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Jensen McRae and 10 More Artists to Watch

Jensen McRae and 10 More Artists to Watch

New York Times20-03-2025

Every week, our critics spotlight notable new songs on the Playlist. Here's more about 11 artists behind them, selected by the pop music critics Jon Pareles, Jon Caramanica and Lindsay Zoladz; a culture reporter, Joe Coscarelli; and Caryn Ganz, the pop music editor for The New York Times. (Listen on Spotify and Apple Music.)
Jensen McRae
Jensen McRae writes constantly: journals, poems, fiction, screenplays and, most publicly, songs. 'I've always wanted to do a million things with regard to writing and telling stories,' she said. 'But music was always the first choice.'
Born in Santa Monica, Calif., and still based in Los Angeles, McRae, 27, joins a long history of California folk-pop songwriters — the legacy of the Laurel Canyon era — who draw on the diaristic specifics of their lives for songs that listeners take to heart. Her second album, 'I Don't Know How But They Found Me!,' is due April 25, with a tour that starts in May.
As a child, 'I was usually one of the only Black kids in a class,' McRae recalled in a video interview. 'When you're put into the observer, outsider position early on, it makes it pretty easy to figure out who you really are and what you really want, because conformity isn't a choice. I started to develop this identity of being a narrator and a collector of details about my life, about other people's lives.'
McRae has old-school inclinations. Her music relies on hand-played, organic instruments and the power of her unadorned voice. Her 2022 debut album, 'Are You Happy Now?,' included stark songs like 'Wolves,' about sexual predators, accompanied only by her guitar.
But as a 21st-century performer, McRae maintains a robust social-media presence, sharing songs in progress and hosting an interview podcast, 'What Were You Thinking?' Her career has thrived on viral moments. At the height of the Covid pandemic in 2021, she posted a joking tweet predicting that Phoebe Bridgers would write a song about 'hooking up in the car while waiting in line to get vaccinated at dodger stadium' — and then wrote the song herself, a Bridgers homage titled 'Immune.'
An early version of 'Massachusetts,' the song about an ex-boyfriend that concludes her new album, reached millions of views. When McRae toured arenas opening for Noah Kahan, audiences were singing along and raising lighted cellphones before it was officially released as a single. 'That made me cry,' she said.
The songs on her new album delve into 'two relationships that I had in quick succession,' she said; the romances failed. The songs work through tangled emotions and phases: hope, disillusion, ambivalence, deceptions, negotiations, ruptures and stubborn memories. 'I want to give purpose to my pain,' she said. 'Being able to turn it into art that other people can relate to, without having any knowledge of me and my relationships — that is the dream.'
Her songwriting, finished in 2023, was followed by sessions with multiple producers.
Now, with more than a year of distance, McRae has decided that her exes 'were doing their best,' she said. 'If you have a lot of stuff that you haven't worked out within yourself, and then you start interacting with other people, your best is sometimes going to wreak some havoc on your relationships. We're all humans. This is all of our first time on Earth. It's not necessarily that I forgive everything that happened. But I have a lot greater understanding.' JON PARELES
You'll Also Be Hearing More From:
1900Rugrat
A South Florida rapper with a deeply scraped-up voice, extravagantly slurred syllables and a hardscrabble wit. 1900Rugrat broke out last year with a handful of cheeky freestyles that went viral for their sometimes preposterous punchlines, and his rigid seriousness while delivering them.
SOUNDS LIKE A friskier, funnier take on the raw, roundabout flows of a fellow Floridian, Kodak Black; also full of unpredictable rhyme choices à la Lil Wayne.
