Want to Stream MISSION: IMPOSSIBLE – THE FINAL RECKONING? You Can Soon - Jordan News
It will be available to buy or rent on platforms like Amazon Prime Video, Apple TV and Fandango at Home, USA Today reported. اضافة اعلان 4K Ultra HD, Blu-ray and DVD versions will hit the market on Oct. 14. The movie, which is the eighth installment in the spy franchise, came out on May 23 and made $589 million worldwide, per Box Office Mojo. Anyone who purchases the film on digital 'can take a deep dive into the breathtaking production with behind-the-scenes interviews, exclusive commentary and deleted footage not seen in theaters,' Paramount Pictures said. Bonus footage includes deep looks into the high-caliber airplane and ocean stunts, a montage of deleted footage and special optional commentary by the director Christopher McQuarrie. It also features a technical conversation about the film by McQuarrie and Tom Cruise. All of the first seven MISSION: IMPOSSIBLE movies, as well as the older series it is based on, are available to stream on Paramount+.
The movie cost $400 million to make and fell short of box office expectations. In comparison, 2017's MISSION: IMPOSSIBLE – FALLOUT made $800 million worldwide.
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"One Of The Year's Best Thrillers": Roger Ebert Was Really Impressed With Chris Evans' 2004 Action Movie - Jordan News
Chris Evans' 2004 Action Movie Long before Chris Evans became an icon in the MCU, he earned praise in an underrated thriller. While he had previous success in Hollywood, Evans' role as Captain America in the MCU launched him to another level of fame. He became one of the faces of the cinematic universe before retiring the character in Avengers: Endgame. اضافة اعلان Since then, Evans has been trying to take roles that move away from the stoic hero. His spoiled villain role in the cast of Knives Out and his recent rom-com success in The Materialists earned him strong reviews. However, there were some early roles that already gave hints of the kind of success Chris Evans' career would deliver. Coming off his memorable comedic turn in the spoof movie Not Another Teen Movie, Cellular provided a more serious role for Chris Evans. Evans starred as Ryan, a young man who gets a call from a kidnapped woman (Kim Basinger) looking for help, turning him into her unlikely hero. The thriller was a change of pace for the actor, and it ended up receiving mixed reviews, earning 56% on Rotten Tomatoes. However, earned especially high praise from legendary film critic Roger Ebert, who called it "one of the year's best thrillers." Ebert even pointed to Evans's performance as a "star-making" role (via Though not all reviews were as kind, the praise from Ebert goes a long way in legitimizing a thriller like this. Cellular was a decent box office success, earning $57 million on a budget of $25 million (via Box Office Mojo). The success was a career boost for Evans, being cast as Johnny Storm in Fantastic Four the following year. In Roger Ebert's review of Cellular, he highlighted that the movie has a gimmicky setup, but it works because it is intelligent in how it's used. The film kicks off the intrigue by putting Kim Basinger's kidnapped Jessica in a situation where she can only make one call and doesn't know who it is going to, randomly connecting with Ryan. Ryan is already established as a guy who is not one to step up at a crucial time, but he is also not willing to ignore this woman in need. Thus, this reluctant and underqualified hero is thrust into a situation in which he gradually proves himself to be capable of more than he and everyone else thought. It is a solid setup of characters and premise that impressively manages to keep it exciting and smart throughout. Each time it seems like there would be an easy solution for Ryan, a new complication arises that throws him further into trouble. Likewise, it is fun to see him having to problem-solve with each new obstacle. The cast supporting Evans is also solid, bringing interesting layers to the movie. Basinger is essential as the victim, but she gets moments to be a hero herself. Jason Statham gets a great villain to play, and William H. Macy has fun as a mild-mannered cop dragged into the mess. Suits actor Rick Hoffman also has a small scene-stealing is not a perfect movie, but it is a fast-paced thriller that delivers on its fun idea. It is also entertaining to see Chris Evans in a smaller film than fans are used to, yet still giving fans a great hero to root for.
