Melanie Scrofano Returns to Syfy to Investigate Atypical Zombies in ‘Revival' Trailer
In the trailer for 'Revival,' which premieres Thursday, June 12, Scrofano stars as a detective investigating what a rural Wisconsin town has dubbed 'Revival Day,' a miraculous day which saw the recently deceased suddenly rise from their graves.
'Hello, officer, I don't know what's going on,' a man emerging from a dark cemetery says to Scrofano, who looks onward at the deceased, horrified.
Meanwhile, Scrofano is dealing with her own drama at home, as her daughter returns after going missing. 'Em, no one's seen you for weeks — dad's been freaking out; the dead have come back to life,' the detective tells her daughter.
While the revived are not your typical zombies, the town quickly has their guard up, with leadership telling locals to report the whereabouts of the revived 'immediately to authorities,' and scientists discover that reviver tissue enables their cellular structure to regenerate, leading to a particularly spooky encounter for Scrofano.
Though the revived look and act the same as they were when they were alive, there's something off about them, with one pair of parents telling authorities the child who returned as their recently murdered daughter is 'not our daughter.'
'She came back wrong,' the father says.
The official logline for 'Revival' is as follows: 'On one miraculous day in rural Wisconsin, the recently deceased suddenly rise from their graves. But this is no zombie story as the 'revived' appear and act just like they once were. When local officer and single mother Dana Cypress is unexpectedly thrown into the center of a brutal murder mystery of her own, she's left to make sense of the chaos amidst a town gripped by fear and confusion where everyone, alive or undead, is a suspect.'
You can watch the trailer for 'Revival' in the video above.
'Revival' premieres June 12 at 10 p.m. on Syfy, with new episodes streaming on Peacock the week after their Syfy debut.
The post Melanie Scrofano Returns to Syfy to Investigate Atypical Zombies in 'Revival' Trailer appeared first on TheWrap.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
Jimmy Fallon Humorously Falls Down the Conspiracy Rabbit Hole Over Taylor Swift's New Album
Like a ton of other people today, Jimmy Fallon had some feelings about Taylor Swift's announcement of her upcoming new album, which you probably already know is called 'The Life of a Showgirl.' And taking a cue from Swift's very devoted fans, Fallon during his monologue on Tuesday's 'The Tonight Show' tried to figure out everything he could about the record from 'clues' Swift may have dropped — to the point he basically turned into a conspiracy freak. Amusingly, of course. More from TheWrap Here Are All the Songs in 'The Summer I Turned Pretty' Season 3 (So Far) Trump to Host Kennedy Center Honors Himself, Complains About Not Being Nominated 'The Amazing Race' DP Reveals How They Keep the Game Fair With Rotating Camera Ops Dave Franco Promises to Thank Sal Saperstein If He Wins the Emmy | Video 'Well, guys, this morning at 12:12am, on Jason and Travis Kelce's podcast, Taylor Swift announced her 12th studio album, 'The Life of a Showgirl.' How? Americans are like, 'Wait, there's good news out there. I don't know what to do with myself,'' Fallon joked. 'Seriously, we all need Taylor Swift right now, because without her music and her merchandise, we end up doing weird stuff, like starting a Labubu collection, stuff like that. You know, what are we doing? Yeah, following the announcement, Taylor's website immediately crashed, and then out of habit, so did Ticketmaster's,' Fallon continued. 'As of now, we don't know the exact release date, but we do know that no one else is releasing music that day. That's right. Taylor Swift announced her 12th album… and fans have already uncovered a lot of hidden clues,' Fallon said. At this, The Roots member Tariq 'Black Thought' Trotter weighed in, saying 'all that stuff is just random conspiracy theories.' 'I don't know Tariq. I mean, the clues are everywhere,' Fallon countered. 'Like, what?' Trotter asked. Fallon replied, 'Okay, so the release date, we know the number 12 will be involved, since it's her 12th album, and the announcement was shared on Instagram at 12:12am, on Tuesday, August 12. You follow. So the question is, which 12th? Well, their website says pre orders will ship before October 13. So you'd have to assume?' 