
Our Movie – K-drama Episode 1 Recap & Review
Episode 1 of Our Movie begins with the screening of a movie. Je-ha and Da-eum are the only ones watching the credits roll. Da-eum believes that with every ending, there is a new beginning.
At present, Je-ha's directorial debut is a big hit. It is a launch pad for its producer, Bu Seung-won and its lead actress, Seo-yeong. But its press event is interrupted by the news of Je-ha's father's death.
Despite being a respected director, Je-ha ends up in a slump for 5 years. Seung-won has a new project for him but he keeps turning down. It is a remake of 'Love in White', Director Lee Du-young's magnum opus. He also happens to be Je-ha's father. We learn that Je-ha hates his father and was in a relationship with Seo-yeong, who later married someone else and divorced.
Seung-won forces Je-ha to attend his new movie screening and it is awkward. Je-ha calls out colleagues who gossip about the nudity and the lead actress, Seo-yeong. The movie's director, Park, is a sensational filmmaker who is obsessed with nudity and love scenes.
Seung-won and Seo-yeong convince Je-ha to stay for the afterparty. Park is rude and Je-ha calls him out for his sensational moviemaking style. Park retorts by calling Je-ha a nepo baby. As Je-ha leaves, Seo-yeong wonders how they have ended up the way they have.
Next, we have Da-eum, a bubbly and cheerful girl who hangs around a hospital. She likes to record things with her handycam and befriends everyone. She accidentally ends up filming Je-ha after he leaves the afterparty. She offers a grape drink as an apology. Once he leaves, her friend teases her as she has been single all her life. The friend also frets on learning that Da-eum fell from her cycle. They later discuss outfits for an important occasion.
There is a 'Love in White' screening and both Je-ha and Da-eum end up watching it. While he hates it, he is surprised to see Da-eum crying. She runs off and eats a meal after a timer goes off. She befriends an old lady and finds her all the more beautiful since she has aged.
As for Je-ha, he runs into the actress of 'Love in White'. She is apologetic but he doesn't cut her any slack as she and Du-young made the movie the moment his mother died of an illness. On top of that, the movie is about a terminally ill patient in love. He finds the story inauthentic and the actress begs him to read the first draft.
He heads to his family home which he has finally gotten back after paying off his father's debt. Flashbacks show Du-young as a busy man with no time for his wife and child. Je-ha enters his study and is shocked to see that the first draft of 'Love in White' is by Yu Eu-nae, his mother. Another flashback shows Du-young taking credit for it, laughing at some scenes and working on it with his colleagues.
At present, Je-ha is trying to pitch a script when he learns that Director Park is being considered for the 'Love in White' remake. Horrified, Je-ha finally agrees to the remake. He also confesses to Seung-won that he needs to make the remake better than the original for his mother's sake.
Elsewhere, Da-eum runs into Seo-yeong filming a scene and she is enamoured. She imagines herself in Seo-yeong's place but gets a reality check when her timer goes off. She sits down to eat and is shocked to see Seo-yeong taking her break on the same bunch.
Da-eum is awkward but valiantly shooes away fans and Seo-yeong is touched. As they chat, Da-eum reveals that she films pretty sights in case she can never see them again. In exchange, Seo-yeong confesses her job is a test of endurance such as filming an underwater scene even though she is scared of water.
A month later, Je-ha is stuck on the rewrites and hates how his father made the heroine submissive. A talented AD turns down directorial projects just so she can work with Je-ha. The studio is eyeing Seo-yeong for the lead but her agent hates Je-ha. The consultants working on the script aren't great and Seung-won finally approaches Dr Kim, Da-eum's doctor.
Kim is quite different as he insists that every terminally ill patient is different. He doesn't like how nonchalant Je-ha is and decides to introduce him to another consultant at a funeral of a terminally ill patient.
While Je-ha waits, Da-eum comes in crying and pays her respects. They end up on the same table and later he overhears her requesting the funeral director to change the decor into something bright and wedding-like. She keeps crying and he offers her tissues. He is weirded out by the whole ordeal as she comments how they have run into each other thrice.
At the end of Our Movie Episode 1, she introduces herself as a terminally ill patient and his new consultant.
The Episode Review
Our Movie Episode 1 starts off pretty meta and we are not surprised since the whole premise is about a director and a terminally-ill patient making a remake of a movie about a terminally-ill patient in love. But despite the pretty melancholic concept, the chapter is far from dull, courtesy of the stylistic shots, the peppy music and overall conflict involving Je-ha's family and peers.
It is a visual treat with the constant symbolism involving the contrasting colour palettes of Je-ha's monotonous scenes vs Da-eum's bright atmosphere, the retro handycam that Da-eum prefers and Je-ha's sepia-toned flashbacks to his childhood.
