logo
Is SA ready to be the next Hollywood? Here's what our stars had to say

Is SA ready to be the next Hollywood? Here's what our stars had to say

TimesLIVE5 days ago
The Simon Sabela Awards returned for another night of glitz and glam at the weekend. While everyone was looking for the best outfits of the night, many top awards were dished out to the cast and crews of the past year's top productions produced in KZN.
This year's theme called on attendees to have 'giants of storytelling' in mind, and TimesLIVE sought to find out how South Africa could become a giant of TV and filmmaking like our counterparts in Hollywood. Here's what the guests had to say.
We have diverse stories that we need to tap into says Ziya Xulu.
Image: Thobela Khumalo
PORTIA NCWANE
We have to keep the original stories and not try to modernise them too much. If we can keep the authenticity we have right now by maintaining our customs and cultures, we will never go wrong.
ZIYA XULU
The Africans. That sounds so redundant but honestly it's the Africans and the stories we have to tell. We have diverse stories, we have diverse languages, we have diverse ideas and we just need to tap into them.
KHAYA DLADLA
They must give me more jobs — I'm joking. Nothing is as authentic as telling our own stories. We have to tell our own stories to the world, and we can be epic.
JACKIE MOTSEPE
We have stories that resonate with our audience. The local content that we produce is the most consumed not only in South Africa but throughout the continent. That in itself makes us a giant, because they are being appreciated by core audiences.
Where we need to grow is in making that content commercial so that people in the industry are able to make a living from the work they do to sustain themselves and their families. And that is what we need to get right, because people should get a return on investment from the work they produce.
Image: Supplied
RETHABILE RAMAPHAKELA
The fact that we are able to tell stories already makes us a giant, and they travel globally. My film Disaster Holiday was on the Netflix global top 10 and I would never have expected that. I was making a road trip family film and there it is being enjoyed by the world, but most loved in South Africa.
ANGUS GIBSON
I think we've got a way to go before we are a giant. I think we are on our way there. We should be making things like Peter Jackson's Lord of the Rings trilogy. We shouldn't feel like we can't do that. I think we are on the road and we've got to aim high.
MUSA MSELEKU
When we entered the television space, I think we influenced that space. Many people who want to leave a mark on TV tend to copy exactly what we have been doing. When we entered that space we changed it. Our champions of storytelling will not only be seen in Africa — they will travel the world.
MBUYISELO VILAKAZI
First, I see a lot of women getting opportunities and that's a great way of empowering the nation. I like the representation we see from queer filmmakers as well in South Africa.
NKANYISO MAKHANYA
I think we already are giants. People are telling our own stories in other countries without even asking us about them. It's just that we need a platform to push us further on the global stage.
ZAMANTU KHOZA
We're always unpredictable. It's something that makes me look forward to seeing African storytelling, from films to TV series. Also, we always have great newcomers. Last year I was a newcomer nominee. It's exciting because we are always making space for new talent to come into the entertainment industry.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'When Irish Eyes Are Not Smiling' by Anne Lapedus Brest
'When Irish Eyes Are Not Smiling' by Anne Lapedus Brest

