Who is the new James Bond? Everything we know about the next 007 film

Yahoo

06-02-2025

James Bond will return. Those words appeared – as is traditional – at the end of No Time to Die, Daniel Craig's final Bond outing. Even with Craig's 007 blown to smithereens, a new actor will soon step into the gun barrel and take aim at a new era of Bond. But when? And how? The next film – the 26th Bond film – is the subject of much debate and speculation.
At present, Bond fans are at the mercy of half-sibling producers – and EON Productions' longtime Bond custodians – Barbara Broccoli and Michael G. Wilson, who offer the only real clues to Bond's next step. Though Bond is at a fascinating juncture. Not only because the next film will be a full reboot, but because in 2022 Amazon snapped up MGM for $8.45 billion, getting part ownership of Bond, James Bond. Here's what we know so far about Bond 26.
Ever since Daniel Craig hung up the Double-Os with No Time to Die, Barbara Broccoli and Michael Wilson have insisted that the search for the seventh screen Bond hasn't even started. But there were reports last year that Aaron Taylor-Johnson had been offered the role. An unnamed source told The Sun, 'Bond is Aaron's job, should he wish to accept it'. Though a production insider told the BBC there was 'no truth in the rumours'.
ATJ deflected questions about Bond while he was on the promotional trail for Kraven the Hunter in December. He encouraged cinemagoers to see Kraven instead of giving a straight answer. He didn't do a good enough job, however, as Kraven the Hunter predictably bombed at the box office.
One producer told the Mail Online that questions would be asked within the industry about whether ATJ had the stature to carry a major franchise. 'And if those questions are being raised by studios in Hollywood, the same concerns will no doubt be held at MGM Amazon who are overseeing the new Bond film with EON,' said the producer.
There could be good news for fans who still think of Sean Connery as the one true James Bond: Scottish actor Stuart Martin is the latest name to emerge as a 007 frontrunner. Martin – who appeared in Zack Snyder's dreary Rebel Moon movies and Miss Scarlet and The Duke – has the right profile for the role: not yet super famous but on the scene. Not to mention having the looks and charisma to carry it off.
A Los Angeles film consultant told the Mail Online that Stuart Martin 'has been discussed in Bond circles by those in the know'.
The anonymous source added: 'He is in serious contention. No-one will confirm this because EON goes all out to deny and shy away from anything concerning casting, but it would be an amazing milestone to have a Scottish Bond again.' Fellow Scot Jack Lowden, star of Slow Horses, is also said to be in contention.
Of course, most British actors of a certain age are linked at one time or another. James Norton was linked last month because of a scene in ITV drama Playing Nice, in which Norton's character attends a gala but doesn't wear a tuxedo. Some commentators speculated about the supposed contract stipulation that prevents Bond actors from wearing a tux in other media. Norton swatted away questioning on the subject and said he hasn't finished his 'sad dad era'.
Bond's new face might be undecided, but his age remains reassuringly old(er). The idea of young James Bond has been bandied around. (The 'young' reboot is a common go-to for hackneyed franchise flogging). Wilson shot down the idea of young Bond at a BFI event in 2022. 'We've tried looking at younger people in the past. But trying to visualise it doesn't work,' he said. 'Remember, Bond's already a veteran. He's had some experience. He's a person who has been through the wars, so to speak. He's probably been in the SAS or something.'
Indeed, Bond is a naval commander (average age 42) and previous actors have been appropriately un-spring chicken-like (average age 38). Aaron Taylor-Johnson is a few years younger at just 34, while Stuart Martin is a ripe-for-the-role 39 . Bond casting director Debbie McWilliams previously told the Radio Times that they looked at young actors for 2006 reboot Casino Royale, but she didn't think the youngsters had the 'gravitas' or 'mental capacity' for Bond. The 28-year-old Tom Holland pitched a Bond origin story to former distributor Sony but was turned down. 'I don't think the Bond estate were particularly interested,' Holland told Total Film.
At least, that's the word Barbara Broccoli has used to describe Bond 26 on multiple occasions – which is why EON won't cast a new Bond until they're sure about the series' next step. 'It's not just about casting an actor for a film,' Broccoli told LADBible at the 2023 Baftas. 'It's about a reinvention.'
