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Naveen Polishetty's ‘Anaganaga Oka Raju' set for Sankranthi 2026 release

Naveen Polishetty's ‘Anaganaga Oka Raju' set for Sankranthi 2026 release

Hans India26-05-2025

After a brief hiatus, star entertainer Naveen Polishetty is all set to return to the silver screen with his upcoming film Anaganaga Oka Raju. Known for his impeccable comic timing and three consecutive box-office blockbusters, Naveen is now eyeing a festive release with this much-awaited family entertainer.
The makers officially announced that Anaganaga Oka Raju will hit theatres on January 14, 2026, as a grand Sankranthi treat. Promising to be a full-blown festive celebration, the first look poster exudes vibrant, celebratory vibes, hinting at the film's colourful and humorous tone.
Backed by hit producer Naga Vamsi under the Sithara Entertainments and Fortune Four Cinemas banners, and presented by Srikara Studios, the film is expected to continue the production houses' successful streak. With recent Sankranthi hit Daaku Maharaaj under their belt, expectations are high for another winner in Anaganaga Oka Raju.
What makes this project even more exciting is that Naveen Polishetty himself has contributed to the film's story and screenplay, collaborating with a fresh team of writers. The film marks the directorial debut of Maari and features the much-talked-about Meenakshi Chaudhary as the female lead.
As Naveen joins the Sankranthi box office race, fans can look forward to his trademark humour and a heartfelt, festive entertainer designed for families. With top-tier production, engaging content, and a star-studded cast, Anaganaga Oka Raju is already creating a buzz as one of 2026's most anticipated releases.

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Suriya offers prayers at Palani Murugan temple ahead of beginning work on director Venky Atluri's film
Suriya offers prayers at Palani Murugan temple ahead of beginning work on director Venky Atluri's film

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Suriya offers prayers at Palani Murugan temple ahead of beginning work on director Venky Atluri's film

Chennai: Actor Suriya, along with director Venky Atluri and his team, on Thursday offered prayers at the world renowned Palani Murugan temple, ahead of the film's shooting which is to begin on June 9. Sources close to the unit of the film, which is being tentatively referred to as #Suriya46, said the team visited the Palani Murugan Temple to seek divine strength before taking their first major step. It may be recalled that director Venky Atluri's upcoming film with actor Suriya, officially got launched with a pooja ceremony on May 19 this year. The film officially went on floors with ace director Trivikram delivering the first clap. Malayalam actress Mamitha Baiju, who impressed with her performance in the Malayalam romantic drama 'Premalu', plays the female lead in the film which will have music by National Award winner G V Prakash. The unit initially had said that shooting for the film would begin by the end of May. However, the producers have now confirmed that shooting for the film, which is to hit screens during the summer of 2026, will begin on June 9. Sithara Entertainments, the production house producing the film, took to its timeline on X to share the news. It wrote, "Team #Suriya46 visited Palani Murugan Temple to seek divine strength. Before taking their FIRST MAJOR kickstarts June 9th. Exciting updates rolling out soon…" Apart from Suriya and Mamitha Baiju, the film will also feature Bollywood actress Raveena Tandon and Tamil actress Radhika Sarathkumar in pivotal roles. Cinematography for the film will be by Nimish Ravi and editing will be by National Award winner Navin Nooli. Music director and actor G V Prakash, who will be joining hands with Suriya as a music director after 'Soorarai Pottru', took to X to say that this film would be as special as 'Soorarai Pottru'. It may be recalled that G V Prakash, while penning his thoughts on working with Suriya in this film had said, "After #Sooraraipottru joining hands with Suriya sir. This album will be as special as SP. This one is for you sir @Suriya_offl have got a fantastic film and album on hands.... The songs have come out superb. With the hit production house and my best combo @SitharaEnts @vamsi84 sir . And my most successful director combo #Venkyatluri. @_mamithabaiju here is #Suriya46."

‘Flow love flow flawlessly': Ngũgĩ wa Thiong'o's poetry contemplates truth and justice in Venice
‘Flow love flow flawlessly': Ngũgĩ wa Thiong'o's poetry contemplates truth and justice in Venice

Scroll.in

time3 days ago

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‘Flow love flow flawlessly': Ngũgĩ wa Thiong'o's poetry contemplates truth and justice in Venice