'October 12,' Trotter asked. 'Exactly. You'd be wrong… because yesterday, on August 11, the Instagram account of Taylor Nation posted a carousel of 12 pics of Taylor, and when they posted it, Taylor's website crashed at exactly 9:12pm and that means, well, nothing by itself. But when you factor in that, Taylor Nation first teased the album with a different post, also made at exactly 9:12pm now there's two nine twelves, which points to September 12, and we haven't even, we haven't even talked about the Lady Gaga connection,' Fallon rambled on. 'Lady Gaga' Trotter asked. 'Okay,' Fallon continued, 'during the eras tour, the second to last song that played before Taylor came on stage was applause by Lady Gaga, which is followed by a countdown clock that started at two minutes and 24 seconds. Today is the 224th day of the year, August 12. And when did the song applause come out? That's right, August 12, 2013. Exactly 12 years ago today.' 'And what does that mean,' Trotter asked. 'Think about it. Tariq, I explained this theory at exactly 11:39 and what's Three plus nine?' Fallon said — obviously referring to the number 12. You can watch the whole delightful bit below: The post Jimmy Fallon Humorously Falls Down the Conspiracy Rabbit Hole Over Taylor Swift's New Album | Video appeared first on TheWrap.
Digital Trends
7 hours ago
- Digital Trends
If you have to watch one Peacock movie this August 2025, stream this one
Do you remember the era when every company was announcing their streaming services? It was a moment when it seemed like everyone wanted to prove they could do what Netflix does. Peacock was one of the services to come out, and all these years later, it's still hanging around. And, what's more, Peacock actually has plenty of movies that are worth your time. If you're looking for something to watch this August, Fast Times at Ridgemont High is a great place to start. This foundational teen movie is smarter and subtler than you remember. Here are three reasons you should check it out. Recommended Videos We also have guides to the best new movies to stream, the best movies on Netflix, the best movies on Hulu, the best movies on Amazon Prime Video, the best movies on HBO Max, and the best movies on Disney+. It's remarkably sensitive about each of its main characters Although a lesser teen movie might paint some of its characters as heroes and others as villains, Fast Times instead presents each of its central characters as somewhere in between. There are characters who behave nobly and others who behave shamefully, but the movie never condemns anyone completely. Mike Damone, the character who behaves the worst over the course of the movie, is ultimately revealed to be more pathetic than malevolent, a man who can't own up to his actions and is also facing much more severe poverty than his classmates. It features two all-time great young actor performances Amy Heckerling's casting work on Fast Times was impeccable across the board, but casting both Jennifer Jason Leigh and Sean Penn was a remarkable feat. If Fast Times has a lead, it's Leigh, who is remarkably vulnerable as a young girl who is trying to navigate sexual relationships for the first time. Meanwhile, Penn delivers the most iconic performance in the film despite his lack of screentime. Jeff Spicoli, the stoner who combats with his history teacher before ultimately coming to an understanding, is a genuinely hilarious character, but also one that Penn manages to imbue with some real pathos. It works hard to avoid stereotypes Fast Times has held up so well in the decades since its release. While many of the characters conform to the archetypes we've come to expect from teen movies, they also complicate them in interesting ways. Spicoli is smarter and more introspective than you might expect, and the school's popular girls are really just teenagers trying to figure things out. Crucially, this is also a movie that emphasizes that many teenagers have to work and that their jobs are often only manageable because they can hang out with one another. You can watch Fast Times at Ridgemont High on Peacock.
