
Concert review: Alberta's own Tate McRae plays pop bangers and ballads to packed Edmonton crowd
Article content
Dear Charlie Daniels: I'm writing you this letter hoping that it somehow gets to you in the beyond. Last night I went to see one of the bigger names in pop music. Her name is Tate McRae and we're kind of proud of her here in Alberta because she's one of us.
Article content
Article content
She was born and raised in a province that doesn't have a lot of massive pop stars to boast about, and it's always nice to see someone from the city just a few hours south of you get ahead.
Article content
Now, you're probably asking me why I'm wanting to talk about pop music with a deceased country star? Valid question. You probably don't remember, but almost 15 years ago you and I had a conversation written up in this very newspaper where as an aside we discussed the young phenom that is Taylor Swift. It was a thoughtful chat where we talked about many things, including the question of Swift's audience.
Article content
I'm paraphrasing here, but I remember you saying 'she's not writing for you and me, she's writing for fans who are her own age' while you expressed admiration for her hard work. Now, I'm not bringing up Swift to compare her to McRae; they both approach their jobs quite differently.
Article content
But if you and I had been together in that extremely packed hockey arena on Thursday night for McRae's Miss Possessive Tour, overlooking a sea of young girls, I'm sure you would have turned and reminded me that this wasn't necessarily meant for us.
Article content
Article content
🕥️ It's 10:35 and our film photos from last night's @TateMcRae show just arrived 👀📷️ pic.twitter.com/L5acupCT8L
— Rogers Place (@RogersPlace) August 8, 2025
Article content
Article content
I would have agreed, but I also would have reminded you that pop music, as disposable as it is, will always have elements that appeal to all. Hooks, for one, and McRae's songwriting team has hooks to burn on tunes like Guilty Conscience, Greedy and She's All I Wanna Be. Much of the rest swam in a swamp in my head, one long song that fans could easily parse but I could not, except for pleasurable elements like the occasional low bass frequency.
Article content
Article content
Charlie, I'm guessing that we would have agreed that the arc of the concert was perfectly designed with the audience in mind, pop bangers giving way to mid set ballads like Nostalgia and then up again. A true musical rollercoaster. But I'm not sure what you would have made of the stage show.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Calgary Herald
15 minutes ago
- Calgary Herald
CPO gets early start on its jam-packed 70th season
Article content Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Article content It promises to be a big bash this year as the Calgary Philharmonic plans an epic dance party, outdoor events and a travelling roadshow to celebrate its 70th season. Article content It all kicks off Sept. 5 at the Big Four Roadhouse on the Stampede grounds with a premiere of SYNTHONY: EDM Meets Orchestra. Guest DJs and vocalists join Calgary Phil in a fun mashup of electronic anthems. Article content The CPO begins its Jack Singer Concert Hall appearances on Sept. 12-13 with Grammy Award-winning conductor Karen Kamensek leading Grammy winner Gil Shaham playing Beethoven. Shaham is considered one of the foremost violinists in the world, and this will be his first Calgary performance. Article content Article content The CPO brings back its popular Pops and Symphony Sundays for Kids series, with The Music of Sting + The Police (Sept. 19 and 20) and The Gruffalo (Sept. 21). Article content The busy month wraps up on Sept. 27 with one of the most anticipated concerts of the season as international piano superstar Lang Lang — also making his Calgary debut — joins the orchestra and conductor Ramón Tebar at the Jack Singer. Article content This season, the CPO will branch out across the city, performing 70 concerts in seven venues across the city, such as the Jubilee, the Bella and the Grace Presbyterian Church. And it's bringing in big talent, with 29 conductors from around the world to lead the orchestra, including Yue Bao, Jessica Cottis, Calgary's own Daniel Bartholomew-Poyser, Calgary Phil music director laureate Hans Graf, and Calgary Phil resident conductor Juliane Gallant. Article content Article content Some of the guest artists expected this year are guest artists such as Alberta's country star Tenille Townes, former Barenaked Lady and Canadian rock icon Steven Page, rising star Amaryn Olmeda (violin), Canadian luminary Stewart Goodyear (piano), multi-disciplinary artist Vivek Shraya, and the renowned Steven Isserlis, one of two living cellists inducted into the Gramophone Hall of Fame. Article content Article content The CPO will also continue its tradition of collaboration, with the Calgary Youth Orchestra in January, with the Edmonton Symphony Orchestra in April and Baroque fall and winter concerts with Mathieu Lussier and Camillie Delaforge, respectively. Article content Always trying to reach new audiences, the CPO will bring back popular additions such as Rockin' Pops (including the music of Prince, disco, Latin pop, Sting and the Beatles), and blockbuster movies accompaniments (Home Alone in Concert, The Princess Bride, Harry Potter and the Half-Blood Prince and Star Wars: Return of the Jedi). Article content And it wouldn't be Christmas without the annual musical tradition of Handel's Messiah.