WHAT'S HAPPENING His biggest hit last year was 'One Take Freestyle,' on which he raps about a drug cornucopia and his whiteness over weepy, sleepy horns. On the back of that song's success, he secured a collaboration with Kodak Black for a remix that appears on 1900Rugrat's boisterous and testy new mixtape, 'Porch 2 the Pent,' which also features collaborations with Lil Yachty and BossMan Dlow, simpatico rappers equally fluent in boasting and roasting. JON CARAMANICA
High Vis
A London band skilled at making music about struggle that doesn't sound like one. Over three albums released since 2019, the five-piece has written about class consciousness (its name is a reference to 'the unifying clothing item of the working class,' the frontman Graham Sayle told the NME of the neon safety gear) and personal battles ('What is truth when your mind's a lie?' he spits on the band's most recent LP).
SOUNDS LIKE Hooky hardcore with chugging riffs and gleaming post-punk flourishes. (Listen for touches of the '90s English alt-rock band Ned's Atomic Dustbin.) The band's third album, 'Guided Tour,' arrived in October stocked with Sayle's shouty vocals, reverb-heavy guitars and lyrics that teeter between hope and despair.
WHAT'S HAPPENING A U.S. tour kicks off on April 15 in Seattle and wraps a month later in Los Angeles. The band will hit the European festival circuit starting in June. CARYN GANZ
Horsegirl
Reverent but slyly inventive students of indie-rock history, the Chicago trio first gained recognition in 2022 for its shoegaze-y debut LP, 'Versions of Modern Performance,' released when its members — Nora Cheng, Penelope Lowenstein and Gigi Reece — were still teenagers. On their springy, confidently minimalist sophomore album, 'Phonetics On and On,' they've moved to New York for college and, it seems, added some new influences to their dorm-room record collections.
SOUNDS LIKE A Gen Z take on the bare-bones, deadpan post-punk of the Raincoats, or a carefully curated K Records playlist set to shuffle. Recent tracks like '2468' and 'Switch Over' are as catchy as playground chants, but a closer listen to their construction reveals compositional complexity and clever wordplay.
WHAT'S HAPPENING Horsegirl follows the February release of 'Phonetics On and On,' which was produced by the experimental singer-songwriter Cate Le Bon, with a short American tour in late March and a more extensive one later this summer. LINDSAY ZOLADZ
J Noa
For sheer syllables per second, few rappers in any language can match the speed of J Noa from the Dominican Republic, a songwriter who seized attention with intricate, breakneck freestyles in Spanish. J Noa — Nohelys Jiménez — is 19 and has already released an EP and two full-length albums.
SOUNDS LIKE Crisp, hard-nosed, fast and then — often — double-speed rhymes about growing up amid violence and addiction, honing survival skills and flexing her ambitions. And, every so often, a tuneful chorus.
WHAT'S HAPPENING Her third album is likely to arrive in May, and assorted collaborations are in the works. PARELES
Model/Actriz
It's hard to resist the charms of Cole Haden, the frontman of the Brooklyn (by way of Boston) quartet Model/Actriz. Tall, lithe and chatty, he stalks the stage and bounces on monitors in hulking heels, then takes the show into the crowd, singing into faces and giving listeners an extreme close-up as he works the room.
SOUNDS LIKE A very noisy band dragging gothy post-punk songs across the dance floor. Nine Inch Nails is a clear touchstone on the group's debut from 2023, 'Dogsbody,' nearly 38 minutes of arty peels of guitar, precision drumming, unrelenting bass lines and Haden's incantations. In Model/Actriz's latest single, 'Cinderella,' Haden reveals his decision not to have a birthday party with a princess theme when he was 5, leaving him 'quiet, alone and devastated.'
WHAT'S HAPPENING The band's second album, 'Pirouette,' is due May 2, immediately followed by tour dates in the United States and Europe. GANZ
Momma
