Lady Gaga Announces the Mayhem Ball North American Arena Tour
'This is my first arena tour since 2018,' Gaga said in a statement. 'There's something electric about a stadium, and I love every moment of those shows. But with The Mayhem Ball, I wanted to create a different kind of experience—something more intimate—closer, more connected—that lends itself to the live theatrical art I love to create.'
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The North American leg in support of Mayhem kicks off July 16 with two shows at Las Vegas' T-Mobile Arena, followed by stops at Seattle's Climate Pledge Arena, three nights at New York's Madison Square Garden, then two nights each at Miami's Kaseya Center and Toronto's Scotiabank Arena before concluding (for now) Sept. 15 and 17 at Chicago's United Center.
Artist presale tickets are available beginning April 2 at 8 a.m. ET with general tickets going onsale beginning April 3 at 12 p.m. local time via Live Nation.
The arena tour is sandwiched between a Mayhem Ball leg in Mexico City, Singapore, and her massive Copacabana Beach show in Singapore, and a just-announced European leg that begins Sept. 20 in London.
'I wasn't planning to tour this year after my shows in Singapore but the incredible response to the new album inspired me to keep things going,' Gaga added on social media. 'This show is designed to be the kind of theatrical and electrifying experience that brings Mayhem to life exactly how I envision it. The Mayhem Ball Tour is officially coming your way. See you soon, monsters.'
Lady Gaga's The Mayhem Tour Dates
July 16 – Las Vegas, NV @ T-Mobile ArenaJuly 18 – Las Vegas, NV @ T-Mobile ArenaAug. 6 – Seattle, WA @ Climate Pledge ArenaAug. 7 – Seattle, WA @ Climate Pledge ArenaAug. 22 – New York, NY @ Madison Square GardenAug. 23 – New York, NY @ Madison Square GardenAug. 26 – New York, NY @ Madison Square GardenAug. 31 – Miami, FL @ Kaseya CenterSept. 1 – Miami, FL @ Kaseya CenterSept. 10 – Toronto, ON @ Scotiabank ArenaSept. 11 – Toronto, ON @ Scotiabank ArenaSept. 15 – Chicago, IL @ United CenterSept. 17 – Chicago, IL @ United Center
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The comment reflects a theme I found in my reporting: While I was able to identify a number of filmmakers who admitted to toying around with Stability's text-to-image generators, none used the tools professionally—at least not yet. Contains AI-generated imagery. Courtesy of Stability AI The taboo on studios acknowledging their embrace of AI seems to be softening. In July, Netflix co-CEO Ted Sarandos told investors the company had allowed 'gen AI final footage' to appear in one of its original series for the first time. He said the decision sped up production tenfold and dramatically cut costs. 'We remain convinced that AI represents an incredible opportunity to help creators make films and series better, not just cheaper,' he said. Hanno Basse, Stability's chief technology officer, is showing me an image of his backyard in Los Angeles: a grassy lawn surrounded by high hedges, rose bushes crowding a bay window, and a tree in the far left-hand corner. 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Of course you don't want to get replaced!' says Cameron. 'If you guys are going to lose your jobs, you're going to lose your jobs over the work drying up versus getting bumped aside by these gen AI models.' The idea, echoed by Akkaraju and Parker, is that as movies become cheaper to produce, more films will get made and overall employment will rise. When pressed on this point, Akkaraju reverts to an extended metaphor. 'Every major transition or technological invention is always met with apprehension at first, and then acceptance, and then it's obvious,' he says. 'When ATMs rolled out in the '80s, all the tellers were really up in arms. They were like, 'That's our job. We give withdrawals, we take deposits, and now you're having this machine do it.' What's happened since then is that there are more teller jobs than ever before, and their average pay is higher, even adjusted for inflation.' Whether the coup that began in Lady Gaga's greenhouse ultimately saves Stability AI, the AI revolution is here and already transforming Hollywood. That collapsing building, that burning forest, that crowd of people you see when you stream a show or go to the movie theater? One person with a keyboard could've made them. The thing about that bank-teller anecdote is that it's often used by techno-optimists—including Stability AI investor Eric Schmidt. What they don't mention is that the number of bank tellers peaked around 2015. Since then, it's been on the decline. Let us know what you think about this article. Submit a letter to the editor at mail@