
Kesari 2 Box Office Early Estimates Day 29: Akshay Kumar's movie targets Rs 40 lakh on fifth Friday
Kesari 2 Box Office Early Estimates Day 29: Kesari Chapter 2, which is centered around C. Sankaran Nair and the 1919 Jallianwala Bagh massacre, is reaching near to its finish line at the box office. Starring Akshay Kumar as the main lead, the courtroom drama has entered its fifth weekend after finishing a theatrical run of four weeks. Kesari 2 is targeting to net Rs 40 lakh today.
Directed by Karan Singh Tyagi, Kesari Chapter 2 has been maintaining a steady hold at the box office. The trajectory has been good these days, as it is all set to bid goodbye to the cinemas. Early estimates suggest that the Akshay Kumar starrer will earn in the range of Rs 40 lakh on the fifth Friday. Going by the estimates, there is a drop of Rs 15 lakh from what it earned on the fourth Thursday.
Yesterday, the courtroom drama collected Rs 55 lakh net business. The total collection of Karan Johar's co-production stood at Rs 87.75 crore at the box office in the 28 days.
Kesari Chapter 2 stars Akshay Kumar as Justice C. Sankaran Nair. R. Madhavan plays the role of Advocate Neville McKinley and Ananya Panday is cast as Dilreet Gill. It is currently locking horns with Raid 2, which has been performing extraordinarily since its release.
This is to note that Kesari 2 had a low opening week, which has impacted its overall performance at the box office. The legal drama, which also stars R. Madhavan and Ananya Panday, could have been a hit, provided the film had a strong hold in the first week.
Now, the Kesari sequel will settle as an average grosser by the end of its theatrical run.
Kesari Chapter 2 is running in cinemas nearby. You can book your tickets from the online ticket-booking websites or the counter. Stay tuned to Pinkvilla for more updates.
Disclaimer: The box office figures are compiled from various sources and our research. The figures can be approximate, and Pinkvilla does not make any claims about the authenticity of the data. However, they are adequately indicative of the box-office performance of the films in question.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
43 minutes ago
- Indian Express
Bhool Chuk Maaf: Rajkummar Rao has become the poster boy for losers; he plays the same character over and over again
Nobody is above being typecast, not even Shah Rukh Khan. But while the Badshah of Bollywood has broken hearts and weakened knees with his culture-defining romance movies, Rajkummar Rao has become the patron saint of losers. Far too many times in the last decade, the once-promising star has played versions of the same person: a small town layabout whose overwhelming uselessness is inexplicably presented as innocent charm. The secret behind these characters' appeal is never revealed, nor does Rao play them as particularly irresistible. In fact, in most of these movies, not only are the protagonists indistinguishable from each other, they're positively repulsive. Even Rao would've struggled to bring freshness to his performance in Bhool Chuk Maaf, the latest in this long line of films. He plays a 25-year-old man named Ranjan in the supposedly 'high-concept' comedy. But his age is something we must live with; we can't get annoyed in the first five minutes of the movie, can we? There are bigger problems to shake our fists at. So, we move on, reminding ourselves that it would've been even weirder if Rao was playing his real age. Because although Ranjan is old enough to vote and get married, he hasn't ever bothered finding a job. This doesn't sit right with his girlfriend's dad, understandably so. All he wants is for Ranjan to find gainful employment before asking for his daughter's hand in marriage. Also read – Pokhar Ke Dunu Paar movie review: Poetic and profound, the best Hindi film of the year Left with no choice, Ranjan agrees. But instead of scouring through LinkedIn and giving an interview or two, he goes to a shady old man played by Sanjay Mishra, who claims to have connections in various government departments. For Rs 6 lakh, the old man promises Ranjan a government job within the two-month deadline that he has been given by his girlfriend's dad. Ranjan arranges for the money by selling his mother's jewellery against her knowledge. When his girlfriend — she's played by Wamiqa Gabbi, by the way — offers to lend him some of her dowry, he pretends to be outraged, but agrees three seconds later. This is the guy we're supposed to be rooting for. He doesn't have a single redeeming quality. But for some reason, it's characters like Ranjan that Rao gravitates towards these days. There's nothing wrong with playing terrible people on screen, but it can become monotonous for the audience when an actor — especially someone of Rao's talent — reduces themselves to a type. If Ranjan were to walk into one of his other movies, you wouldn't even notice. Barring a couple of films in which he played cops — Badhaai Do and Bheed — Rao's been stuck doing the same small town schtick. In Stree, he plays a loafer who falls in love with a ghost lady. In Chhalaang, he's barely able to secure work as a school PT teacher. In Shimla Mirchi, he stalks a woman in the hills because he has nothing else to do. In Roohi, he plays a kidnapper. Before you say anything, this isn't a real job. In Guns & Gulaabs, he runs some kind of cycle repair shop; in Vicky Vidya Ka Woh Wala Video, he's a mehendi artist who's managed to get married to someone way out of his league; in Mr & Mrs Mahi, he's forced to sit behind the counter of his dad's sports store. In each of these projects, Rao's characters are barely-functional man-children. The only reason they find employment is because their love life relies on it. Mr & Mrs Mahi is probably the worst offender; not only is Rao's character in it severely immature, he's also rather rude to his angelic wife. He grooms her to give up on her dreams of becoming a doctor, all because he wants to live his fantasies vicariously through her. In a