Kate Middleton Is Keeping George, Charlotte and Louis Close in a Thoughtful Way During Scotland Trip
On April 29, her wedding anniversary with Prince William, the Princess of Wales stepped out in Scotland for an official two-day trip across the isles of Mull and Iona with her husband. While Prince George, 11, Princess Charlotte, 9, and Prince Louis, 7, didn't tag along (and were likely busy with school), Princess Kate, 43, kept her children close with a set of necklaces.
A close look showed that the Princess of Wales (who is called the Duchess of Rothesay or Lady of the Isles while in Scotland) layered two delicate gold necklaces as a tribute to her kids.
Related: Prince William and Kate Middleton's 3 Kids: All About George, Charlotte and Louis
Princess Kate sported a necklace that appeared to be new to her royal rotation, identified by fan blogs at the Gold Fixed Alphabet Necklace by British designer Daniella Draper, which retails beginning at $415. The bespoke piece featured the initials G, C and L, representing the children in their birth order.
The alphabet necklace wasn't all, as Kate added another that has long been in her collection. The Lady of the Isles (as she's technically called while in the Inner Hebrides of Mull and Iona) also wore her custom Gold Midnight Moon necklace from Daniella Draper.
Related: Kate Middleton Reveals the Unexpected Gift She Received for Christmas
The pendant necklace is available for sale starting at $1,450, and Kate has it engraved with G, C and L in script. The royal has had it in her collection since at least 2020 and memorably wore it for the announcement unveiling The Royal Foundation Centre for Early Childhood in 2021. Kate created the center to advocate around the importance of the early years and advance outcomes for a brighter society, honing this focus with the 2023 launch of the Shaping Us campaign to raise greater awareness.
The set of necklaces celebrating her children wasn't the only sentimental jewelry Kate wore in Mull, as the princess also slipped on her
While Princess Kate was outside of the spotlight for most of 2024 after announcing that she was receiving treatment for cancer (since sharing in January that she is in remission), she switched up her signature style by occasionally skipping her iconic engagement ring in lieu of a sparkle ring stack.
"The ring that Kate wore is definitely a newer addition to her jewelry box. It's a slim, sparkling eternity-style band with alternating light and dark gemstones," Lauren Kiehna, founder of The Court Jeweller blog, told PEOPLE about Kate's new ring, first spotted in August.
Can't get enough of PEOPLE's Royals coverage? to get the latest updates on Kate Middleton, Meghan Markle and more!
"Many of these eternity bands reflect family relationships. Given that her children's birthstones are rubies, emeralds and diamonds, it wouldn't surprise me if the gems set in the new ring are linked to George, Charlotte and Louis," Kiehna speculated of its significance.
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Chicago Tribune
30 minutes ago
- Chicago Tribune
Today in Chicago History: The Beatles play two shows at Comiskey Park, and scarcely a note was heard
Here's a look back at what happened in the Chicago area on Aug. 20, according to the Tribune's archives. Is an important event missing from this date? Email us. Weather records (from the National Weather Service, Chicago) How George Halas' columns for the Chicago Tribune, a field goal and a charity game helped the Chicago Bears prove their legitimacy in 19351948: The National League champion Chicago Cardinals beat the College All-Stars 28-0 in front of 101,220 fans at Soldier Field. Chicago White Sox pitchers have thrown 20 no-hitters since 1902 — including 3 perfect games. Relive them all here.1957: Bob Keegan — at 37 — became the oldest player to throw a no-hitter for the Chicago White Sox. The Sox beat the Washington Senators 6-0 in the second game of a doubleheader at Comiskey Park. 1961: The international press called it 'a stunning upset.' Three American teenagers scored a Wightman Cup victory at Saddle & Cycle Club over veteran British tennis stars Ann Haydon, Cristine Truman, Angela Mortimer and Deidre Catt. Billie Jean King on today's tennis, the media and a new play at Chicago Shakespeare about her lifeThe American teens were Karen Hantze and Justina Bricka, both 18, and bouncy 17-year-old Billie Jean Moffitt, who spurred on her own game by muttering 'Come on, baby' to herself. Moffitt later played under her married name, King. The American teens had lost to the same Britons at Wimbledon earlier in the year. They said that playing the established British stars before huge crowds helped them gain experience and confidence for the Wightman matches in Chicago. 1965: After arriving quietly at Chicago's Midway Airport, the Beatles played a day-night doubleheader at Comiskey Park. More than 50,000 incessantly screaming fans drowned out the Beatles during the 3 p.m. and 8 p.m. shows. John Lennon, then 24, was not annoyed. 