Gizmodo
8 hours ago
- Gizmodo
‘Friday the 13th' Short ‘Sweet Revenge' Is a Gruesomely Fun Jason Voorhees Return
Last May, a new company called Horror Inc. announced the launch of the 'Jason Universe,' an initiative aimed at injecting fresh life into the Friday the 13th franchise. Though the company has a hand in Crystal Lake, the upcoming Peacock prequel series, its first big launch is Sweet Revenge, a short film bringing everyone's favorite hockey-masked maniac back to slay. After teasing the short at San Diego Comic-Con (and reassuring fans a feature film is most definitely on the 'to-do' list), Horror Inc. has premiered it online. io9 got a chance to talk to Sweet Revenge writer-director Mike P. Nelson (Wrong Turn, Silent Night Deadly Night) and star Ally Ioannides (Into the Badlands) about the short. We do get into spoilers, so watch it before you read on! Cheryl Eddy, io9: Sweet Revenge is celebrating the 45th anniversary of the franchise and is bringing the new Jason Universe initiative to the forefront in a big way. Did you get many instructions, notes, or things to do or not to do? What was the process like? Mike P. Nelson: I think that's what was so exciting about working with Sheri [Conn] and Robert [Barsamian] and Robbie [Barsamian]; they were really open to hearing a new take. And sure, there's always little things, especially with an IP is as big as this, we want to make sure and be true to certain things. But they were open to a new take and to a little bit of a new twist. As long as we can bring back Jason as ferocious as ever, doing Jason things, that was the big thing. And then of course it was cool that it was just as important to them as it was me to actually, like, for 13 minutes, try to tell an interesting story and not just, 'Let's just have Jason kill as many people as possible.' I'm not going to say that people wouldn't like that, but I just have a feeling it would just get a little tiresome after a while. And my motto is always: it's the heart. Heart is what makes horror great. That was an important aspect: telling a story that had some heart and introducing a character that people fall in love with and get to see a transformation. io9: If you pay close attention early on, you'll see some clues that this is not a typical Friday the 13th story. We have Eve being called a 'force of nature' who 'didn't run away.' 'Some people find the one, sometimes the one finds you.' Eve takes a bite of an apple. Knowing that the film would be so short and fans would be watching it more than once, did you pepper in things that people would only pick up on the second time through? Nelson: A thousand percent, which makes me so happy you literally said all the right moments. I'm just like, 'I hope people pick up on all these little things that I think are important to her in the story.' You said them all and that makes me very happy. io9: Eve is underwater for a long time before she pops back up. Are we to assume that she dies in Crystal Lake and then is reborn with Jason-like powers? Nelson: To a certain extent, yes. When I came up with this concept, the idea was that I didn't care to see how Jason [underwent] his transformation. I love that we still keep that shrouded in mystery. There's always conspiracies on what happened to him. Is he alive? Is he dead? Did he really drown? Did he not drown? And I think all that's great. Now, from my perspective, that's how I see Jason: is that he did drown, and he came back because there's nothing more powerful emotionally than a story about coming back for revenge. And to me, it's a very similar story with Eve. And Eve allowed me to explore how it might have gone down for Jason. Every character is different, but being able to see what Eve goes through was this fun sort of body horror—not understanding quite what's going on, why do I feel this way, why do I look this way, and then realizing that there's something that brought her back. I mean, look, she gets impaled with a machete. She's not coming back from that unless there's something else going on. So I think keeping that—yes, there is ambiguity, which again all the Jason movies have, which I think is really important to have. But I also feel like having that wink and a nod to, 'Did she go through the same thing that Jason did is?' is definitely there. Yeah. io9: Ally, what did you think when you heard about this project? Ally Ioannides: I was in shock, honestly, when Chad [Villella], the producer, called me and told me about it. Being asked to be a final girl in a Friday the 13th film is pretty iconic. I'm still like, I honestly can't believe it. I went back and watched the first four and just tried to take it all in and sort of understand what is good about it and what people expect from it, because obviously it is such an iconic franchise and people feel very special about it … I wanted to make sure that I was doing everything that I could to give people that same feeling. Nelson: Ally to me was somebody who we could introduce as Eve as somebody who was almost the complete opposite of Jason. She's in pink plaid, she almost resembles a combination of Annie and Tina from [Friday] part one and part seven. She's soft-spoken … But then crazy shit happens. Jason's big, and he has this mass to him, and he's this force of nature. And Eve