logo
I just found the one racing movie you should watch before seeing 'F1' — and it's streaming on Hulu now

I just found the one racing movie you should watch before seeing 'F1' — and it's streaming on Hulu now

Tom's Guide10 hours ago

The 'F1' movie with Brad Pitt is due to hit theatres at the end of the month, and don't I know it. I feel like I'm seeing ads for this $200M sports drama flick everywhere right now, from in-cinema trailers to YouTube pre-rolls.
Obviously, the marketing blitz is working because I'll be there opening night to check out this new high-octane blockbuster from Joseph Kosinski, director of 'Top Gun: Maverick,' but June 27 feels pretty far away. And my need for speed requires quenching a little bit sooner.
That's why I was delighted to discover this week that 'Gran Turismo' has just arrived on Hulu (it was on Netflix previously). Based on a true underdog story, it's a pretty underrated racing movie, and incorporates the long-running PlayStation game, too.
If you can't wait to see 'F1' on the big screen, "Gran Turismo" is the perfect stopgap to keep your adrenaline high before heading out to your local multiplex in a couple of weeks.
Based on the story of real-life race car driver Jann Mardenborough (played by Archie Madekwe here), 'Gran Turismo' sees a gamer go from playing driving video games in his bedroom to getting behind the wheel of supercharged cars on some of the world's most iconic tracks.
At first, Jann is just a dedicated Gran Turismo player, but when Nissan teams up with PlayStation to launch the GT Academy, he's given the chance to take his virtual driving skills onto real tarmac. Helmed by Nissan exec Danny (Orlando Bloom) and former racer, now trainer Jack (David Harbour), Jann's gaming skills prove surprisingly transferable.
Dreaming of competing in some of the biggest races in the world, Jann faces several hurdles both on and off the track to prove that he's not just a seriously good Gran Turismo player, but also capable of becoming a professional racer.
Before 'Gran Turismo' was released in August 2023, I was fairly dismissive of the concept. It came relatively early in PlayStation's push to adapt its numerous popular video game franchises into movies and TV shows, and I just didn't understand why, out of all the company's many successful IPs, they had selected 'Gran Turismo,' a sim racing series, to convert for the big screen.
Well, I was definitely wrong in this case, because Jann's story proves to be perfect material for a feel-good underdog tale. There are all the usual trappings with Jann's humble beginnings, and personal obstacles, including a father who disapproves of his dreams, adding some emotional drive to the mix.
One of my favorite aspects of 'Gran Turismo' is how director Neill Blomkamp incorporates the video game elements through some slick transitions and nifty effects. Viewers are constantly reminded that Jann's origins come from racing in the virtual world, which only serves to make his successful transition to real-world racing all the more impressive.
It's an especially easy and enjoyable watch because of its eye-wided and almost innocent tone. There are a few deeper moments, such as when Jann is involved in a tragic on-track accident, but largely, this is a movie about chasing your improbable dreams and proving doubters wrong.
As should be the case in any motorsports movie, the racing sequences are the highlight. They're tightly edited, seriously fast paced and slick as oil. Even when the narrative becomes a little cookie-cutter, it's never an issue because you're eagerly awaiting the next time that Jann gets behind the wheel and puts his foot to the floor.
The ever-reliable David Harbour is also great in a supporting role. He starts as the traditional cynic, sure that gamers can't become racers, but softens as the movie progresses and becomes firmly entrenched in Jann's corner by the end. Bloom and Madekwe are also strong in their roles
Critics certainly didn't trash 'Gran Turismo' at release, and it currently holds a respectable 65% score on Rotten Tomatoes. However, this probably wouldn't qualify it for a spot on the podium.
One of the key criticisms was how the story reworks real-life events to better suit the structure of a movie, but this wasn't an issue for me. After all, "Gran Turismo" is far from the first movie to play a little fast and loose with the 'true story' that inspired it. It's just part of the game.
Meanwhile, viewers seem to really love the film. It holds a near-perfect 98% score on RT's Popcornmeter (the site's silly name for its audience score rating), with recent reviews calling it 'excellent from start to finish,' 'very entertaining,' and 'one of the best car movies ever.'
If you have a Hulu subscription and want something to bridge the gap until 'F1' arrives, then 'Gran Turismo' is a great candidate. It might lack some of the cinematic flair of rivals in the genre like 'Rush' or 'Ford v Ferrari,' but its underdog story is charming, and the high-speed races are seriously thrilling.
If you're looking for more top options on the Disney-owned streaming service, here's our guide to the best movies to stream on Hulu right now. And yes, I will be spending the next few days trying to convince my colleagues that 'Gran Turismo' is worthy of inclusion on the list.
Watch "Gran Turismo" on Hulu now

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Dakota Johnson calls Hollywood ‘a mess,' blasts studios for remaking ‘the same things'
Dakota Johnson calls Hollywood ‘a mess,' blasts studios for remaking ‘the same things'