'They pay good prices to get in (top tickets, $5.50). Who are we to say whether or not they should scream?' A solid line of officers sat shoulder to shoulder, with their backs to the infield, to prevent teens from taking second base, where the Beatles performed on a plywood bandstand. Paul McCartney singing 'I'm Down' pumped up the volume of the screamfest. Based on that alone, Tribune reviewer Will Leonard surmised that this was 'easily the artistic success of the evening.' The take at the Comiskey gate was an estimated $150,000 to $160,000, compared with the year before at the Chicago Amphitheatre, when the Beatles had a reported $30,000 in ticket sales. After the concert the Beatles stopped at Margie's Candies in Bucktown for ice cream, recalled owner Peter Poulos Jr. 'They sat at the back booth and ordered Atomic Busters (banana splits standing up). They began singing, John was standing on the table. The place was packed. They stayed about an hour.' 1976: Polish Cardinal Karol Wojtyla led a group of bishops on a tour of the United States that included Chicago. He returned in October 1979 — then known as Pope John Paul II. 2014: The Chicago Cubs won 2-0 over the San Francisco Giants after 4½ innings and a 4-hour, 34-minute rain delay when the grounds crew mishandled the tarp. The Giants appealed the ruling, won, but lost 2-1 a day later. Subscribe to the free Vintage Chicago Tribune newsletter, join our Chicagoland history Facebook group, stay current with Today in Chicago History and follow us on Instagram for more from Chicago's past.


Newsweek
2 hours ago
- Newsweek
Olivia Colman and Benedict Cumberbatch's War of Wit in 'The Roses'
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Olivia Colman and Benedict Cumberbatch in THE ROSES. Olivia Colman and Benedict Cumberbatch in THE ROSES. Jaap Buitendijk, Courtesy of Searchlight Pictures "We had wanted to work together for a long time," Benedict Cumberbatch tells Newsweek, reflecting on the project that finally united him with Olivia Colman. To seal the deal, it took adding powerhouses like writer Tony McNamara (The Favourite, Poor Things) and director Jay Roach (Bombshell) to create The Roses (August 29). The new film adaptation of Warren Adler's 1981 novel The War of the Roses was also made into a hit 1989 movie starring Michael Douglas, Kathleen Turner and Danny DeVito. "It takes nothing away from the original film," Colman says. "Ours is with a sort of respectful nod to it and has taken it in a slightly different direction." The new film follows Ivy (Colman) and Theo (Cumberbatch), a witty British couple whose marriage is so rooted in sharp-edged banter that they can no longer turn it off and it almost becomes their personalities. After relocating to America, their professional lives pivot—his fails while hers skyrockets—igniting a domestic war to end all domestic wars. Their once humorous jabs morph into devastating weapons used at an epic dinner party and far beyond, and their dream home becomes the battle arena where their marriage may be the biggest casualty. "At first, I said, 'I'm not doing a remake,'" admits writer McNamara. "What I do want to write is a movie about marriage [instead]. Two people trying to stay together who don't have the skill set." Director Roach had a similar reaction, captivated by the emotional core of the story. "The comedy and the drama and the pain and the joy are not separate. They're all overlaid all the time," Roach says. "In Tony's script, the hope is kept alive till the very last second of the film." For Colman and Cumberbatch, one key difference between their version of this story and the original is how the couple treats each other. "I think they [Ivy and Theo] love each other," Cumberbatch states, contrasting the new film's slow burn with the immediate animosity the characters show in the original. "They love each other more," Colman says, adding, "There's more silliness." McNamara built the story around the dynamics that many modern couples have to grapple with. "Most people I know, both partners work," he says. "I felt like sometimes ambition is the enemy of marriage." In the hands of Colman and Cumberbatch, the depiction of these nuanced dynamics was natural. "They're so self-driven, self-motivated, and in a way, you could just have the cameras be in the right place and trust the great script," Roach says about their talent. "I helped add those little extra bits, but the fundamental power of what they can do as actors, I was never gonna have much impact on that." "I've got British acting royalty, and I've gotten American comedy royalty," McNamara says, referring to the film's supporting talent, primarily Andy Samberg and Kate McKinnon. "And the day those two things got on set, it was great to see how nervous both sets