TimesLIVE

timea day ago

  • TimesLIVE

'When Irish Eyes Are Not Smiling' by Anne Lapedus Brest

About the book Anne Lapedus Brest writes with exquisite empathy for herself and others as she relives her carefree life growing up in Ireland. She retells the anguish of her dad's ophthalmologist offices burning down and of children at her school telling her her parents had died in the fire. Her dad's office had burnt down but her parents were alive. This taunting triggered a deep-seated anxiety in Brest. Anne emigrated to South Africa at the age of 14 during the height of apartheid and she found the laws incomprehensible. She writes about starting over, dealing with a school bully, her dad's depression and untimely death, her friendships and family and falling in love for the first time. EXTRACT THE SOUTH AFRICAN LIFE Eunice belonged to her own church called 'Apostolic' and would go off every Sunday in a huge blue cloak with a big white cross stitched onto the back of it. Sometimes she had her church meetings in her room, and she would sing with her friends. Ma would send in Lecol and sandwiches and biscuits, Robert and I would sit by the back door listening to them singing, enthralled. Their rich and melodious voices would rise and fall, their harmonies were something so beautiful, I had not heard anything like it before, and the men have rich beautiful deep voices, and the women have strong clear voices all blending so beautifully together. Eunice made our school lunches, polished our shoes, did the cooking, and washed the windows. We knew she had two small children from a little framed photograph in her bedroom, but other than that we knew so little about her. When Ma would go to the OK Bazaars to buy food, Eunice would never mention that sugar was finished, as long as there was still one tea spoon of sugar in the jar - that meant the sugar was not finished. It took us years to get used to that. Our ironing lady was a Xhosa named Catherine. She came from the Transkei in the Cape. 'You give-eh me schooleh dress-eh, and me, I iron-eh for you'. African people are not allowed to be in the cities unless they are working. There is a 'curfew' for them to be off the streets at a certain time. They have to have a 'Pass' to show they are working for an employer. Eunice has a Passbook, and she calls it a 'Dompas' but at that time I wasn't yet aware what it meant nor the horrors associated with Africans not having their Passbook on their person at all times. Our belongings had arrived from Ireland in a 'lift', a few months after we moved into Becker Street. Huge crates made of rough wood, and all of us help with the unpacking. Ma says we keep them as something to sit on, as we had absolutely no furniture at all. They were not comfortable and we got splinters from them, but Ma said it wouldn't be for long. Just until Da got on his feet. Da had a great job at Selwyn Super, an optical shop in the Noord Street station. He loved it, went in every morning without fail, he was in great form all the time, and he and Ma feverishly wrote letters to the family telling them everything about our new lives. Ma lands herself a wonderful job with 'Springbok Safaris' in Eloff Street corner Commissioner, working for Bill Olds, the owner, and she learns how to handle tours and the tourists. She was very good and very efficient and Mr. Olds gives her an increase before she even gets her first salary cheque. She comes home with brochures and pamphlets of wonderful places around South Africa, and beyond, the Garden Route, Durban, The Eastern Transvaal, and outside South Africa, Rhodesia and the Victoria Falls, Swaziland, Basutoland, South West Africa. The Victoria Falls look spectacular. The 'new life' Da promised us, was really great. Da bought us new furniture, slowly but surely. A lovely yellow melamine kitchen table and chairs to match the melamine cupboards in our kitchen. Some armchairs for the front room, or lounge as they call it here. The house is taking shape, lovely bedspreads now on our beds and our ornaments are on the mantelpiece, and pictures are up on the walls. I love my bedroom. I have a small record player in it and I have started buying records with pocket money Da gives me. The first few months had been hard, we had to make do, but now our little house is perfect. Jenny comes home with me one day after school. I tell her about the boat trip over, and how hard it was to leave Dublin, and all the time she is saying 'Shame, Annie-get-your-Gun, shame hey?' She tells me her Mom works as a hairdresser and sometimes she has to stay very late at work, or even go away to work in hair salons out of Johannesburg, and how hard she has to work to keep their little family going now that they are all living together again as a family. And her Mom being sick and in and out of hospital a lot of the time it is so hard for the family. She said that the twins had hardly known the older children by the time they had all moved from various family homes in Bertrams back into their new home in Bellevue East. 'But what is actually wrong with your Mom, Jenny, is it her heart?' I asked her one day. 'No it isn't, Annie, it's not her heart.' She didn't say more, and I didn't ask ~ but I did want to know, because whatever it was, it still kept Jenny and Adelaide away from school. Sometimes it was a day, sometimes more. Jenny and I love tanning. We spend weekends at the Yeoville Baths together. We can talk and talk for hours, or we can just lie reading our books and not talk at all. Sometimes we lie on our backs and listen to the music on peoples' transistor radios. One day some girl there playfully teased me and says that I must be using 'Tanorama' which was a kind of fake-tan girls used, as my legs were so brown. I started to laugh but Jenny almost attacked them. She was furious. 'Don't you dare say anything about my friend's tan, hey?' They backed off immediately and I asked her what that was all about, as I had been flattered by their assumption, it meant I had a good tan. 'I suppose so, Annie-Get-Your-Gun, you right, hey, but if she had said that to me, I would have gone mad, but it's different for you.' I wasn't sure why it was different, but I kept quiet. People are still asking me how I can be Irish and Jewish. 'How can you be Jewish if you come from Ireland?' 'T never heard of an Irish Jew.' 'Have you not?' My answer was always the same. 'Well, just because you haven't heard of Irish Jews, doesn't mean that they don't exist, poephol!' I loved throwing in that word, and though it is a playful insult, they laughed when I said it, and regarded me as one of them. Some of the 'in' girls would also ask me about Ireland, and if we have cars there or if we went by horse and cart. But they asked me in fun, not like Helena used to do, and now it didn't upset me at all, I loved to talk to them about Ireland. I missed Ireland, and longed for the day I could go back and visit everyone again. But the longer I was in South Africa, the further away Ireland started to become. It was like another life. As though a million light years were in between the time we left and now. But Pop and Granma were in special places in my heart, and my soul. I missed them and little Fluffy terribly.

