logo
Hayley Atwell Reveals She Was 8 Months Pregnant Filming New 'Mission: Impossible-The Final Reckoning' Fight Scene

Hayley Atwell Reveals She Was 8 Months Pregnant Filming New 'Mission: Impossible-The Final Reckoning' Fight Scene

Yahoo24-05-2025

Hayley Atwell was eight and a half months pregnant filming a fight scene for Mission: Impossible – The Final Reckoning, she revealed
The actress welcomed her first child in 2024 with her partner Ned Wolfgang Kelly
Atwell has appeared in the franchise since 2023Hayley Atwell got candid about her time taping Mission: Impossible – The Final Reckoning, and revealed that she was eight and a half months pregnant while filming a pivotal fight scene.
In an interview on The Tonight Show Starring Jimmy Fallon that aired on Thursday, May 22, Atwell, 43, went into detail about her on-set experience when the late-night host asked if the audience should know anything before he rolled a clip of her performance.
Atwell said, "I've never said before, actually. This is a Fallon exclusive. But during this fight sequence, we came back to it a few times to add a few elements to it. And in this clip, I'm actually eight and a half months pregnant."
Fallon, 50, jumped in with surprise, saying, "Are you serious?"
The actress elaborated, "I'm serious. Yes. And I have to say, I was taken such good care of. Everyone was so supportive and they were like, 'Oh, you can sit down, and we'll have a stunt double do it.' And I was like, 'No! I've worked too hard. Let me do it.' So I did it, and here it is."
Atwell has appeared in the Mission: Impossible franchise as IMF agent Grace since 2023. Mission: Impossible – The Final Reckoning is the long-running action franchise's eighth and final installment.
Atwell quietly welcomed her first child with her partner Ned Wolfgang Kelly in 2024. Details of their relationship and her pregnancy remain under wraps, though the actress seemingly confirmed she married Kelly in a May 19 episode of LIVE with Kelly and Mark in which she referred to him as her husband.
Kelly and Atwell got engaged in 2023. "We had rented this Airbnb that had lots of shelves with porcelain ducks on them, so it was quite a surreal setup," the actress recounted to the Daily Mail's Eden Confidential in 2023.
Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories.
She then detailed the moment he proposed. "My fiancé was in his [underwear] in the kitchen, and there was an accordion playing outside our window — which was timed perfectly but not planned," Atwell told the outlet.
Mission: Impossible – Final Reckoning is in theaters now.
Read the original article on People

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ana de Armas & Tom Cruise Have Reportedly ‘Discussed' What Role Scientology Plays In Their Relationship
Ana de Armas & Tom Cruise Have Reportedly ‘Discussed' What Role Scientology Plays In Their Relationship

Yahoo

time5 hours ago

  • Yahoo

Ana de Armas & Tom Cruise Have Reportedly ‘Discussed' What Role Scientology Plays In Their Relationship