more sensible movie, she'd have knocked him over the head with his own hockey stick and walked out. Instead, Rao's character is projected as some sort of valorous hero; a champion of women who empowers his wife to become a cricketer. Bhool Chuk Maaf isn't as well-made as either Bheed or Badhaai Do, two movies that understood that people live inside prisons of society's making. Ranjan's frustration manifests in horrible behaviour that the movie never fully addresses. Sure, he has a change of heart at the end, when he realises that he shouldn't have stolen a job with someone else's name on it. But what about his other faults? How about we address the entitlement that folks like him and Ajju bhaiyya from Bawaal walk around with? It was funny the first time, when he played a person like this in Bareilly Ki Barfi all those years ago, but that's because his character in that film was genuinely endearing. Read more – Loveyapa: Junaid Khan plays the world's biggest red flag again, this time in Advait Chandan's outdated romantic comedy The unimaginative writing aside, Rao's work in these movies itself is an issue. There's a tendency to lean into the dialect, which often sounds interchangeable. There's also a tendency to have outbursts; there's a false sense of pride in these people, bordering on arrogance. Rao has a difficult time injecting them with vulnerabilities. These movies, including Bhool Chuk Maaf, leave no room for introspection and indecision. The men at their centre are empowered by the filmmakers to strut through life with a delusional overconfidence. Some movies, like Monica O My Darling, are smart enough to call their so-called hero out on their bashfulness. Others, like Srikanth, are too terrible to take seriously. But there is a difference between creating complex characters and two-dimensional oafs. In Bhool Chuk Maaf, when Ranjan is terrible, he's uniformly terrible. And when his redemption arc is complete, it's as if his entire personality has changed. Neither version is particularly realistic, because most humans exist somewhere in the middle of this spectrum. Rao has played such characters many times in the past, in movies such as Shahid and Aligarh, in Trapped and Newton. It's about time he returns to his roots, not for our sake, but his own. Post Credits Scene is a column in which we dissect new releases every week, with particular focus on context, craft, and characters. Because there's always something to fixate about once the dust has settled.


Hans India
44 minutes ago
- Hans India
Vega Jewellery showroom inaugurated in Eluru
Eluru: Hindupur MLA and actor Nandamuri Balakrishna along with actress Samyukta inaugurated the fifth showroom of Vega Jewellers in Eluru town on Friday. Balakrishna is the brand ambassador of Vega Jewellers. Vega Jewellers Chairman Bandlamudi Rammohan, Managing Director Vanama Naveen Kumar, Directors Vanama Sudhakar and Chitluri Nageswara Rao were present. They said that after opening their showroom in Kakinada, they are happy to open a branch in Eluru. On this occasion, they have introduced many special offers like free gold coin on every purchase of Rs 1 lakh. They also said that a lucky draw will be held on the occasion of inauguration of Eluru showroom and five lucky draw winners will be given diamond necklaces worth Rs 2 lakh each. All these offers are applicable only in Eluru showroom and till 30 June 2025.


India.com
an hour ago
- India.com
Ranbir Kapoor's Ramayana's confirmed cast: Yash, Sai Pallavi, Sunny Deol to Amitabh Bachchan, 18 big stars to play these roles
Nitesh Tiwari's ambitious adaptation of the Ramayana has unveiled an exceptional cast, generating immense excitement among fans. With Ranbir Kapoor taking on the iconic role of Lord Ram and Sai Pallavi embodying the elegant Sita, the film promises to deliver a grand cinematic interpretation of this timeless epic. The Ramayana is expected to become one of the most highly anticipated films in the history of Indian cinema. Here's a look at the full cast and what viewers can expect. Highly Anticipated Project Ranbir Kapoor will portray Lord Ram in Nitesh Tiwari's Ramayana, who is known for his impressive acting talent, he is expected to bring both serenity and depth to the character. Sai Pallavi will play Sita, marking her notable debut into Bollywood. Her graceful and authentic style makes her an ideal choice for the role, and fans are eager to see this new pairing bring the epic love story of Ram and Sita to the screen. A Star-Studded Star-Cast Including… The mythological film features an outstanding ensemble cast with lead actors, Rocking Star Yash, taking on the formidable role of Ravana, while Sunny Deol embodies Hanuman, adding strength and intensity to the character. Ravi Dubey is cast as Lakshman, and Lara Dutta portrays the intricate character of Kaikeyi. As per Rakul Preet Singh will be seen as Shurpanakha, with Kajal Aggarwal playing Mandodari. Amitabh Bachchan adds gravitas as Jatayu and Anil Kapoor is rumored to play King Janak. Mohit Raina takes on the role of Lord Shiva, while Vikrant Massey plays Meghnad. Kunal Kapoor will portray Lord Indra, and Vivek Oberoi is set to appear as Vidyutjihva. The legendary Arun Govil will step into role of King Dasharath, with Adinath Kothare as Bharat. Additionally, Ramya Krishnan and Sheeba Chaddha are rumored to play Kaushalya and Sumitra, respectively and Bobby Deol is speculated to portray Kumbhakaran. More About Ramayana The film will be released in two parts, with Part 1 slated for theatrical launch on Diwali 2026, specifically November 8, 2026. The follow-up, Part 2, is expected to be released during Diwali 2027. In addition to a cast full of stars, this movie features skilled professionals, such as co-director Ravi Udyawar and writer Shridhar Raghavan. Pankaj Kumar manages the cinematography, and the VFX is led by Namit Malhotra's DNEG. Created by Madhu Mantena, Allu Aravind, Namit Malhotra, and Yash, with an impressive budget of Rs 835 crore, encompassing both segments.