Jennifer Lawrence recalls 'extremely isolating' postpartum period
The Oscar-winning actress welcomed her first child, Cy, in February 2022, and Jennifer has confessed to feeling lonely in the weeks after giving birth.
Jennifer, 34 - who plays a new mother whose mental health deteriorates in 'Die, My Love' - said at the Cannes Film Festival: "Having children changes everything.
"It changes your whole life. But it's brutal and incredible. And so not only do they go into every decision of if I'm working, where I'm working, when I'm working. "It taught me ... I didn't know that I could feel so much. My job has a lot to do with emotion. They've opened up the world to me. It's almost like feeling like a blister or something, so sensitive.
"So they've changed my life, obviously, for the best, and they've changed me creatively. I highly recommend having kids if you want to be an actor."
Jennifer - who welcomed her second child in March - actually felt a strong connection with her 'Die, My Love' character.
The acclaimed actress - who has been married to Cooke Maroney since 2019 - shared: "Obviously, as a mother, it was really hard to separate what I would do as opposed to what she would do. It was just heartbreaking."
'Die, My Love' is an adaptation of a 2017 novel of the same name by Ariana Harwicz. And Jennifer relished the experience of working with director Lynne Ramsay.
The actress - who is one of the best-paid stars in Hollywood - explained: "When I first read the book, it was just such a devastating, powerful ... Lynne said it was dreamlike.
"I had just read my first (baby). And there's not really anything like postpartum. It's extremely isolating, which is so interesting when Lynn moves this couple into Montana.
"She doesn't have a community. She doesn't have her people. But the truth is, extreme anxiety and extreme depression is isolated, no matter where you are. You feel like an alien. And so it deeply moved me.
"I wanted to work with Lynn Ramsey since I saw 'Rat Catcher'."
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Sydney Morning Herald
11 hours ago
- Sydney Morning Herald
Rebel Wilson ‘deliberately undermined' her own film, new lawsuit claims
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The Age
11 hours ago
- The Age
Rebel Wilson ‘deliberately undermined' her own film, new lawsuit claims
Now Holden's production company A.I Film – which splits the rights to The Deb with Wilson and her mother via her company Camp Sugar – has filed its own case in the NSW Supreme Court on Thursday morning. A.I's legal team, Patrick George, Jeremy Marel and barrister Sue Chrysanthou SC, allege in filings that Wilson knowingly spread false information online and breached her contractual duties, effectively blocking the film's launch. 'Wilson threatened the Australian distributor of the film that she would obtain an injunction to prevent its release, when the contractual documents plainly prevented her from obtaining an injunction,' the lawsuit documents obtained by the Herald allege. 'As a result of that threat, the Australian distributor withdrew its proposal to distribute the film.' A major part of the long-running battle over The Deb is Wilson's public allegations of sexual misconduct by a producer towards MacInnes in a Bondi penthouse. 'Making false accusations undermines real victims and I won't be the subject of a fabricated narrative.' The Deb star Charlotte MacInnes MacInnes, according to the lawsuit, has denied any misconduct took place. 'Making false accusations undermines real victims and I won't be the subject of a fabricated narrative,' MacInnes is quoted as saying in the lawsuit. But in September last year, Wilson allegedly used the official Instagram account of The Deb to double down on the claims, saying a producer asked MacInnes to shower with them. 'The fact this girl has been employed now by this 'producer' in the lead role of production … and given a record label – should be all the proof you need as to why she has now changed her story,' Wilson wrote. In May this year, Wilson allegedly accused the 25-year-old lead actress of lies and supporting the producers, after she was filmed singing Chappell Roan's Pink Pony Club aboard a billionaire's yacht at the Cannes Film Festival. 