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The Last of Us Season 2 Episode 5 – Release Time, Date, How To Watch

The Last of Us Season 2 Episode 5 – Release Time, Date, How To Watch

Newsweek08-05-2025
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources.
Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content.
Entertainment gossip and news from Newsweek's network of contributors
Ellie and Dina found themselves in a brutal battle in the last episode of The Last of Us season two, and now episode five comes knocking on our door this Sunday, May 11.
Plot details are currently under wraps, but with just three episodes left in season two, there's sure to be plenty to feast upon as the stakes climb higher and higher.
Bella Ramsey in HBO's The Last of Us Season 2, Episode 5.
Bella Ramsey in HBO's The Last of Us Season 2, Episode 5.
Liane Hentscher/HBO
READ: Warfare Gets New Digital Release Date – How to Watch
To help you be the first to tune in, we've got a guide below on how to watch The Last of Us season two, episode five, including The Last of Us season two, episode five release time, and The Last of Us season two, episode five release date, read below.
The Last of Us Season 2 Episode 5 Release Date
The Last of Us season two, episode five will be available to watch on HBO and to stream on Max on May 11, 2025.
New episodes of The Last of Us season twoair each Sunday through May 25, 2025.
The Last of Us Season 2 Episode 5 – How to Watch
The Last of Us season two, episode five will be available on HBO from 9 pm ET/PT on May 11, 2025.
To watch The Last of Us season two, you will need HBO or a Max subscription. A basic subscription with ads is $9.99 per month or $99.99 for the year, and a standard no-ads subscription starts at $16.99 per month or $169.99 annually.
What Time Does The Last of Us Season 2 Episode 5 Come Out?
The Last of Us season two, episode five will be available on HBO and Max from 9 pm PT/ET.
With the evening PT/ET release, new episodes debut in other countries at different times.
Here is when The Last of Us season two, episodefive airs in your time zone:
May 11
BRT: 10:00 pm
May 12
BST : 2:00 am
: 2:00 am CEST : 3:00 am
: 3:00 am IST : 6:30 am
: 6:30 am JST : 10:00 am
: 10:00 am AET : 11:00 pm
: 11:00 pm NZST: 1:00 pm
The Last of Us Season 2 Episode 5 Runtime
The official runtime for episode five of The Last of Us season two is unknown. So far, new episodes have been between 52 and 59 minutes long.
What Will Happen in The Last of Us Season 2 Episode 5?
Plot details for episode five of The Last of Us season two are currently under wraps, but you can read previous episode synopses below:
Episode One: Five years after the events in Salt Lake City, a now 19-year-old Ellie makes a discovery while on patrol with her best friend Dina. Back in Jackson Hole, Joel seeks help to mend his relationship with Ellie.
Five years after the events in Salt Lake City, a now 19-year-old Ellie makes a discovery while on patrol with her best friend Dina. Back in Jackson Hole, Joel seeks help to mend his relationship with Ellie. Episode Two: As a storm brews in the mountains, the people of Jackson Hole prepare for the worst amid increased sightings of Infected. Meanwhile, Abby weighs her options.
As a storm brews in the mountains, the people of Jackson Hole prepare for the worst amid increased sightings of Infected. Meanwhile, Abby weighs her options. Episode Three: After Dina shares crucial intel, Ellie prepares to petition the town council. Near Seattle, a religious group flees a war.
After Dina shares crucial intel, Ellie prepares to petition the town council. Near Seattle, a religious group flees a war. Episode Four: In Seattle, Ellie and Dina find themselves amid a brutal battle between the zealous Seraphites and a ruthless militia.
(as per IMDb)
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Designing Costumes for 10,000 Years Of ‘Dune' History
Designing Costumes for 10,000 Years Of ‘Dune' History

