logo
Is 'The Gilded Age' Season 3 ending this week? See episode schedule

Is 'The Gilded Age' Season 3 ending this week? See episode schedule

USA Todaya day ago
Spoiler alert: This story includes details from episodes of Season 3 of "The Gilded Age."
In the aftermath of the wedding of the century between Gladys Russell (Taissa Farmiga) and the Duke of Buckingham (Ben Lamb), cracks are beginning to appear in the Russell household with George Russell (Morgan Spector) and his wife, Bertha (Carrie Coon), at dagger's end.
Bertha is also livid when she finds out Larry Russell has proposed to Marian Brook (Louisa Jacobson), who she deems unworthy of trophy wife status.
While the Russells, who stood "poised to take their place at the head of society," according to the season synopsis, are struggling with their own issues, including when a familiar face no one was expecting made a comeback. Maud Beaton, the woman who conned Oscar (Blake Ritson) out of his entire family fortune, was spotted at The Haymarket by Larry. She is now going by the name Dolly Trent.
From "Downton Abbey" creator Julian Fellowes, "The Gilded Age" follows high society and the battle between "old money" and "new money" in 1800s New York.
"Bertha sets her sights on a prize that would elevate the family to unimaginable heights while George risks everything on a gambit that could revolutionize the railroad industry — if it doesn't ruin him first," the synopsis says, adding that "across the street, the Brook household is thrown into chaos as Agnes refuses to accept Ada's new position as lady of the house."
"As all of New York hastens toward the future, their ambition may come at the cost of what they truly hold dear," it concludes.
The lavish period drama returned for its third season on June 22 to record-high viewership. About 2.7 million U.S. viewers tuned in across platforms within the first three days of the season premiere, HBO said.
Here is what to know ahead of the next episode of "The Gilded Age" Season 3, including its release date.
Watch 'The Gilded Age' with Sling + Max
Russells, Van Rhijns and dukes, oh my! Who's who in 'The Gilded Age' Season 3
Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox
When does the next episode of 'The Gilded Age' Season 3 come out?
New episodes of "The Gilded Age" Season 3 drop Sundays on HBO and HBO Max at 9 p.m. ET / PT. The next episode will come out on Sunday, July 27.
Need a break? Play the USA TODAY Daily Crossword Puzzle.
How many episodes will 'The Gilded Age' Season 3 have?
Season 3 of 'The Gilded Age' will have eight episodes. Here is what the upcoming episode schedule looks like:
Five episodes of Season 3 have aired and are available to stream on HBO Max.
How to watch 'The Gilded Age' Season 3
"The Gilded Age" Season 3 will air on HBO and stream on HBO Max weekly on Sundays at 9 p.m. ET/PT.
Seasons 1 and 2 of "The Gilded Age" are also available to stream on HBO Max.
Watch 'The Gilded Age' with Sling + Max
'The Gilded Age' Season 3 cast
Watch 'The Gilded Age' Season 3 mid-season trailer
HBO Max dropped the mid-season trailer for Season 3 of "The Gilded Age" on July 13.
Saman Shafiq is a trending news reporter for USA TODAY. Reach her at sshafiq@gannett.com and follow her on X and Instagram @saman_shafiq7.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

What happens behind the scenes in WWE? This SMU alum shows you exclusively on Netflix
What happens behind the scenes in WWE? This SMU alum shows you exclusively on Netflix

Miami Herald

time9 minutes ago

  • Miami Herald

What happens behind the scenes in WWE? This SMU alum shows you exclusively on Netflix

