This Heartfelt New Comedy Is The Top Movie On Netflix Right Now
Based on a true story, the comedy drama stars Vince Vaughn as a man who decides to honor his late mother by opening an Italian restaurant staffed by real grandmothers, aka nonnas, as the chefs. The movie also features Susan Sarandon, Linda Cardellini, Lorraine Bracco, Talia Shire and Brenda Vaccaro.
'Nonnas' premiered on the streaming service on May 9 to mostly favorable reviews from critics.
Read on for more trending movies of the moment across streaming services, including Hulu, Max and Amazon Prime Video. And if you want to stay informed about all things streaming, subscribe to the Streamline newsletter.
The most popular movie on Hulu right now is Jillian Bell's directorial debut, 'Summer of 69.'
Starring Chloe Fineman and Sam Morelos, the raunchy teen comedy follows a socially awkward high school senior who hires a stripper to teach her about sex and confidence in order to win over her crush. 'Summer of 69' premiered in March at South by Southwest before joining Hulu on May 9.
'Ready Player One' is currently trending on Max after joining the streaming service on May 3.
Based on a 2011 novel, the sci-fi action movie takes place in a future world where most humans use a virtual reality simulation to escape regular life. Directed by Steven Spielberg, 'Ready Player One' stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Simon Pegg and Mark Rylance.
The 2019 sleeper hit 'The Peanut Butter Falcon' joined Amazon Prime Video on May 5.
Starring Zack Gottsagen and Shia LaBeouf, the comedy-drama tells the story of a young man with Down syndrome who escapes his assisted living facility and forges a friendship with a wayward fisherman. Dakota Johnson, John Hawkes and Thomas Haden Church also appear in 'The Peanut Butter Falcon.'
'Heart Eyes' debuted on Netflix on May 8, following its theatrical release in February.
The acclaimed romantic slasher revolves around a serial killer who targets couples and a pair of co-workers who must fight to survive their encounter with him. Olivia Holt, Mason Gooding, Michaela Watkins, Devon Sawa, Yoson An, Jordana Brewster and Gigi Zumbado star.
These TV & Film Moms Shaped Our Lives When We Needed Them Most
With A New Pope, 'Conclave' Becomes The Most Relevant Movie Of The Year
Kerry Washington Says She Built Her 'Own Table' To Evolve In Hollywood
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Tom's Guide
an hour ago
- Tom's Guide
Forget the Netflix price hikes — score a full year of Binge Premium for less than AU$10p/m
Maintaining subscriptions to the best streaming services is getting harder for the average Aussie, with prices always on the rise and content constantly moving around. Thankfully, a homegrown streamer has dropped a seriously cracking deal on its annual subscriptions, discounting them by 35%. From now until August 31, 2025, Binge has discounted its annual subscriptions across its three tiers, with savings of up to AU$63. While Binge's basic tier will cost just AU$48 for the full year, the best deal is on its Premium subscription, which is down to just AU$116p/y, from AU$179. Binge's Premium subscription is on par with Netflix's most expensive offering, providing viewers with 4K streaming on four screens. With this deal, you'll end up paying AU$9.67p/m for the full year – a AU$12.33p/m saving – which is AU$19.32 less than Netflix's impending price hike to AU$28.99p/m for premium. But you'll need to act fast to take full advantage of Binge's discounted annual subscription — this offer is only available until August 31, 2025. Retailing at AU$179p/y for a premium subscription, this Binge deal knocks a massive 35% off the first year. When broken down, it'll cost you just AU$9.67p/m, which is AU$10.32 cheaper than the average premium streaming subscription (AU$19.99). With this annual sub, you can access all of Binge's content catalogue and stream up to 4K on four screens. Some of Binge's upcoming releases include "The Office US" spinoff, "The Paper", arriving on September 4, and the first season of reality competition show, "The Great Canadian Pottery Throwdown", on August 22. New movies on the streamer include "Gladiator", "Sonic The Hedgehog 3", "The Brutalist" and "Bridget Jones: Mad About the Boy". Winter live sports are heating up in Australia, and the easiest way to stream them live and on demand is on Binge. With an annual subscription on any tier, you'll be able to stream the upcoming AFL and NRL grand finals on September 27 and October 5, respectively. You can even stream the NRLW and AFLW matches, too. In terms of news and lifestyle channels, all Binge subscribers can access Foxtel's most popular channels, such as Fox News, Sky News, BBC and Bloomberg. Premium subscribers gain the added bonus of 4K streaming on four screens, which is a big step up from Binge's standard tier (offering up to 1080p HD streaming). Plus, you won't have to sit through ads while viewing, and that's a major win in our books. But, if you find that the streamer isn't up your alley or don't want to pay the ongoing annual rate of AU$179 after your offer ends, you can always cancel your Binge subscription at any time.