'Not an obituary. We cannot write an obituary about an 'idea' that illuminated so many generations transcending geopolitical borders,' as my friend and journalist Pooja Mitra so eloquently puts it. Celebrating instead his love for truth and justice and generosity by sharing a suite of his Venice poems with my photographs of Venice. The photographs do not in anyway interpret the poems. Nor were the poems written for the photographs! At different moments in time both. The only common factor was his 'choosing to like' the nocturnal ones from a host of many. From: ngugi@ To: Naveen Kishore Sat, 24 Aug, 2019 at 12:47 pm Dear Naveen And yes, please let us share our take on Venice! The camera and the pen on Venice!!! Best Ngugi The thing about cities like Venice is their singularity. Nothing quite like it exists. Night-time Venice empties itself of people. And becomes shadow. Unlike other 'nights' in 'other' cities there is a resigned melancholy to these shadows. Not furtive. Or filled with the 'scurry-home' that accompanies fear. Just a combination of light and shade that causes these shadows into being. Almost a nightly re-birth. For the day-time brings bustle. And the Babel of languages carried by each individual traveller-tourist. The night is safe in the absence of sound. Unless you listen to the sound of your own feet returning home. — Naveen Kishore. From: ngugi@ To: Naveen Kishore Wed, 21 Oct, 2020 at 11:28 pm Dear Naveen Your mind and soul churn out image after image. There is one engine that has no arrival, It steams image after image, like you. Art is a journey without an end, because Because it continues its self-resurrection Into new selves Look at the guy called Shakespeare Still talking to us Or the unknown numerous others Like them that authored Mahabharata Art knows not death. Art contains arrival and departure. Venice, Italy Home to churches pigeons gondolas and boats on waterways San Marco to Salute I never have seen so many shrines of worship in one city Inside the boats, tourists press against one another or Push and shove on bridges linking the islands that make Venice. Enter a restaurant or Any shop selling all manner of wares and masks Cacophonous tongues of the globe accost you They're from Asia, Africa, Europe to the Americas. Though Venice is Italyland It's the outnumbered Italian that sounds foreign. With eager eyes and smartphones Tourists run about capturing images: They take them home to tell titillating tales of La Serenissima and Wondrous paintings and sculptures decorating Venetian palaces La Serenissima Venice Venice Venice You have stolen hearts of writers from many lands Which have given birth to great literature. Shakespeare penned The Merchant of Venice and The tale of Othello, the black hero of ancient Venice. Thomas Mann, the German, dreamt up Death in Venice. From Goethe, Henry James to Italo Calvino they've told stories. So I, Ngũgĩ, will also weave one or two in Gĩkũyũ To remind the world that the African sweat also built Venice The way it did other European cities: Amsterdam Copenhagen London Lisbon Madrid Paris Stockholm Venice Venice Venice three times I call you to make sure you hear: Your serenity might lull one into forgetting It hides a history of the blood you once enslaved. Quick Judgment In a restaurant near my place in Campo San Samuele I told them I wanted their specialty, so that On returning home to Africa I would sing gloria to the taste of Italian food. They brought me fish and spaghetti with black ink all over it. What kind of people are these? They flood my food with black ink just because I am black? I walked back to Campo San Samuele angry and hungry. Another day my guide Lucio De Capitani took me to Trattoria da Jonny. I ordered lamb and hastened to tell them not to add anything to the meal. Lucio de Capitani asked for the dish he loved most. They brought him fish and spaghetti flooded with black ink. This is the most beloved dish in Venice, he told me, and The black ink is what we love most. It is not pen ink; It is a black liquid squeezed out of a squid. Bridges of Locked Love Venice is home to hundreds of islands Linked by numerous bridges. Rialto Bridge; Bridge of Sighs; Academy ; and The Devil's Bridge all have stories to tell. Brides and Bridegrooms come from far and wide China, Japan or Korea; They exchange rings and take selfies at their favourite bridge. Lovers descend from all corners of the globe, Pour their love and vows into a padlock, They hang the locks on the bridge and throw the key into the river So their love will remain locked together forever. The bridges hang low under the weight of locked love. But the one I recall more clearly is the Bridge of Sighs: It links Doge's Palace and the New Prison on Piazza San Marco. The wealthy stand on the bridge and sigh with satisfaction The victims of wealth stand on the bridge and sigh with sorrow. Ponte del Diavolo, Venice Legend has it that once, With Venice and Vienna at War, A daughter of Venice and A son of Vienna, a soldier, Felt their hearts rebel against war. They decided to cross the valley of hate, and Swim in the warm waters of love. The family side of the daughter killed the soldier. The girl was left with a bleeding heart. A Healer took her to the devil Who brought back her man to life, but The Devil demanded his fee: On the night before Christmas, The healer was to bring him, at the bridge, souls of the recent dead. Death came for the Healer too soon. When the Devil went to the bridge he did not get his due. Every year when that day comes a cat prowls the bridge, but It is the devil disguised as a cat Waiting for the healer to bring him souls of the recent dead. All he hears are the murmurings of the flowing waters: Flow flawless love flow. Love makes the soul soar Hate makes the soul sink Flow love flow flawlessly Spread One love to all the earth You Devil Go away. Let love to rule the world. Moulaye Niang, Venice I met Moulaye in his factory at Salizadar Del Pignater Burning Murano glass with flaming gas. He made beads; he made necklaces; he made earrings. As he moulded different shapes, he composed lullabies A soul on fire whispering soul into the soul of fire. He reminded me of Prometheus Who once stole fire, for the humans, From the seat of the Gods above. The fire Gave humans the light and the power of making things. This Prometheus is Othello's country man. He comes from Senegal, West Africa. He changes Murano glass into marvels of colorful shapes. This Senegalese glass artist also sings. The light and sounds of Africa are everywhere. Resurrection in Venice I met Othello in Venice but Not the one from Shakespeare Who worked for them Fought their wars Crushed their enemies In defence of Venice. He let Iago's lies Born of racism Get under his skin into his heart and head. He snuffed the life of Desdemona his love And then took his own, Freeing his soul to follow his love. I met Othello in Venice but Not the one painted by Vittore Capaccio Piloting the Venetian gondolas Gliding along their waterways The many canals small and wide On all sides of the Grand Canal. The affluent of Venice felt so good about the ride Which took them to Piazza del Marco and back Feeding their eyes on the architectural wonders Renaissance and Gothic Palaces lined on either side. I met Othello in Venice but Not the one in Bellini's Miracle of the Cross Thrown into the river below the Bridge of To retrieve the remnant of the True Cross. Desperately he fights the waves in order not to drown. The lady of the house looks on from the window above in delight. I met Othello in Venice but Not the one in the ten sculptures That line the walls of Ca'Rezzonico Rented by Ca'Foscari University of Venice for our banquet, Chains still around the slaves' legs and necks. I ask: Are these sculptures here to celebrate slavery or To remind people that What they now eat and drink are fruits of those Once snatched from the mouth of hungry and thirsty slaves? I met Othello in Venice but Not the one painted on the floor of the entrance into Moresco Hotel, On Fondamenta del Passamonte between Rio Nuovo and Rialto Bridge, Near the Peggy Guggenheim Arts Museum. As guests enter, they step on the painting, And deposit the dust and mud from their shoes. No, not this or that Othello. The Othello I met is named Peter Kariũki. Ten years old and black, He organises other boys to play his version of basketball. At Campo de le Gate They bounce balls on the floor and shoot into the basket. He ensures they follow the rules and work in harmony. His bright eyes light up as if They can see into tomorrow and the days after: My mother and father are black and come from Limuru, Kenya They gave me life born of love; My mother and father are white and come from Venice, Italy They gave me life born of love. I was born in Limuru I grew up in Venice In me Kenya and Italy are conjoined. They call me Peter Kariũki The one who resurrects understanding among peoples No matter the color of their skin or The land of their origins and migrations. Courtesy Naveen Kishore, publisher, Seagull Books. All photographs by Naveen Kishore.

