
Eva Longoria, 50, goes bra-free in a nude tank top and micro shorts during a power walk in Spain
The 50-year-old brunette was dressed for a workout as she added a beige visor and black sunglasses with a black fanny pack around her waist.
The Land Of Women star had on her chunky sneakers as she went on a power walk with a group of female friends.
Their exercise session took place on the scenic streets of Puerto Banus in Marbella, Spain, where the star has been living in recent months.
The group took a break to explore the vibrant artisanal market, browsing through handmade goods, local delicacies, and boutique treasures.
She is married to José Antonio Bastón and they have a son named Santiago but they were not seen on Monday.
Eva has managed to stay an impressive size two even into her 50s.
The Desperate Housewives actress showed off her toned form during the walk.
The star, who has been seen on her CNN docuseries Eva Longoria: Searching For Spain, showed off her sculpted arms while wearing gold bracelets.
The Texas native a flashed a fresh pale pink manicure. Eva had her long brown hair with flirty highlights in a high ponytail.
At one of the booths, Eva looked at beaded jewelry while with her three friends.
Eva has been spending time in the Mediterranean sun in the Andalusia region of southern Spain, a place she has called home for the past year.
This comes after the mother-of-one shared her top three diet hacks last year.
Longoria's three diet tips are intermittent fasting, clean eating, and moderation.
She follows a 16:8 fasting window (eating between 11 a.m. and 7 p.m.) and focuses on protein, leafy greens, healthy fats, and complex carbohydrates.
The Hollywood veteran's three friends were all dressed in leggings
The red carpet fixture also avoids processed carbs, sugar, and fried foods, particularly during the early postpartum stage.
She generally eats within an eight-hour window, typically between 11 a.m. and 7 p.m., according to Women's Health.
Longoria prioritizes whole, unprocessed foods like lean protein (chicken, fish, eggs), leafy greens, healthy fats (avocados, olive oil), and complex carbohydrates (quinoa, brown rice).
The workout enthusiast cuts out processed carbs, sugar, and fried foods, especially after pregnancy, and incorporates protein into every meal and snack. She uses healthy fats like avocado in her meals and chooses complex carbs like quinoa and brown rice over refined grains.
The cover girl believes in moderation and avoids restrictive diets, according to Celebwell, but generally gravitates towards healthy options. Eva emphasizes staying hydrated, says Prevention, which is a crucial part of any healthy lifestyle.
Snacking includes almonds, yogurt, and fruit.
Eva's travel docuseries Eva Longoria: Searching for Spain continues to perform strongly for CNN.
After the success of Searching for Mexico, the Spanish edition led to yet another installment—this time taking the actress to France.
'France has long been a cornerstone of global cuisine, and I'm thrilled to be partnering with CNN for this next chapter in our culinary and cultural journey,' Longoria said in a statement, as reported by The Hollywood Reporter.
In May Longoria said she always thought she'd become a success in Hollywood.
The versatile actress has enjoyed a hugely successful career, starring in shows such as Only Murders in the Building, and Eva has now revealed that she never doubted her own talent.
Eva has managed to stay an impressive size two even into her 50s. The Desperate Housewives actress showed off her toned form while on the beach in Marbella, Spain
The actress told Byrdie: 'When I look at the longevity I've had in this industry, it makes sense to me. 'Of course, I'm going to work as hard as I can at whatever I do, and it just happens to be in this industry.
'I knew I'd be successful because I was surrounded by successful women - my mother, sisters, and aunts were independent, strong, smart, and charitable.
'They were everything I wanted to be.'
Eva's self-belief has helped her to navigate the pitfalls of Hollywood. She explained: 'I remember the first time I was on a billboard and somebody said to me, "Oh my god, who would have thought?"
'And I said, "Me. I thought it. I dreamt it." If you don't champion yourself, who else is going to? That unwavering belief in yourself will take you so far.'
Despite this, Eva admits that her priorities have changed in recent years.
Eva had her long brown hair with flirty highlights in a high ponytail
The brunette beauty shared: 'When you're young, you should say yes to every opportunity, so you can decide what you want to do in life.
'Now that I'm 50, I'm prioritizing differently,' explained the close friend of ER star George Clooney.
'I'm curating my life to be very specific to what I want the next 50 years to look like. I'm spending more time with my family, working less, and doing more of what I love.
