
‘The Last of Us' star Noah Lamanna explains Kat and Ellie's ‘refreshing' relationship — and who ‘came out on top'
Noah Lamanna may have only made a brief appearance on 'The Last of Us,' but their character, Kat, had a profound influence on Ellie (Bella Ramsey).
During Sunday's flashback episode, Joel (Pedro Pascal) catches Ellie and Kat in Ellie's bedroom on her 17th birthday. The pair are doing drugs and Kat, who is 19, has given Ellie a tattoo on her arm, which upsets Joel.
8 Bella Ramsey and Pedro Pascal in 'The Last of Us.'
HBO
Advertisement
Ellie fights with her father figure and their relationship is never the same again. A few years later, Joel is brutally killed by Abby (Kaitlyn Dever) before he could make amends with Ellie.
In an exclusive interview with The Post, Lamanna explained how Kat and Ellie's relationship impacted how Ellie behaves when Season 2 begins.
8 Noah Lamanna in 'The Last of Us.'
HBO
Advertisement
'At the top of the season in the first episode, you find our relationship has started and ended,' the actor said. 'And we're in the sort of unfortunate situation of still living together in this very small community and kind of being forced to collaborate in a way that isn't really comfortable. There's a lot of tensions that arise between our characters throughout that process.'
8 Noah Lamanna in their interview with The Post.
The New York Post
Lamanna noted that in the wake up of Kat and Ellie's breakup, Ellie has 'come out on top' as she gets in a relationship with Dina (Isabel Merced).
'She has this new flirtation with Dina that kind of sucks for me to watch happen,' said Lamanna. 'But you definitely get a taste of the history and of the weight of that in the tension between our characters in the first episode.'
Advertisement
8 Bella Ramsey in 'The Last Of Us.'
HBO
8 Noah Lamanna talking about 'The Last of Us.'
The New York Post
Regarding Sunday's flashback episode, Lamanna told The Post it was 'a really fun opportunity' to explore Kat and Ellie's dynamic pre-breakup.
'We see a much lighter version of the two of them together, and you get a glimpse into a history that is less weighted down,' they explained.
Advertisement
'We see these characters who are still sort of living through this what is a zombie apocalypse and we get these sort of gifts throughout the season of these moments of levity. It's really beautiful to see and I think for audiences it's very refreshing when there's a lot of really intense stuff happening in the rest of the season.'
8 Noah Lamanna at the 'Last of Us' Season 2 premiere.
FilmMagic for HBO
Lamanna also teased that there could be more story to tell between Kat and Ellie.
'We get some glimpses into their dynamic, but it certainly leaves you with a lot of questions about, what happened, how we ended up where we are,' they stated. 'There's a lot of storyline left untold in between for sure.'
8 Bella Ramsey in 'The Last of Us.'
HBO
Additionally, the Canadian actor gushed over getting to work with both Ramsey, 21, and Pascal, 50.
'He's lovely. He's very charming,' they said of Pascal. 'He's everything you want him to be, which is really nice.'
8 Bella Ramsey, Pedro Pascal in 'The Last of Us.'
HBO
Advertisement
'And Bella's really cool. They are so lovely in person and so down to Earth,' Lamanna continued. 'For someone who's been hit with a massive level of fame at such a young age, Bella seems to handle it really, really well.'
'They're really mature beyond their years, for sure,' they said. 'So it was really cool to spend time with them and kind of connect on a more personal level.'