New York Post

time40 minutes ago

  • New York Post

Dakota Johnson calls Hollywood ‘a mess,' blasts studios for remaking ‘the same things'

Dakota Johnson is putting Hollywood on blast. The actress, 35, called the industry 'a mess'' in a scathing critique of Hollywood during a recent appearance on 'Hot Ones' for her 'Materialists' press tour. 'I think it's hard when creative decisions are made by committee and it's hard when creative decisions are made by people who don't even really watch movies or know anything about them, and that tends to be what's occurring a lot,' Johnson said when asked by host Sean Evans why 'Hollywood is risk-averse.' 8 Dakota Johnson on 'Hot Ones.' First We Feast/YouTube 8 Dakota Johnson calls Hollywood 'a mess' on 'Hot Ones.' First We Feast/YouTube Johnson continued: 'When something does well, studios want to keep that going so they remake the same things, but humans don't want that. They want fresh, they want to feel new things, experience new things, see new things.' 'So I don't know,' she added. 'I guess it's all just a bit of a mess right now, isn't it?' 8 Dakota Johnson attends the 'Materialists' screening in New York City on June 7. GC Images Last year, Johnson's Marvel movie 'Madame Web' famously flopped, leading her to call out the 'committee' behind the film. 8 Dakota Johnson on the set of 'Madame Web' in New York City in Oct. 2022. Robert O\'Neil / 'It wasn't my fault,' she told the Los Angeles Times earlier this month. 'There's this thing that happens now where a lot of creative decisions are made by committee. Or made by people who don't have a creative bone in their body. And it's really hard to make art that way. Or to make something entertaining that way.' Johnson added, 'And I think unfortunately with 'Madame Web,' it started out as something and turned into something else. And I was just sort of along for the ride at that point. But that happens. Bigger-budget movies fail all the time.' 8 Dakota Johnson filming 'Madame Web' with Celeste O'Connor, Sydney Sweeney and Isabela Merced. Jose Perez/ / MEGA 8 Dakota Johnson on the set of 'Madame Web' in October 2022. SteveSands/NewYorkNewswire/MEGA In a March 2024 interview with Bustle, Johnson blamed the studio system for the ways in which it produces movies. 'Films are made by a filmmaker and a team of artists around them. You cannot make art based on numbers and algorithms,' she stated. 'My feeling has been for a long time that audiences are extremely smart, and executives have started to believe that they're not.' 8 Dakota Johnson in 'Materialists.' Courtesy Everett Collection 8 Dakota Johnson and Chris Evans in 'Materialists.' AP 'Audiences will always be able to sniff out bulls–t,' the 'Fifty Shades' star noted. 'Even if films start to be made with AI, humans aren't going to f—ing want to see those.' In 'Materialists,' Johnson plays a New York City matchmaker who finds herself in a love triangle with her perfect match (Pedro Pascal) and her long lost love (Chris Evans). 'Materialists' is in theaters now.

F1 Academy director Susie Wolff wants to inspire more women to race
F1 Academy director Susie Wolff wants to inspire more women to race

