logo
Wednesday to Hunting the Yorkshire Ripper: the seven best shows to stream this week

Wednesday to Hunting the Yorkshire Ripper: the seven best shows to stream this week

The Guardian18 hours ago
It's a new term at Nevermore, and for the first time in her life, Wednesday Addams (Jenna Ortega) is dying to go back to school. After all, she's a minor celebrity now and dealing with autograph hunters ('I only ever sign my name in blood. I never said it was my own blood'). However, things are about to get much worse for Wednesday. Like every kid, she dreads the arrival of her family at school, but not only are her parents around more – her troublesome brother Pugsley and formidable grandmother Hester also soon become fixtures. Once again, it's stylish, smart and witty. However you feel about Tim Burton, it's hard to argue that his maximalist gothic style isn't absolutely perfect for this material.
Netflix, from Wednesday 6 August
The crimes of Peter Sutcliffe (and the flawed police investigation) have proved irresistible to documentary-makers, with the BBC and Netflix recently offering up versions of events. In truth, this latest series doesn't add much to our understanding of Sutcliffe's crimes, though it does broaden to examine the infamous 'Wearside Jack' tape that was sent to police by a man claiming to be the killer. Former DCS Chris Gregg – who assembled a team to catch the hoaxer – is interviewed about his career-long involvement with the case.
Prime Video, from Sunday 3 August
As represented in TV dramas, cold cases are often glamorous and mysterious. This documentary series shows the reality is sadder, if frequently no less intriguing. It focuses on the work of the DNA Doe Project, a US organisation that, in partnership with law enforcement agencies, uses detective work and genetic investigation to offer the relatives of some of the estimated 50,000 unidentified bodies lying in American morgues a measure of closure. It's a necessarily melancholy affair but also somewhat stirring in its depiction of tireless, valuable service.
Disney+, from Wednesday 6 August
A third series for this accomplished animation that follows the exploits of the Prouds, an upwardly mobile African American family who mix cartoonish hijinks with strong, slightly earnest moral messaging about identity and hot-button social justice issues. Trudy is worried about screentime and it isn't just her kids who can't put down their phones – her husband Oscar is hardly setting a good example. Cue a decision to live more consciously and to take a family holiday to London, Paris and Nairobi that becomes life-changing for everyone involved.
Apple TV+, from Wednesday 6 August
Sign up to What's On
Get the best TV reviews, news and features in your inbox every Monday
after newsletter promotion
The chemistry between Seth Rogen's Will and Rose Byrne's Sylvia continues to underwrite this profound comedy. The series doesn't just tell us that deep, platonic friendships between men and women are possible – it shows us. It's hard to avoid the feeling that Will and Sylvia have more fun together than with anyone else. And that's the whole point: shouldn't that be enough? As we return, Will is preparing to marry Jenna but admits to Sylvia that he has a crush on someone else. The fear that it might turn out to be Sylvia herself soon passes but, even so, is this another symptom of Will's inability to commit to adult life?
Apple TV+, from Wednesday 6 August
Most people would probably agree that the absence of a gameshow for cats and their owners is a glaring omission from the TV schedules. So thank goodness, finally, for House of Cats, a three-parter of snappy episodes which is hosted by comic Ivo Graham and social media personality, and qualified veterinary surgeon, Cat the Vet. Fittingly, there's no hint of a cash prize here; instead the winning partnership will take home a golden litter tray. Given that cats are notoriously much harder to organise than dogs, they will have certainly earned it.
Channel 4, from Thursday 7 August
From Walter Presents, this daft but moderately creepy mystery drama from France stars Fantine Harduin as the titular teenager. When Promethea is hit by a car, she eventually wakes from a coma with no recollection of anything but her unusual name. Gradually, her memory starts to return but that proves to be a mixed blessing as a series of disturbing revelations about an unsolved recent murder start to spill out. At first, it seems that Promethea might have witnessed this killing – but could her involvement have been even more hands-on?
Channel 4, from Friday 8 August
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Conclave, The Brutalist and The Thursday Murder Club: what's new to streaming in Australia in August
Conclave, The Brutalist and The Thursday Murder Club: what's new to streaming in Australia in August

The Guardian

time12 minutes ago

  • The Guardian

Conclave, The Brutalist and The Thursday Murder Club: what's new to streaming in Australia in August