'The Last of Us' airs Sundays at 9 p.m. ET on HBO.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hamilton Spectator
42 minutes ago
- Hamilton Spectator
Carrie's voice is back. So is the show's soul as ‘And Just Like That…' grows up
PARIS (AP) — 'She's messy. It can be messy. But it's real.' So says Cynthia Nixon — not just of Miranda Hobbes, the character she's embodied for almost three decades, but of the show itself. 'And Just Like That...,' HBO's 'Sex and the City' revival, has come into its own in Season 3: less preoccupied with pleasing everyone, and more interested in telling the truth. Truth, in this case, looks like complexity. Women in their 50s with evolving identities. Not frozen in time, but changing, reckoning, reliving. Queerness that's joyful but not polished. Grief without melodrama. A pirate shirt with a bleach hole that somehow becomes a talisman of power. At its glittering European premiere this week, Nixon and co-star Sarah Jessica Parker, flanked by Kristin Davis and Sarita Choudhury, spoke candidly with The Associated Press about how the show has evolved into something deeper, rawer and more reflective of who they are now. A voice returns Season 3 marks the return of Carrie Bradshaw's iconic internal monologue that once defined 'Sex and the City.' The series has always followed Carrie's rhythm, but now it brings back something deeper: her voice. Literally. 'We've always loved the voiceover,' Parker said. 'It's a rhythm — it's part of the DNA.' The decision to restore it, producers say, was deliberate. The voiceovers return just as Carrie rediscovers her direction — offering viewers a renewed sense of intimacy and connection. That growth is echoed in her rekindled relationship with Aidan and her acceptance to step back for him to focus on his troubled son. The character who in 1998 first stopped a cab in Manolo Blahniks — and once floated through Manhattan chasing shoes and column deadlines — is now grounded in reinvention, the wounds of loss and cautious hope. The word is: grown up. 'She doesn't burst into tears or stomp out of the room anymore,' Parker said. 'She asks smart, patient questions. That's not effort — that's just her nature now.' 'People seem surprised that she is mature,' Parker added. 'But that's just basic developmental stuff — hopefully, simply by living, we get better at things. It's not surprising. It's just real.' Warts and all If Carrie is the compass, Miranda is the seismic shift. Miranda's arc — which now includes a late-in-life queer awakening — may be the show's most radical contribution to television. And for Nixon, who publicly came out as queer while still playing straight in the original 'Sex and the City,' that evolution is deeply personal. 'There's never a 'too late' moment. Miranda comes to queerness at 55,' Nixon said. 'That doesn't mean everything that came before was wrong. It just means this is her now. And it's messy. It can be messy. But it's real.' That embrace of imperfection lies at the core of Nixon's philosophy — and the show's power. On television, where characters linger in our lives for years, there's a unique intimacy and empathy that develops. 'Television puts someone in your living room, week after week. They're imperfect, they make you laugh, and eventually you say, 'I know that person. They're my friend.'' she said. 'That's more powerful than one mythic, perfect film. That's where the change happens.' That change includes how queerness is portrayed. Nixon recalled how earlier generations of LGBTQ+ characters were forced to be flawless, or two-dimensional, to justify their screen time. 'There was a time when gay people on screen had to be saints or martyrs,' she said. 'Now, we can be characters like Miranda — who've had rich, fulfilling heterosexual lives and now stumble upon queerness, and not in a tidy way. There's collateral damage. That's important.' That depth, Nixon said, comes not just from character, but from the format. Unlike film, which requires resolution in two hours, television lets people grow — and falter — in real time. 'The writers are smart' And Miranda's transformation isn't just personal. It's political. In Season 3, she's seen retraining in human rights law, joining protest movements, and wrestling with systemic questions — mirroring Nixon's own off-screen life. In 2018, the actor ran for governor of New York on a progressive platform, bringing her activism directly into the public arena. That convergence isn't accidental, she says. 'On long-running shows, if the writers are smart, they start to weave in the actor,' Nixon said. 'When I started, Miranda and I were very different. But now we've grown closer. We're almost the same person — in temperament, in values.' Season 3 narrows its scope, pulling focus back to the emotional cores of Carrie, Miranda and Charlotte. Several side characters are gone, including Che Diaz, and what remains is a cleaner, more character-driven story. 'I think one of the great things about our show is we show women in their 50s whose lives are very dramatic and dynamic,' Nixon said. 