
Dior's first female head of womenswear, Maria Grazia Chiuri, steps down
Maria Grazia Chiuri, the first woman to lead Dior's women's collections, announced Thursday (May 29) she is stepping down as creative director after nine years at the storied French fashion house – the latest sign of mounting pressure and ongoing creative turnover at the top of the fashion industry.
The Italian designer confirmed her long-rumoured departure in an Instagram post, capping a transformative era defined by bold feminist messaging, record sales and industry-defining collections.
"I am particularly grateful for the work accomplished by my teams and the ateliers. Their talent and expertise allowed me to realise my vision of committed women's fashion, in close dialogue with several generations of female artists,″ Chiuri wrote.
"Together, we have written a remarkable and impactful chapter, of which I am immensely proud.'
Chiuri, 60, leaves behind a legacy that reshaped Dior's creative direction and broadened its global appeal. Since her arrival in 2016, she steered Dior through a golden era of commercial and cultural success.
Read more: What led to Jonathan Anderson's sudden appointment as head of Dior menswear?
Revenue reportedly rose by nearly US$8bil (approximately RM33.8bil) from 2017 to 2023 as Chiuri's vision of empowered femininity resonated with a new generation of clients.
The house itself credited Chiuri with nothing less than redefining "the identity and femininity of the Dior woman, celebrated and reimagined the iconic heritage and savoir-faire'.
Delphine Arnault, the LVMH executive who oversees Dior, paid tribute to Chiuri's "tremendous work with an inspiring feminist perspective and exceptional creativity, all imbued with the spirit of Monsieur Dior'.
Chiuri, Arnault added, not only designed "highly desirable collections', but "has written a key chapter in the history of Christian Dior' – a chapter that will forever be marked by the milestone of her being the first woman to lead the women's collections.
Chiuri's debut for Spring 2017 made headlines with "We Should All Be Feminists' T-shirts, declaring a new era for Dior.
She brought activism to the runway, collaborating with artists like Judy Chicago and Faith Ringgold. She revived icons such as the Saddle Bag and made space for women's voices, drawing on Dior's past while rewriting its aesthetic.
Chiuri departs as the first woman to lead Dior since its founding in 1947, having redefined the house's codes and opened the door to a new chapter at one of fashion's most influential brands.
Her exit comes amid a broader wave of creative upheaval across the industry.
Pierpaolo Piccioli, her former co-creative director at Valentino, was recently named artistic director of Balenciaga – after Alessandro Michele, known for his maximalist, gender-fluid reinvention of Gucci, was appointed to succeed Piccioli at Valentino in 2024.
Meanwhile, Matthieu Blazy, who stepped down from Bottega Veneta last year, will debut at Chanel this fall, succeeding Virginie Viard – whose unceremonious departure shocked the industry.
The recent round of high-profile exits and appointments has amounted to fashion's most dramatic game of musical chairs in years – and it's giving the industry whiplash.
Read more: A look back at Jonathan Anderson's star-studded legacy of dressing celebrities
The moves reflect a period of transition for major fashion houses as they adapt to shifting consumer expectations, slower luxury growth, and the demands of a digital-first market.
At least half a dozen top houses have changed creative leadership in the past year alone – a sign of the mounting pressure on designers to deliver both artistic vision and commercial results in an increasingly unstable landscape.
Chiuri's shows spanned continents, from Mumbai to Kyoto, each celebrating craft and community.
But for her final collection, Resort 2026, Chiuri returned home to Rome – staging the show at Villa Torlonia, enveloping her guests in ritual white, and invoking the spirit of Italian cinema with a film by Matteo Garrone.
The choice of her native city, paired with the all-white dress code, signalled a deliberate full-circle moment; an intimate farewell and a subtle hint that Chiuri was preparing to close her chapter at Dior.
Dior has not yet named a successor, but speculation centers on Jonathan Anderson, who recently took over Dior's men's collections. – AP
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Star
3 hours ago
- The Star
Tennis-Merciless Alcaraz flattens Paul at French Open to reach semis
Tennis - French Open - Roland Garros, Paris, France - June 3, 2025 Spain's Carlos Alcaraz in action during his quarter final match against Tommy Paul of the U.S. REUTERS/Denis Balibouse PARIS (Reuters) -Carlos Alcaraz continued his French Open title defence with a display of breathtaking brutality for a 6-0 6-1 6-4 victory over American 12th seed Tommy Paul and a spot in the Roland Garros semi-finals on Tuesday. The second seed has searched in vain for his usual sublime form on Parisian clay this year, needing four sets in his last three matches to dismiss determined opponents, but he had no trouble on a balmy evening on Court Philippe Chatrier. "It was like I could close my eyes and everything went in," Alcaraz said in his on-court interview. "My feeling was unbelievable, I tried to hit my shots at 100% ... today was just one of those matches where everything went in. "We were in the quarter-finals of Roland Garros and these matches aren't easy. I've lost to him twice and against Tommy, matches are very difficult. That helped me focus on my tennis and try not to go down or let him get into the match." Alcaraz motored through the opening set without dropping a game and grabbed his fourth break early in the second set after sparing Paul the ignominy of another bagel and the 22-year-old pulled further away to double his lead in only 53 minutes. He glided across the red clay while delivering punishing shots, knocking the racket out of Paul's hands at one point with a thunderous effort, before finally facing some resistance in the third set. Former junior French Open champion Paul stayed level with Alcaraz until 4-4 but soon faded away and the holder closed out the victory to book a clash with Italian eighth seed Lorenzo Musetti in the semi-finals. (Reporting by Shrivathsa Sridhar in Paris)