were. Ben and Olivia were like, 'Oh my God, these two comedy geniuses.' And of course, Andy and Kate were like, 'Oh my God, it's British acting royalty.'" Kate McKinnon and Andy Samberg in THE ROSES. Kate McKinnon and Andy Samberg in THE ROSES. Jaap Buitendijk, Courtesy of Searchlight Pictures Ultimately though, a film like this relies on the chemistry of its leads, something Colman and Cumberbatch have in spades. Watching them on screen and observing them in person, it's surprising that this is their first project together. During the course of our conversation below, lightly edited and condensed for publication, their talent and charm are on full display. Before any question was asked, Colman said: "Your lips are beautiful and juicy. I'm so sorry, I just have to say," complimenting this reporter's mouth. While we assure you this did not interfere with our professionalism, it also wasn't exactly a bad way to start a conversation. This story is so well-known. Was it intimidating to take on a modern version? Benedict Cumberbatch: We had wanted to work together for a long time, and Searchlight had it as a property in their back catalog. My memory of the [original] film is a great one, and I thought, yes, that would be a very juicy relationship to play—so much drama and fun and comedy and tragedy. Little did we know that Tony [McNamara] would write that good a script. It was one of those things that was laughed out loud. Olivia Colman: We had Tony doing all the heavy lifting for us. It takes nothing away from the original film. It's a beautiful piece, a seminal piece that we all remember. But ours is with a sort of respectful nod to it and has taken it in a slightly different direction. What feels fresh about this take on the story? Cumberbatch: Well, I think they love each other. Colman: Yes, they do. They love each other more. Yeah, I think that's right. Cumberbatch: There's a little bit more humor, dare I say it. The first one is funny, but it's very, very dark. Colman: There's more silliness. Cumberbatch: Yeah, I think so. And I feel that Tony's very smart. He kept us English in an American context. You have that kind of cultural clash and misunderstanding. I think it means that they then become even more English, and their invective and humor and wit that's celebrated by friends becomes even more mean without them really knowing what damage it's doing. The humorous joshing and teasing that came out of their initial love just gets worse and worse. I loved how the very particular British sensibility of "taking the p***" out of someone you love can sometimes be misinterpreted. Did you enjoy playing with that cultural friction? Colman: Oh, well, that's great. I'm pleased you love it. American audiences have really taken to it. And it's also such a lovely foil for the incredible American talent we have in the film—Kate McKinnon, Andy Samberg, Zoë Chao. I love watching their reaction to us, and I think maybe that's why Tony's such a genius and he knew that that would work. Cumberbatch: We can sound a bit sharp and knowing and snide even when we're trying to be terribly cuddly and lovely. If you say, "Are you all right?" Americans go, "What? I've been to my therapist. What are you talking about?" Colman: A director I worked with once said, "Get some rest." And I thought, "Do I look tired?" I've heard other people saying it and it's genuinely a nice, "Go and have a nice sleep." But, "Get some rest?" B*****. What do I look like? The film reverses gender stereotypes, with the wife becoming the primary breadwinner. How important was that gender role reversal to you? Cumberbatch: To me, it's not about gender, it's really just about an imbalance in a relationship that was existing in another dynamic. It could work equally well if it was her having a career suicide, let's say, and me having an up-and-up stretch from having been at home. Colman: I suppose for many people, they do see it like that, because we're still laboring under this idea. But with this film, it could be either. It could be a same-sex relationship. I don't think it's a mother, father, male, female. It's partners. It's two humans trying to cope with being partners who work, who are parents. Cumberbatch: It's the extreme nature of the change [in their circumstances]. When you try to be bold and impulsive and you've got kids and you're 10 years into a marriage, you have to take a little bit more care. He moves his obsession from architecture to his children and her career takes off, and they just start to miss each other. They don't hold each other and look at each other, collaborate on what unites them. And that can happen in any dynamic. Colman: It would be lovely, one day, when people don't [see it as a gender issue]. Cumberbatch: Sadly, this is still [that] world. We shouldn't have to imagine, it should actually be the reality, and I think it's coming up a lot [in interviews about the