
Eddie Palmieri, pioneering Latin jazz musician and Grammy winner, dies at 88
Fania Records announced Palmieri's death Wednesday evening. Palmieri's daughter Gabriela told The New York Times that her father died earlier that day at his home in New Jersey after 'an extended illness.'
The pianist, composer and bandleader was the first Latino to win a Grammy Award and would win seven more over a career that spanned nearly 40 albums.
Palmieri was born in New York's Spanish Harlem on December 15, 1936, at a time when music was seen as a way out of the ghetto. He began studying the piano at an early age, like his famous brother Charlie Palmieri, but at age 13, he began playing timbales in his uncle's orchestra, overcome with a desire for the drums.
He eventually abandoned the instrument and went back to the playing piano. 'I'm a frustrated percussionist, so I take it out on the piano,' the musician once said in his website biography.
His first Grammy win came in 1975 for the album 'The Sun of Latin Music,' and he kept releasing music into his 80s, performing through the coronavirus pandemic via livestreams.
In a 2011 interview with The Associated Press, when asked if he had anything important left to do, he responded with his usual humility and good humor: 'Learning to play the piano well. … Being a piano player is one thing. Being a pianist is another.'
Palmieri dabbled in tropical music as a pianist during the 1950s with the Eddie Forrester Orchestra. He later joined Johnny Seguí's band and Tito Rodríguez's before forming his own band in 1961, La Perfecta, alongside trombonist Barry Rogers and singer Ismael Quintana.
La Perfecta was the first to feature a trombone section instead of trumpets, something rarely seen in Latin music. With its unique sound, the band quickly joined the ranks of Machito, Tito Rodríguez, and other Latin orchestras of the time.
Palmieri produced several albums on the Alegre and Tico Records labels, including the 1971 classic 'Vámonos pa'l monte,' with his brother Charlie as guest organist. Charlie Palmieri died in 1988.
Eddie's unconventional approach would surprise critics and fans again that year with the release of 'Harlem River Drive,' in which he fused Black and Latin styles to produce a sound that encompassed elements of salsa, funk, soul, and jazz.
Later, in 1974, he recorded 'The Sun of Latin Music' with a young Lalo Rodríguez. The album became the first Latin production to win a Grammy.
In 1975, he recorded the album 'Eddie Palmieri & Friends in Concert, Live at the University of Puerto Rico,' considered by many fans to be a salsa gem.
In the 1980s, he won two more Grammy Awards, for the albums 'Palo pa' rumba' (1984) and 'Solito' (1985).
In 1987, he recorded salsa singer Tony Vega on the album 'La verdad,' and in 1992, he introduced the vocalist La India to the salsa world with the production 'Llegó La India vía Eddie Palmieri.'
In 1998, he released 'El rumbero del piano,' in which he once again explored the aggressive salsa that had always characterized him.
Palmieri released the album 'Masterpiece' in 2000, which teamed him with Tito Puente, who died that year. It was a hit with critics and won two Grammy Awards. The album was also chosen as the most outstanding production of the year by the National Foundation for Popular Culture of Puerto Rico.
During his long career, he participated in concerts and recordings with the Fania All-Stars and Tico All-Stars, standing out as a composer, arranger, producer, and orchestra director.
In 1988, the Smithsonian Institute recorded two of Palmieri's concerts for the catalog of the National Museum of American History in Washington.
Yale University in 2002 awarded him the Chubb Fellowship Award, an award usually reserved for international heads of state, in recognition of his work in building communities through music.
In 2005, he made his debut on National Public Radio as the host of the program 'Caliente,' which was carried by more than 160 radio stations nationwide.
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A weekly look at what's happening in Winnipeg's arts and entertainment scene.
He worked with renowned musicians such as timbalero Nicky Marrero, bassist Israel 'Cachao' López, trumpeter Alfredo 'Chocolate' Armenteros, trombonist Lewis Khan, and Puerto Rican bassist Bobby Valentín.
In 2010, Palmieri said he felt a bit lonely musically due to the deaths of many of the rumberos with whom he enjoyed playing.
As a musical ambassador, he brought salsa and Latin jazz to places as far afield as North Africa, Australia, Asia and Europe, among others.
___
Former Associated Press Writer Sigal Ratner-Arias is the primary author of this obituary.