A band faithfully recreating '90s alternative rock's (mostly) un-self-conscious side. The band's founding singer-songwriters, Etta Friedman and Allegra Weingarten, met during high school outside Los Angeles — 'Bottle blonde, you're a god,' goes one new lyric — and have dialed in their spin on throwback Gen-X-ness across three albums and a pile of singles since 2018, including their 2022 breakout 'Household Name.'
SOUNDS LIKE Diligent students of artful distortion and dreamy melodies, mixing some Smashing Pumpkins, Pixies and Liz Phair with 'TRL'-ready Michelle Branch and Best Coast choruses. Now based in Brooklyn, the four-piece — which also includes the producer and bassist Aron Kobayashi Ritch and the drummer Preston Fulks — recorded its new album in both coastal cities, despite the shout-out to the Midwest on the new song 'Ohio All the Time': 'I never got Ohio, babe, but now I do.'
WHAT'S HAPPENING Ahead of the band's new album, 'Welcome to My Blue Sky,' out April 4, the band's Pumpkins-esque single, 'I Want You (Fever),' is finding an audience on alternative radio. Momma will spend the spring on a headlining tour, ending at home in Brooklyn on May 31. JOE COSCARELLI
Oklou
The French songwriter, singer and producer Marylou Mayniel has been releasing music for a decade, singing in English and floating her gentle voice amid otherworldly electronics. Her debut album, 'Choke Enough,' came out in February.
SOUNDS LIKE Oklou coos thoughts about information, disaster, personal connection and blissful sensation on 'Choke Enough.' Her latest collaborators include hyperpop experts like A.G. Cook and Danny L Harle, but her own music isn't glitchy or brittle. The tracks twinkle behind her voice like starry skies.
WHAT'S HAPPENING She tours Canada and the United States in October, with performances in Europe in April and November. PARELES
OsamaSon
SoundCloud rap is now in its fifth or sixth wave, and has transformed from a relatively unified mayhem-first approach to hip-hop into the chaos that ensues when that method becomes exponentially looser and decentered. Last year, it took form in the rise of rappers like OsamaSon and Nettspend, rage-rap rookies whose rhymes come out in digitized bleats that sound as if beamed in from a particularly tumultuous corner of space.
SOUNDS LIKE What happens when you listen to unreleased Playboi Carti snippets for several months straight without interruption. The new OsamaSon songs run about two minutes on average and feel as if they're playing on 1.5x speed — full of coughed-up flirtations and threats that race past in a blur of astral sprinkles.
WHAT'S HAPPENING The latest OsamaSon LP, 'Jump Out,' came out in February. CARAMANICA
Mei Semones
A Japanese American songwriter and guitarist who now lives in Brooklyn, Mei Semones studied at the Berklee College of Music, where she assembled her band and honed her virtuosic, culture-hopping music.
SOUNDS LIKE A breezy, utterly idiosyncratic mixture of jazz guitar, bossa nova lilt, chamber-pop string arrangements, indie-rock crunch and lyrics that switch between English and Japanese, living up to one of her song titles: 'I Can Do What I Want.'
WHAT'S HAPPENING Her full-length debut album, 'Animaru' ('Animal' in Japanese) arrives May 2, followed by a U.S. tour. PARELES
skaiwater
Skaiwater, 24, is a producer, songwriter and melodic rapper from Nottingham, England, now based in Los Angeles, who brings professional-grade hooks to the wilds of SoundCloud.
SOUNDS LIKE A post-Playboi Carti bridge between Lil Uzi Vert's emo-tinged trap music and Lil Nas X's most forward-thinking pop ambitions. (Fittingly, both Uzi and Lil Nas have been collaborators.) While skaiwater's most anarchic internet peers have a tossed-off quality to their genre experiments, skaiwater has an old-school producer's deliberateness, mixing hyperpop maximalism — blown-out bass, laissez-faire attitudes toward widespread sampling — with reverent nods to R&B and Black dance music niches, from London to Philadelphia to Chicago.
WHAT'S HAPPENING After releasing their second studio album, '#Mia' (for 'Manic in America'), on Valentine's Day, and appearing at the Los Angeles edition of the rap festival Rolling Loud earlier this month, skaiwater, who is nonbinary, is keeping their next moves typically quiet. COSCARELLI