TV, US, 2025 – out 28 August Like Only Murders in the Building and A Man on the Inside, Netflix's new murder mystery series (adapted from the bestselling Richard Osman novel) belongs to a suite of storylines involving ageing folk investigating crimes – at their own ambling speed, with some afternoon tea of course, maybe a nap or two. Set inside a retirement village where a group of residents meet every Thursday to investigate cold cases, the plot swings into gear when an actual murder occurs, putting their novice sleuthing to the test. The director is Hollywood veteran Chris Columbus (Home Alone, Mrs Doubtfire, the first two Harry Potter movies) and the cast is pretty stacked – including Helen Mirren as a former spy, Ben Kingsley as a former psychiatrist and Pierce Brosnan as a former union man. Film, 2024, US – out 30 August (also on Binge) There are many reasons not to miss Brady Corbet's epic 40s and 50s-set period drama about a Hungarian architect and Holocaust survivor (Adrien Brody's László Tóth) who emigrates to the so-called land of the free to start again. When Tóth arrives, Corbet deploys the film's centrepiece image: the State of Liberty upside down, suggesting his journey might not be a carefree lark. The film has a peculiar and enigmatic energy; it moves and shifts in strange ways. All the cast are great, including Brody (who won an Oscar for the role) and Guy Pearce, who plays a rich industrialist who recognises Tóth's brilliance. TV, US, 2025 – out 22 August I love Netflix's animated adult series BoJack Horseman, one time even voting it the second-best TV show of the century. So a new series from its creator Raphael Bob-Waksberg was always going to be a must-watch for me. Long Story Short uses a time-jumping narrative to follow a Jewish family from northern California: in the first episode, for instance, we meet several characters as kids, and in the next they're much older, with children of their own. Bob-Waksberg has described it as 'visually more grounded than BoJack', with a 'comic strip' sensibility. Honourable mentions: Wednesday season 2 part 1 (TV, 6 August), The Iron Claw (film, 10 August), Fixed (film, 13 August), Night Always Comes (film, 15 August), The Echoes of Survivors: Inside Korea's Tragedies (TV, 15 August), Hostage (TV, 21 August), The Beekeeper (film, 23 August). Film, Australia, 2024 – out 24 August Strange things are afoot on an Australian cattle farm in this suspenseful, atmospherically on-edge film that's part relationship drama, part sci-fi, set in a not-too-distant future where the climate crisis has had a horrible impact on the agricultural industry. Married couple Layla (Talia Zucker) and Jack (Ashley Zukerman) are sheep farmers; one of them is hiding a dramatic secret. In Vitro maintains, as I wrote in my review, a 'spare approach, building anticipation for an interestingly peculiar final act'. TV, UK/Germany/Australia, 2025 – out now 'The Assassin' is one of those terribly generic titles that suggest an utter lack of imagination. They really couldn't think of anything better? Thankfully, the early buzz around this new series from creators Harry and Jack Williams (who helmed the explosively entertaining The Tourist) is very good. Keeley Hawes leads the cast as the titular assassin, who's living on a Greek island when she's asked to do One More Job – just as her estranged son (Freddie Highmore) comes to visit. In her review, the Guardian's Lucy Mangan said 'a menopausal assassin has been a long time coming', and called the show 'perfectly crafted preposterousness' that's 'stylish, witty, [and] tightly written'. Film, Canada/France, 2012 – out 3 August Most of David Cronenberg's intoxicatingly surreal head trip is based in and around the limousine of 28-year-old billionaire Eric Packer (Pattinson), which he uses as a penthouse and travelling office. From the safety of this vehicular cocoon, which slowly moves through congested New York streets, Packer is informed about threats to the president, threats to himself and the economy, the movements of protesters and other things that imply a volatile world outside. Cronenberg (adapting Don DeLillo's novel of the same name) makes circumspect commentary on wealth disparity and the grotesqueries of late-stage capitalism. Honourable mentions: Bran Nue Dae (film, out 5 August), A Silence (film, 5 August), Let Me In (film, 6 August), Outlander: Blood of My Blood (TV, 9 August), The Iron Claw (film, 10 August), I Know What You Did Last Summer (film, 15 August), I Still Know What You Did Last Summer (film, 16 August), The Rainmaker season 1 (TV, 16 August), The Beekeeper (film, 23 August), The Daughter (film, 27 August), The Rover (film, 31 August). Film, Italy/Belgium/France, 2022 – out 1 August Felix van Groeningen and Charlotte Vandermeersch's very handsomely staged drama contemplates big themes – fatherhood and lifelong friendships – via the story of thirtysomething men and former childhood pals Pietro (Luca Marinelli) and Bruno (Alessandro Borghi), who reunite after many years apart. It certainly has a grand setting: the Italian Alps, where amazing mountains loom in the background in an almost spiritual way, as if the characters are being watched by ancient forces. Despite a big, heavy heart, it's an accessible and crowd-pleasing film, told with a gentle ebb and flow. Film, UK/US, 2006 – out 15 August I love how Christopher Nolan's great movie about feuding magicians is itself a bit of a magic trick, with lots of spectacle and some cunning narrative sleight of hand – including a ripping twist associated with Christian Bale's character. He plays Alfred Borden, arch nemesis of Robert 'The Great Danton' Angier (Hugh Jackman), who cannot work out how Borden performs his signature trick, the 'Transported Man'. Angier's desperation leads him to consult Nikola Tesla (David Bowie), who provides him with a mysterious contraption that sends him, and the narrative, into another stratosphere. Honourable mentions: Unforgiven (film, 1 August), Death in Brunswick (film, 1 August), Midnight Special (film, 4 August), Body Melt (film, 4 August), Alphaville (film, 4 August), The Man Who Fell to Earth (film, 4 August), Absolute Power (film, 6 August), Syriana (film, 8 August), Marcella seasons 1-3 (TV, 9 August), Leonardo da Vinci (TV, 9 August), Little Fires Everywhere (TV, 16 August), Safe Harbor (TV, 21 August), Aguirre: The Wrath of God (film, 22 August), Fatal Crossing (TV, 28 August). TV, Australia, 2025 – out 10 August This new series from director Emma Freeman is the first ever mystery-drama to be set in an Australian coastal community. Boom-tish! The opposite of course is true: it feels as though we get new additions to this genre every other week. Not all star the excellent Teresa Palmer, however (though one recently did). She plays Isabelle, an 'enigmatic stranger' – to quote the official synopsis – who's central to 'a mystery that disrupts the seemingly harmonious beachside community of Pleasant Court'. Yeah, we've been here before, but I'll watch anything from Freeman, whose oeuvre includes Stateless, Love Me, Fake and The Newsreader. Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion Honourable mentions: Professor T season 1 (TV, 15 August), Stories From Magic Beach (TV, 15 August), In the Heights (film, 22 August), I, Jack Wright (TV, 24 August), Killer Whale: Australia's Megapod (TV, 26 August). Film, UK/US, 2024 – out 9 August Edward Berger's film about the highly secretive process of electing a new pope was exactly what I was hoping for: a tight, taut, thriller-ish production with a cloak-and-dagger feel. Ralph Fiennes headlines as Cardinal Lawrence, who's in charge of the electoral process, which involves a large number of cardinals choosing a successor from among various factions and ideological persuasions, from progressive and reformist to staunchly conservative. It's loaded with juicy twists and turns. Film, Australia, 2019 – out 11 August The screenplay of Wayne Blair's romantic comedy is a bit of a dog's breakfast, awkwardly balancing comedy and drama – though there's still lots to appreciate, including laugh-out-loud jokes and Miranda Tapsell's charming lead performance. She plays Lauren, a lawyer who searches for her missing mother in the lead-up to her wedding. As I wrote in my review: 'The Tiwi Islands provide a wonderful location and stories involving Indigenous Australians marrying non-Indigenous people have won little consideration in Australian cinema's 120-odd-year existence.' A TV sequel to the film, Top End Bub, arrives on Prime Video next month. Honourable mentions: Lord of the Flies (film, 1 August), Licorice Pizza (film, 1 August), The Wolf of Wall Street (film, 4 August), The Pickup (film, 6 August), Butterfly (TV, 13 August), John Wick (film, 20 August), The Terminal List: Dark Wolf (TV, 27 August). Film, US, 2025 – out now I'm a big fan of the Final Destination franchise. The writing can be a bit shonky and the performances not exactly Oscar-worthy, but the core premise – that people who escape their fates are tracked down and killed by Death himself – leads to some unique and perversely creative set-pieces, in which characters are killed off by a combination of elements around them. Bloodlines – the sixth Final Destination movie, and the first in 14 years – takes a playful approach, increasing the stakes and giving its protagonist Stefani (Kaitlyn Santa Juana) an ability to 'see him coming'. Him being Death. Honourable mentions: I'm Alan Partridge season 1 and 2 (TV, 1 August), The Hobbit 1-3 (film, 2 August), The Yoghurt Shop Murders (TV, 4 August), Dead Hot (TV, 18 August), Peacemaker season 2 (TV, 22 August), Alma's Not Normal seasons 1-2 (TV, 25 August). Film, US, 2025 – out 9 August Leigh Whannell's remake of 1941's excellent monster movie The Wolf Man didn't get a good rap from critics, but I reckon it's hugely underrated: a sad and deeply contemplative film about the fear of being a bad parent, and the horror of realising you're part of the problem. These emotions are experienced by Blake (Christopher Abbott), who returns to his childhood home in rural Oregon with his daughter (Matilda Firth) and wife (Julia Garner) after learning that his father has died. He gets bitten by a werewolf and slowly transforms into one, while trying to protect his little girl from another ravenous beast stomping around outside. Honourable mentions: The Good Doctor seasons 1-7 (TV, 1 August), Emmanuelle (film, 2 August), The Twelve: Cape Rock Killer (TV, 4 August), Gladiator 2 (film, 8 August), The Lord of the Rings 1-3 (film, 9 August), The Brutalist (film, 30 August), The Lost Tiger (film, 30 August). TV, US, 2025 – out 4 August The previous season of Mike Judge's classic animated sitcom aired 15 years ago, and I think it's fair to say a few things in the world have happened since then. Texan protagonist Hank Hill (Judge) would almost certainly vote Trump; ditto for his redneck pals, maybe even his wife, Peggy, (Kathy Najimy). One of the great things about the show is how genuine, how real the characters feel, and how much you care for them despite their many inadequacies and prejudices. The 14th season jumps forward in time, ageing the characters by about eight years, though certain things remain the same: Hank of course still sells propane and propane accessories. How will he respond to an ever-changing world, contemplating contemporary initiatives such as all-gendered bathrooms? Not well, I'm guessing. Honourable mentions: Eyes of Wakanda (TV, 1 August), Planes, Trains and Automobiles (film, 1 August), Leap of Faith (film, 1 August), Reservation Dogs seasons 1-3 (TV, 6 August), Alien: Earth (TV, 13 August), The Twisted Tale of Amanda Knox (TV, 20 August), Eenie Meanie (film, 22 August). TV, US, 2025 – out now Jason Momoa's hands are all over this epic period drama set in 18th and 19th century Hawaii. In addition to starring in the lead role as real-life warrior chief Kaʻiana, he co-created the series, executive produced it and directed the season finale. According to the official synopsis, the story begins 'when the four major kingdoms of the Hawaiian Islands were in a state of war' and follows the protagonist as he 'joins a bloody campaign' then 'rebels against the unification of Hawaiʻi that took place from 1782 to 1810'. The Guardian's Phil Harrison described it as a show that's 'steeped in Polynesian cultural practices' but also 'full of universal, action-adventure staples'. Honourable mentions: Stillwater season 4 (TV, 1 August), Platonic season 2 (TV, 6 August), Invasion season 3 (TV, 22 August).