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Winnipeg Free Press
3 days ago
- Winnipeg Free Press
From the Stones to Cardi B, this college haunt has attracted big acts for 50 years
NEW HAVEN, Conn. (AP) — Nestled on a narrow, one-way street among Yale University buildings, a pizza joint and an ice cream shop, Toad's Place looks like a typical haunt for college kids. But inside the modest, two-story building is a veritable museum of paintings and signed photos depicting the head-turning array of artists who've played the nightclub over the years: The Rolling Stones. Bob Dylan. Billy Joel. Bruce Springsteen. U2. The Ramones and Johnny Cash. Rap stars Kendrick Lamar, Drake, Kanye West, Cardi B, Run-D.M.C., Snoop Dogg and Public Enemy. Blues legends B.B. King, Bo Diddley, Muddy Waters, Willie Dixon and John Lee Hooker. And jazz greats Count Basie, Dizzy Gillespie and Herbie Hancock. This year, the New Haven institution is celebrating 50 years in business. And the people who made it happen are reflecting on Toad's success in attracting so many top acts to a venue with a standing-only capacity of about 1,000. 'You know, I thought it would be good for a few years and then I'd be out doing something else,' said owner Brian Phelps, 71, who started as the club's manager in 1976. 'And then the thing started to happen when some of the big bands started to come here.' Music and cheap beer fuel success Original owner Mike Spoerndle initially opened Toad's Place in January 1975 as a French restaurant with two friends he later bought out. Before that, the building had been a burger and sandwich joint. But when the restaurant got off to a slow start, Spoerndle had an idea for bringing in more customers, especially students: music, dancing and beer. A Tuesday night promotion with bands and 25-cent brews helped turn the tide. Among the acts who performed was New Haven-born Michael Bolotin, who would change his name to Michael Bolton and go on to become a Grammy-winning ballad writer and singer. The gregarious and charismatic Spoerndle, who died in 2011, endeared himself to bands and customers. A local musician he tapped as Toad's booking agent used his connections to bring in area bands and, later, major blues acts. Then, in 1977, came a crucial moment. Spoerndle met and befriended concert promoter Jim Koplik, who would bring in many big names to Toad's over the years, and still does today. 'Mike knew how to make a really great room and Brian knew how to really run a great room,' said Koplik, now president of Live Nation for Connecticut and upstate New York. A year later, Springsteen stopped by Toad's to play with the Rhode Island band Beaver Brown after he finished a three-hour show at the nearby New Haven Coliseum. In 1980, Billy Joel stunned Toad's by picking it — and several other venues — to record songs for his first live album, 'Songs in the Attic.' That same year, a little-known band from Ireland would play at Toad's as an opening act. It was among the first shows U2 played in North America. The band played the club two more times in 1981 before hitting it big. An unforgettable show for $3.01 On a Saturday night in August 1989, Toad's advertised a performance by a local band, The Sons of Bob, and a celebration of Koplik's 40th birthday, followed by a dance party. The admission price: $3.01. After The Sons of Bob did a half-hour set, Spoerndle and Koplik took the stage. 'Ladies and gentlemen,' Spoerndle said. Koplik followed with, 'Please welcome the Rolling Stones!' The stunned crowd of around 700 erupted as the Stones kicked off an hourlong show with 'Start Me Up.' 'Thank you. Good, good, good. We've been playing for ourselves the last six weeks,' Mick Jagger told the crowd. The Stones had been practicing at a former school in Washington, Connecticut, for their upcoming 'Steel Wheels' tour — their first in seven years — and had wanted to play a small club as a warmup. The band's promoter called Koplik, who recommended Toad's. The band agreed, but insisted on secrecy. Those at Toad's kept a lid on it for the most part, but swirling rumors helped pack the club. Doug Steinschneider, a local musician, was one of those at the venue that night after a friend told him the Stones would be playing. He wasn't able to get in, but managed to get near a side door where he could see Jagger singing. 'It was amazing!' said Steinschneider. 'For being a place where major bands show up, it's a tiny venue. So you get to see the band in their real element. In other words, you're not watching a screen.' A few months later, Bob Dylan's manager reached out looking for a club where he could warm up for an upcoming tour. Dylan's 1990 show at Toad's sold out in 18 minutes. He played four-plus hours — believed to be his longest performance — beginning with a cover of Joe South's 1970 song 'Walk a Mile in My Shoes' and ending with his own 'All Along the Watchtower.' 'That was a good one,' Phelps recalled. Variety is the key to longevity Phelps — who bought out Spoerndle's stake in Toad's in 1998 — believes the secret to the venue's longevity has been bringing in acts from different genres, along with events such as dance nights and 'battle of the bands'. Rap shows especially draw big crowds, he said. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Naughty by Nature and Public Enemy played Toad's in 1992. After releasing his first album, Kanye West played there in 2004 with John Legend on keyboards. Drake played Toad's in 2009, early in his music career. And Snoop Dogg stopped by to perform in 2012 and 2014. 'When you have all these things, all ages, all different styles of music, and you have some dance parties to fill in where you need them, especially during a slow year, it brings enough capital in so that you can stay in business and keep moving forward,' Phelps said. On a recent night, as local groups took the stage for a battle of the bands contest, many were in awe of playing in the same space where so many legends have performed. Rook Bazinet, the 22-year-old singer of the Hartford-based emo group Nor Fork, said the band members' parents told them of all the big acts they'd seen at the New Haven hot spot over the years. Bazinet's mom had seen Phish there in the '90s. 'Me, the Stones and Bob Dylan,' Bazinet added. 'I'm glad to be on that list.'