'Charlotte MacInnes in a culturally inappropriate Indian outfit on Len Blavatnik's luxury yacht in Cannes – ironically singing a song from a movie that will never get released because of her lies and support for the people blocking the film's release,' Wilson allegedly wrote. 'So glad you got your record deal Charlotte at the expense of the 300 people who worked on The Deb and really wanna see it released.' On Thursday, MacInnes told the Herald she just wants The Deb to be released. 'I love this film and I can't wait for it to be released. It would be wonderful if these proceedings can help make that happen,' MacInnes said in a statement. The Australian lawsuit is seeking damages, an apology and corrective advertising at the expense of Wilson or her company, Camp Sugar. Sources close to the case believe the dispute overshadowing the film is tied to the Australian Writers Guild's (AWG) choice not to award Wilson a writing credit for the film. The Deb was written for the stage by Hannah Reilly, and it was Reilly who received the sole screenplay credit for the film. Loading Lawyers in the US defamation case say Wilson's 'obsession with taking credit … at the expense of young, talented women' has morphed into a smear campaign against others working on the film. 'What followed [the Australian Writers Guild ruling] has been a series of personal attacks and false accusations, most recently targeting Charlotte – who I cast in the original stage production,' Reilly told Variety Australia this year. A.I Film told the Herald that the movie, and the hard work of the hundreds involved, should be seen 'far and wide'. 'These proceedings are regrettable but essential to ensure The Deb 's timely release. It's a joyous, fun film, and we are sure that audiences are going to love it,' the A.I statement read.
The Advertiser
a day ago
- The Advertiser
Top stars to attend high-powered Venice Film Festival
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Netflix, which skipped Venice last year, returns in full force in 2025 with a trio of headline-grabbing titles, including Guillermo del Toro's "Frankenstein", a new take on the classic horror tale starring Isaac, Jacob Elordi and Mia Goth. Baumbach's comedy-drama Jay Kelly, starring Clooney, Adam Sandler and Laura Dern, is also in the main competition and on the Netflix slate, alongside the geopolitical thriller A House of Dynamite, with Idris Elba and Rebecca Ferguson, and directed by Bigelow, who won an Oscar in 2010 for The Hurt Locker. Venice fires the starting gun for the awards season, with films premiering on the Lido in the last four years collecting more than 90 Oscar nominations and winning almost 20, making it the place to be seen for actors, producers and directors alike. In the past nine editions of the Oscars, the award for Best Actress or Best Actor has gone eight times to the protagonists of films first seen in Venice, including Stone for her role in Poor Things in 2024. Stone returns to Venice this year, teaming up again with Poor Things director Lanthimos in an offbeat satire, Bugonia. The indie icon of US cinema, Jim Jarmusch, will be showing his Father Mother Sister Brother, a three-part tale exploring fractured families with a cast that includes Blanchett, Vicky Krieps, Adam Driver and Tom Waits. European auteurs are well-represented, with Paolo Sorrentino's La Grazia, starring Toni Servillo, selected as the festival's opening film, while Hungary's Nemes presents the family drama Orphan and France's Francois Ozon showcases his retelling of Albert Camus' celebrated novel The Stranger. One standout is the new thriller by Olivier Assayas, which centres on the rise of Russian President Vladimir Putin. 