The Star
6 hours ago
- The Star
Tennis-Maestro Musetti carves Tiafoe win to reach French Open semi-finals
Tennis - French Open - Roland Garros, Paris, France - June 3, 2025 Italy's Lorenzo Musetti celebrates during his quarter final match against Frances Tiafoe of the U.S. REUTERS/Lisi Niesner PARIS (Reuters) -Italian craftsman Lorenzo Musetti used his full palette of shots to decorate Court Philippe Chatrier with blistering baseline winners, beating American Frances Tiafoe 6-2 4-6 7-5 6-2 to reach the French Open semi-finals for the first time on Tuesday. Despite a few muddled moments, the world number seven set up a meeting with either defending champion Carlos Alcaraz or Tommy Paul of the U.S. as he continues his renaissance after some soul searching. Musetti, who said he put some order in his mind and game, did not let frustration take the best of him after losing the second set and once he found his groove, there was no stopping him as 15th seed Tiafoe gradually lost the plot, twice arguing with the chair umpire over line calls. He bowed out with yet another routine shot into the net, his 'Big Foe' neck chain dripping with sweat as a testimony of the battle just fought. "Definitely Frances did not start the way he wanted but today was really complicated, it was so windy and difficult to mange to properly hit the ball," said Musetti, the only man to reach at least the semi-finals of every main claycourt event this season. "The third set was a fight and even if I was a little tired I found the extra energy to win this set and the last set was probably the best set of this match." Musetti is one of the rare top players using the single-handed backhand, a vintage shot often praised by tennis connoisseurs. "We are Italian, we are elegant," he joked. "Joke aside, I have a little bit of a retro style." Earlier, and in front of mostly empty seats around lunchtime four-time champion Iga Swiatek, looking to become the first woman in the professional era to win the title four times in a row, beat Elina Svitolina 6-1 7-5 to set up a clash with world number one Aryna Sabalenka for a place in Saturday's final. The Belarusian ended Olympic champion Zheng Qinwen's 10-match winning streak at Roland Garros with a 7-6(3) 6-3 victory to advance. With the main arena finally almost full, Musetti got off to a strong start, his heavy top spin proving tough to handle for Tiafoe, who dropped serve in the second game. The Italian, however, was not completely flawless and he faced a break point at 4-2, which he saw off thanks to his mesmerizing backhand. He sealed the opening set on his opponent's serve when Tiafoe's volley sailed wide. Musetti's game, however, needed some fine-tuning and Tiafoe jumped on the occasion to bank on errors here and there to snatch an early break in the second set. He held serve throughout to level the contest as Musetti seemed to struggle adjusting to the windy conditions on Court Philippe Chatrier. Musetti dug deep in the third and played a near-perfect game on Tiafoe's serve to surge 2-1 ahead. A modest second serve met Musetti's powerful crosscourt return and after trading heavy topspin shots, Tiafoe attempted a crafty drop shot, but the Italian charged forward for a clinical backhand winner on the baseline. The fourth set looked more like a post-match cool-down for Musetti, who would not be distracted by Tiafoe's antics. (Reporting by Julien Pretot; Editing by Christian Radnedge)


The Star
13 hours ago
- The Star
President Tharman praises Indian music star A.R. Rahman for helping Singapore musicians
President Tharman Shanmugaratnam met award-winning Indian music star A.R. Rahman when Rahman was in Singapore. - THARMAN SHANMUGARATNAM/INSTAGRAM SINGAPORE: President Tharman Shanmugaratnam has praised Indian music star A.R. Rahman for working with Singapore musicians. In social media posts on Monday (June 2), Tharman uploaded photos of himself meeting the Grammy-, Oscar- and Golden Globe-winning music and film icon popularly known as ARR. Rahman, 58, was in town on May 10 and 11 for the premiere of Le Musk, a multi-sensory virtual-reality (VR) film he directed that is screening at Golden Village Suntec City until Aug 12. 'Our Indian music and cultural talent, from classical to the most contemporary and edgy, are naturally a minority in the local scene. But they make Singapore's multiculturalism all the more special,' President Tharman wrote. 'ARR has also done our own talent good over the years, by giving them valuable exposure,' he added, listing the home-grown acts who have worked with Rahman – rapper-songwriter duo Lady Kash and Krissy, singer-musician Shabir and rapper Yung Raja. Rahman's collaborations include Wanna Mash Up?, a song with Lady Kash and Krissy for the 2014 Hindi film Highway. Tharman added that Singapore was the first place Rahman – who was born in Chennai, Tamil Nadu – travelled to outside of India in the 1980s, and how the musician bought his equipment from local music stores Swee Lee and City Music. 'Good to see that both local music stores are still going strong after all these years,' Tharman wrote. Rahman is a prolific musician, composer and singer whose works span more than 145 films. Incorporating Indian classical with contemporary Western, his music famously transcends Tamil, Hindi and Telugu films, and has made a mark on Hollywood, the West End and Broadway. He gained global fame when his soundtrack to the Mumbai-set British film Slumdog Millionaire (2008) earned him Oscars for Best Original Score and Best Original Song – for the upbeat number Jai Ho – in 2009. The crime drama romance, which starred Dev Patel and Freida Pinto, also won Rahman Best Compilation Soundtrack Album and Best Song Written for Visual Media at the 2010 Grammy Awards. Le Musk, a 37-minute film that marks his directorial debut, uses pioneering camera technologies to present an immersive film that blends VR, haptics, music and fragrance. At GV Suntec City, viewers will wear VR headsets and sit in special egg-shaped chairs that release scents. Rahman has staged several concerts in Singapore, most recently at the National Stadium on Aug 31. He also performed at Gardens by the Bay in 2014, the Singapore Indoor Stadium in 2005, and Marina Bay Sands in 2011. - The Straits Times/ANN