Tom's Guide
an hour ago
- Tom's Guide
Netflix has racked up 20 No. 1 shows in 2025 (so far) — here are the 5 you shouldn't miss
Netflix has already brought us a ton of new movies and shows throughout 2025, and there are still some major releases waiting in the wings ("Stranger Things" season 5, anyone?) Having a steady stream of new releases is a big plus, obviously, but it can also mean keeping up with what's on Netflix — and all the best streaming services, for that matter — a tall order. And I say that as someone whose job is literally to keep up with what's happening in the world of entertainment. With that in mind, I've been keeping a close eye on the shows that have risen to the top throughout 2025 and put together a shortlist of shows I think viewers ought not to miss. If you read my last round-up of must-see Netflix No. 1 shows, feel free to skip ahead to my picks. Otherwise, I'll just quickly explain how I made my decisions. I checked what the No. 1 show on Netflix U.S. was every single week (via Netflix's handy Top 10 list on Tudum) from the start of the year through to August 3 (the latest published data set) and built up a list of 19 initial shows. After noting them down, and adding in an extra by checking Netflix's homepage each day for the past week (to bring us up to an even 20), I whittled that shortlist down to 5 choices. Because Netflix only shares weekly data in this way, some top watches didn't quite fit the criteria: sorry, "Dept. Q.". Nevertheless, with that explanation out of the way, here's my top five Netflix No. 1 shows of 2025 (so far). 'Adolescence' has been on my list already, and I'm not getting rid of it this time out, either. It had a massive impact upon release, and I'm confident it's going to be remembered as one of 2025's must-see projects. This powerful, four-part limited series sees 'Boiling Point' star Stephen Graham and creator Philip Barantini reuniting to tell the story of a fictional family whose world is turned upside down when their 13-year-old son, Jamie (Owen Cooper), is arrested for the murder of a fellow pupil. Since its release, 'Adolescence' has become the No. 2 Most Popular English-language TV show (second only to 'Wednesday') and has sparked conversations about young people, healthy relationships and online radicalization. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. 'Adolescence' isn't just worthy of a mention owing to its wider impact: it's also an expertly crafted drama, and one that you should make time for if you haven't already. Watch "Adolescence" on Netflix now "Sirens" may not have won critics over quite as much as Molly Smith Metzler's previous Netflix series, "Maid," did, but this dark comedy-drama was a winning watch for me. Across five episodes, we follow concerned sister Devon DeWitt (Meghann Fahy) as she embarks on a quest to check in on her younger sister, Simone (Milly Alcock). Simone's been sucked into the orbit of wellness guru and wealthy socialite, Michaela Kell (Julianne Moore), waiting on Mrs. Kell as her devoted live-in assistant. Devon shows up at Michaela's lavish estate — unannounced — and tries to stage her intervention across the Labor Day weekend... where she's thrust into the Kells' cultish world and discovers that her sister's boss is a formidable opponent. It's an emotional, darkly funny miniseries that will have you hooked as new secrets come to light. Watch "Sirens" on Netflix now It's important to me that this list has some variety on it, so I wanted to keep a proper comedy on my list. With that in mind, I'm still recommending "The Four Seasons" as one of the best Netflix originals I've streamed this year. This hilarious, eight-part series comes from Tina Fey, Lang Fisher and Tracey Wigfield and follows a group of friends, charting how their dynamic shifts when one of the couples in the mix decides to call it quits. It's a gentle, warm comedy that should make for some easy viewing. Watch "The Four Seasons" on Netflix now If you love compelling, character-driven mystery thrillers, then "Untamed" deserves to be on your radar. Released last month, "Untamed" is the latest project from Mark L. Smith ("American Primeval") and Elle Smith ("The Marsh King's Daughter") that whisks us off to the beautiful environs of Yosemite National Park. There, Investigative Services Branch Agent Kyle Turner (Eric Bana) is on the trail of a killer. Naturally, that investigation sees him stumbling on some dark secrets lurking within the wilder parts of the park. It's a suspenseful six-episode series that many of us at TG enjoyed (fellow writer Alix Blackburn