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Running from August 27 to September 6, the 82nd edition of the world's oldest film festival will showcase a rich array of movies that spans psychological thrillers, art-house dramas, genre-bending experiments, documentaries, and buzzy studio-backed productions. Among the leading A-listers expected to walk the Venice Lido's red carpet are Julia Roberts, Emma Stone, George Clooney, Dwayne Johnson, Emily Blunt, Andrew Garfield, Oscar Isaac, Cate Blanchett and Amanda Seyfried. A who's-who of global directors will also be premiering their latest pictures at the 11-day event, including US filmmakers Kathryn Bigelow, Jim Jarmusch, Noah Baumbach and Benny Safdie, alongside top Europeans Yorgos Lanthimos, Paolo Sorrentino, and Laszlo Nemes, and Asia's Park Chan-wook and Shu Qi. Netflix, which skipped Venice last year, returns in full force in 2025 with a trio of headline-grabbing titles, including Guillermo del Toro's "Frankenstein", a new take on the classic horror tale starring Isaac, Jacob Elordi and Mia Goth. Baumbach's comedy-drama Jay Kelly, starring Clooney, Adam Sandler and Laura Dern, is also in the main competition and on the Netflix slate, alongside the geopolitical thriller A House of Dynamite, with Idris Elba and Rebecca Ferguson, and directed by Bigelow, who won an Oscar in 2010 for The Hurt Locker. Venice fires the starting gun for the awards season, with films premiering on the Lido in the last four years collecting more than 90 Oscar nominations and winning almost 20, making it the place to be seen for actors, producers and directors alike. 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The Wizard of the Kremlin will be shown in competition. Jude Law plays Putin, with Alicia Vikander and Paul Dano also starring. The story is told from the perspective of a fictional adviser. A film that looks certain to raise emotions is Kaouther Ben Hania's The Voice of Hind Rajab, which uses original emergency service recordings to tell the story of a five-year-old Palestinian girl who was killed in Gaza in 2024 after being trapped for hours in a vehicle targeted by Israeli forces. "I think it is one of the films that will make the greatest impression, and hopefully (won't be) controversial," said the festival's artistic director, Alberto Barbera, his voice trembling as he recalled the movie. Hollywood stars, Oscar-winning directors, Asian heavyweights and European auteurs will vie for top honours at this year's stellar Venice Film Festival, all looking to make a splash at the start of the awards season. Running from August 27 to September 6, the 82nd edition of the world's oldest film festival will showcase a rich array of movies that spans psychological thrillers, art-house dramas, genre-bending experiments, documentaries, and buzzy studio-backed productions. Among the leading A-listers expected to walk the Venice Lido's red carpet are Julia Roberts, Emma Stone, George Clooney, Dwayne Johnson, Emily Blunt, Andrew Garfield, Oscar Isaac, Cate Blanchett and Amanda Seyfried. A who's-who of global directors will also be premiering their latest pictures at the 11-day event, including US filmmakers Kathryn Bigelow, Jim Jarmusch, Noah Baumbach and Benny Safdie, alongside top Europeans Yorgos Lanthimos, Paolo Sorrentino, and Laszlo Nemes, and Asia's Park Chan-wook and Shu Qi. Netflix, which skipped Venice last year, returns in full force in 2025 with a trio of headline-grabbing titles, including Guillermo del Toro's "Frankenstein", a new take on the classic horror tale starring Isaac, Jacob Elordi and Mia Goth. Baumbach's comedy-drama Jay Kelly, starring Clooney, Adam Sandler and Laura Dern, is also in the main competition and on the Netflix slate, alongside the geopolitical thriller A House of Dynamite, with Idris Elba and Rebecca Ferguson, and directed by Bigelow, who won an Oscar in 2010 for The Hurt Locker. Venice fires the starting gun for the awards season, with films premiering on the Lido in the last four years collecting more than 90 Oscar nominations and winning almost 20, making it the place to be seen for actors, producers and directors alike. In the past nine editions of the Oscars, the award for Best Actress or Best Actor has gone eight times to the protagonists of films first seen in Venice, including Stone for her role in Poor Things in 2024. Stone returns to Venice this year, teaming up again with Poor Things director Lanthimos in an offbeat satire, Bugonia. The indie icon of US cinema, Jim Jarmusch, will be showing his Father Mother Sister Brother, a three-part tale exploring fractured families with a cast that includes Blanchett, Vicky Krieps, Adam Driver and Tom Waits. European auteurs are well-represented, with Paolo Sorrentino's La Grazia, starring Toni Servillo, selected as the festival's opening film, while Hungary's Nemes presents the family drama Orphan and France's Francois Ozon showcases his retelling