Hamilton Spectator

timean hour ago

  • Hamilton Spectator

F1 Academy director Susie Wolff wants to inspire more women to race

MONTREAL - Susie Wolff is the most recent female driver to get behind the wheel of a Formula One car during a Grand Prix weekend. She wants to make sure she wasn't the last. To cap her decorated racing career, Wolff took part in a free practice session four times, making her debut for Williams at the British Grand Prix in 2014 to become the first woman since 1992 to participate in F1. Since 2023, the 42-year-old from Scotland has worked as the managing director for F1 Academy, an F1-funded series helping young female drivers develop in the sport. 'F1 Academy is a chance of a lifetime to create positive impact in the sport,' she said. 'I certainly never thought in my lifetime that I would see an all-female series financed, invested in and supported by F1 and all 10 Formula One teams racing on F1 weekend.' F1 Academy is considered the top women's circuit after the W Series disbanded in 2022. Drivers must be aged 16 to 25 and can only compete for two seasons in the single-seater F4 championship. The series, which recently signed a major partnership with Gatorade as its official sports drink, made its debut at the Canadian GP with two races on Saturday followed by another on Sunday. Gatorade sponsored 16-year-old wild card driver Mathilda Paatz in her debut this weekend. Canadian GP organizers announced Saturday that F1 Academy would return to Circuit Gilles Villeneuve on Grand Prix weekend through 2028. 'We love it. We're feeling so much love here,' Wolff said. 'So much passion from the fans.' Past F1 Academy winners have graduated to higher levels of motorsport. The goal, eventually, is for more female drivers to rise up to F1. 'That's a long-term ambition. We've got to be realistic in that it's tough to get to Formula One, regardless of your gender,' Wolff said. 'We already see more women, in the whole paddock and racing, if it's about when we're going to see women in Formula One, then for sure, it's going to take a bit more time.' In the meantime, F1 Academy offers young female drivers a chance to develop their careers for two years under the F1 umbrella. 'I know that (F1 participation) is not something that will happen overnight, but the truth is, in motorsport, we have an issue with it being quite inaccessible,' Wolff said. 'There's a high financial barrier to entry, and I think by breaking down the kind of barriers in terms of showing women what the pathway can be, and then secondly, taking away that financial barrier, we just give these young drivers a much better chance of success.' Just over a decade since her F1 debut, Wolff said the F1 Academy represents just how much things have changed for women in motorsports. 'It was massively different (in 2014), because I was always the only one, but also the world was different,' she said. 'We've seen a lot of positive change, and I think the sport has progressed with that. 'I don't have any bitterness or regret to look back and say, 'God, I would have loved this opportunity.' I would have, but I also feel a certain pride in having made it possible for the next generation.' Wolff never started a race in F1. Only two women have, but not in nearly five decades. Maria Teresa de Filippis raced in three from 1958 to 1959, while Lella Lombardi totalled 17 starts between 1974 and 1976. Moving forward, Wolff said she has two main objectives for the F1 Academy: growing its audience and inspiring more women to participate in racing. 'Educating people that we exist and that we're entertaining racing to watch, and that then leads to the second (thing) — by existing, we need to inspire more young women to get into the sport,' she said. 'We don't have the luxury of there being thousands and thousands of young girls racing. We need more racing so that we can take the very base of the crop and help them excel up the motorsport ladder.' Wolff, who is married to Mercedes executive Toto Wolff, notes that F1's following has shifted, with '42 per cent of the global fan base now female.' The championship has gained exposure with its 'F1: The Academy' docuseries on Netflix, inspired by F1's highly successful behind-the-scenes 'Drive To Survive' show. 'There's just so many more women in the paddock, watching the sport, and now with F1 Academy, competing in the sport,' she said. 'That wasn't the case 10 years ago. We've still got a long way to go, but we've definitely seen progress.' This report by The Canadian Press was first published June 15, 2025.

Film Trailer Research Reveals 'Young Male Audience Turning To Softer Men, Stronger Women Characters'
Film Trailer Research Reveals 'Young Male Audience Turning To Softer Men, Stronger Women Characters'

Yahoo

timean hour ago

  • Yahoo

Film Trailer Research Reveals 'Young Male Audience Turning To Softer Men, Stronger Women Characters'

Marketing to specific audiences continues to cost film studios and distributors millions of dollars each year, however, 'reliance on focus groups and long-held audience assumptions are outdated concepts and costing the industry millions more in lost revenue opportunities.' This is the verdict of audience intelligence platform DiO, who have spent the last two years analysing how different trailers and other screen content lands with particular audiences. More from Deadline 'Rivals' Author Jilly Cooper Gives View On Intimacy Coordinators Ahead Of Disney+ Comedy-Drama's Second Season 'Eddington' Trailer: Joaquin Phoenix Gets Into Standoff With Pedro Pascal In A24's Covid-Era Western From Filmmaker Ari Aster Netflix Unveils Trailer For Tyler Perry's 'Madea's Destination Wedding' DiO claims their analysis tools – including facial coding, biometric and cognitive data – confound traditional assumptions about audience appetites, and reveal a surprising shift in how viewers engage emotionally with what they see on screen. Their research was conducted across 37,000 consumers of content and key findings include: Younger male viewers respond more strongly to character-driven storytelling with narrative depth than to relentless, high-octane action scenes For this demographic, there is a 5% difference in immersion scores between character-driven and action-driven trailers For this same audience segment, there is a preference for female characters who are strong and independent over those who are hyper-stylised or given supporting roles DiO CEO and founder Ade Shannon said: 'This data points towards a shifting perception of masculinity and an evolving appetite for richer, more grounded storytelling.' Indie production studio True Brit recently used the data amassed by DiO to plan the marketing campaign around their title Marching Powder, specifically to pinpoint aspects of the film that would appeal to potential viewers outside its core 35+ male audience. Released in March, Marching Powder stars popular 'hardman' British actor Danny Dyer as Jack, a man arrested for fighting and drug possession during a football hooligan brawl, who is ordered by court to go to couples' therapy. True Brit shares that tweaking their campaign based on the data boosted their strong box office opening of £3.1m against a £1.6m production budget, specifically increasing its female audience to 45% without isolating their core audience. Commenting on the strategy, Chris Besseling, the studio's head of theatrical distribution, Marketing and Publicity, said: 'Using the detailed analytics provided by DiO's report, we were able to identify the specific moments, characters, lines and gags from the trailer that resonated most strongly with the two distinctly different audiences that we were targeting. This enabled us to build a tailored, two-pronged campaign with bespoke creative assets that best served the different potential audience groups.' Best of Deadline 2025 TV Series Renewals: Photo Gallery 2025 TV Cancellations: Photo Gallery 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store