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Global streamers fight CRTC's rule requiring them to fund Canadian content
Global streamers fight CRTC's rule requiring them to fund Canadian content

Yahoo

time34 minutes ago

  • Yahoo

Global streamers fight CRTC's rule requiring them to fund Canadian content

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"For decades, traditional broadcasting undertakings have supported the production of Canadian content through a complex array of CRTC-directed measures … By contrast, online undertakings have not been required to provide any financial support to the Canadian broadcasting system, despite operating here for well over a decade." A submission from the federal government in defence of the CRTC argued the regulator was within its rights to order the payments. "The orders challenged in these proceedings … are a valid exercise of the Canadian Radio-television and Telecommunications Commission's regulatory powers. These orders seek to remedy the inequity that has resulted from the ascendance of online streaming giants like the Appellants," the office of the attorney general said. 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In January, as U.S. President Donald Trump was inaugurated for his second term, groups representing U.S. businesses and big tech companies warned the CRTC that its efforts to modernize Canadian content rules could worsen trade relations and lead to retaliation. Then, as the CRTC launched its hearing on modernizing the definition of Canadian content in May, Netflix, Paramount and Apple cancelled their individual appearances. While the companies didn't provide a reason, the move came shortly after Trump threatened to impose a tariff of up to 100 per cent on movies made outside the United States. Foreign streamers have long pointed to their existing spending in Canada in response to calls to bring them into the regulated system. This report by The Canadian Press was first published June 8, 2025. Anja Karadeglija, The Canadian Press Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

New '1984' foreword includes warning about ‘problematic' characters
New '1984' foreword includes warning about ‘problematic' characters

Miami Herald

time3 hours ago

  • Miami Herald

New '1984' foreword includes warning about ‘problematic' characters

The 75th anniversary edition of George Orwell's novel 1984, which coined the term 'thoughtcrime' to describe the act of having thoughts that question the ruling party's ideology, has become an ironic lightning rod in debates over alleged trigger warnings and the role of historical context in classic literature. The introduction to the new edition, endorsed by Orwell's estate and written by the American author Dolen Perkins-Valdezm, is at the center of the storm, drawing fire from conservative commentators as well as public intellectuals, and prompting a wide spectrum of reaction from academics who study Orwell's work. Perkins-Valdez opens the introduction with a self-reflective exercise: imagining what it would be like to read 1984 for the first time today. She writes that 'a sliver of connection can be difficult for someone like me to find in a novel that does not speak much to race and ethnicity,' noting the complete absence of Black characters. She also describes her pause at the protagonist Winston Smith's 'despicable' misogyny, but ultimately chooses to continue reading, writing: 'I know the difference between a flawed character and a flawed story.' 'I'm enjoying the novel on its own terms, not as a classic but as a good story; that is, until Winston reveals himself to be a problematic character,' she writes. 'For example, we learn of him: 'He disliked nearly all women, and especially the young and pretty ones.' Whoa, wait a minute, Orwell.' That framing was enough to provoke sharp critique from novelist and essayist Walter Kirn on the podcast America This Week, co-hosted with journalist Matt Taibbi. Kirn characterized the foreword as a kind of ideological overreach. 'Thank you for your trigger warning for 1984,' he said. 'It is the most 1984ish thing I've ever f***ing read.' Later in the episode, which debuted on June 1, Kirn blasted what he saw as an imposed 'permission structure' by publishers and academic elites. 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Perkins-Valdez, a Black writer, Harvard graduate and professor of literature at American University, also noted the novel's lack of racial representation: 'That sliver of connection can be difficult for someone like me to find in a novel that does not speak much to race and ethnicity at all.' Kirn responded to that sentiment on the show by pointing out that Orwell was writing about midcentury Britain: 'When Orwell wrote the book, Black people made up maybe one percent of the population. It's like expecting white characters in every Nigerian novel.' Richard Keeble, former chair of the Orwell Society, argued that critiques of Orwell's treatment of race and gender have long been part of academic discourse. 'Questioning Orwell's representation of Blacks in 1984 can usefully lead us to consider the evolution of his ideas on race generally,' he told Newsweek. 'Yet Orwell struggled throughout his life, and not with complete success, to exorcise what Edward Said called 'Orientalism.'' Keeble added, 'Trigger warnings and interpretative forewords... join the rich firmament of Orwellian scholarship-being themselves open to critique and analysis.' Cultural overreach While critics like Kirn view Perkins-Valdez's new foreword as a symptom of virtue signaling run amok, others see it as part of a long-standing literary dialogue. Laura Beers, a historian at American University and author of Orwell's Ghosts: Wisdom and Warnings for the Twenty-First Century, acknowledged that such reactions reflect deeper political divides. But she defended the legitimacy of approaching Orwell through modern ethical and social lenses. 'What makes 1984 such a great novel is that it was written to transcend a specific historical context,' she told Newsweek. 'Although it has frequently been appropriated by the right as a critique of 'socialism,' it was never meant to be solely a critique of Stalin's Russia.' 'Rather,' she added, 'it was a commentary on how absolute power corrupts absolutely, and the risk to all societies, including democracies like Britain and the United States, of the unchecked concentration of power.' Beers also addressed the role of interpretive material in shaping the reading experience. 'Obviously, yes, in that 'interpretive forewords' give a reader an initial context in which to situate the texts that they are reading,' she said. 'That said, such forewords are more often a reflection on the attitudes and biases of their own time.' While the foreword has prompted the familiar battle lines playing out across the Trump-era culture wars, Beers sees the conversation itself as in keeping with Orwell's legacy. 'By attempting to place Orwell's work in conversation with changing values and historical understandings in the decades since he was writing,' she said, 'scholars like Perkins-Valdez are exercising the very freedom to express uncomfortable and difficult opinions that Orwell explicitly championed.' Related Articles Gabbard Links 'Ministry of Truth' to Obama Speech, Calls Biden 'Front Man'Tulsi Gabbard Compares Biden Admin to Dictatorship Over 'Ministry of Truth'Joe Biden's Disinformation Board Likened to Orwell's 'Ministry of Truth'Memory Holes, Mobs and Speaker Pelosi | Opinion 2025 NEWSWEEK DIGITAL LLC.