Toronto Sun
an hour ago
- Toronto Sun
Sentimental style
Robbins Griffith was inspired by her late bubbi's design aesthetic. She had her home professionally photographed to preserve her endearing style. JESS DYBENKO Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Nostalgic, layered, and full of heart – grandmacore is bringing back the beauty of lived-in spaces with stories to tell This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Some of my fondest memories are at my Sicilian grandparents' house– the scent of tomato sauce simmering all Sunday afternoon, my Nonna seated at their Mahogony dining table schooling the patriarchs of the family at a game of Briscola – Italian card game – and the burn on my legs from sitting too long on their plastic-covered furniture. Their living room perfectly preserved. Handmade dollies on every surface. Cabinets full of fancy teacups (which I happily inherited), glasses and dinnerware, only brought out on the rarest of occasions. A space so layered with texture, narrative, and love, it was like a living scrapbook. That cosy, eclectic look (minus the plastic!) that is synonymous with our grandparents' house is back with a new name and fresh perspective. Grandmacore. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. It's not just a trend, it's a warm pushback against the minimalism look that has persisted for so long. And after years of blank slates, there's something deeply grounding about a space that remembers where it came from. That's the quiet power of grandmacore. It's not just a style but a feeling—a response to years of simple spaces and fast-furniture fatigue. Where minimalism prizes restraint, grandmacore embraces tenderness. It leans into memory, into texture, into story. And clearly, it's striking a chord. According to Pinterest's internal data, searches for grandmacore rose by 48 per cent globally in Q2 of 2025 compared to the same period last year. The surge reflects a growing desire for comfort-forward design with emotional resonance. This advertisement has not loaded yet, but your article continues below. Even designers are gravitating towards it, reinterpreting the aesthetic with fresh eyes. 'Grandmacore is rooted in nostalgia, but that doesn't mean it has to feel outdated,' says Toronto-based designer Tiffany Leigh of Tiffany Leigh Design. 'We're seeing a lot of pattern-on-pattern, slipcovered furniture, dainty florals, and colour, but paired with clean architecture and an edited eye.' What distinguishes grandmacore from pure vintage revival is its balance. Done right, it doesn't feel cluttered or costume-y, it feels curated. 'It's about finding harmony—letting a piece with history shine, while ensuring the overall space still feels considered and current,' says Leigh. For Tamara Robbins Griffith, principal designer at Kerr + Field Interiors, the style is deeply personal. 'My grandfather was a home builder, and my late bubbi (Yiddish for grandmother), Pearl Robbins, decorated his show homes. This advertisement has not loaded yet, but your article continues below. She had a great sense of style, believed in the value of quality pieces, and took great pride in her home,' she shares. 'She truly inspired me, and I have a lot of pieces in my home from her house today.' Robbins Griffith recently reupholstered a pair of tub chairs from her bubbi's bedroom in a high-performance off-white woven fabric. 'The new fabric modernizes them a lot, but the shape is classic.' For those just dipping into the style, Robbins Griffith recommends hitting up a flea market on a weekend. 'A side table, a vintage oil painting, even some decorative accessories can instantly bring personality to your space.' Better still, she says, 'If you have a grandma who's downsizing, experiment with her furnishings. There might be a classic piece just waiting for a new fabric or fresh coat of paint.' This advertisement has not loaded yet, but your article continues below. Leigh takes a similar approach but focuses on incorporating texture and thoughtful curation. 'Adding pattern curtains, vintage needlepoint pillows or a ruffled floral quilt to a bed is a great place to start,' she says. 