'Being financially secure helps with those decisions, but I feel I've worked hard enough to say 'no' now.' Eva has also confessed to becoming more health-conscious in recent years.
The actress said: 'I don't mind ageing. I just want to age well. I'm grateful to be able to move my body and work out, hike up a mountain, and play with my son. I'm trying to be as mobile as possible for as long as possible.'
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Daily Mail
12 minutes ago
- Daily Mail
MAFS stunners Rhi Disljenkovic and Beth Kelly turn heads at star-studded Sydney Daily Mail event - as glam squad including Katie Johnston and Suzan Mutesi dazzle at A-List party
Several of Australian reality TV's most stylish stars reunited in Sydney on Saturday night for an exclusive celebration - and they brought their fashion A-game with them. Married At First Sight's Rhi Disljenkovic and Beth Kelly led the charge, turning heads as they arrived at Daily Mail senior showbiz reporter Ali Daher's star-studded birthday bash at Dry Martini in Chippendale. Beth, 28, looked every inch the bombshell in a glittering, curve-hugging champagne gown with a daring thigh split and barely-there straps. The glamorous reality TV star swept her jet-black hair back into a sleek ponytail, letting her sculpted cheekbones and radiant makeup take centre stage. She kept accessories minimal, carrying a black ruched clutch and pairing the look with strappy black stilettos and delicate hoop earrings. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop. She was all smiles as she strutted beside bestie Rhi, 34, who stunned in a sultry sheer black lace jumpsuit that showcased her figure to perfection. The media star wore her glossy brunette hair in a high bun and her makeup was polished and bold, with defined brows, a bronzed contour and a deep nude lip. Rhi accessorised with clear heels and a structured black handbag slung over her shoulder. Joining them on the unofficial MAFS glam squad was Katie Johnston, 37, who oozed old Hollywood sophistication in a burnt orange velvet dress. Featuring one sleeve and a thigh-high split, the slinky number flattered her hourglass curves, while a silver clutch and nude heels completed her look. The fitted number cinched her waist and featured a dramatic thigh split, showing off her legs and nude pointed-toe heels. Katie styled her golden hair in soft, bouncy curls worn down, and her makeup was timeless. She completed the look with gold statement earrings, a silver box clutch and a warm, confident smile. Also turning heads was influencer and media personality Suzan Mutesi, who made a dramatic entrance in a bold black halterneck mini with an extreme keyhole neckline and voluminous tutu skirt. She paired the daring dress with sheer black tights and velvet heels, stealing the spotlight as she posed on a luxe green velvet couch. Her long, golden hair was styled sleek and straight, cascading down her back and parted in the middle for a modern, high-glam look. Suzan's makeup was equally bold, with ruby red lips, winged liner, and glowing skin. She wore sheer black tights and velvet pointed-toe heels, finishing her look with cherry-red nails and a black patent clutch. Elsewhere, MAFS bride Ellie Dix, 33, also brought the heat in a sultry and sheer all-black ensemble. Dan Hunjas and The Bachelor's Juliette Herrera looked to be having the time of their lives at the event Ellie's glossy brunette hair was elegantly styled and worn down, and she beamed for photos while carrying a chic tan clutch and a pair of understated heels completed her effortlessly stylish look. She wore a long-sleeved transparent lace top over a structured black bra top, paired with a sleek full-length black skirt. Ryan Donnelly, 36, cut a stylish figure in a monochromatic ensemble, pairing a tan unbuttoned jacket with a crisp white T-shirt and black trousers. The TV groom looked to be in great spirits as he mingled with guests and posed for photos. Meanwhile, Tony Mojanovski opted for stylish casual in a crisp white button-up shirt paired with classic denim jeans. He rolled up his sleeves to reveal his tattooed arms and flashed his signature megawatt smile, embodying effortless charm. SBS presenter Karla Grant and her MAFS star boyfriend Nasser Sultan looked every inch the loved-up couple as they rocked their stylish ensembles for the cameras. Karla stunned in a sleek black and white outfit while Nasser kept things cool and polished in a dark blazer paired with a crisp shirt and trousers. Finally, Ashleigh Ackerman, 34, kept things effortlessly chic in slick denim pants and a matching top, layered with a stylish tan overcoat As the night wore on, the mood turned festive with laughs, selfies, and plenty of dancefloor action - proving that the reality stars know how to bring both the drama and the glamour off-screen.