‘I Want To Join;: Internet Wants To Enroll In This Grandpa's Dance Masterclass
‘I Want To Join;: Internet Wants To Enroll In This Grandpa's Dance Masterclass

News18

time5 days ago

  • News18

‘I Want To Join;: Internet Wants To Enroll In This Grandpa's Dance Masterclass

Last Updated: The song is Chori Chori Dil Tera from the 1993 film Phool Aur Angaar. Dance videos flood social media every day, but some catch your attention in a special way. They make you pause and smile because of their energy and charm. Recently, one such video has been making waves online, and it is impossible not to enjoy watching it. The video shows a trio dancing enthusiastically to a popular song by Kumar Sanu. But here's the exciting part, the star of the group is an elderly man named Naveen Bharadwaz. He may look old, but his energy can easily beat even someone much younger. In the video, Naveen dances with full enthusiasm and nails every step with style and confidence. This clip, shared on Instagram, shows Naveen standing in the middle with two men on either side of him. Together, they perform simple, fun dance steps to the song Chori Chori Dil Tera. This song is from the 1993 film Phool Aur Angaar, sung by Kumar Sanu and Sujata Goswami. Watching these three is a joy. Their steps look smooth and easy. The best part is that anyone can try these moves even if you're not a dancer (trust us, we tried). Take a look at the video here: With dance like this, the video was bound to become a viral hit. Since being shared online, it has accumulated more than two million views. People couldn't get enough of the lively performance and shared their praise in the comment section. One user commented, 'Ohoooooo dadaji, super," while another added, 'Mind blowing performance." The dance became even more special for someone who shared, 'It's my favourite song." A viewer, clearly impressed, said, 'If you can accommodate one more, I'm sooo sooo mad to join you people." 'That's called swag," 'Wow! Superb", and 'Slayer" were some of the other remarks showing how much people enjoyed the dance. A few days ago, another such video caught the attention of social media users and impressed many viewers. This time, it featured an elderly woman dancing to the hit song Kajra Re. She was wearing a simple purple saree and danced like a pro to the song. What made the video even more special was how she mouthed the lyrics and interacted warmly with the guests. Many users praised her with remarks like 'professional-level dancing" and 'beautiful expressions." First Published:

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