Motion Picture Association for 'some strong violence, sexual content, graphic nudity and language.' Running time: 129 minutes. Two and half stars out of four.

Caitlin Clark misses another practice as Fever call her prospect of return 'status quo'
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San Francisco Chronicle​

time24 minutes ago

  • San Francisco Chronicle​

Caitlin Clark misses another practice as Fever call her prospect of return 'status quo'

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Senior Bowl 300 watch list features 10 Oklahoma Sooners
Senior Bowl 300 watch list features 10 Oklahoma Sooners

USA Today

time30 minutes ago

  • USA Today

Senior Bowl 300 watch list features 10 Oklahoma Sooners

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