'Even just styling your bookshelves with a few delicate trinkets or a teacup from your grandmother's collection can bring that layered, story-filled feeling to a room.' Beyond its nostalgic charm, grandmacore embraces sustainability in a tangible way. Heirlooms are restored, thrifted finds are refreshed, and vintage accents are brought back into rotation. It's a way of living that keeps beautiful, well-made pieces in use, allowing us to carry their memories forward. Grandmacore reminds us that the most compelling interiors aren't built overnight; they're collected over time. For me, it echoes the nostalgia of my Sicilian grandparents' home, where every object had a tale and style was instinctive, not overly staged. We can learn a lot from that design philosophy. Because at the end of the day, home should feel like a hug. And grandmacore? That's a hug wrapped in a crocheted blanket. Sunshine Girls Sunshine Girls Toronto & GTA Toronto & GTA Columnists


Vancouver Sun
2 hours ago
- Vancouver Sun
Stepping into Simba: Erick D. Patrick brings The Lion King musical to Vancouver
Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. When: Aug. 20-Sept. 14 Where: Queen Elizabeth Theatre , 630 Hamilton St., Vancouver Tickets: From $35 (plus fees) at You can't argue with this kind of success. In the last 30 years, The Lion King has proven to be one of American entertainment giant Disney's most valuable properties. Whether in its original animated form, the 2019 CGI photorealistic remake, or the multi-award-winning Broadway incarnation, the story of Simba, the lion cub who would be king, has entertained and inspired millions across the globe. Get top headlines and gossip from the world of celebrity and entertainment. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sun Spots will soon be in your inbox. Please try again Interested in more newsletters? Browse here. We talked to Erick D. Patrick about playing the four-legged princeling in the musical, which returns to Vancouver this month. A: I saw the Broadway musical for the first time when I was 23 or 24. Since then, I've seen maybe seven or eight different Simbas. A: Everyone is so different. It's interesting, because we're all given the same things to do. But the beautiful thing about storytelling is that no one can tell you how to tell it. It's a beautiful thing to see that many different ways to tell the story. A: It's a role that you always want to find something new in night to night, show to show. It requires you to figure out things about yourself. It's that universal reminder that you might think you have everything figured out, that you think you know exactly what you're doing, or you think you know exactly how you'll respond, but you actually don't know until you're in that situation. For me, it always brings up how to be strong, how to be caring, how to be vulnerable, how to honour your loved ones, or honour the ones that are no longer with us. A: It's a big learning curve, because you've got to be aware that the mask is also telling the story and how you move doesn't stop with your face and your body. We have what we call 'the dual event.' Basically, if you were in the audience and you were to look at my face, you would get the story. And if you were way, way in the back and you were just able to see the movement and my mask, you would get that exact same story based on body language and movement. A: It is one of the most rewarding feelings I've ever experienced, and it's unlike any other show. Because normally you're playing your age. Normally I'm just a 30-year-old guy on stage singing songs. But in this show, it really does stand the test of time. It doesn't matter where we are in the world. It still connects to not only children, but adults as well. It's something that I didn't expect to feel so gratifying. I knew that kids loved the show. I knew that people loved the show, but I didn't know the amount of love and excitement that you're going to receive when you step out of the stage door. A: Oh, all the time. Every night. I was so obsessed with it. And I've always been an actor, I've always been in musicals, but it never clicked to me to even audition for The Lion King. Never. It took my fiancé, who was on the tour, to encourage me. She said, 'Hey, I think you'd be really great.' And I was like, 'People say that, but is it really cool?' And she's like, 'Yes, it's amazing. You should come be a part of it.''