And while we are definitely sure that this K-trauma will force us to bring out our tissues pretty soon, the movie-making drama is bound to keep things engaging and suspenseful. From Du-young stealing his terminally ill wife's script to Je-ha's ex, Seo-yeong, being pushed into his path, there's definitely a little something for everybody.
Next Episode
Expect A Full Season Write-Up When This Season Concludes!
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Telegraph
38 minutes ago
- Telegraph
After 80 years, the men who fought finally had the opportunity to tell their stories
It was dubbed the Forgotten War. Fought in Asia and the Pacific, the Far East campaign received little press coverage, its heroic sacrifices and barbaric cruelties going largely unacknowledged. No more. Today's Royal British Legion Commemoration of VJ Day at the National Memorial Arboretum in Staffordshire has changed that bitterly unfair legacy forever. Here, at a deeply moving ceremony attended by 33 veterans, 400 invited guests and in the presence of King Charles and Queen Camilla, Britain remembered. And tears were shed. Eighty years is a long time to wait for recognition but by any measure it was a beautifully judged occasion, pomp and ceremony interspersed with moments of heartbreaking poignancy. The King, who earlier in the day had broadcast a message describing how those who lived and died in the Far East 'gave us more than freedom; they left us the example of how it can and must be protected', wore the Stone Field Marshal Number 4 uniform and laid a wreath. As did the Prime Minister. The Queen, who is Colonel in Chief of the Rifles laid a posy. Then, after a solemn two-minute silence followed by Reveille, the carefully choreographed programme got under way. Films from the era played on huge screens along with first-hand testimonies, including two civilian women who had been interned by the Japanese along with their parents. They were aged five and nine respectively. Without a trace of self pity they recalled hunger and blows from rifle butts for not bowing low enough to their captors. Random brutality and systematic starvation were common themes, as a generation broke their silence. And every care had been taken to do them credit. The Band of the HM Royal Marines Portsmouth played the Last Post. The Red Arrows made a flypast, there was a sweetly tuneful reprise of Vera Lynn's When They Sound the Last All Clear. When a single violinist played Vaughan Williams' The Lark Ascending, a shiver ran through the assembled crowd, even in the heat of the day. A history of the war was narrated by Celia Imrie in dashing turquoise tailoring. Sir Ben Okri read Burma, 1945: Sacrifice, which recounted how Commonwealth soldiers volunteered to fight in modern day Myanmar. After reading out a number of their names, he described them as 'among millions from Britain, Africa and old India, from farms and villages in ancient kingdoms'. 'It is in a stellar light that we remember their underrated sacrifice.' Later, Robert Lindsay conveyed the recollections of two Chindits, members of the British and Indian special forces unit. By way of tribute some 400 modern personnel evenly split across the army, navy and air force were on duty at the Arboretum. But for all the military brass – literally and figuratively – on display, it was the men themselves who were the undoubted stars of the show. Now aged between 96 and 105, they sat ramrod-straight, even in wheelchairs, formally dressed in suits, service medals glittering across their chests in the August sunshine. Here at this most sombre – yet paradoxically uplifting – occasion, the men who fought, the men who survived finally had an opportunity to tell their stories, 80 years on. It did not always make for easy listening. Death came from the air, the sea and land, frenzied attacks from an enemy ready – happy – to die for their country and so would fight to the death. But the Far East was as much an endurance trial as a battleground. In the gruelling 35-degree heat with near 100 per cent humidity, malaria, dysentery, cholera and dengue fever were very often a greater threat than bullets. The dangers presented by snakes, disease-carrying mosquitoes and armies of biting ants had to be overcome long before Japanese bayonets. And then, having somehow survived disease-ridden jungles and swamp ambushes, they were crestfallen by the lack of official fanfare when they came home. A euphoric Britain had brought out the bunting and danced in the streets to celebrate Victory in Europe on 8 May 1945, yet the Victory in Japan, five weeks later on August 15, passed by virtually unmarked. The dropping of atomic bombs at Hiroshima and Nagasaki brought about a Japanese surrender, but tens of thousands of civilians died instantly – with more succumbing to burns and radiation in the days and weeks that followed. There was a feeling of disquiet about laying on VE-style celebrations – and a lack of imagination as to an appropriate alternative. As a result, the courage and resilience of some 1.8 million British and Commonwealth troops who had faced atrocious combat conditions, barely registered. And then, as the injured, broken prisoners of war slowly returned home and word trickled out of the appalling, gratuitous torture dispensed by the Japanese, the Ministry of Defence deemed it a narrative too shocking to be shared. Returning heroes were explicitly ordered on no account to talk about the torment they had endured and the trauma they had witnessed, lest they affect morale. Forgetting was deemed preferable. Never again. As these dignified veterans took to the stage and their voices rang out, it was nothing short of humbling. More than that, it was a reproach, to those who silenced them. Ronald Gumbley, 101, who served with the RAF read from Binyan's poem For the Fallen. 