'You get to this age and there's a lot going on — if you choose to keep moving forward.' Friends, friction, and freedom Kristin Davis, who plays Charlotte, noted that those life shifts come fast and often overlap. 'She really starts to unravel,' Davis said. 'But the joy is her friends are there.' Sarita Choudhury, who plays real estate powerhouse Seema, echoed that sense of late-blooming autonomy. 'She's feeling that, if you have your own business, your own apartment, your own way, you get to say what you want,' Choudhury said. 'There's power in that.' It's a subtle rebuke to the long-held media narrative that midlife is a decline. Not just fashion — declaration Fashion, as ever, is present — but now it feels more personal than aspirational. Parker described insisting on wearing a ripped vintage Vivienne Westwood shirt with a bleach hole. 'It had to be in an important scene. It meant something,' she said. Even the show's iconic heels, still clacking through New York's brownstone-lined streets, feel louder this season. And yes, Carrie is writing again — not her usual musings, but a 'historical romance' that lets the show wink at its own pretensions. Taxis become carriages. Voiceovers drift into period drama. Her beloved blouse — vintage, shredded, almost costume — fits the mood perfectly: century-leaping fashion for a century-leaping Carrie. The protagonist, as ever, walks the line between costume and character. 'And Just Like That...' is a show that's learned to walk — loudly — into its next chapter. 'You're better today than you were 10 years ago,' Parker said. 'That's not just Carrie — that's everyone.' ___ Season 3 of 'And Just Like That…' premiered on Thursday on HBO Max
Yahoo
4 hours ago
- Yahoo
Why NBA Finals trip is bittersweet for Thunder's Mark Daigneault
The post Why NBA Finals trip is bittersweet for Thunder's Mark Daigneault appeared first on ClutchPoints. The NBA Finals now have their first finalist. Head coach Mark Daigneault and the Oklahoma City Thunder captured the Western Conference crown with a resounding 124-94 rout of the Minnesota Timberwolves in Game 5. Advertisement But to truly understand the Thunder's dominance, you have to look at how completely the Timberwolves unraveled. In the series finale, Minnesota collapsed into disarray, unable to match Oklahoma City's relentless intensity. With the Wolves' season hanging in the balance, the Thunder came out with a sharp, almost cruel sense of purpose. They didn't just win—they stripped Anthony Edwards, Julius Randle, and the rest of the squad of their fight. What should have been a celebratory night for OKC carried an unexpected sting of sympathy for a Minnesota team left in ruins. 'We had it all going. The focus through the distraction of a closeout game to go to the Finals is what was most impressive. We were laser focused,' said the Thunder head coach Mark Daigneault. 'That allowed our best to come to the surface.' Right from the opening tip, Daigneault's team seized command. After Minnesota struck first, Canadian MVP Shai Gilgeous-Alexander answered with a scorching stretch on offense, playing a role in each of the Thunder's first five scores during a momentum-shifting 11-0 run that immediately silenced the Timberwolves' early spark. 'This is such a fun team. We're happy we're going to the Finals, but I don't want it to end. I don't want to stop coaching this team.' Shai Gilgeous-Alexander leads the Thunder to the Finals Alonzo Adams-Imagn Images Gilgeous-Alexander delivered 34 points, eight assists, and seven rebounds in just 34 minutes, capping off his dominant series with the Western Conference Finals MVP award. Advertisement The Timberwolves unraveled. Edwards, swarmed by Oklahoma City's versatile perimeter defenders, faded into the background during the early surge. Randle, rattled by the Thunder's relentless pressure throughout the series, spent much of Game 5 in a daze, often glancing around in frustration after coughing up yet another turnover. Minnesota's defense was practically nonexistent. Gilgeous-Alexander moved freely, blowing past Jaden McDaniels on the wing and picking apart Rudy Gobert in the paint. Jalen Williams (19 points, eight boards, five dimes) and Chet Holmgren (22 points, seven rebounds) coasted through the game with ease, as the Timberwolves showed little fight or willingness to make the gritty, high-effort plays that playoff basketball demands. Randle paced Minnesota with 24 points, while Edwards chipped in 19, but his shooting woes continued as he went just 7-of-18 from the field. This marks the Timberwolves' second consecutive elimination in the Western Conference Finals. After clinching the series 4-1, Daigneault and the Thunder now await the victor of the Eastern Conference Finals between the Indiana Pacers and the New York Knicks. Game 1 of the NBA Finals is set for June 5 in Oklahoma City, where the Thunder will hold home-court advantage. The Thunder's revival, fueled by a talented young roster and MVP Gilgeous-Alexander, signals the start of a new chapter for a franchise determined to pursue an NBA championship once again.
