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Taylor Swift's subtle tribute to Travis Kelce after he hard-launched romance and caused fan meltdown

Taylor Swift's subtle tribute to Travis Kelce after he hard-launched romance and caused fan meltdown

Daily Mail​4 days ago
Taylor Swift has broken her silence after her boyfriend of nearly two years Travis Kelce finally went Instagram official with her.
Swifties the world over went into instant meltdown Thursday when Travis, 35, posted Instagram pictures with Taylor, 35, for the first time.
Fans began forensically dissecting the images, making note of details like the lock screen of Travis' phone, which is now a snap of him with Taylor.
Some breathless rumor-mongers even shared theories that they might be engaged, based on two different white outfits Taylor was pictured wearing.
As the frenzy kept gathering steam into Friday, Taylor poured fuel on the fire by paying a subtle tribute to the NFL star on her Insta Stories.
She uploaded a post enthusiastically plugging the new Adam Sandler movie Happy Gilmore 2, which contains a shirtless cameo by Travis.
'Happy Gilmore 2 had me cackling and cheering the whole movie!' she gushed. 'An absolute must watch, 13/10, go watch it on @netflix as soon as humanly possible.'
She added a honey emoji, making a sly reference to a scene near the end of the movie in which Travis is slathered with the condiment while half-naked.
Travis briefly appears in the movie as a high-strung maître d' who works with one of the main characters, a busboy called Oscar played by Bad Bunny.
At one point Travis' character throws a temper tantrum and fires Oscar, who becomes the caddy to pro golfer Happy Gilmore (Adam Sandler).
Near the end of the movie, Happy asks Oscar to picture his 'happy place' - and Oscar summons up an image of his Travis' character, tied up and wearing nothing but an apron with honey smeared all over him and a hungry bear approaching.
One day before Taylor's post, Travis shared a number of loved-up photos with her on Thursday as part of an 'offseason adventures' Instagram dump, which marks the first time he has ever posted his girlfriend.
The celebrity power couple, who have dominated headlines since they went public with their relationship in September 2023, look smitten in a number of snaps captured on nights out together.
Travis and Taylor are first seen posing together in a warm setting, with other pictures showing them out for dinner, clowning around in the snow and skating on an ice rink.
They also took photos with different groups of friends, one of which includes NFL reporters Charissa Thompson and Erin Andrews and their respective partners.
Travis' older brother Jason, mom Donna and dad Ed also feature in the Instagram dump, as does Taylor's younger brother Austin.
Travis and Jason are spotted in one of the images in a woodland setting with Austin, who appears to be holding a tree pruner.
Nevertheless, Kelce's offseason dump has mainly sparked a frenzy online because of the intimate snaps he shared of Swift.
The pop megastar's diehard legion of 'Swiftie' fans rushed to the comments to gush over the photos, with one writing: 'Their happiness is my happiness'.
Another posted: 'SHE LOOKS SOOO HAPPY OMG'.
While a third put: 'thank you for this - sincerely, all swifites'.
Some eagle-eyed Swifties also pointed out how one of the photos shows that Swift features on the lock screen of her boyfriend's phone.
One commented: 'why is nobody talking about how she's his lock screen!!!'
'The locked screen pic of Taylor and Trav....I just fainted,' said another.
And a third joked: 'Not me zooming in on the phone screensaver.'
Travis and Taylor are also seen enjoying a glass of wine with another group in a different photo
Kelce and Swift have enjoyed a more low-key offseason together than last year, with the pair only making a handful of public appearances since the Chiefs' Super Bowl defeat to the Philadelphia Eagles in February.
The most noteworthy of the lot came when Taylor made a surprise cameo at her man's 'Tight End University' event in Nashville last month, where she took to the stage and performed her famous 'Shake It Off' song.
On a subsequent edition of his New Heights podcast, Travis explained that they had been cooking up a plan to 'have some fun' for some time.
But his older brother Jason was among those who were shocked when footage emerged of the pop sensation on stage.
'Tay Tay showed up!' Travis said. 'We were in Nashville, she grew up in Nashville - she moved there when she was younger - and we had this planned for a while that we were going to have some fun with the tight ends.
He continued: 'I won't say when the idea came up but we were there at "Tight End & Friends" and we knew that there was a professional like Kane Brown, who could just figure it out.
'He's a pro, he's been on stage a million times, he's not shy at all by any means... Tay just went up to him and the band and was like: "Hey if you guys are down, I'll go up there, play a song and see if we can pop the roof off this place." And sure enough...'
Travis revealed that before going out to perform, Swift was backstage writing sheets of music for the band.
'I don't know, I'm not a musician but she was making sure that the band and everybody (knew it). And then just went out there without practicing and it was pitch perfect and just killed it,' Travis continued.
'She's so good with everybody and making people feel comfortable. And absolutely rocked the stage yet again, it was awesome, man.'
Kelce was back on the practice field on Tuesday as the Chiefs began their preparations for the new NFL season.
From Tuesday until August 13, the team will be based at Missouri Western State University in St Joseph - around an hour north Arrowhead Stadium.
There, Kelce and the other 89 players on the roster will stay in dorms on campus for the duration of camp. That means three weeks without seeing their partners and families. For Kelce, that means three weeks without seeing Swift.
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How Joe Rogan's record-breaking podcast fueled infamous Area 51 'storming craze'
How Joe Rogan's record-breaking podcast fueled infamous Area 51 'storming craze'