Did you ever wonder what happens behind the scenes in WWE? WWE (World Wrestling Entertainmant) is the top pro wrestling / sports entertainment company in the world. The financial success of this long-running organization has other pro sports groups taking notice. There's the athletic side of WWE and also the entertainment side. Yes, fans know results are predetermined, but who and how it's determined who will win are part of the company's mystique. It's a process, a very interesting process. SMU alum Chris Weaver will give you a first-hand look at what occurs there as the director of the new docuseries 'WWE: UnReal,' which premieres July 29 on Netflix. From Monday Night RAW to WrestleMania, 'WWE: UnReal' goes backstage with WWE Superstars and staff as they bring the company's major spectacles to life. Season 1 covers from January to WrestleMania in April. So, WWE's biggest battles aren't always in the ring. 'WWE: Unreal' dives into the writers' room where legends — and feuds — are made. Paul Levesque, a 14-time WWE World Champion best known in the ring as Triple H and WWE's chief content officer since 2022, serves as the narrator of the docuseries. Weaver, who has a degree in Communication Arts: Cinema with a minor in English from Southern Methodist University (SMU) in Dallas, is a senior producer for NFL Films, including the successful NFL reality docuseries 'Hard Knocks' on HBO. He is in his 22nd year working with NFL Films. Prior, he was an intern in the Broadcast Department for the Dallas Cowboys. During his teens years, Weaver gradauted from Mesquite High School in 1998 outside Dallas. Here is my video interview with 'WWE: UnReal' Director Chris Weaver. Weaver is a 9-time Emmy winning filmmaker. He has been instrumental in developing and launching new series such as 'Quarterback' for Netflix, 'Hard Knocks: in Season' for HBO, 'Peyton's Places' for ESPN+, 'All or Nothing' for Amazon, 'NFL Icons' for MGM+, 'NFL Films Drawn' for Youtube, and now 'WWE: UnReal: for Netflix. He has produced numerous features for 'Hard Knocks: Training Camp' for HBO, 'NFL Films Presents' for FS1, 'NFL Gameday All Access' for Youtube, 'Inside the NFL' for CW, 'Hey Rookie: Welcome to the NFL' for ESPN, 'A Football Life' for NFL Network and many more. His current focus is on story producing, lead editing, writing, and field directing. In an unprecedented turn, 'WWE: UnReal' takes you behind the scenes - into the writer's room and the homes of WWE's greatest Superstars - to show the year-round work it takes to execute one of the most secretive shows in the world week over week. And when the curtain falls down, the business of getting a show to air is just as compelling as the Main Event. Trailer: NETFLIX: JULY 29, 2025 EPISODES: 5 episodes x 50 Minutes EPISODE TITLES: Episode 1 - New EraEpisode 2 - PushEpisode 3 - Worth The WaitEpisode 4 - Heel TurnEpisode 5 - Wrestlemania THOSE FEATURED: Triple H, Cody Rhodes, John Cena, Rhea Ripley, CM Punk, Jey Uso, Bianca Belair, Chelsea Green, Charlotte Flair, and Xavier Woods. Logline: For the first time ever, step into the WWE writer's room and outside the ring with your favorite WWE Superstars, where the drama is just as intense offstage as it is under the spotlight. Director: Chris Weaver Showrunner: Erik Powers Executive Producers: Peyton Manning, Jamie Horowitz, Ross Ketover, Keith Cossrow, Ken Rodgers, Jessica Boddy, Lee Fitting, Ben Houser, Marc Pomarico Production Companies: Omaha Productions, NFL Films, Skydance Sports, WWE Visit:

The Gilded Age EPs Defend That Tragic Twist in Episode 6: ‘I Jumped Out of My Skin When I Watched It'
The Gilded Age EPs Defend That Tragic Twist in Episode 6: ‘I Jumped Out of My Skin When I Watched It'

Yahoo

time3 hours ago

  • Yahoo

The Gilded Age EPs Defend That Tragic Twist in Episode 6: ‘I Jumped Out of My Skin When I Watched It'