also recommended "Untamed" earlier in the year), and one that belongs on your watchlist if it wasn't already. Watch "Untamed" on Netflix now "Wednesday" is the exception to the rule that I mentioned above. While (at the time of writing), Netflix hadn't published its weekly data for Aug. 4 - 11, every time I've looked at the Netflix homepage since the series launched last week, Wednesday Addams was staring right back at me from the top of Netflix's charts. And seeing as the first season is Netflix's most-watched series of all time... I think it's a sure bet that season 2 will come out on top. If not, I'll replace Wednesday with another choice entirely once the data's live. Regardless, even though we've only gotten half of the new season, I'm already all-in on "Wednesday" all over again. The production design is just as impressive, the mystery's got me hooked, and Jenna Ortega's proven every bit as engaging in the title role. It's just devilishly fun stuff. I can't wait to see what's still in store when the remaining episodes drop, and I feel confident it'll still be one of my favorite Netflix shows of the year going forward. Watch "Wednesday" on Netflix now Below, you can find the full list of the 20 Netflix shows that have been a No. 1 series at some point in the year, based on Netflix's weekly data (listed alphabetically). Already streamed all five of my Netflix picks? Check out our round-up of the best Netflix shows for tons more streaming recommendations to help build out your watchlist. Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.
Yahoo
3 hours ago
- Yahoo
‘Alien' Has Always Feared AI and Big Corporations. That's More Relevant Than Ever
The new FX series 'Alien: Earth' traffics in familiar themes about greed, oligarchy and mysterious robots that tie into what's going on in the real world The 'Alien' movies vary widely in quality — there arguably hasn't been a truly satisfying one since the first two in 1979 and 1986 — but a key thread has endured across the 46 years: However scary the xenomorphs are, 'Alien' has always feared AI and the greed of faceless corporations. And in that respect, its time has come. The latest entry in the franchise, 'Alien: Earth,' which premieres on Tuesday, certainly exhibits those political undercurrents while bringing the threat home, both in the location and the shift from theaters to FX and Hulu, where only your neighbors can hear you scream. More from TheWrap Jimmy Fallon's Greg Gutfeld Interview Scores Biggest 'Tonight Show' Audience Since 2023 | Exclusive 'Wednesday' Season 2 Debuts to 50 Million Views in Just 5 Days on Netflix 'Alien' Has Always Feared AI and Big Corporations. That's More Relevant Than Ever Alex Ross Perry's 'Videoheaven' Charts the Rise and Fall of Video Stores, I Was There | Essay Granted, nobody comes to an 'Alien'-branded project — a franchise with one foot firmly planted in sci-fi and horror — for a lecture about the perils of unfettered capitalism. Still, the underlying apprehensions feel even timelier now, from the AI threat to the notion of corporations supplanting governments. 'Alien: Earth' lands at a moment of heightened unease about income inequality and the growing political clout wielded by billionaires like Elon Musk, Mark Zuckerberg and Jeff Bezos — moguls who have become household names. Their companies, meanwhile, keep growing, with trillion-dollar valuations — which would have sounded like the stuff of science fiction a few decades ago — now a reality, with Microsoft, Apple, Amazon and Google among those cracking that barrier. 'The Trillion Dollar Stock Club Is Bigger — and Richer— Than Ever,' blared Barron's headline closing 2024. Despite healthy profits, those same companies are also embracing AI in a way that both ignores potential unintended consequences and threatens the careers of its own employees. Several have explicitly stated as much, with Amazon CEO Andy Jassey issuing a memo in June spelling out that the technology will 'reduce our total corporate workforce as we get efficiency gains from using AI extensively across the company.' The eight-episode series takes the real-world drift toward corporate oligarchy to its dystopian extreme, with Earth governed by five massive corporations, which, as usual, exhibit few compunctions about sacrificing human life to advance their objectives and enhance their profits. In the broad strokes, though, this latest addition to the mythology — as conceived by showrunner Noah Hawley, who previously translated 'Fargo' to TV — very much contains the same core of distrusting those in charge, along with