Forbes

time14 minutes ago

  • Forbes

Designing Costumes for 10,000 Years Of ‘Dune' History

A group of Bene Gesserit Truthsayers prepare to leave their planet on a mission to save the future. Courtesy of HBO Max 'Desmond Hart's costume in Dune: Prophecy ,' Bojana Nikitović said to me, 'for the Travis Fimmel character, that is one of my favorites. The way it was shot when he first comes in this long coat, it's almost like a duster from a western. It's a simple shape, and it's a simple fabric, a waxed cotton that I really like to use because it ages so well. We put so many insignia and details on his coat. It really worked well.' When costuming is excellent it fills the spaces between an actor's lines. It can seamlessly pass on information to the audience and under expert hands, the audience might not even notice. Not consciously anyway, but they'll feel the difference between work done well and everything else. When work evokes an involuntary emotional response, that is this writer's threshold for the definition of Art. 'We put many details and insignias and things on his coat,' Nikitović explained, 'and we talked a lot about his jewelry, the rings that he's wearing. It's really important to have that conversation with an actor while you are doing the costume for a character. We made all the jewelry you see in the series. But he's wearing the rings in a funny way, on the middle of the fingers. It's a simple thing, but it helps establish that everything about him is strange and mysterious. We don't know anything about him.' The enigmatic Desmond Hart (Travis Fimmel) in a costume designed by Bojana Nikitović to be reminiscent of a western. Courtesy of HBO Max If you've never read a Dune book, or if you're not part of multiple social media groups on various platforms dedicated to brilliant comedy in the form of DIY Dune meme-making, let me explain where this story fits into the mythology of Dune . In late 1963, long before and wars over stars were ever a thing, Frank Herbert first published Dune World , a three part illustrated serial, followed by a second series, which, all smashed together, eventually became the 1965 novel Dune . The book was a huge success, both in sales and in critical feedback and it eventually became a six-book-series that gets profoundly bizarre and which I very much hope we get to see on film in coming years. After Frank Herbert died in 1986, one of his children, Brian Herbert, together with noted science fiction author Kevin J. Anderson, worked from Frank's notes to extend the Dune universe by telling the stories before and after a certain God Emperors uses sandtrout to become a worm. Seriously, zero hyperbole. Dune is an enormous universe, and the story it tells (literally) spans tens of thousands of years. Denis Villeneuve's films, costumed by Jacqueline West, take place at least a myrioi of millennia before we meet Paul Atredes. This is the story of the Bene Gesserit, priestesses to some and witches to others, they are objectively the most meddling and plotting (and fabulous) of any of the fictional eugenicists. Desmond Hart (Travis Fimmel) as leader of House Carrino's Imperial Guards. Courtesy of HBO Max When I met with Nikitović to discuss her work on the series, one of the first questions I asked her was about the relationship between the films and this series. Because they do exist in the same universe. And, creating costumes that feel connected to the cultures in the films, that could realistically seem like they could have evolved over so much time; I'm not sure this has ever been done before. It is an incredibly specific assignment and the idea, to this writer, immediately became a (minor) obsession. 'It was fantastic to get this job,' Nikitović told me, 'but in a way, the responsibility was big because at that time, only the first film was out and it was such a success. Visually, it was really fantastic. And what they did with costume was new and fresh for sci-fi in general. I think that the success of the movie owes a lot also to this visual part. I don't know that anybody can even imagine how huge this time period is.' When a designer like Nikitović is given the time, budget, team and autonomy to do the job the way it needs to be done, well, they are able to weave precious details into the narrative to everyone's benefit. These clothes were designed by someone who believes that her role is to help the actor embody the character. The goal is that a fraction of a moment in a fitting. Because maybe, if everything goes as planned and the stars are precisely aligned, there is a chance that magic will happen. If an actor, after stepping into their costume, can look at a mirror as 'X' for the first time, and if there's even a chance that the actor can see the character instead of their reflection, then the enchantment has worked and the ritual is part of it. One through line between the films and the series are the headdresses, veils and hair jewelry. Though each piece made for the HBO Max series is distinct to the show, the prevalence of such accessories makes a marked difference between the world of Dune and our own, and keeps this sci-fi world in the same galaxy as the films which preceded it, A digital illustration of a Bene Gesserit Truthsayer. Courtesy of Bojana Nikitović 'The veils were so important,' Nikitović explained, 'especially the Truthsayer's veils, because they are hiding them, but we want to see the actresses and that has to be mysterious. The thing that Truthsayers are representing is mystical, and we were trying to find the right way to do it. And we