The Gilded Age Oscar van Rhijn will never cross the street without looking both ways ever again. More from TVLine IT: Welcome to Derry Trailer: A Missing Child and Evil Spirit Cause a Small Maine Town to Freak - Plus, Get Premiere Month Save the Dates: Solar Opposites Swan Song, E! News Shuts Down and More The Gilded Age Star Takes Us Inside Marian and Larry's Romantic Moment in Episode 5: 'I Think Both of Us Cried' Sunday's episode ended with the shocking death of John Adams (Claybourne Elder), who was struck by a speeding horse carriage after sharing one last affectionate moment with Oscar on the streets of New York City. 'You've defied the odds,' John told Oscar after leaving an important meeting that set him back on the path to financial stability. 'You are my savior,' Oscar replied, practically bursting to express his love for John, yet forced to settle for a firm handshake. 'I thank you with all my heart.' Even if it wasn't the L-bomb per se, at least Oscar can take some solace in knowing that his final words to John were of affection; poor John stepped off the sidewalk moments later, leaving Oscar gasping for air as he watched his lover's limp body hit the ground. It was a bold swing, one viewers aren't necessarily accustomed to seeing on The Gilded Age. Sure, Ada lost her husband last season, but at least Luke's illness provided some warning, both for Ada and for the audience. John's sudden death on the city streets was brutal, shocking and, as many viewers are likely to point out, somewhat problematic. We weren't realistically expecting Oscar and John to live happily ever after as out gay men, certainly not in the late 1880s, but did their heartbreaking story really need to take yet another tragic turn? Even a life of secret trysts and unspoken love would be better than *checks sidewalk* no life at all. For what it's worth, co-showrunners Julian Fellowes and Sonja Warfield have no regrets about this particularly grim turn of events, as it apparently serves to propel Oscar's storyline in a significant way moving forward. That much will become clear in the next episode, once the initial shock of John's death has subsided. None of those upcoming developments 'would have been achievable if John Adams had lived,' Fellowes teases to TVLine, adding that they were 'quite careful to kill him with a straight accident, not with anything with political overtones. He's just killed in an accident, like anyone could be at any time.' 'Those shocking things are true in life,' adds Warfield. 'I've certainly experienced those traumas. They change you, and we wanted to bring about that change in Oscar.' Putting emotions aside, purely from a technical standpoint, Fellowes believes the show pulled off John's death 'quite well,' saying, 'I jumped out of my skin when I watched it for the first time.' Elsewhere in Season 3, Episode 6… Bertha made good on her promise to George, traveling to Buckingham to remind Lady Sarah who's really in charge now that Gladys and the Duke are married; rather than raking Maud across the coals, Oscar chose a more graceful path, giving her enough money to leave town and start over; furious that Larry lied about visiting an establishment of ill repute, Marian considered ending their engagement; Jack was awkwardly fired once Agnes learned how much he earned from his invention ('It's hard to believe there's a God in heaven!'); after realizing that her so-called 'psychic' is a total fraud, Ada found unexpected comfort in her sister's arms; and Peggy began to tell William about her complicated past, but he assured her that the present is far more important to him. If only his dear, sweet mother felt the same way. OK, let's talk: On a scale from one to 'WTF,' how surprised were you by John's death, and do you the think the show went too far by killing him off? Did you also relish Bertha's scenes with Lady Sarah in England? (She really has been in need of a worthy female sparring partner this season.) And which relationship has you more concerned — Peggy and William's, or Marian and Larry's? Drop a comment with your thoughts on all things below. Gilded Age IRL: See the Cast Out of Costume View List Best of TVLine Mrs. Maisel Flash-Forward List: All of Season 5's Futuristic Easter Eggs Yellowjackets Recap: The Morning After Yellowjackets Recap: The First Supper

The Latest 'Gilded Age' Plot Twist Came Absolutely Out of Nowhere
The Latest 'Gilded Age' Plot Twist Came Absolutely Out of Nowhere