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time16 minutes ago

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How Joe Rogan's record-breaking podcast fueled infamous Area 51 'storming craze'

The most popular episode of Joe Rogan 's podcast has been credited with inspiring the viral movement to storm the gates of Area 51 in the summer of 2019. Netflix released a new episode of its 'Trainwreck' documentary that featured Matty Roberts, who organized the Facebook campaign 'Storm Area 51, They Can't Stop All Of Us,' which saw two million people commit to rushing the Nevada base. Roberts said the idea came after he watched Area 51 whistleblower Bob Lazar, who claimed to have worked on projects involving the reverse-engineering of extraterrestrial spacecraft while staffed at the base in 1989. Lazar's viral sit-down with Rogan further detailed what he did at the facility, including his work on an extraterrestrial 'anti-matter reactor,' working on advanced flying saucers built by the military, and climbing inside a real UFO. The June 2019 has been viewed over 64 million times, the most of any of Rogan's episodes. 'I thought, 'Oh, my God, this finally explains the flying saucers stories,' Roberts said. Excited by what he heard during that two-hour interview, he sent out a rallying cry on social media on July 27, 2019, hoping he would find others eager to force the government to admit that aliens and UFOs were real. 'It just seemed like a hilarious idea to me,' Roberts said in the docuseries Trainwreck. After just three days on Facebook, Roberts' call to charge the gates of the US Air Force facility turned into an internet sensation. Area 51 has been tied to extraterrestrial lore for decades, with UFO researchers and conspiracy theorists claiming that secret government projects have been conducted there since the 1950s. However, it wasn't until Lazar's 1989 interview with investigative reporter George Knapp on Las Vegas TV station KLAS that the classified base became nationally famous. 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Daily Mail has reached to Joe Rogan for comment regarding Roberts' comments about the Lazar interview. Roberts revealed that his entire campaign just started out as a gag for the few followers he had on social media. 'Jokes are funnier when they're edgy. So, I'm going to make it sound like a real call to arms,' he said in the Netflix special. 'I just thought it would be a funny post for my page of 40 followers,' he added. 'I didn't think it would go anywhere.' However, the viral invitation quickly drew the attention of the US government, who took the possibility of two million people rushing the gates of Area 51 very seriously. The federal government reportedly spent $11 million reinforcing the security around Area 51 before the September 20 event. Roberts revealed that the FBI questioned him after he posted the event on Facebook. The military even warned anyone attending the gathering that deadly force would be used to keep the base secure. 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Matthew Barney: ‘I'm not interested in participating in consensus culture'
Matthew Barney: ‘I'm not interested in participating in consensus culture'

The Guardian

time16 minutes ago

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Matthew Barney: ‘I'm not interested in participating in consensus culture'