Yahoo
4 hours ago
- Yahoo
‘And Just Like That' is back for season 3, but women over 50 are still underrepresented on TV
Grab your finest Manolo Blahnik heels and pour yourself a cosmo: The season 3 premiere of the Sex and the City revival series And Just Like That is upon us. Spicy AI-generated TACO memes are taking over social media because 'Trump always chickens out' Lego's first book nook is an addictively interactive diorama What is 'ghostworking'? Most employees say they regularly pretend to work Episode one of 10 drops today (Thursday, May 29) on HBO Max, with the rest following on a weekly basis. This fashion-filled series follows the lives of Carrie (Sarah Jessica Parker), Miranda (Cynthia Nixon), and Charlotte (Kristin Davis)—who are now in their mid-fifties—as they navigate motherhood, aging, grief, and so much more. Let's look at how the show handles mature women, the series' critical reception, and cast updates. It's no secret that the entertainment industry isn't kind to experienced women. The older an actress gets, the less prevalent the meaty roles become. According to a 2021 Nielsen Gracenote Inclusion Analytics, women over 50 make up 20% of the population but get just 8% of screen time. Further complicating matters, when women do see themselves on screen, they are more often than not stereotyped into maternal, caregiver roles—or spinster detectives—and not allowed to be complex individuals. When And Just Like That first premiered in December 2021, it sought to rectify this underrepresentation. Fans were eager to see their favorite New Yorkers back on the small screen. According to Deadline, the first two episodes of season 1 were the most watched series premiere of a new HBO or HBO Max series on the streaming service until House of the Dragon took the title. After watching, however, critics and fans had some notes for the cable network. New York Times critic James Poniewozik quipped that 'it all went wrong' and even asked, 'Was this really necessary?' He pointed out many awkward attempts to make the series more diverse, but gave the creators credit for trying. Entertainment Weekly's Darren Franich agreed, celebrating the series for being better than the movies in certain regards, but also pointing out it 'tries too hard to bring its cultural brand into a new era.' Fans echoed these sentiments, and the internet went wild. For a while, it was trendy to 'hate watch' the series and criticize it online. 'Season 1 was probably the worst season of television i've ever seen and I was excited for every episode,' explained one Reddit user. 'The show is baaaad but I'm ultimately having a good time.' Thankfully And Just Like That only improved with age. Vanity Fair's Richard Lawson wrote that the series 'found its footing' in its second season. It is only right to hope that season 3 will continue this trend, especially since the creatives had a two-year break to get things right. At the end of season 2, Carrie held a goodbye dinner for her iconic brownstone apartment. She and Aidan (John Corbett) purchased a place together in Gramercy Park. When his son gets into a car accident, he asks to take a five-year pause on their relationship until his kids are older. Miranda and Che (Sara Ramirez) are officially over, but Miranda flirts with a BBC producer named Joy (Dolly Wells). Charlotte, meanwhile, has returned to the workforce and asks her husband to get more involved in domestic affairs. Cast announcements may give fans a clue about potential plotlines in the new season. Sara Ramirez will not return, but Dolly Wells has been made a series regular. This could signal that Miranda might have a new love interest. Karen Pittman, who played Dr. Nya Wallace, is also not returning to the series because of scheduling conflicts. This could instead mean that Joy takes her place as Miranda's friend. Sebastiano Pigazzi, who plays Giuseppe, a love interest for Anthony, has also been promoted to a series regular. New iconic faces will also be joining the series this season. While exact details are being held close to the vest, Rosie O'Donnell has confirmed that she will play a character named Mary. Broadway diva Patti LuPone will also have a significant role. Male actors are getting in on the action as well. Logan Marshall-Green, Mehcad Brooks, and Jonathan Cake will steam up season 3. As the wider Sex and the City universe continues to evolve, we can't help but wonder what new trails (and fashion trends) these fictional characters will blaze. This post originally appeared at to get the Fast Company newsletter: Sign in to access your portfolio