'They shall not grow old, as we that are left grow old / Age shall not weary them, nor the years condemn / At the going down of the sun and in the morning / We will remember them.' Owen Filer, 105, who was called up to join the army just four months after the start of WWII, recited the Kohima Epitaph: 'When you go home tell them of us and say / For your tomorrow we face our today'. Applause broke out when 105-year-old Yavar Abbas, who was due to read from his diaries, decided, in his own words, to 'go off script to salute my brave King who is here with his beloved Queen despite the fact that he is under treatment for cancer.' Mr Abbas disclosed it was an illness that he shared with the monarch, adding: 'And if it provides any comfort… I've been rid of it for the past 25 years and counting.' But throughout the ceremony tears were never far. How could there not be? Some 90,000 British troops were casualties of the war, 30,000 of whom perished. A further 37,500 became prisoners of war and found themselves subjected to inhuman privation and savagery. More than 12,000 lost their lives; the death rate in Japanese camps was between seven and eight times higher than in their Nazi equivalents. Veteran John Harlow, 100, whose tribute was read out by actor Anton Lesser, could be seen breaking down in the stands. 'War doesn't grant you the luxury of goodbyes,' Lesser quoted, going on to describe how Harlow, who served on a minelaying submarine, thinks of a friend each VJ Day who was killed on HMS Porpoise. 'I wish today for us to remember all the crew of HMS Porpoise, Mark, and all lost at sea,' was Harlow's wish. 'For in remembering, they live on.' Later George Durrant, 100, who served in the intelligence corps, appeared on stage with his great-granddaughter as he urged people to remember – and keep remembering what the British and Commonwealth forces endured. 'I speak to you not as a hero, but someone who witnessed the price of freedom,' he said. Shortly after, the event concluded with a flypast by historic World War Two-era aircraft; a Spitfire, a Hurricane and a Lancaster bomber. The throng below watched in awe and as the veterans were slowly wheeled away it was hard not to feel a sense of melancholy. In 2015, 3,000 veterans took part in a parade to mark the 70th anniversary of VJ Day. A decade on, the number had dwindled to 33. How many of these men will be alive for the next milestone commemoration of 90 years? Perhaps none.


Metro
3 hours ago
- Metro
Comedian Milton Jones shares update on prostate cancer after surgery
Comedy star Milton Jones has given fans an update after a prostate cancer diagnosis forced him to cancel all his shows. The performer, famous for his stand-up and appearances on Mock the Week, revealed publicly in April that he needed to undergo surgery. In a statement at the time, the 61-year-old said his cancer was 'treatable', but he needed time off for both the operation and recovery. He expressed his sadness at having to axe much of his nationwide tour, hilariously named HA!milton, and said he was 'so sorry' to those who bought tickets. But in his latest message, Milton had some good news for his followers. Taking to Instagram today, the deadpan comic, beloved for his one-liners and puns, revealed that he is now cancer-free. 'A few months ago, I had to stop my tour because I needed treatment for prostate cancer. I'm glad to say I've had that treatment and am now cancer free!', his statement began. 'So many thanks to all the doctors and nurses who helped me get better – I couldn't do their job. I tried, but apparently you have to be qualified,' he joked. 'A big thank you to my family, friends, all those who helped reschedule things and the many others who have been so nice to me. Along with all those who have kept hold of their tickets for the shows that have been rescheduled and apologies to those whose shows we were unable to move.' He added in typical comedic style: 'I have to admit there were a few dark moments when I wondered if anyone would ever see me again, but then I realised I was leaning against the light switch.' Milton concluded by assuring fans he's now 'thankfully' in 'a completely different place', directing them towards his website for new shows. 'I'll be in lots of other different places on tour too. I hope to see you there.' In the comments, fans and fellow comedians rallied around Milton, with Al Murray writing: 'Fantastic news'. Miranda actress Sally Phillips added: '🙌great news, Milt. So happy'. Jon Richardson also commented a red heart, while BBC Radio 5 Live's Matt Chorley penned: 'Great news!' In his original statement confirming his cancer, Milton admitted it was a 'difficult decision' to make changes to his touring schedule. Affected shows were in Leeds, Coventry, Basingstoke, Sterts, Launceston, Durham, Hexham, Ilkley, Wakefield, Lichfield, Tunbridge Wells, Portsmouth, and Lyme Regis, which were all due to take place over the summer. 