of Albert Camus' celebrated novel The Stranger. One standout is the new thriller by Olivier Assayas, which centres on the rise of Russian President Vladimir Putin. The Wizard of the Kremlin will be shown in competition. Jude Law plays Putin, with Alicia Vikander and Paul Dano also starring. The story is told from the perspective of a fictional adviser. A film that looks certain to raise emotions is Kaouther Ben Hania's The Voice of Hind Rajab, which uses original emergency service recordings to tell the story of a five-year-old Palestinian girl who was killed in Gaza in 2024 after being trapped for hours in a vehicle targeted by Israeli forces. "I think it is one of the films that will make the greatest impression, and hopefully (won't be) controversial," said the festival's artistic director, Alberto Barbera, his voice trembling as he recalled the movie. Hollywood stars, Oscar-winning directors, Asian heavyweights and European auteurs will vie for top honours at this year's stellar Venice Film Festival, all looking to make a splash at the start of the awards season. Running from August 27 to September 6, the 82nd edition of the world's oldest film festival will showcase a rich array of movies that spans psychological thrillers, art-house dramas, genre-bending experiments, documentaries, and buzzy studio-backed productions. Among the leading A-listers expected to walk the Venice Lido's red carpet are Julia Roberts, Emma Stone, George Clooney, Dwayne Johnson, Emily Blunt, Andrew Garfield, Oscar Isaac, Cate Blanchett and Amanda Seyfried. A who's-who of global directors will also be premiering their latest pictures at the 11-day event, including US filmmakers Kathryn Bigelow, Jim Jarmusch, Noah Baumbach and Benny Safdie, alongside top Europeans Yorgos Lanthimos, Paolo Sorrentino, and Laszlo Nemes, and Asia's Park Chan-wook and Shu Qi. Netflix, which skipped Venice last year, returns in full force in 2025 with a trio of headline-grabbing titles, including Guillermo del Toro's "Frankenstein", a new take on the classic horror tale starring Isaac, Jacob Elordi and Mia Goth. Baumbach's comedy-drama Jay Kelly, starring Clooney, Adam Sandler and Laura Dern, is also in the main competition and on the Netflix slate, alongside the geopolitical thriller A House of Dynamite, with Idris Elba and Rebecca Ferguson, and directed by Bigelow, who won an Oscar in 2010 for The Hurt Locker. Venice fires the starting gun for the awards season, with films premiering on the Lido in the last four years collecting more than 90 Oscar nominations and winning almost 20, making it the place to be seen for actors, producers and directors alike. In the past nine editions of the Oscars, the award for Best Actress or Best Actor has gone eight times to the protagonists of films first seen in Venice, including Stone for her role in Poor Things in 2024. Stone returns to Venice this year, teaming up again with Poor Things director Lanthimos in an offbeat satire, Bugonia. The indie icon of US cinema, Jim Jarmusch, will be showing his Father Mother Sister Brother, a three-part tale exploring fractured families with a cast that includes Blanchett, Vicky Krieps, Adam Driver and Tom Waits. European auteurs are well-represented, with Paolo Sorrentino's La Grazia, starring Toni Servillo, selected as the festival's opening film, while Hungary's Nemes presents the family drama Orphan and France's Francois Ozon showcases his retelling of Albert Camus' celebrated novel The Stranger. One standout is the new thriller by Olivier Assayas, which centres on the rise of Russian President Vladimir Putin. The Wizard of the Kremlin will be shown in competition. Jude Law plays Putin, with Alicia Vikander and Paul Dano also starring. The story is told from the perspective of a fictional adviser. A film that looks certain to raise emotions is Kaouther Ben Hania's The Voice of Hind Rajab, which uses original emergency service recordings to tell the story of a five-year-old Palestinian girl who was killed in Gaza in 2024 after being trapped for hours in a vehicle targeted by Israeli forces. "I think it is one of the films that will make the greatest impression, and hopefully (won't be) controversial," said the festival's artistic director, Alberto Barbera, his voice trembling as he recalled the movie.