Matthew Barney might be The Most Interesting Man in the World. He played on the football and wrestling teams at high school, nursed ambitions to be a plastic surgeon, modelled for J Crew, became a leading avant-garde artist, spent more than a decade in a relationship with the Icelandic singer-songwriter Björk and set up a giant clock outside his studio to count down the first Donald Trump US presidency. No one explores the violence in America's source code quite like Barney, who since the 1990s has mounted a series of epic projects exploring the subject via references to classical mythology, modern history, sport, human anatomy and popular culture. On 30 July he is headlining the Aspen Art Museum's inaugural Air 2025 festival in Colorado with TACTICAL parallax, a live performance in a riding arena repurposed from the former drill hall of the 10th Mountain Division infantry. Barney describes it as his western. The website of the festival warns patrons: 'The Performance will involve the use of animals and loud sounds and may involve, but is not limited to bright lights, unexpected visuals and occurrences. The Performance may include the shooting of blanks from a firearm.' Barney is best known for The Cremaster Cycle (1994–2002), a series of five feature-length films and related sculptures and drawings that blend references to the human reproductive cycle with mythology and surrealism. More recently, in 2018, he delivered Redoubt, a two-hour, dialogue-free film set in Idaho's rugged Sawtooth Mountains that loosely adapts the myth of Diana, goddess of the hunt, and her ritualistic pursuit of a wolf. His 2023 work Secondary is a five-channel video installation that explores the spectacle of violence in American football, centring on a traumatic 1978 NFL preseason game incident in which the Oakland Raiders defensive back Jack Tatum's hit left the New England Patriots receiver Darryl Stingley paralysed for life. The collision was replayed frequently on TV, impressing itself on the then 11-year-old Barney. 'Redoubt is more to do with the so-called wilderness in America and the violence that lives in the landscape and how that plays out in wildlife and landscape management, especially in the mountain states,' Barney, 58, says in a phone interview from central Idaho. 'Secondary is more about structural violence within American football and the pageantry of violence in American contact sports.' Both films were rooted in Barney's biography. He spent his formative years in Idaho, a conservative state of rugged landscapes in the north-western US, and regards it as an important influence on his art. 'The reintroduction of wolves in central America happened throughout my adolescence. It was a political drama that played out in Idaho and Wyoming during those years. 'It's something that I carried with me for a number of years and wanted to approach in an artwork in a more personal way. They are both very personal narratives and they're histories that have played out publicly with quite a lot of media coverage.' No less important was Barney's time as a young player of American football, absorbing the ethos of the nation's most popular sport, a symphony of helmets-and-pads and high-impact collisions that can result in head trauma and spinal injuries. 'A lot of the art that I've made has been influenced by my experiences as an athlete and particularly in the blood sports,' he reflects. 'My choice of the history of Jack Tatum and Darryl Stingley in Secondary was both about looking at a very specific memory that I had as a child, playing and seeing that event occur, and to experience the aftermath of that in the American media. But there's also a way in which I wanted to look at my own legacy through a different lens.' In TACTICAL parallax Barney combines Redoubt and Secondary in new and tantalising ways, blending characters, stories, movement and music from the two films or running them side by side. Players, referees, hunters and hunted are thrown together to draw a line between American football and western expansionism. He explains: 'TACTICAL parallax, by combining these two narratives, is very much about trying to locate ways in which that violence is baked into the national identity, which I think has to do with the initial settling of the United States. 'In that sense TACTICAL parallax is a western and, though it's combining these vocabularies of American football and contemporary hunting, it is also about the histories of westward expansion and the settling of America and the violence that lives in the landscape from that.' He adds: 'Football is a reification of war. It structurally is like a medieval war and it's fetishised in that way in the culture. The American mythologies of war include that initial colonising of the west.' The piece will be performed in a historic drill hall that was originally part of Camp Hale, a second world war military training facility at 9,000ft elevation where soldiers trained in deep snow. The drill hall was later disassembled and moved to its current location as a barn on a working cattle ranch. 