Jasyn Howes goes beyond the headlines to expose the chilling truth of Moses Sithole in 'The ABC Killer'
Jasyn Howes goes beyond the headlines to expose the chilling truth of Moses Sithole in 'The ABC Killer'

IOL News

time2 days ago

  • IOL News

Jasyn Howes goes beyond the headlines to expose the chilling truth of Moses Sithole in 'The ABC Killer'

'The ABC Killer' is a three-part true-cime series that delves into the life of serial killer, Moses Sithole. Image: Supplied South Africans have undeniably developed a fervent interest in true crime stories, especially those headline-grabbing ones that have deeply disturbed communities. In a few years, I'm sure we will have something on Racquel 'Kelly' Smith or Tiffany Meek. To date, we've seen "Tracking Thabo Bester", 'The Station Strangler' and "Devilsdorp" - not forgetting the dramatised series 'Catch Me A Killer' - on Showmax. Netflix also carried the highly anticipated 'Senzo: Murder of a Soccer Star'. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ Expectedly, these offerings sparked widespread discussion on social media, with Mzansi weighing in. The interest in such offerings has unfailingly fuelled film-makers to deliver more. One such person is Jasyn Howes, who is behind the three-part documentary, 'The ABC Killer'. He previously gave us the Saftas-nominated offering, 'Boetie Boer', which centred on the '90s serial killer, Stuart Wilken. It delved into his backstory and what shaped him into a killer. His latest offering treads a very similar path, this time delving into the life and actions of Moses Sithole, South Africa's notorious serial killer and a rapist, who was also known as The Cleveland Strangler. The title references his hunting ground, which started in Atteridgeville, migrated to Boksburg and concluded in Cleveland. Between 1994 and 1995, he is reported to have killed 38 women, some of whom have never been identified. The end reels of the series list the dates of his murders and all of his victims. He was also charged with 40 rapes and six robberies. The series, which includes dramatised reenactments alongside archived footage and newsclips of articles, includes the first-hand recollection of pivotal people involved in the case. The first episode lays the groundwork by introducing cub reporter Tamsen de Beer and her night editor at 'The Star', Alameen Brendan Templeton, with footage taken in the hallowed grounds of the once bustling newsroom where a byline was a sought-after holy grail by reporters. De Beer's conservative upbringing informed her tenacity and out-of-the-box thinking as a journalist. She gave an overview of her work in London, where she covered the mushrooming techno rave scene. Returning to home soil, especially during a tense political climate in South Africa following the first democratic elections, De Beer used her prior working experience to weigh in on the evolving music scene and the growing drug culture of ecstasy and DBH, which was a date rape drug. Little did she realise how the Sithole case with juggernaut her career, especially with her working the graveyard shift. Tamsen de Beer was starting her career at "The Star" when she was thrown into the deep end by interviewing Moses Sithole, who was referred to as "The Cleveland Strangler". Image: Supplied South Africa's first serial killer profiler, Micki Pistorius, and former detectives Ettiene 'Vinyl' Viljoen, Frans van Niekerk and Paul Nkomo share disturbingly insightful details on the case, which became benchmarks in their respective careers. Pistorius was a greehorn when she was thrust into this field; as such, she admitted to turning to the FBI, who were the torchbearers on profiling. Based on his childhood memories, Howes refers to it as Mzansi's 'Ted Bundy case'. Why did Sithole hate women? 'There is only one thing that you must know now and forever. If women go around, f*****g around with men, they are playing with fire. When a man is hurt … it's true hurt. They can do anything,' Sithole said in a documented interview. Initially, there was someone else arrested for the crimes and killed while in custody. Was an earlier rape charge the trigger in Sithole's actions? The unquenchable rage within him hinted at it playing a role. Frustrated by the SAPS's incompetence, Sithole reached out to 'The Star' to get his story out and set them on the right track, making it clear that the police had arrested the wrong person. De Beer formed a rapport with him as he shared intimate details of the murders and, in building trust, encouraged him to come to the office and hand himself over to the police, which he seemed open to. The other accounts are by survivor Buyiswa Swakhamisu, who was visibly traumatised by reliving her attack and her pursuit of justice; clinical psychologist Dr Giada Del Fabbro, and former crime reporter Phalane Motale. A fellow inmate came forward, on condition of anonymity, to reveal how Sithole tried to sell his story. Jodi Bieber, a freelance photographer at "The Star", also detailed her experience of tagging along with the police to the crime scenes, viewing the bloated boats, the maggots and the stockings. She provided insight into how, despite being exposed to the unsettling crime scenes, she had to ensure that she was also mindful of not capturing the bodies in their full gore, leaving readers horrified. She admitted that while the images remain etched in the mind's eye forever, creatively, it wasn't an easy task. She also highlighted the stark contrast between the "white and black experience" along racial lines at the time. The series includes the collective strides made to capture him, the trial, along with a reflection on the pain and trauma he inflicted. De Beer shared her regrets about inserting herself into the story instead of reporting on it because she became so emotionally invested. As a director, Howes displays his prowess in telling disturbing stories through a human lens. He does that masterfully. It's evident that much research went into accessing transcripts, the telephone conversations between Sithole and De Beer. Sithole, serving his 2 410-year sentence, is currently studying law on the back of completing a degree in theology. Rating: 4/5 **** a standout series with exceptional qualities. Below is a highly recommended offering in a similar vein: 'Rosemary's Hitlist' This four-part series, directed by Valen'tino Mathibela, homes in on how Nomia Rosemary Ndlovu, a cop driven by greed, went on a killing spree, taking out her live-in lover as well as five family members to cash in on their life insurance policies. At first, she used her job to conceal her dark deeds until a beady-eyed colleague spotted something amiss and decided to investigate, marking the end of her reign of terror.