We all thought 2025 couldn't outdo itself when Elizabeth Hurley started canoodling with Billy Ray Cyrus, but Tom Cruise and Ana de Armas may just be the most unexpected celebrity couple of 2025. The Top Gun legend and the Cuban-born Oscar nominee have gone from helicopter drop-ins and Valentine's Day dates to sparking serious headlines — especially now that sources reveal they've had 'discussions' about how Scientology could shape their future together. For anyone catching up, this pairing felt a bit out-of-nowhere at first: Cruise is 62 and arguably Hollywood's most high-maintenance bachelor; she's 37, a Bond girl-turned-Marilyn Monroe, with a devout Catholic upbringing and a history of keeping her love life as locked down as Cruise's film sets. But these two have been spotted flying across Europe together (literally), making low-key exits from David Beckham's birthday bash, and appearing to dodge the paparazzi like it's their own personal Mission: Impossible. And while the two are reportedly connecting to discuss future projects, some insiders suggest there is more to what's going on between the two. More from SheKnows Tom Cruise Has Allegedly Offered His Reported New GF the Role of His Love Interest in a New Movie According to insiders who spoke with the Daily Mail, there's one thing they can't quite outmaneuver: religion. Cruise's long-standing ties to the Church of Scientology are public knowledge — and polarizing, to put it gently. He's one of the religion's most visible (and powerful) figures, and many point to Scientology as a key factor in his past divorces, including his split from Katie Holmes. Holmes famously sought sole custody of their daughter, Suri, who, by the way, dropped his surname and now goes by Suri Noelle. De Armas, on the other hand, hails from a modest, deeply religious family in Cuba. Raised in the Catholic Church, the Knives Out star still holds her values close. So while her jet-setting with Cruise might look carefree, the question of faith is reportedly weighing heavily behind the scenes. 'Ana was raised Catholic and her family are religious,' a source said. 'She knows that her family would not accept Tom because of his beliefs. Ana and Tom have discussed this.' The actress has always charted her own path, but even so, those close to her suspect she may be more flexible than expected. 'His Scientologist beliefs are not a deal breaker for Ana,' one insider added. 'She is her own woman. And honestly, no one would be surprised if she took up Scientology.' Whether she's about to go Clear or just keeping an open mind for the sake of love, one thing's for sure: the two are having some serious discussions. But if they plan to make it past the Cannes red carpet (Cruise's Mission: Impossible – The Final Reckoning premieres May 14), they might have to land on the same spiritual page of SheKnows 90 Incredible Shows on Netflix You Should Be Watching Right Now Everything Harry & Meghan Have Done Since Leaving the Royal Family These 9 Books Reveal Details About JFK Jr. & Carolyn Bessette That Were Never Known Before

'Mission: Impossible' Movies Ranked From Worst to Best
'Mission: Impossible' Movies Ranked From Worst to Best