Elle

time4 hours ago

  • Elle

The Latest 'Gilded Age' Plot Twist Came Absolutely Out of Nowhere

Spoilers below. The Gilded Age knows how to capture the starry-eyed ambition of the era, whether it's through a footman making a fortune from an alarm clock invention or a society maven setting her daughter up with a duke. Still, there is underlying tension to the myriad storylines that make this the HBO drama's best season yet. Gladys tearfully walked down the aisle, but now refuses to wallow in England, facing off against an overbearing sister-in-law with a powerful ally: her mother, Bertha Russell. In a jam-packed episode, the truth comes to light in many ways, including Jack's newfound wealth becoming known to the rest of the Forte home. The Russells' personal and professional issues are a fixture in the newspapers, Marian learns where Larry really was the night of their engagement, Peggy shares details of her past with Dr. William Kirkland, and Oscar confronts Maud Beaton. The biggest shock is saved for the final scene, when an unexpected tragedy reveals New York City was as perilous for pedestrians in the 1880s as it is today. Bertha's arrival at Sidmouth is marked with the usual polite chit-chat about her journey, but it doesn't take long for Lady Sarah to steamroll her way through the conversation. Bertha asks Hector a question about the King's room, where she will be sleeping, and Sarah offers the answer (William IV, who was the monarch before the current sovereign, Queen Victoria). Bertha quickly realizes that Lady Sarah is effectively in charge. To change this pattern means getting Gladys to assert herself, especially since Lady Sarah has been heard saying that she is wearing Gladys down, much like she is a puppy in training. It is Miss Andre, Bertha's maid, who tells her mistress about this remark. Of course, her maid hears everything. Retaliation is speedy, with Bertha humiliating Lady Sarah at dinner by questioning the logic of her anti-suffrage stance. Considering how Lady Sarah spoke to Gladys in front of their guests during her first dinner, it is only fair. The following day, Gladys warns her mother that Lady Sarah will not respond well to this public shaming (even if she does deserve it). Bertha is not one to retreat, but she also knows that Gladys needs to step up. After this pair spent the start of the season arguing, they are now collaborating. Rather than sink into depression, Gladys wants her mother's advice. Bertha knows Gladys needs to become indispensable. If the new duchess can demonstrate an interest in the estate, it will show her worth beyond her finances. Harmony has returned to Gladys and Bertha's dynamic, but the news back home is fraught. The tabloids continue to print gossip from inside the Russell home (this time about Larry's engagement). What happens when the newspapers get wind that George is currently staying at the Union Club, not his residence? In fact, George has been summoned out of the city by JP Morgan to resolve the Illinois Central Line issue, as the absence of a majority owner means progress is at a standstill. There is concern that other banks might collapse, and they need to stop the chaos. JP won't let anyone leave until one person owns 51 percent of the company. The two other shareholders, the Merrick brothers and Mr. Sage (Peter McRobbie), are also in attendance. George is surprised to see that his former secretary, Clay, is now partnering with Mr. Sage. JP is firmly Team George and thinks that Sage will bleed the business dry. The Merricks are reluctant but agree to sell enough shares to George to make him the majority owner. George is unbothered that they can't make it official until they return to New York, where their lawyers will be present. Unfortunately, Clay knows where George has buried all his financial bodies, including the fact that Russell Industries is teetering on the edge of disaster. What better place to spill these details than on the front page of the newspaper? George is sure that Clay is the source, as there are details only his ex-secretary knows. George says that he should have had Clay killed, and it's hard to tell if he's kidding (I don't think he is). Two banks are on the verge of collapse, Russell Industries' share prices have plummeted, and the Merricks have pulled out. George is adamant he will find the money. Reader, he does not find the money. No one on either side of the Atlantic will give him a cent or shilling. However, George would rather watch his business burn and endure a financial crisis like that of 1873 than concede to Clay. Little does George know that Larry has struck gold, or in this case, copper, in the Arizona mines. As long as Larry makes those deals in time, then he might become his father's savior. Little does Larry know that back in New York, his engagement is unraveling. Marian becomes suspicious that Larry has been keeping something from her after Oscar mentions that her fiancé spotted Maud Beaton while he was out. Larry's first mistake was lying, but he also didn't have the sense to tell Jack he wasn't being truthful to Marian. Jack has a terrible poker face, looking confused when Marian asks about Delmonico's, then making excuses to leave rather than confirm where they went. At dinner, Marian brings up Maud Beaton, and Oscar confirms that the woman who stole the Van Rhijn fortune is back in town, working at a club. 'Is it a respectable establishment?' asks Agnes. Oscar throws an apologetic expression toward Marian when he says it is not. When they are alone, Marian confronts Oscar about this 'house of ill repute.' Oscar thinks Marian shouldn't jump to conclusions; likely, Larry was just having a sociable evening. Oscar is correct, but Mairan is wary thanks to past experiences with terrible men like Mr. Raikes (who left her high and dry when he realized she had no money). When Peggy returns from Philadelphia, Marian informs her of the engagement, followed by the news of the betrayal. Peggy asks if she is sure of the facts, and Marian says she is certain what men do in clubs like that. Agnes is pleased that Marian is breaking off the engagement, whereas Ada thinks their niece should wait. Marian doesn't take Ada's advice, tearfully delivering a breakup letter to the Russells for when Larry gets home. While Marian spirals about Larry's recent night out, Agnes continues her quest to find out how much money Jack made from his clock. Agnes guesses around $2,000, which is pocket change compared to what is actually in Jack's account. Bannister continues to dodge the question, but Agnes can always rely on Armstrong to spill the downstairs