Sibongiseni Shezi honoured with major award for Netflix hit film
Sibongiseni Shezi honoured with major award for Netflix hit film

The South African

time3 days ago

  • The South African

Sibongiseni Shezi honoured with major award for Netflix hit film

The spotlight is firmly on the theatre-trained thespian who triumphed over industry heavyweights Baby Cele and Sibusisiwe Jili to win an award for Best Actress in a Film for her portrayal of Lethu on Netflix's Umjolo: The Gone Girl . Her performance in Umjolo: The Gone Girl , a steamy, emotionally charged Netflix drama that unpacks love, betrayal, and modern relationships against the backdrop of a Valentine's Day wedding, solidified her status as one of South Africa's most compelling screen talents. The film follows a couple's seemingly perfect relationship that fails when one of them learns of the other's infidelity. She stars alongside Tyson Mathonsi as her partner. The actress took to her Instagram page, sharing her journey with both her Simon Mabhunu Sabela Awards on display. She told The Citizen: 'I'm not gonna perform an act of false modesty and say the goal was never to be a lead, to be acknowledged in this capacity. However, the time at which it's happening surprises me. A lot occurred, and I've been humbled by a lot of things that I think my receptors are receiving it now is a lot more… it is overwhelming.' 'I definitely think that these are answered prayers, but they don't look the way that I anticipated and they feel a lot better,' she added. Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1 . Subscribe to The South African website's newsletters and follow us on WhatsApp , Facebook , X, and Bluesky for the latest news.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store