Bond's ever-changing face aside, reinvention is nothing new. As much of a sexist, misogynist dinosaur Bond may be (M's words, not mine), he has moved with the times – see him dealing with the end of the Cold War in GoldenEye, or muscling in on Jason Bourne's smash-face style with Casino Royale. More importantly, Bond tends to reground himself once every generation, whenever his films get a bit daft (as No Time to Die undoubtedly did). Expect the reinvention to see Bond finding a place in the zeitgeist and following action trends, rather than being recast as a woman. 'We're working out where to go with him, we're talking that through,' Broccoli told Deadline in June 2022. She added: 'We're reinventing who he is and that takes time.'
The Mail Online reported in 2023 that Phoebe Waller-Bridge was in the mix as a potential director. Christopher Nolan, the Oscar-winning Oppenheimer director, was also linked soon after – and not for the first time. Nolan was rumoured to be in 'very serious contention'.
The creative freedom Nolan would demand is often cited as a reason he wouldn't take the job – the same reason that Danny Boyle departed No Time to Die during its development. Asked about the rumours by Deadline in January 2024, Nolan denied them in no uncertain terms. 'B-----ks,' he said. 'Pure b-----ks.'
However, The Telegraph's Robbie Collin was told that a small number of potential directors – including Australia's David Michôd (Animal Kingdom) and Bart Layton (The Imposter) – had been summoned to EON for 'a first round of speed dates'.
The German director Edward Berger (All Quiet on the Western Front, Conclave) was also said to be in contention. Berger also denied it. 'That's an absolute rumour,' he told Deadline last September. 'There's no truth to it whatsoever. I would be very grateful if you put out that fire.'
Broccoli and Wilson are adamant that 007 will remain a man. 'He can be of any colour, but he is male,' Broccoli told Variety back in 2020. The issue is less about a lack of a female Bond and more a lack of female characters overall. 'I believe in making characters for women and not just having women play men's roles,' Broccoli told The Hollywood Reporter. 'I don't think there are enough great roles for women, and it's very important to me that we make movies for women about women. He should be British, so British can be any [ethnicity or race].'
Broccoli's point is absolutely right: that women shouldn't be validated by a crusty old man's role. In Bond's case, 63 years old and counting. Daniel Craig agrees. 'There should simply be better parts for women and actors of colour,' Craig told the Radio Times. 'Why should a woman play James Bond when there should be a part just as good as James Bond, but for a woman?'
Please, spare us the 'Bond-verse'. That seemed a distinct possibility when Amazon acquired MGM for $8.45 billion, which included 50 per cent ownership Bond – its not-so-secret weapon in the streaming war against Netflix and Disney+. Spin-offs, Prime series, and lord knows what else could be coming down the Trans Siberian Pipeline like a defecting Soviet general.
Amazon launched a reality game show series in 2023, 007: Road to a Million, in which contestants competed for a cash prize across Bond locations worldwide, though the show was in development before Amazon's buyout and had Broccoli's backing.
According to a Wall Street Journal report, Amazon brainstormed ideas for spinoffs. But, as part of the buyout, EON retained creative control over all things Bond. 'We've been told that things are not going to change,' said Broccoli when the acquisition was in its early stages.
Broccoli also rejected the very current trend of milking an IP with supporting characters. 'Sure, there are other main characters like M and Q and all that,' Broccoli told The Hollywood Reporter. 'But we haven't really wanted to make a Bond film without Bond. It would be like making Hamlet without Hamlet.'
Despite assurances of creative control, EON was dealt a blow when MGM bosses Michael De Luca and Pamela Abdy left amid the Amazon takeover. There were also concerns about Amazon from Bond insiders. Screenwriter John Logan, co-writer of Skyfall and Spectre, wrote a New York Times op-ed warning against the influence of Amazon's corporate interests. ('What happens when focus groups report they don't like Bond drinking martinis?') And according to the Wall Street Journal's report, Bond is currently being held up by an ongoing dispute between EON and Amazon.
According to the WSJ, Broccoli told friends that she didn't trust Amazon's algorithm-based approach. One source criticised Amazon for calculating risk in development – assessing the performance of actors and similar titles – while Broccoli has ensured Bond's survival by taking risks, such as casting Daniel Craig in 2005.
Broccoli was reportedly irked by Amazon's desire to make Bond spin-offs (her response, reported WSJ, was 'Did you read the contract?'), and she was particularly unhappy with Amazon Studios chief Jennifer Salke referring to Bond as 'content', which suggests vapid streaming shows.
Broccoli and Michael Wilson are adamant that Bond is proper film-making and should play in cinemas – not on a streaming service. 'We make films. We make films for the cinema. That's what we do,' Broccoli has previously said.
Broccoli reportedly said of Amazon, 'These people are f------ idiots.'
This piece has been updated