did many, many tests. And finally, I pulled out one of the fabrics that we have there and said, 'let's try the laser cut.' We glued the laser cut on a very thin silk organza fabric. You can't see that there is a fabric underneath that the laser cut, but it is. We really collaborated well with Anna Foerster, director of the first episode, and Pierre Gill, director of photography. We tested literally anything they wanted. Anna wanted to see the reflection of the pattern on the veil in the eye of the actress.' This sounded like a big ask, but there is no doubt that by figuring out how to make such a shot possible Dune: Prophecy as a series is elevated. The fabulous (if slightly terrifying) Bene Gesserit Mother Superior Valya Harkonnen (Emily Watson) Courtesy of HBO Max 'We managed,' the designer said with a smile, 'we did several tests for that, and we tried different angles, and it really worked. When you see it on the screen, it's good when you're happy with the result, but it's better knowing how many phases you went through to get that result and we were trying different dimensions.' When telling stories on film, there are a variety of options for how the actors, stunt people, stand-ins and extras get their wardrobes. Pieces of clothing can be made for a production, purchased, rented from a costume house, lended or otherwise sourced. But for a science fiction production that takes place thousands of years in the future, but ten thousand years before the source material, your options are severely reduced. I had to ask how many costumes had been made, if a tally had been kept, because there are so many people, whole armies at times, of people in costume on screen. 'I'm so glad that you asked this,' Nikitović said with a grin, 'because this is the most difficult. In a project like this, you're starting from zero. I think we finished with more than 3000 costumes made. We started by gathering fabrics. Some of the things we made in our workshop, we were doing prototypes in our workshop. And for the extras, we were making 10 of these, 15 of these, 20 of these, so, it's a lot.' Bene Gesserit Truthsayers. Courtesy of HBO Max 'We made so many accessories with so many details,' the designer told me. 'We were working on each pair of shoes, adding details, even if we buy it, we have to change something about them so that they are unrecognizable. So it's the projects like this one, when you are starting the first season, it's really challenging.' When I spoke to the designer, she was on set, filming the second season, and she told me about the impact of being greeted by all the work her department had completed last season. 'I was so proud,' the designer told me, 'when we came to this big studio and now it's full of costumes that we made in the first season. Some of them I even forgot. It was coming in nonstop. I was thinking, look how many things we did. I love it so much.' The idea of managing all of this, keeping it all organized, the troubleshooting and continuity issues; this was a massive amount of work. The process part of all of this is particularly interesting, you could give 10 designers the same perimeters and they'd come up with 10 working solutions. Costume design proves, without a doubt, that there is no such thing as a single right way. Lord Pruwet Richese (Charlie Hodson-Prior) and Princess Ynez (Sarah-Sofie Boussnina) during their Engagement Ceremony during Episode One, Season One of 'Dune: Prophecy'. Courtesy of HBO Max 'It's a process,' Nikitović explained, 'and prep is so important. I really spend a lot of time pulling different references that could help, that could be inspiring for something. I think that all of us in this business, when we are in the project, we are in the project seven days a week, 24 hours a day, nonstop. 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The whole dress was created to show that, in a way, she's confined in the whole story of this forced engagement and future marriage that she has to say yes to, because of the most important things in her family and in the whole universe.' A digital illustration of Princess Ynez's red engagement dress and veil. Courtesy of HBO Max 'The corset was created to be part of the upper part of the dress. The skirts created a net, almost like a spider web, or a cage, something that she's, in a way, trapped in. It was made using laser cut, layering one fabric on top of the other. It was really fun to do it. I have a great team, I must say. I'm always emphasizing that, because without a great team, no one can do such a big project like this. I have amazing, amazing textile artists and breakdown artists and girls who are doing dyeing. They're capable of making a copy that looks like the original.' 'In this kind of project,' the designer continued, 'when it's all about so many details, with all this embossing and textures, and somebody has to do the laser cutting, et cetera, et cetera. But I'm telling you, with a great team, it's all possible. I have a brilliant milliner, Snežana Pešić, we've been working together almost, like more than 25 years. We really understand each other, can almost communicate without speaking.' Like the Bene Gesserit I asked? 'Yes,' Nikitović laughed, 'almost like them.' Stillsuits are coming!!! Courtesy of HBO Max MORE FROM FORBES Forbes All Hail Qveen Herby: A Conversation About Costume Versus Clothing By Rachel Elspeth Gross Forbes Bringing Beloved Characters To Life For Amazon Prime's 'Wheel Of Time' By Rachel Elspeth Gross Forbes The Unusual Language Of Class In Netflix's 'Sirens' By Rachel Elspeth Gross