Telegraph
42 minutes ago
- Telegraph
How I styled my husband: ‘I'm not David Beckham, Ginnie'
A man walks into a shop. Alone. He's on the hunt for a blue shirt. Another one. He sees one on a shelf, rifles for his size, assesses the cut of the collar, checks it's not too shiny, and buys two without trying. In, out, 'just how shopping should be done'. Sound familiar? The other day, a friend got in touch. Mother of four boys, wife to one husband. 'Where do I get a men's linen shirt from? It's time…' This from someone who rarely shops, but wants to get it right. 'And it has to be blue.' This is the monotonous shopping blueprint (ha) for so many women. We laugh, but it's hard for men! Too much attention to detail and they're the crux of jokes – see Rishi Sunak in Adidas. Too repetitive and they're branded bland. So how do we, as women, help inject variety into our husband's monotonous wardrobe rotations? (We will get to my own husband Ollie's sartorial preferences shortly.) As a personal stylist, my most memorable appointment was with a male client who was in and out in 45 minutes, despite having booked a three hour appointment. £8,000 spent, no returns. Where women see shopping as a day out, a moment of escape, a chance to mull things over, have a coffee and return to make a decision, for men it's often practical. Similarly, if mornings are short on time, more attention is likely spent by men on shaving than looking in a full-length mirror. Getting dressed easily becomes a tick-box chore. Skip to: Brands to shop Brands to avoid What Ollie wore Seeking out the menswear gems Sidney Hiscox is co-founder of Fera, a menswear brand that has strategically targeted their audience by telling stories of rural pursuits and culinary delights with humour, beautiful videography, and a collection that doesn't go on and on – because men don't scroll for hours. 'We get a lot of wives and girlfriends buying for their men, but what we tend to hear is that the men have specifically requested something from the brand,' says Hiscox. 'That said, when selling at events (Fera were at Groundswell this year), we do get men making video calls to sign off the purchase with 'the boss'.' You can picture the scene. Fera is proof that menswear needn't take itself so seriously; that there is life beyond Savile Row stereotypes and the usual high street names. Earlier this year at the Chelsea Flower Show, I was pleased to discover a wealth of interesting menswear brands out in force (customers want to see things in the flesh, and Chelsea plants the seed). Ones that stood out were Mad About Land, Original Fibres, Carrier Company, Jam Jar Industries and Sirplus. Why? They all focus on producing merchandise in a better way, at a slower pace; there is confidence in a smaller curation. Something I'm trying to do in my business is encourage more shoppers to really slow down the rate at which we spend and, if you can afford to, to channel said spending power toward brands doing business better. Swerving the cookie cutter brands Of course, the high street remains popular for men (and women buying for men). Surely the reason is the ease. You can depend on M&S to have x, and John Lewis to have y. And yet, when I asked my most clothes-loving friend (a film director, married, three children, who wanted to remain anonymous), where he shops, a very different argument was raised: 'I definitely don't look at the high street, yet so many (independent) brands are too expensive. They spam you on social media. Then you turn up somewhere and everyone is wearing the same thing! Increasingly I lean towards thrifted items but from classic brands where you can guarantee the cut and craftmanship. That's still important to me.' Now, meet my husband, Ollie. Background: He won't thrift, he doesn't have the patience for Ebay and he's a stickler for cut. He believes The King is the best dressed man on the planet (and so he should be with everything made bespoke). The last item Ollie bought was a jumper from Campbell's of Beauly. He's slim, 6ft 4in. He loves fishing. His dream would be a bespoke suit for his tall frame from Montague Ede. For now he'll make do with John Lewis or Gieves (on sale). Mostly, his job now legitimately dictates a new style; he works in regenerative farming. (The great outdoors requires a great new wardrobe.) What doesn't he like? As I shared on Radio 4 with Ed Stourton recently, my husband has a positive aversion to sunglasses with morning suits, logos on clothing (Fera just passes muster but I agree, no 40 plus man needs don the 'Lager than life' T-shirt any more). He's also averse to neon block-print shirts (the everyday uniform for many men this summer) and… Nehru jackets. Knowing this, I chose a selection of items from brands he (mostly) hadn't tried. I even threw in red linen. Groundbreaking. It was certainly an interesting exercise, scroll down for Ollie's verdict below. A few rules for him (and her) What's reassuring for those of us wanting to invest