film], sadly, because it still isn't the case. We have to keep working, people, to make that not the case. Director Jay Roach with Olivia Colman and Benedict Cumberbatch on the set of THE ROSES. Director Jay Roach with Olivia Colman and Benedict Cumberbatch on the set of THE ROSES. Jaap Buitendijk, Courtesy of Searchlight Pictures You're surrounded by comedy legends like Kate McKinnon and Andy Samberg. How did working with them elevate the process? Colman: It did up the ante. We had front-row seats to McKinnon and Samberg. Cumberbatch: And when she [McKinnon] gets going on a line that she hasn't yet tested and starts laughing because she knows what's ahead, then you are all in trouble. But our director, Jay, is very patient. He lets that run a little bit, and we all end up going, "Sorry, sorry, sorry." But it's to foster a moment that's rare to get, where the fifth or sixth take is as alive as it would be if it was the first. Colman: Yes, absolutely. It was exciting. You didn't want to let them down. But also, I think what's really nice is being in the presence of such comedy greatness, genuinely. You can show a little humility. Cumberbatch: Yeah, give them the floor and just, "Oh my God. That's it!" Colman: "Oh my God, we're not worthy!" We'd be paid to sit that close to those people, watch them do their thing. It was really... Cumberbatch: Free entertainment. Got paid for it. Paid for the pleasure.

Business Insider
6 hours ago
- Business Insider
Julia Fox says she regrets getting cosmetic surgery but still worries about 'feeling old'
Julia Fox has some regrets about going under the knife. In an interview with Allure published on Tuesday, the actor said she got cosmetic surgery in the past to appeal to men. "Now, when I see someone and I can tell they've never done anything…I wish I could go back and be that person. I was so hung up on this idea that I needed to be attractive to men so that I could survive," Fox told Allure. The actor added it was "super important" for public figures to be transparent about the work they've gotten done, adding that she started getting filler and Botox when she was around 21. She says she "probably will" get more work done in the future, although she is "not as concerned with it right now." Even though she admires the beauty of women who can age naturally, Fox still fears growing older. "That's what I think I'm the most scared of, feeling old, and there are times where I feel old…Tired, over it, disillusioned," Fox said. "When you're young and hot, it's like that's your identity. Then you're like, shit, I need to stay young and hot." Now that she's 35, Fox says she is rethinking how she wants to age. "Am I going to chase the way I used to look, or am I going to evolve and see what's on the other side? It could be something totally different, and I'm choosing to go that way. I just want to see who's there waiting for me," Fox said. "It'll definitely be uncomfortable, but I think I'm ready for it." Fox has previously said in interviews that she's had a rhinoplasty, liposuction, and dental veneers. In June, she told People that she thought it was great that female celebrities were being open about their cosmetic surgeries. "Women set the bar for each other and I feel like if you're setting an unrealistic bar [if you're not honest]. That's really great for you, but what about all the girls that are so impressionable and feeling like 'Wait, why don't I look like that and what's wrong with me?'" Fox said. "It's like, girl, none of us look like this, you know what I mean?" A representative for Fox told Business Insider that the star had no additional comment. These days, plenty of stars are coming clean about the work they've had done. Kylie Jenner sent TikTok into a frenzy in June when she shared details of her breast augmentation, including the name of her surgeon. "445 cc, moderate profile, half under the muscle!!!!! silicone!!! garth fisher!!! hope this helps lol," Jenner wrote in a comment after a fan asked about her implants. Ricki Lake also said she had a lower face and neck lift after losing 40 pounds. "I'm fully transparent, always have been. I don't want there to be any stigma. This is something that was bothering me," Lake said. On the other hand, some stars have spoken up about aging naturally in the public eye. "White Lotus" star Carrie Coon said that she gets typecast as older in Hollywood because she hasn't gotten Botox. "Authenticity is more evocative than any kind of engineering you might consider doing to your face or your body," Coon said. "Now, this is not the message coming from culture. As a woman who is 44, watching myself in HD is not easy, and it's not comfortable." Likewise, Alicia Silverstone said she's never had Botox, fillers, or cosmetic surgery, and credits her diet for keeping her youthful. "As I age, I'm aware that I don't look like everybody else. But I don't lose sleep over it," Silverstone said.