'In addition, the Summer dates in Colchester, Bridlington, Stroud, and London will be rescheduled to the autumn,' he explained. Milton added that all dates for his autumn tour leg would remain intact. 'Thanks for your support and respecting my privacy during this time. This decision has not been taken lightly. Trust me,' he assured his followers, vowing to reserve 'abnormal service' soon. More Trending In light of his diagnosis, Milton was showered with love from other showbiz stars, including Olympic cyclist Sir Chris Hoy, 49, who was told his own prostate cancer was terminal last October, having been given two to four years to live. As explained by the NHS, prostate cancer typically has no symptoms at first. Should the cancer grow or spread, it can lead to changes in the way you pee, such as: finding it difficult to start peeing or straining to pee having a weak flow of urine 'stop start' peeing needing to pee urgently or often, or both feeling like you still need to pee when you've just finished peeing during the night Other symptoms can include erectile dysfunction, blood in your urine, blood in your semen, lower back pain, and losing weight without trying to. You should see your GP if: you're over 50 years old, come from a Black ethnic background, or have a history of prostate cancer in your family you're having trouble peeing or experiencing other symptoms London-born comedian Milton first gained an audience with his various BBC Radio 4 shows, and after winning the prestigious Perrier Award from the Edinburgh Fringe festival in 1996. He later joined Mock the Week on BBC Two, which was hosted by Dara Ó Briain and featured huge names in comedy, such as Hugh Dennis, Frankie Boyle, Andy Parsons, and Russell Howard, before its cancellation in 2022. View More » Milton has continued touring around the UK, has performed on Live at the Apollo twice, and was a writer on TV shows The One Ronnie, Not Going Out, and Laughing Cow. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Comedian Milton Jones gives major prostate cancer update after cancelling tour MORE: 'The Edinburgh Fringe left me bankrupt and homeless – here is my big idea to save it' MORE: Netflix's controversial new film 'drives critics nuts' with shocking scenes


The Independent
4 hours ago
- The Independent
Michelle Yeoh brings Chinese blockbuster 'Ne Zha 2' to life in English dub
When Michelle Yeoh first saw 'Ne Zha 2' in Hong Kong, she walked away dreaming about a dubbed version. The Chinese blockbuster, which this year became the highest-grossing animated film of all time with over $2.2 billion in ticket sales, had seemed to her like an ideal movie for a global, all-ages audience. But even she, who had the benefit of knowing Mandarin, was having trouble keeping up with the subtitles and all the spectacular things happening on screen. How would a kid stand a chance? The Oscar winner, who is fluent in English, Malay and Cantonese, wasn't alone in thinking a dub was a good idea. The film studio A24 was already making plans to broaden the audience with an English-language version in collaboration with CMC Pictures. Not too long after, Yeoh got a call asking if she wanted to voice Ne Zha's mother, Lady Yin. Her response? 'Hell yes,' she told The Associated Press in a recent interview. The English-language dub opens in over 2,500 North American theaters on Aug. 22. The film tells the story of a rebellious little child, Ne Zha, born as the reincarnation of a demon to mortal parents, who is out to prove his fate is not predetermined. In the first film, he sacrifices himself. In the second, he's put to the test to try to save his friend and his village. Don't worry if you haven't seen the first either — the sequel tells the audience everything they need to know. And while this character might be new to American audiences, the mythology is well known in China. Yeoh grew up watching various TV and movie versions, but had never seen it done so vividly. The making of 'Ne Zha 2' took five years and required the work of some 4,000 people from 138 Chinese animation companies. The finished film, which runs an epic 143 minutes, includes 2,400 animation shots and 1,900 special effects shots. 'I think the director and his amazing team, they pushed all the boundaries,' Yeoh said. 'They created this magical world that I hadn't seen to this level of superb animation before. The intricacies are mind-blowing.' Yeoh also put her stamp of approval on the translation, which she admits is a tricky art. 'With translation, a lot of the times the nuances are lost, right? Because also you have to sync and find the right number of words to say the same thing. And with the Chinese language, especially with the folklores and things like that, the way they say it is very poetic as well. So it is not easy,' she said. 'I think they struck a very good balance of not making it too classical, but also more contemporary.' North American audiences already showed interest in 'Ne Zha 2" earlier this year, when the subtitled version earned over $20 million. Some Chinese communities in the U.S. even rented theaters to screen the film. Now, Yeoh believes that the English version will help it resonate globally. 'It's such a universal language of family, of love, of the underdog, of someone who's ostracized, misunderstood just because you're born different,' Yeoh said. 'It immerses you into our culture. And it's such a beautiful way to cross that bridge.'