'It was a starting point for the development of TACTICAL parallax: the history of the structure within the alpine landscape and the way that it is both an athletic facility and a military facility started the development of the work of combining the vocabularies from Secondary and Redoubt. 'One of the things that's unique about this project is its specificity to its environment, the way that it's situated within this historic structure and the Rocky Mountain landscape. It has the opportunity to have a more visceral relationship to its content than the films have had. Beyond the eccentric combination of visual vocabulary, the site specificity is quite special.' Barney's father worked in catering at Boise State University and his mother, an abstract painter, introduced him to contemporary art during visits to New York after their divorce when he was 12. He attended Yale University on a football scholarship, initially studying pre-med before switching to art and graduating in 1989. He reflects: 'When you grow up around art, it normalises it. Particularly in America, art isn't part of normal culture the way that it can be in other parts of the world where it's been part of the cultural dialogue for a much longer time. I definitely feel like I benefited from having it normalised in my life at an early age.' As a multidisciplinary artist, Barney blurs the lines between sculpture, installation, film, performance and drawing. The Guardian critic Jonathan Jones described the Cremaster Cycle as 'one of the most imaginative and brilliant achievements in the history of avant-garde cinema'. Others find his work harder to digest. 'There's definitely been a lot of division in the reception and that always seems right to me. There are deliberate provocations in the work and the work isn't being made as a form of entertainment. I'm not interested in participating in consensus culture. The way I understand art to function and the function that it carries out in culture is about provoking something that's harder to understand.' Would he describe his work as political? 'All art has a politic and sometimes it's more legible and sometimes it's less legible. I've made work that has a more legible politic and then I've made work that that's much more about an internal set of dynamics. I'm interested in both of those approaches. 'It probably means it has a smaller 'p' for me; it's more intrinsic in the work and less explicit. But that said, these last two projects, Readout and Secondary, do connect to a more legible politic and they are also very much about my own personal experience with those set of histories and events.' One of Barney's more legible acts was to place a giant digital clock above New York's East River that counted down the days and hours until the end of Trump's first term in the White House. The clock was then reprogrammed to become part of Secondary as a stadium clock ticking off the minutes of the quarter and final seconds of the game. 'That was my studio and that's where Secondary was filmed and exhibited for the first time. It was right on the East River, directly opposite the United Nations. In Trump's first term – however I felt myself – it felt like a civic service that needed to be performed, given the location of the studio and the way that the city felt.' Is Barney now counting down the days and hours until the end of Trump's second term? 'Mentally, yes,' he replies, leaving it at that. Trump 2.0 is different in many ways from the first version. One of them is a late life blossoming of interest in arts and culture. He fired the bosses of the John F Kennedy Center for the Performing Arts, installing himself as chairman and a loyalist as president, then took in a performance of the musical Les Miserables. He ordered the Smithsonian Institution to purge 'improper, divisive or anti-American ideology' from its museums and forced out the director of the National Portrait Gallery. Robert De Niro, Pedro Pascal and Bruce Springsteen have been outspoken in their opposition to Trump, though Hollywood awards ceremonies were notably low on political content this year. Barney believes that artists should take a stand. 'That means something different to every artist but, yes, for whatever that means to them, yes,' he says. 'We should all be doing that. I certainly don't have any answers for how this is going to play out in the next couple of years. It's a scary time.' Air 2025: Life as No One Knows It takes place at Aspen Art Museum from 29 July to 1 August