Winnipeg Free Press
3 days ago
- Winnipeg Free Press
Eddie Palmieri, pioneering Latin jazz musician and Grammy winner, dies at 88
Eddie Palmieri, the avant-garde musician who was one of the most innovative artists of rumba and Latin jazz, has died. He was 88. Fania Records announced Palmieri's death Wednesday evening. Palmieri's daughter Gabriela told The New York Times that her father died earlier that day at his home in New Jersey after 'an extended illness.' The pianist, composer and bandleader was the first Latino to win a Grammy Award and would win seven more over a career that spanned nearly 40 albums. Palmieri was born in New York's Spanish Harlem on December 15, 1936, at a time when music was seen as a way out of the ghetto. He began studying the piano at an early age, like his famous brother Charlie Palmieri, but at age 13, he began playing timbales in his uncle's orchestra, overcome with a desire for the drums. He eventually abandoned the instrument and went back to the playing piano. 'I'm a frustrated percussionist, so I take it out on the piano,' the musician once said in his website biography. His first Grammy win came in 1975 for the album 'The Sun of Latin Music,' and he kept releasing music into his 80s, performing through the coronavirus pandemic via livestreams. In a 2011 interview with The Associated Press, when asked if he had anything important left to do, he responded with his usual humility and good humor: 'Learning to play the piano well. … Being a piano player is one thing. Being a pianist is another.' Palmieri dabbled in tropical music as a pianist during the 1950s with the Eddie Forrester Orchestra. He later joined Johnny Seguí's band and Tito Rodríguez's before forming his own band in 1961, La Perfecta, alongside trombonist Barry Rogers and singer Ismael Quintana. La Perfecta was the first to feature a trombone section instead of trumpets, something rarely seen in Latin music. With its unique sound, the band quickly joined the ranks of Machito, Tito Rodríguez, and other Latin orchestras of the time. Palmieri produced several albums on the Alegre and Tico Records labels, including the 1971 classic 'Vámonos pa'l monte,' with his brother Charlie as guest organist. Charlie Palmieri died in 1988. Eddie's unconventional approach would surprise critics and fans again that year with the release of 'Harlem River Drive,' in which he fused Black and Latin styles to produce a sound that encompassed elements of salsa, funk, soul, and jazz. Later, in 1974, he recorded 'The Sun of Latin Music' with a young Lalo Rodríguez. The album became the first Latin production to win a Grammy. In 1975, he recorded the album 'Eddie Palmieri & Friends in Concert, Live at the University of Puerto Rico,' considered by many fans to be a salsa gem. In the 1980s, he won two more Grammy Awards, for the albums 'Palo pa' rumba' (1984) and 'Solito' (1985). In 1987, he recorded salsa singer Tony Vega on the album 'La verdad,' and in 1992, he introduced the vocalist La India to the salsa world with the production 'Llegó La India vía Eddie Palmieri.' In 1998, he released 'El rumbero del piano,' in which he once again explored the aggressive salsa that had always characterized him. Palmieri released the album 'Masterpiece' in 2000, which teamed him with Tito Puente, who died that year. It was a hit with critics and won two Grammy Awards. The album was also chosen as the most outstanding production of the year by the National Foundation for Popular Culture of Puerto Rico. During his long career, he participated in concerts and recordings with the Fania All-Stars and Tico All-Stars, standing out as a composer, arranger, producer, and orchestra director. In 1988, the Smithsonian Institute recorded two of Palmieri's concerts for the catalog of the National Museum of American History in Washington. Yale University in 2002 awarded him the Chubb Fellowship Award, an award usually reserved for international heads of state, in recognition of his work in building communities through music. In 2005, he made his debut on National Public Radio as the host of the program 'Caliente,' which was carried by more than 160 radio stations nationwide. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. He worked with renowned musicians such as timbalero Nicky Marrero, bassist Israel 'Cachao' López, trumpeter Alfredo 'Chocolate' Armenteros, trombonist Lewis Khan, and Puerto Rican bassist Bobby Valentín. In 2010, Palmieri said he felt a bit lonely musically due to the deaths of many of the rumberos with whom he enjoyed playing. As a musical ambassador, he brought salsa and Latin jazz to places as far afield as North Africa, Australia, Asia and Europe, among others. ___ Former Associated Press Writer Sigal Ratner-Arias is the primary author of this obituary.