secrets. Armstrong tells some lies of her own, claiming that Jack's having money is making everyone feel belittled. As expected, Agnes loses her mind when she hears that Jack's invention has netted him $300,000. It is everything I hoped it would be and more, with Christine Baranski delivering new levels of outrage and indignation. Agnes demands that Ada manage her house, deferring all responsibility to her. Because Ada wants a second opinion, she goes back to the medium, Madame Dashkova. The instructions from beyond the veil are fitting ('follow your good, pure heart'), but quickly fall apart when Madame Dashkova throws in an Italian phrase—a language Luke did not speak. Madame Dashkova thought Luke's first name was Luka, which was a misprint in his obituary. Ada realizes that her sister was right: This whole setup is a fraud. Ada crumples into a sobbing mess when she gets home, saying that she wishes Luke were still there. Agnes, proving once more that she can be kind, tells her grieving sister that Luke will always be with her because Luke is in her heart. But Agnes's sharp tongue returns when confronting Bannister about having a 'Rockefeller in livery.' Oscar agrees with his mother, saying it is odd that Jack is still working in their household, and it isn't right for Jack either. They have a point. After everyone has gone to bed, Ada tells Jack that what he has achieved is praiseworthy, and it is time for him to make his way in the world. A teary-eyed Jack replies that he doesn't want to lose the only family he has ever had, and Ada says they will still be his family. There is no two-week notice as Jack will leave in the morning. There is more crying when Jack says goodbye to the rest of the staff. He will stay at a hotel until he settles somewhere. I hope Jack remains part of the show. Jack gives envelopes to Bridget for everyone in the house (aside from Oscar). Inside is the money they each loaned him to pay for the patent in season 2, with a hefty bonus for them all. Armstrong is stunned to receive one, as she hadn't lent any money, and her coworkers point out that Jack is a generous man. Peggy promised to tell William everything when she got home, which she did. Well, almost everything. 'We all have a past,' says William. He is understanding about the situation with T. Thomas Fortune, but says he doesn't need to hear anything else, as the present is what counts. William doesn't learn about her child, annulled marriage, or the tragic events that followed. The interview with Frances Ellen Watkins Harper (LisaGay Hamilton) went so well that the suffragette is coming to Brooklyn at Peggy's invitation to give a talk. William asks if his mother Elizabeth can attend, and Peggy agrees. However, Elizabeth openly disagrees with the whole suffrage cause as she thinks they need to fight for Black men's rights first. 'Complacency will yield nothing,' Peggy responds. It turns out that William did not tell his mother that this intimate gathering was to discuss suffrage, as she wouldn't have attended otherwise. Unfortunately, Elizabeth now sees Peggy as a woman who wouldn't make a good wife. Peggy knows Elizabeth is challenging, but she tells her mother that her feelings for William are stronger than her disdain for Elizabeth. Meddling families continue to be an issue in England, but Bertha is on hand to support. Gladys puts her mother's advice into practice, asking if she can learn more about the estate. Lady Sarah is aghast at Gladys's interest, asking Bertha if she had put her daughter up to this. However, Hector seems pleased at this development. At dinner, Gladys mentions her desire to plant trees to honor Queen Victoria's Golden Jubilee, but Lady Sarah says all the arrangements are in order. As with previous occasions, Lady Sarah rises first to signal that the women are to leave the table. Gladys uses this event to assert her authority, asking if Lady Sarah is unwell; why else would she be the first to stand? 'I've always decided when the women got through,' Lady Sarah whines to her brother. Hector points out that there was no duchess then, and now she needs to wait for Gladys's signal. A beaming Bertha raises her glass to her daughter. The following day, Bertha takes a moment with Hector to remind him that Gladys has a 'good heart and a good mind' and can help if she has the chance. He needs to take the reins from Sarah sooner rather than later. The mother-daughter goodbye reinforces their renewed bond with Bertha telling Gladys she is very proud of the woman she's becoming. One matter Bertha is unaware of is that she is traveling with the source of the gossip leaks. Mrs. Bruce has cross-referenced every single news item, concluding that Miss Andre must be the culprit, as the details are things only Bertha's maid would know. Now, they must draw up a plan to expose her. At the Haymarket, Oscar hears Maud's side of the story. Maud is working, which means he'll have to go up to her room. She thinks Oscar wants sex, but he is after answers. Maud opens up about her sad, sordid story that begins with her father losing her in a card game when she was 12. Since then, her choices have been a game of survival. The con to get Oscar's fortune was dreamed up by Crowther (the con man we saw last season), and he left Maud with nothing. Now, she owes other people money, working off her debt at the club. Oscar admits that he hates her for ruining him (and his mother), but also wants to know if she has somewhere to go. Maud mentions a sister who lives in Sandusky, Ohio. Later, Oscar asks Maud to meet him at the train station. Maud is shocked when he gives her $100 and a train ticket to Sandusky. Oscar isn't sure why he is doing this either, but he was willing to marry her, so he should also try to help her. Oscar mentions that he is working again, and despite everything, he wants a better life for her. Over lunch, Oscar asks John Adams if he thinks it was foolish to be kind. John believes quite the opposite, as Maud was as much a victim of Crowther as Oscar. It is another tender, relaxed conversation between the two ex-lovers. Before they part, Oscar tenderly thanks John for being his savior. John takes it in his stride, saying he has a new investor for him to meet. As John turns and waves as he goes to cross the street, a speeding horse and carriage hits John, sending him flying. There is no confirmation whether he is dead or alive, and everything happens so quickly; yet, the chances of survival seem slim. Are the Fortes and Van Rhijns cursed when it comes to finding long-lasting love matches?

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store