Yahoo

time8 hours ago

  • Yahoo

'Mission: Impossible' Movies Ranked From Worst to Best

For almost 30 years, Tom Cruise's 'Mission: Impossible' has supplied moviegoers with the most consistent and thrilling spy-themed adventures of any Hollywood franchise outside of the James Bond films. More from Variety Tom Cruise in 'F1' Over Brad Pitt Would've Been 'Scaring Us More,' Says Joseph Kosinski; Action Supervisor Quips: Tom 'Terrifies Me' and 'We'd Have Had a Crash' 'Lilo & Stitch' Outpaces 'Mission: Impossible - The Final Reckoning' as Box Office Surges in U.K. and Ireland Tom Cruise Rejoices Over 'Mission: Impossible - The Final Reckoning' Box Office Record Amid Speculation the Franchise Is Over: Thank You Paramount for 'Years of Unwavering Support' For the first entry, David Koepp and Robert Towne adapted the 1966 television show of the same name for the big screen with a screenplay that, with a handful of granular exceptions, has become a blueprint for every subsequent installment. Anchored by the indefatigable Ethan Hunt, the Impossible Mission Force is given data about — and the choice of whether or not to try and prevent — a calamity of some significance to the U.S., the intelligence community or even the entire world. Almost always, the team is disavowed and finds themselves being chased — not only by their enemies, but their purported allies too. After eight chapters, Ethan Hunt's tenure with the IMF appears to be coming to an end. To commemorate the occasion, filmmaker Christopher McQuarrie has pulled out all of the stops to deliver 'The Final Reckoning' — a finale that he hopes lives up to, and possible exceeds, the almost endless string of nail-biting scenarios that he and his predecessors conceived over the last three decades. Did he succeed? Each viewer's mission, should they accept it, is to determine that for themselves. In the meantime, Variety takes a look back at the eight 'Mission: Impossible' films and ranks them — let's say, from 'I wouldn't watch it without wearing a mask to disguise my identity' to 'I'm willing to HALO jump out of a plane to see it again.'Rightly the chapter in this series with the lowest Tomatometer score (a generous 57% fresh), this follow-up to the original 'Mission: Impossible' overcompensated for criticisms that its predecessor was too complicated by telling a story that is just plain dumb. Perhaps emboldened by the silliness of his (fun) previous Hollywood movies 'Broken Arrow' and 'Face/Off,' director John Woo leans heavily into his visual playbook to create a film full of balletic imagery trying to disguise absolutely preposterous storytelling and action choreography. But most of the story boils down to a fight over a girl (a hard-working Thandiwe Newton). Villain Dougray Scott, looking like an artist's rendering of a genetic splicing of Ewan McGregor and Hayden Christensen, isn't up to the task of intimidating Tom Cruise — an insult added to the injury of losing out on playing Wolverine in 'X-Men' as a result of taking the a set up to what's meant to be the coup de grace for the series, 'Dead Reckoning' is unfortunately a bit of a slog, even if it replicates with great energy and dexterity the elements that have made earlier chapters so entertaining. Particularly because the film only ever addresses Ethan Hunt's origin story obliquely but also because of the villain's penchant for tiresome self-seriousness, Gabriel (Esai Morales) is a fairly underwhelming final boss, necessary though he may be since his counterpart — the Entity, a rogue AI — is an oscillating electronic eyeball. Putting new recruit Grace (Hayley Atwell) through her own reluctant hero's journey takes too long — almost to the point of exasperation. But then again the whole film is kind of like that: the Rome car chase, the Venice fight, the build to Ethan's mountain jump, even the number of cars they have to climb through after stopping a runaway train — each sequence takes one or two more beats than feels necessary. Also, revealing the Sevastapol in the first scene (rather than where it belongs, in the first scene of 'The Final Reckoning') means that Ethan spends the whole movie chasing after something viewers already know about, marking the first time in franchise history where it feels like the audience is ahead of the assessments that characterize this J.J. Abrams film as a glorified episode of his TV series 'Alias' aren't completely off base, but the future 'Star Trek' and 'Star Wars' fan-disappointer manages something more sly and nuanced with this franchise's mythology than he does later in his career: Abrams dismantles and deconstructs its core iconography, from a malfunctioning mask-maker to the multiple times Ethan Hunt fails to do his job or save the lives of those closest to him. An absolutely ruthless Philip Seymour Hoffman remains one of the best adversaries Cruise faces in the series, and as much as Abrams likes to cute-ify Ethan Hunt's life in between missions, he creates the super spy's purest civilian relationship with Julia Meade (Michelle Monaghan), which elevates every subsequent film from (basically) a James Bond riff to a saga with meaningful emotional connections — and conclusion to Ethan Hunt's story is already dividing audiences — a debate that undoubtedly will continue as the world moves forward without his essential but frequently disavowed brand of heroism. In the years to come, what will carry more weight with viewers? The first half of this film, chock-full of endless, wildly overserious exposition? Or the back half, featuring two of the most thrilling set pieces in the history of the franchise (and arguably cinema itself)? The film's derring-do is enough that the tedium of the build-up to it kind of washes