doesn't come across that way. We're told that she is, but she doesn't come across that way until finally you realize, 'Oh, she is!' And so seeing that opposite side of the spectrum, you see Eve and then you see Jason; it's a fun matchup, if you will. Also just the fact that you have a final girl who's not just a final girl. It's a final girl who sort of becomes the monster in a way, which I hadn't seen done before. Especially a final girl killing one of our protagonists—I mean, come on! How cool is that? io9: How did you cast your Jason Voorhees? What kind of direction did you give to shape that performance? Nelson: It's Schuyler White, and he's actually a stunt coordinator. I worked with him on a couple movies prior to this, so him and I had a pretty good rapport … he's 6'5, he loves horror, and he excels in stunts in horror films and he understands horror. He's a huge fan. He's the sweetest guy in the world, which doesn't necessarily lend itself maybe to Jason on the surface. But I think to work with somebody who understands and has just a pure love of that character and has loved and watched him all of his life, him bringing his own vibe and also that sort of wink and a nod to what Jason was, especially in those first four movies, was huge. And he brought that. It was immediate. We didn't want to do the running Jason. We wanted to make sure that it was the Jason that's gonna get you no matter how fast he goes. And he's not in any rush. The joke on set was, there's almost an artistry to what Jason does in some of the things in the short, like his tableau on the clothesline and the fact that he grabbed the apple slicer. It's not just grabbing a kitchen knife to poke a bunch of holes in this woman on a table. He grabs the apple-slicer … There's something going on up there that he wants to see certain things happen while people are experiencing pain while he's murdering his victims, which I think was again a fun wink and a nod to how he's handled his victims in the past. Schuyler brought it and he was a joy to work with. He just understood the job and got it done in the best way possible. io9: This is the ultimate horror fan's dream that you got to live, making a Friday the 13th movie and planning out a Jason rampage. First, Eve's discovering all these dead bodies, and I'm like, when are they gonna show him actively killing people? Then of course we get to that. How did you map all that out? Nelson: In the pitch, it wasn't just, 'Let's just see how many people Jason can off for 13 minutes.' It was more, Eve goes through what she goes through, and then [it's almost like] she comes across crime scenes, like all these aftermaths, because that was something that's always been fun in the Friday the 13th movies. You come across the dead bodies, and sometimes you didn't even see the kills happen on screen … that always stuck with me watching those movies, and so to me, that was sort of my 'What if instead of [Eve just] getting to the cabin after she comes out of the lake, she has to go through the horror of witnessing his handiwork?' Building that excitement that, to your point, 'Oh my God, when are we going to see him?' Getting to see what he's done over the course of the film—that, to me, was fun. That was an exciting thing. And then, of course, when you see him for the first time, and then the absolute slaughter fest in the cabin, that's our big climax, you know what I mean? Our big Jason scene, where he just goes to town, doesn't hold back. And we bring him back in full force. io9: The short has a suggestive yet open ending. What do you think happens next? Ioannides: I do like the idea that there's some sort of kinship, some sort of knowing. I think it's more interesting than just a fight. But who knows? I mean… proposal? io9: She already had the ring! Nelson: I would agree with Ally. I think it sets up this idea of, what does Jason do when he realizes there's someone else like him? What is that response? Is the response at first, like, 'I'm going to kill you because I don't understand'? Is it, 'Well, you're like me, maybe I need to hang out'? There was always this sort of idea of, does Eve want nothing to do [with Jason] and Jason just keeps following her around? Or is it the other way around? I think that there's a lot of fun to be had in a story like that because it doesn't ruin the mythology of what the Friday the 13th movies are, because you still have Jason, you still have his past, you know where he comes from. He's mad that his mom was murdered and that he died due to an accident because people weren't paying attention. You still have all that. [This] doesn't rewrite anything. But what happens when somebody else goes through a similar transformation as him and has to deal with that sort of body horror—and then what happens after that? Those are the questions that are fun to play with. And I honestly love the idea that it sits within the fans and the viewers after, so they can start talking about it. I think that's one of the most exciting things. Yes, I have my own ideas and what I'd love to do after the fact and how that could end up going. But where does that take the viewer's mind afterwards? That, to me, I think is where things get really exciting: where can this go? Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