in newer names is that men's fashion doesn't move so fast. (In 2025, the value of the UK women's apparel market, at £47bn, is nearly double the size of men's). There's less room for error, there aren't trends per se. I truly believe cut and fit and the ability for easy-layering, are the key things to look for. And size up to avoid button 'strain'. The way a trouser leg falls over a boot or shoe is key. And, to gentlemen who may be reading, you do need a second opinion from an onlooker. Back to my film director-friend: 'A glance in the mirror doesn't tell you how clothes actually fit your body which arguably explains how so many men (myself included) have been stuck wearing the same trousers for so long, despite them being so unflattering (on me)!' Cue shopping advice from 'the boss'. What Ollie wore Three looks, three clear pieces of feedback. This is what Mr Chadwyck-Healey thought: Look 1: Red outfit 'If I showed up in this jacket all my friends would just take the mick as this is such a departure. I'm not David Beckham, Ginnie! I do love the trousers, I love the t-shirt and trainers, but the jacket feels a step too far – however it's practical, the layering works really well, it's a look I'd wear all day… so I'll let Ginnie 'win' this one. (Does it come in blue?)' Ollie wears: Linen jacket, £340 and linen blend trousers, £260, Original Fibres; Organic cotton t-shirt, £45, Neem London; Vegan leather trainers, £150, Grenson. Ginnie wears: Cotton dress, £395, Wiggy Kit and suede espadrilles, £145, Castaner Look 2: Shorts outfit 'I am not one for cargo shorts and I definitely don't want shorts below the knee so these were perfect and I'll be visiting Luca Falconi as soon as I can (afford). I'd wear this Fera jacket to bed, if I could. It's the perfect weight and colour. I'm not sure you can get more blues into this outfit….. A 'win' to Ginnie – but these shoes are horrific!' Ollie wears: Quilted gilet, £135, Fera; Linen shirt, £105, Aspiga; Linen shorts, £130, Luca Faloni; Suede trainers, £89, Dune Look 3: 'Smart' outfit 'I genuinely love cardigans and tank tops; the wannabe Italian in me. (I hadn't heard of William Crabtree as a brand.) This is a good way to smarten up a pair of jeans and since my job is not always office-based, I would happily wear this for meeting farmers at an agricultural show, as much I would for a winter's dinner with friends. Plus I'm all for wearing more British brands.' Ollie wears: Twill shirt, £105, Campbells of Beauly; Lambswool waistcoat, £195, William Crabtree; Suede boots, £275, Sanders; Lee jeans and blazer, Ollie's own Ollie's verdict... 'We both work in sustainability so I'm genuinely happy Ginnie has chosen brands that have strong ethical values at their core, else I'd feel such a hypocrite. I really don't shop often so when I do I want a quick decision, good fit, versatility (for work and play) and good value. Let's not pretend I'm going to be experimental. (No Brad Pitt sarong moments for me…) Thankfully I can trust my wife, of all people, to seek out some gems – even if, truth be told, I just can't break out from blue!'


BBC News
2 hours ago
- BBC News
'It becomes more about status signalling': Is £7m for a handbag absurd or justified?
As a pop-up handbag auction opens in London, a fashion frenzy is gripping venerable auction houses – and sending prices sky high. Can fashion ever be on a par with a Picasso? "I like my money where I can see it. Hanging in my closet," says Carrie Bradshaw in the 2000s TV series Sex and the City, and it would appear that an increasing number of collectors do, too, with archival fashion auctions fetching record prices. Just last month, Sotheby's auction house in Paris sold a battered Hermès bag owned by its namesake, Jane Birkin, for £7m ($9.2m). And now Sotheby's in London has just opened a luxury pop-up salon, auctioning pieces by Hermès, Rolex and Cartier, running until 22 August. But it wasn't always like this. Many auction houses have traditionally viewed their fashion divisions as tangential, with the brand-name recognition of some of the items drawing buyers in, and towards bigger-ticket items like paintings or sculptures. Clothing belonging to celebrities, like Princess Diana or Marilyn Monroe, have historically fetched more than garments without a celebrity provenance, though nothing quite like the £7m Birkin bag. Monroe's infamous "Happy Birthday Mr President" dress, known as the world's most expensive dress, sold in 1999 for $1.3m, and again in 2016 for $4.8m to Ripley's Believe It or Not! Museum. It currently resides there when it's not being taken for a spin by Kim Kardashian, who wore it to the 2022 Met Gala. Cora Harrington, fashion historian and author, says the dress's association with Kardashian will likely increase the value the next time it comes up for auction, despite any wear and tear caused by the star. "I think that would have been true regardless of whether Kim wore it because it's Marilyn Monroe, but there are enough fans