NFL Sunday Ticket 2025: Price breakdown, discounts, how to get the YouTube add-on
NFL Sunday Ticket 2025: Price breakdown, discounts, how to get the YouTube add-on

Indianapolis Star

timean hour ago

  • Indianapolis Star

NFL Sunday Ticket 2025: Price breakdown, discounts, how to get the YouTube add-on

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Woman Prepares to Say Goodbye to Horse, Can't Believe What Happens Next
Woman Prepares to Say Goodbye to Horse, Can't Believe What Happens Next

Newsweek

time2 hours ago

  • Newsweek

Woman Prepares to Say Goodbye to Horse, Can't Believe What Happens Next

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A woman was left in tears as she prepared to say goodbye to her horse, but as it turned out, there was yet another twist as the horse had quite the surprise in store. Earlier this year, Libby Partridge was close to selling one of her horses, 6-year-old Lilly. She told Newsweek that there was a "very serious buyer" who was due to visit the horse on April 1 and was likely to take Lilly home the next day. It was a very difficult time for Partridge, 18, who cried over the thought of having to say goodbye to her beloved Lilly. However, the buyer's car broke down and prevented them from being able to meet the horse. That bought Partridge a few more days with Lilly, and they ended up being very eventful indeed. Libby Partridge, 18, and Lilly and Coco in a field. Libby Partridge, 18, and Lilly and Coco in a field. @ / TikTok On April 8, Partridge, from the UK, discovered that Lilly was in fact in foal, and she was likely to give birth within a matter of weeks. If the sale had gone through, Partridge may have never even known that Lilly was expecting. "I saw the dad, named Donkey, in a Facebook post and I knew we needed him," Partridge said. "I was told that he was a castrated donkey, so I thought that's perfect. He arrived and he very clearly wasn't castrated. She continued: "I thought because he's quite old already, I wouldn't put him through the stress of surgery. So, I kept him intact in a separate field far away from Lilly. All was well until I woke up one morning with Donkey in Lilly's field." At the time, Partridge "thought nothing of it" and presumed that Donkey's smaller stature would prove problematic. Horses are traditionally measured in hands, with one hand equaling approximately four inches. Lilly is almost 16 hands tall, whereas Donkey measures at 10 hands. "I thought Donkey couldn't reach, but oh boy, was I wrong," Partridge said. As it transpired, Lilly gave birth to a mule on April 21, much to Partridge's amazement. She told Newsweek that was in "utter awe" when she saw the mule, who she has named Coco. Partridge didn't have any previous experience with a mule, so she wasn't sure what to expect of the donkey and horse hybrid. But fortunately, Coco has a wonderful temperament it's just like having a dog (a very large one at that). Partridge shared a video on TikTok (@ of the stunning turn of events, and the clip instantly went viral. In just a matter of days, the video has generated more than 5.9 million views and over 1.2 million likes on TikTok at the time of writing. The footage shows Partridge crying her eyes out over the prospect of losing Lilly, only to be surprised with a new addition in the shape of Coco. Donkey has now been castrated, and the adorable family trio lives together in a large field with Partridge's other horses. "The reaction online has been nothing but positive," Partridge said. "I share a lot of my life online and have built such a kind and caring community. Coco is just like a big dog—all she wants is cuddles and attention. And Lilly is the kindest mare ever." Since the video went viral, internet users can't get enough of Lilly and Donkey's little secret, leading to more than 550 comments on the TikTok post so far. One comment reads: "She's like hang on, I'm duplicating." Another TikTok user wrote: "She said you weren't getting rid of her that easily." Another person joked: "She said nice try your stuck with me forever." While one commenter added: "I bet you're so glad you held on for that little bit longer." Do you have any viral videos or pictures that you want to share? We want to see the best ones! Send them in to life@ and they could appear on our site.

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