away. Certainly, the entire ensemble's relentless determination to characterize Ethan Hunt as the only man on Earth with the right moral compass to defeat the Entity fails to yield new insights about him, them or the world they inhabit. It feels especially repetitive since the previous chapter already overexplained the challenges the IMF faces, and the stakes if they fail. But with its climactic piggybacking of a (literally) slow-rolling hunt through a wrecked submarine back-to-back with an aerial fight so urgent and visceral that it feels, well, impossible to believe it's real, 'The Final Reckoning' sticks the landing and then his own live-action feature debut, Pixar stalwart Brad Bird translates Abrams' snarky wit as an ironic counterpoint to tension-relieving humanity, with the series' biggest action canvas yet. Introducing Jeremy Renner as a 'no, we promise he was never supposed to be a replacement' co-star for Tom Cruise, the film's success revitalized 'Mission: Impossible' at the time, eliminating the need to even consider swapping out (or letting free) its tireless star. But as a high-stakes tentpole film with a well-modulated sense of humor about itself ('Mission accomplished!' triumphantly — if mistakenly — shouts Ethan at one point), 'Ghost Protocol' firmly and permanently roots the series in the realm of adult entertainment by finding a perfect balance between briskness and nail-biting intensity — something that the best subsequent installments not only carried forward, but further it looks almost quaint in comparison to the ambitious, muscular chapters that followed, O.G. auteur-turned-crowd pleaser Brian De Palma delivers a franchise-starter that codifies all of the essential ingredients needed for a 'Mission: Impossible' film (with proportions to be determined by each subsequent director). The vault heist remains an all-time gold standard for action set pieces (here or elsewhere), and it's where Cruise first really began to hone the smoldering, delicately-cheeky intensity that has made him an A-list mainstay for decades. Those old enough may remember David Koepp and Robert Towne's script absolutely bewildering audiences at the time of its release, but in retrospect not only was it deceptively — and delightfully — complex, but ultimately a template for intriguing misdirection that, like so many other elements in the film, has become a franchise oversized version of its predecessor 'Rogue Nation,' 'Fallout' gives you the sense that Christopher McQuarrie had not only gotten his sea legs beneath him, but started running with the speed of Ethan Hunt. Bringing back Ilsa (Rebecca Ferguson) as a frenemy yet again feels just a bit like the filmmaker walking back what he previously accomplished just to keep her around as a simultaneous screen magnet and plot device, not that anyone minds because Ferguson is just as good here as before. But Henry Cavill absolutely lights up the film as August Walker, a double operative who thrillingly — and unambiguously — hates Ethan on sight, resulting in a friction that overshadows the elaborate machinations of the terrorist groups he leads. Meanwhile, the set pieces are unilaterally great here, from the HALO jump to the nightclub fight to the breakout of Solomon Lane to the helicopter chase that wraps the film. But after the tightly-plotted perfection of 'Rogue Nation,' the freedom the filmmakers indulge here leaves audiences feeling like they've just eaten an especially rich meal: satisfying but just a tiny bit apotheosis of Tom Cruise's collaboration on the franchise with any of its directors, Christopher McQuarrie's 'Rogue Nation' delivers massive (and in one case literally) operatic set pieces in a story that operates with Swiss-clock precision. Introduced unforgettably in this film, Rebecca Ferguson's Ilsa Faust remains the second-best character ever created for 'Mission: Impossible,' and her role creates a thrilling dynamic that gives Ethan an adversary who's also a friend, both to complicate the plot and enhance its emotionality. In an 'embarrassment of riches' quandary, it's a toss-up whether the opening plane sequence, the opera assassination, the underwater vault or the motorcycle chase is the best sequence in the film. But McQuarrie's seemingly inexhaustible creativity strengthens all of the characters and supercharges the world they operate in, turning a film series into a bona fide saga. Best of Variety All 23 Best Picture Nominees Directed by Women in Oscars History 'The Last of Us' Season 2 Cast Guide: Who's Who From the Video Game? The 15 Best 'Black Mirror' Episodes, Ranked

'Lilo & Stitch' tops North American box office with $63M
'Lilo & Stitch' tops North American box office with $63M

UPI

time9 hours ago

  • UPI

'Lilo & Stitch' tops North American box office with $63M

Courtney B. Vance's "Lilo & Stitch" is No. 1 at the North American box office for a second weekend. File Photo by Chris Chew/UPI | License Photo June 1 (UPI) -- Lilo & Stitch is the No. 1 movie in North America, earning an additional $63 million in receipts this weekend, announced Sunday. It raked in $145.5 million the previous weekend when it first opened. Coming in at No. 2 this Friday through Sunday is Mission: Impossible -- The Final Reckoning with $27.3 million, followed by Karate Kid: Legends at No. 3 with $21 million, Final Destination: Bloodlines at No. 4 with $10.8 million and Bring Her Back at No. 5 with $7.1 million. Rounding out the top tier are Sinners at No. 6 with $5.2 million, Thunderbolts at No. 7 with $4.8 million, Friendship at No. 8 with $2.6 million, The Last Rodeo at No. 9 with $2.1 million and j-hope Tour Hope on the Stage in Japan at No. 10 with $940,000.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store