
Karan Kundrra to Krystle Dsouza: TV celebs extend support to Indian Army
Amid rising tensions between India and Pakistan and a series of missile attacks in the past 24 hours, several television stars have come out in support of the Indian army. Munawar Faruqui, Karan Kundrra, and Karan Veer Mehra, among others, have praised the bravery of the Indian Army.In their posts, the actors also paid tribute to the Indian Army's bravery, expressing heartfelt gratitude and pride in the nation's courageous heroes.advertisementMunawar Faruqui has appealed for national unity, encouraging people to stay united in these challenging times. In his note on his Instagram story, the Bigg Boss 17 winner wrote, 'Hum mehfuz hai, kyuki humare liye koi khada hai sarhad pe, iss waqt hum sabka saath rehna aur ek dusre ka sath dena zaruri hai, aapas me ladna ya kisi ko blame karna fizool hai (We are safe because someone is standing at the border for us. Right now, it's important for all of us to stand together and support one another. Fighting among ourselves or blaming someone is pointless).'
He also sent his prayers for the armed forces personnel guarding the borders and their families. "Pray for every soldier — and for every mother who sent her son to guard our borders with courage (sic),' he added.advertisementActor Karan Kundrra voiced his support for the Indian Armed Forces after they thwarted Pakistan's attack on his hometown, Jalandhar, in Punjab. 'Hometown (Jalandhar) seeing some fireworks but we're stronger than that.. we all stand with the Indian Army.. we stand with the martyrs of #PahalgamTerroristAttack We stand with India! We Stand with Justice (sic).'
Elvish Yadav shared a video on Instagram and asked everyone to stay safe and avoid sensitive zones at this time. View this post on Instagram A post shared by Elvish Raosahab (@elvish_yadav)
Meanwhile, the Indian Army neutralised over 50 swarm drones launched by Pakistan during a large-scale counter-drone operation conducted by the air defence units in the areas of Udhampur, Samba, Jammu, Akhnoor, Nagrota (all in Jammu and Kashmir) and Pathankot (Punjab).The engagement involved extensive use of L-70 guns, Zu-23mm, Schilka systems, and other advanced counter-UAS equipment, demonstrating the Army's robust capability to counter aerial threats.
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Time of India
23 minutes ago
- Time of India
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This powerful piece, written by Badal Sircar in the 1960s, has haunted Indian stages for over six-and-a-half decades. Audiences will experience its piercing truths once again on the weekend, with 9Thirty Theatre Company staging the work at The Box2 in Erandwane on June 8 at 1 pm, under Chahat Singla's direction. The play is set in a crematorium where four men gather for a young woman's funeral who died by suicide following a love affair. What follows is a slow, smouldering confession that exposes the hypocrisies, fears, and fragile egos of men who had failed the women in their lives all along. Badal Sircar's writing is sharp and subtle, implying that no matter how educated or refined, men often share a brutal indifference when it comes to love and emotion. However, Chahat Singla's staging of the play brings a fresh, confrontational edge. For one, the soul that haunts the cremation ground in this version is not that of the dead woman, but of a man. "There's a big difference when a man asks certain questions to society and when a woman does," said Singla, who also plays the central, ghostly character. "When woman ask these questions to men, there would be no effect. But when a man is asking them, ego comes into play. It frames fragile masculinity," he said. By flipping the gender of the unfulfilled soul, Singla reframes the entire emotional landscape of the play. "This shows how different emotions are evoked when patriarchy is questioned by different genders. It also shows how little and how slowly society has changed over the last 65 years. There is awareness, but no acceptance," said Singla. Though the original play has been staged across India and abroad by countless theatre troupes, the Pune production leans into rawness. There is no attempt to cushion the audience from the discomfort of confrontation. "The play has exaggerated pauses between dialogues to let the heavy emotions sink in. These dramatic silences provide space for the audience to feel what's being said and to think about it in real time," Singla explained. Among the play's ensemble, the character of Laxmi, stands out in this staging for her compassion. "She is a prostitute, treated quite rudely by everyone. She's like a blank canvas, coloured by how life and people have treated her. It makes you see her not just as a prostitute, but as a human being crushed by patriarchy," said Singla. It's this layered humanisation and refusal to let audiences escape into stereotypes that makes Pagla Ghoda still hit hard today. Get the latest lifestyle updates on Times of India, along with Eid wishes , messages , and quotes !


Time of India
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Time of India
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