Meet The Star Studded Cast Of Dolly Alderton's Pride And Prejudice
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'Jane Austen's Pride and Prejudice is the blueprint for romantic comedy – it has been a joy to delve back into its pages to find both familiar and fresh ways of bringing this beloved book to life.' LONDON, ENGLAND - APRIL 09: Emma Corrin attends the "Black Mirror: Hotel Reverie" Season Seven Special Screening at the BFI Southbank on April 09, 2025 in London, England. (Photo by) Emma Corrin, who recently appeared on our screens in Nosferatu, takes on the role of Elizabeth Bennet, the protagonist and second daughter of the Bennet family. She gets swept off her feet by Mr Darcy. LONDON, ENGLAND - MAY 19: Jack Lowden attends the press night after party for "The Fifth Step" at @sohoplace on May 19, 2025 in London, England. (Photo by) Jack Lowden is a Scottish Actor who you will probably recognise from Slow Horses. He takes on the role of the brooding Mr Darcy, the eligible but difficult bachelor. Olivia Colman at the Stella McCartney Fall RTW 2025 fashion show as part of Paris Fashion Week on March 5, 2025 in Paris, France. (Photo by Swan Gallet/WWD via Getty Images) Acting royalty Olivia Colman is no stranger to the big screen, having appeared in Doctor Who, Skins, Rev and The Favourite. She takes on the role of Mrs Bennet, the mother of the family who is immensely preoccupied with getting her daughters married off. SESTRI LEVANTE, ITALY - MAY 06: Rufus Sewell attends the Opening Ceremony red carpet during the Riviera International Film Festival on May 06, 2025 in Sestri Levante, Italy. (Photo by) Rufus Sewell will star as the much-loved Mr Bennet. He is well known for his roles in The Diplomat, and Scoop. CANNES, FRANCE - MAY 15: Freya Mavor poses during the "Dalloway" photocall at the 78th annual Cannes Film Festival at Palais des Festivals on May 15, 2025 in Cannes, France. (Photo by) Scottish actress Freya Mavor plays the eldest Bennet sister. She is best known for her roles as Mini McGuinness in the E4 teen drama Skins LONDON, ENGLAND - OCTOBER 30: Rhea Norwood attends the press night after party for "Barcelona" at The Crypt, St Martin-in-the-Fields, on October 30, 2024 in London, England. (Photo by Alan Chapman/) Rhea Norwood, who will be instantly recognisable to fans of Heartstopper, plays Lydia Bennet, the youngest and wildest daughter who is her mother's favourite. Hopey Paris stars as Mary Bennet, the third and middle child of Mr and Mrs Bennet. Hopey is relatively new on the acting scene, in the graduating class of Manchester School of Theatre. Like Hopey Paris, Hollie Avery will be making her on-screen debut in the role of Kitty Bennet, the fourth daughter of the family. LONDON, ENGLAND - JANUARY 17: Jamie Demetriou attends the London photocall for "Back In Action" at Cheval Three Quays on January 17, 2025 in London, England. (Photo by Dave Benett/WireImage) English comedian, actor and screenwriter Jamie Demetriou plays Mr Collins, a clergyman who will inherit Longbourn after Mr. Bennet's death. He is known for his role as Bus Rodent in Fleabag and for creating, co-writing, and starring in Stath Lets Flats. WIMBLEDON, ENGLAND - JULY 11: Daryl McCormack attends as a guest of Emirates, Official Airline Partner of The Championships, Wimbledon on July 11, 2025 in Wimbledon, England. (Photo byfor Emirates) Irish star Daryl McCormack plays Mr Bingley, the love interest of Jane Bennet, and the foil to Mr. Darcy. He is known for his roles in Bad Sisters, Peaky Blinders and the film Good Luck to You, Leo Grande. LONDON, ENGLAND - APRIL 27: Siena Kelly attends the BAFTA Television Craft Awards 2025 at The Brewery on April 27, 2025 in London, England. (Photo by Stuart Wilson/BAFTA/Getty Images for BAFTA) Kelly won aclaims for her role in Adult Material and Black Mirror season seven episode Bête Noire. She plays Mr Bingley's snobbish sister Caroline. NEW YORK, NEW YORK - MAY 05: Louis Partridge attends the 2025 Met Gala Celebrating "Superfine: Tailoring Black Style" at Metropolitan Museum of Art on May 05, 2025 in New York City. (Photo by Mike Coppola/MG25/Getty Images for The Met Museum/Vogue) Louis Partridge plays Mr Wickham, a soldier who at first charms Elizabeth and later seduces Lydia. Although he had minor roles in them, you might recognise Louis from the films Pan and Paddington 2. LONDON, ENGLAND - JUNE 10: Fiona Shaw attends the "Echo Valley" European Premiere at the BFI Southbank on June 10, 2025 in London, England. (Photo by Stuart C. Wilson/Getty Images) Lady Catherine de Bourgh is the fearsome widow of Sir Lewis de Bourgh as well as the mother of Miss Anne de Bourgh. Shaw is perhaps best known for playing Petunia Dursley in the Harry Potter film series, Marnie Stonebrook in True Blood, and Carolyn Martens in Killing Eve. An official release date hasn't been confirmed yet, although we already can't wait for the show to hit our screens. Production is well underway, so we can expect a release date in late 2025 or early 2026. What better way to cure the winter blues? Alice Hall is the Staff Writer at Grazia UK. She was previously a Junior Features Writer for The Daily Telegraph. At Grazia, she writes news and features about pop culture, dating, health, politics and interiors.

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