some new wrinkles that work more fitfully. The end game of those corporate objectives as usual remains murky, but again involves using synthetic androids — whose actions and motivations prove suspect — and seeking the means to capitalize on the alien creatures. Naturally, that requires the customary hubris about attempting to cash in on something so uncontrollable, unpredictable and dangerous. By adding a human face, in the form of a young technocrat (Samuel Blenkin) running a company appropriately named Prodigy Corp., 'Alien: Earth' does endeavor to make the story more contemporary. The self-proclaimed 'boy genius' feels like a composite inspired by any number of CEOs, which says something about this plutocratic moment given that the character would have seemed exaggerated or cartoonish before the modern tech explosion. As Hawley said during a pre-launch press conference, 'If I had done the 1970s version of capitalism it wouldn't have felt right for the world we live in today,' adding that humanity is 'trapped between the AI future and the monsters of the past.' The shock of the first 'Alien' — beyond wedding a haunted house to striking monster biology and set design — hinged in part on the cavalier attitude 'the company' harbored toward the lives of the crew. What they intended to do with the xenomorph was ill defined — something about the bio-weapons division — but the key point was treating the survival of those manning the ship as a secondary concern. That aspect became even more pronounced in the brilliant sequel 'Aliens,' directed by James Cameron, which features Paul Reiser as Burke, a mid-level manager, and the kind of corporate suck-up everyone has encountered. Burke gradually reveals who he is, balking at eradicating the aliens because a space installation has a 'substantial dollar value,' before seeking to curry favor from his superiors by allowing Ripley (Sigourney Weaver) and a young child to be 'impregnated' by the monster in order to bring specimens home. As Ripley says whens he exposes the plot, 'You know, Burke, I don't know which species is worse. You don't see them fucking each other over for a goddamn percentage.' Their shortcomings aside, the subsequent films, up to last year's 'Alien: Romulus,' have continued playing with these themes. Even after it was given a name, the company, Weyland-Yutani, cares more about the research and development possibilities in that enticing alien DNA than preserving the humans in its employ. Of course, there's some irony in that, since 'Alien' has itself become a title with a 'substantial dollar value,' spanning nine movies (including two crossovers with the 'Predator' franchise) totaling almost $2 billion in global box office. In an interview last year, original director Ridley Scott conceded the third and fourth films 'ran that firmly into the ground,' while more generously appraising the subsequent sequels, having directed two of them. In later episodes, 'Alien: Earth' pointedly addresses some of the issues the franchise has contemplated, with a character discussing the irony of smart people who are 'too stupid to realize you don't bring parasites home with you.' There's a possible lesson there regarding AI, where the lure of its potential might be blinding us to its dangers, and massive real-world companies appear either oblivious — or worse, indifferent — to the societal harm that it might do. That's evident in the commentary from the likes of Meta and OpenAI, who are pouring billions of dollars in an AI arms race against each other and China. Even if the robots don't murder us, as envisioned in the sci-fi version of these scenarios, they appear more tangibly destined to replace us by killing off a lot of our jobs. The employees in 'Alien: Earth' also recognize who's calling the shots, with one acknowledging that everything being done and the risks they're facing are 'always about power,' which includes exploring space to serve the company's ends. 'Alien' notably premiered at the close of the 1970s, a decade seen as a golden age for paranoid conspiracy thrillers — including those that reflected the callousness of corporate greed, like 'The China Syndrome' and 'Coma.' In that sense, having five corporations run things, like the American Mafia's five families, hardly feels like an accident. Because in 'Alien,' then and now, 'the company' rules the world, and the rest of us just try to hang on working for them. 'Alien: Earth' premieres Aug. 12 on FX and Hulu. The post 'Alien' Has Always Feared AI and Big Corporations. That's More Relevant Than Ever appeared first on TheWrap.