of Kim Kardashian that would likely result in a higher price," she tells the BBC. "Usually when an object is damaged it would devalue it, but it's the opposite in this case." Conversations around auction items online and in the media, whether positive or negative, influence the sale price. For example, the furore surrounding Carolyn Bessette-Kennedy's costumes in the upcoming Ryan Murphy TV series American Love Story will be likely to escalate the value of the ur-influencer's garments the next time they go up for auction. The real deal Modern-day influencers are also swaying how we think of luxury fashion, including the online communities dedicated to finding the best dupes, which Harrington says has added more value to the real thing – and created more work for luxury authenticators. Then there's the popularity of resale sites like Depop, Vinted, eBay, Vestiaire Collective and TheRealReal lowering the barrier of entry to the luxury market. "Dupes have driven more people to buy authentic," says Michael Mack, president of Max Pawn Luxury, which has one of the largest collections of Hermès bags for sale in the US. "It's not just Gucci, Hermès or Chanel; we sell Coach, Michael Kors and Kate Spade. Those are $300, $400, $500 bags and we do big business in that." And it's not just big-ticket items like the $180,000 and $240,000 Himalayan albino crocodile diamond-encrusted 25cm Birkins he's sold to celebrity clients, Mack adds. Could resale's democratisation of luxury be in turn driving up these auction prices? Usha Haley, W Frank Barton Distinguished Chair in International Business at Wichita State University, Kansas, thinks so. "If investors begin flipping [buying then quickly re-selling for profit] items purely for short-term gain, it could destabilise the market and drive prices to be unsustainable," she tells the BBC. "The rising value of archival pieces may further detach fashion from everyday people, turning symbols of culture and identity into ultra-exclusive status objects out of reach for most, even as fashion becomes more democratised in digital spaces." More like this:• How Gwyneth Paltrow became a divisive icon• The icon who inspired the Birkin bag• How Scandinavian dressing can make us happier Meanwhile, social media is exposing new audiences to style icons from the past and historical garments featured in the annual Metropolitan Museum of Art's Costume Institute exhibition, kicked off by the Met Gala, which this year brought in record profits. This brings up the argument that items of such delicacy and historical relevance should be in a museum – one with stronger collection, conservation and loan policies than Ripley's. It's a valid one, to be sure, but just because an item is acquired by a museum doesn't mean it will necessarily be accessible to the public, as the majority of pieces in most institutions are not on display. "There are services [that care] for private collections that are on the same level or even better than museums," Harrington says, pointing to companies such as Uovo. But shouldn't clothing be worn? Jane Birkin certainly had no qualms about using her Hermès bag, its battered state causing as many headlines as – and comparative to – its sale price. The experts I spoke to agreed. "There's a collectable function, but the point of clothing is to wear it," Harrington says. "Wear it. Use it. Enjoy it," Mack concurs. "I think you see more people wearing these luxury items, and not so much of the collectability [aspect]." They are also in agreement about the notion that fashion is wearable art. According to Harrington, the argument that fashion is not art – and therefore shouldn't be fetching high prices on par with a Picasso – is rooted in "larger structural conversations around misogyny and women's work and the fact that when women are interested in things they must be inherently less valuable". Viewing fashion and art as commodities concerns Haley. "The escalating prices become less about fashion as creative or social expression and more about status signalling and speculative investment," she says. "Auctions then can sideline the deeper cultural conversations that fashion artefacts could inspire – about sustainability, labour, craftsmanship, or even the identity of the women who made them famous." Arguably, decades of experience on the part of designers, centuries of establishment for houses like Hermès, which launched in 1837, and the many hours of craftsmanship that go into these pieces is what people are paying for. The Jean Paul Gaultier denim and ostrich feather gown from the 1999 spring couture collection – that sold for €71,500 (£61,900) last year – springs to mind. In the end, says Harrington, "the very nature of an auction is the thing is worth what someone is willing to pay for it. If a dress sells for $300,000, then the dress is worth $300,000." Sotheby's London Luxury Pop-Up Sale is on until 22 August. -- For more Culture stories from the BBC, follow us on Facebook and Instagram.