Style Blueprint
3 days ago
- Style Blueprint
The Best Places to Go Dancing in Nashville
Share with your friends! Pinterest LinkedIn Email Flipboard Reddit Whether you're well-versed in the world of two-step or just looking for a fun way to unwind mid-week, Nashville offers no shortage of opportunities to hit the dance floor — and we're not just talking line dancing. While this is by no means a comprehensive list of great local hangs with dance floors, these favorites offer a variety of styles, from Latin and swing dancing to honky tonk nights. The best part? You don't need to be a pro, as many of these spots offer instruction, too! L&L Market Dance Nights Neighborhood: Sylvan Heights More Info: Facebook While not a weekly option, L&L Market in Sylvan Heights stays open late one night almost every month to host an energetic night of dancing and fun. The theme often changes, so you can get your fix of everything from salsa to swing dancing. The evening includes both lessons and open dancing. To stay up-to-date on when the next event takes place, keep an eye on L&L Market's social media accounts. Nashville Palace Neighborhood: Music Valley More Info: For a truly authentic Nashville line-dancing experience, Nashville Palace delivers multiple nights a week. Every Tuesday, instructors from Standard Western lead classes that welcome everyone from total beginners to seasoned pros. You can also enjoy Ladies' Night on Thursdays and lively Country Dance Nights on Fridays and Saturdays. And if line dancing isn't your thing, stop by for salsa lessons on Mondays instead! Pin Motown Mondays at The 5 Spot More Info: East Nashville – Five Points More Info: Tucked in East Nashville's Five Points neighborhood, The 5 Spot is frequented by local music lovers. In addition to its regular lineup of local concerts, the intimate concert venue also hosts Motown Mondays every week. Beginning at 9 p.m., this is a dance-centric event full of your favorite Motown, funk, and disco hits. Plaza Mariachi Neighborhood: Southeast Nashville – Nolensville Pike More Info: Another solid option with weekly events, Plaza Mariachi hosts dance nights every Thursday and Saturday. Free and open to the public, the weekly salsa series begins with a 7:15 p.m. class every Thursday, followed by an open dance floor with a live DJ until midnight. The fun continues on Saturdays, with a DJ spinning tunes from 9 p.m. until midnight. Pin Tuesday Teteos at Tantísimo Neighborhood: Sylvan Park More Info: Head to Tantísimo every Tuesday for Tuesday Teteos, a lively Latin dance social hosted by Baila with Kyla. The fun starts at 7 p.m. with a free beginner-friendly salsa and bachata lesson, followed by open dancing from 7:30 p.m. to 10 p.m. No partner or experience is needed; you just need to arrive ready to move. Category 10 Neighborhood: Downtown More Info: Continuing the tradition of Wildhorse Saloon, Luke Combs' Category 10 offers free dance lessons every Thursday through Sunday. Taking place on Nashville's largest dance floor, Hurricane Hall, no experience is required. In fact, the bar offers its own team of professional dancers to guide you through every step. Honky Tonk Tuesdays at Eastside Bowl Neighborhood: Madison More Info: A longstanding Nashville staple, Honky Tonky Tuesdays has recently moved from East Nashville's American Legion to Eastside Bowl in Madison. Beginning with dance lessons at 7 p.m. from Laura Mae Socks, the fun continues all night with a rotating lineup of live music. However, you can end the night each week with the event's house band, The Cowpokes. Admission is $10, and it's well worth the price. SB Tip: After the official event, head to the smaller stage at the front of the venue for the official afterparty. Pin Jump Sessions with Swing Dance Nashville Neighborhood: Elm Hill More Info: On the second and fourth Fridays of every month, Swing Dance Nashville hosts a Jump Session, where you're invited to dance the night away with one of its seasoned teachers. From 7:30 p.m. to 8:30 p.m. at the Dance Nashville studio, beginners are invited to join instructor Lindy Hop to learn the basics of swing dancing. If you're already familiar with this style, you can learn more during the Dig Deeper lesson from 7:30 p.m. to 8:30 p.m. Then, stick around after the lessons to put your skills to the test during open dance. ********** Looking for more Nashville events? Check out our events calendar. About the Author Brianna Goebel Brianna is StyleBlueprint's Associate Editor and Sponsored Content Manager. She is an avid fan of iced coffee and spends her free time reading romance novels.