Jordan News
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Want to Stream MISSION: IMPOSSIBLE – THE FINAL RECKONING? You Can Soon - Jordan News
After two full months in theaters, MISSION: IMPOSSIBLE – THE FINAL RECKONING is coming to home screens on Aug. 19. It will be available to buy or rent on platforms like Amazon Prime Video, Apple TV and Fandango at Home, USA Today reported. اضافة اعلان 4K Ultra HD, Blu-ray and DVD versions will hit the market on Oct. 14. The movie, which is the eighth installment in the spy franchise, came out on May 23 and made $589 million worldwide, per Box Office Mojo. Anyone who purchases the film on digital 'can take a deep dive into the breathtaking production with behind-the-scenes interviews, exclusive commentary and deleted footage not seen in theaters,' Paramount Pictures said. Bonus footage includes deep looks into the high-caliber airplane and ocean stunts, a montage of deleted footage and special optional commentary by the director Christopher McQuarrie. It also features a technical conversation about the film by McQuarrie and Tom Cruise. All of the first seven MISSION: IMPOSSIBLE movies, as well as the older series it is based on, are available to stream on Paramount+. The movie cost $400 million to make and fell short of box office expectations. In comparison, 2017's MISSION: IMPOSSIBLE – FALLOUT made $800 million worldwide.
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F1: The Movie becomes Apple's biggest box office hit - Jordan News
F1: The Movie becomes Apple's biggest box office hit Apple's Formula 1 feature film has officially become the tech giant's most successful theatrical release, passing $523 million USD ($813 million AUD) at the global box office. اضافة اعلان Directed by Top Gun: Maverick's Joseph Kosinski and starring Brad Pitt, F1: The Movie has outgrossed all previous Apple-backed films — including Napoleon ($343 million AUD), Killers of the Flower Moon ($245 million AUD), and Argylle ($149 million AUD) — and currently ranks as the seventh highest-grossing movie worldwide in 2025. It has also climbed to fifth on the Australian box office charts for the year, with more than $25.9 million AUD earned locally. The film, which follows a fictional comeback story of a retired F1 driver mentoring a young teammate, was shot at real F1 events using modified F2 cars and bespoke onboard camera technology. Released in over 80 countries, the movie debuted at number one in key markets including the US, Australia, and the UK, with strong word of mouth continuing to drive ticket sales weeks after release. Apple produced the film in full collaboration with Formula 1 and distributed it theatrically via Warner Bros. It is the company's most ambitious cinematic venture to date, with production and marketing costs reportedly exceeding $250 million USD ($388 million AUD). Streaming rights are expected to shift to Apple TV+ later this year. The film's global success has coincided with mounting reports that Apple is preparing a bid to acquire Formula 1's US broadcast rights when ESPN's deal expires at the end of 2025. According to industry insiders, Apple is in advanced talks with F1's commercial rights holders, with a nine-figure offer potentially on the table. F1's current US broadcast partner, ESPN, has averaged 1.3 million viewers across the first ten races of 2025, up from just over half a million in 2018. While ESPN had an exclusive window to renew its contract, that period has now lapsed, opening the door for rivals like Apple to enter the frame. Liberty Media, which owns Formula 1, is believed to be seeking a more lucrative and wide-reaching deal in the US — a key growth market where it has added new races in Miami and Las Vegas and seen surging interest from younger and more diverse audiences, driven in part by Netflix's Drive to Survive and now Apple's blockbuster film. Apple's growing interest in sports broadcasting has already seen it secure rights for Major League Baseball and Major League Soccer, and the company is widely expected to continue investing in high-profile sports content as it builds out its Apple TV+ platform. While F1 CEO Stefano Domenicali stopped short of confirming a rights deal, he praised the film's commercial and cultural impact. 'I was sure the film would be a hit in the US,' he told Corriere della Sera. 'But I was amazed by the box office in Europe. 'Apple has experimented and could be an important partner for future projects. But I don't want to overindulge.'