Beyoncé fans react to dance captain's absence during London concert: 'Where is Amari?'
Beyoncé fans react to dance captain's absence during London concert: 'Where is Amari?'

USA Today

time10 hours ago

  • USA Today

Beyoncé fans react to dance captain's absence during London concert: 'Where is Amari?'

Beyoncé fans react to dance captain's absence during London concert: 'Where is Amari?' Beyoncé Knowles-Carter lit up the stage for the second night of her "Cowboy Carter" tour in London, and while fans were thrilled to see Les Twins dancing once again, many pointed out one familiar face was missing. The Grammy-winning singer took the stage June 7 for her Cowboy Carter and the Rodeo Chitlin' Circuit Tour at Tottenham Hotspur Stadium. During the electric performance many fans noticed that Amari "Monster" Marshall, dubbed Beyoncé's dance captain, was not among the performers onstage. One fan wrote, "What happened to Amari," and many others cosigned. Marshall began working with Beyoncé during her iconic 2018 Coachella "Beychella" performances. She eventually assumed the role of dance co-captain on the "Renaissance World Tour," where she played a key part in mentoring Beyoncé's then 11-year-old daughter Blue Ivy during her stage debut. Beyoncé publicly praised Marshall for her guidance with the family dubbing her Blue's 'dance stage momma." She also took the stage with Bey during her 2024 Christmas Day NFL halftime show during the Texans-Ravens game. Marshall has continued performing with Beyoncé as dance captain on the "Cowboy Carter" tour, often sharing photos from various tour stops. However, she appeared to be absent from the stage in London, and fans especially noticed during Saturday night's show. It's not yet clear why Marshall didn't appear onstage or if she'll be making a return soon. The concert marked Beyoncé's second of six shows at the stadium. She is set to hit the stage again June 10, 12, 14 and 16, before heading to Paris for three fans know, Beyoncé first debuted her "Cowboy Carter" tour at SoFi Stadium in Los Angeles on April 28 with 39 songs on the set list. Her shows have been filled with family, fashion, different music genres, and most notably country music and cultural commentary. Of course, Beyoncé first released the 27-track project in March 2024. It has since made history and broken multiple records. As Beyoncé's first country album, she deliberately featured country legends and emerging Black country artists alike. She became the first Black woman to win best country album at the 2025 Grammys and also took home album of the year. The nine-city tour will span the U.S. and Europe with the grand finale taking place in Las Vegas on July 26. Follow Caché McClay, the USA TODAY Network's Beyoncé Knowles-Carter reporter, on Instagram, TikTok and X as @cachemcclay.

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