'Pull new Masterchef series to stop Gregg Wallace accusers being triggered', Broadcast union urges BBC
'Pull new Masterchef series to stop Gregg Wallace accusers being triggered', Broadcast union urges BBC

Daily Mail​

time12 minutes ago

  • Daily Mail​

'Pull new Masterchef series to stop Gregg Wallace accusers being triggered', Broadcast union urges BBC

The BBC is facing growing pressure to pull the new unaired series of Masterchef to stop accusers being 'triggered'. Philippa Childs, head of broadcast union Bectu, has warned the BBC that if it airs the upcoming series of the cooking show, those who complained about Gregg Wallace and John Torode 'will legitimately feel distressed'. It comes as a contestant for the upcoming season claimed she was 'eyed up and ogled' and said she was edited out after asking for the series not to be broadcast. Last week, the BBC confirmed that 'after careful consideration' it will air the new series, adding that there was 'widespread support' from the contestants. It is understood that the BBC have told the MasterChef production company Banijay that the show should reduce Wallace and Torode's screen time to a minimum in light of the report's findings. However, Ms Childs has urged the broadcaster BBC to 'reconsider', adding that it should not 'reward bad behaviour with prime-time coverage'. 'Whilst the BBC claims that it has consulted with contestants there appears to have been no consultation with complainants; freelancers who have taken the very difficult step of speaking out and who will legitimately feel distressed as the show appears on their screens several times a week over the next two months,' she told the BBC. She added that the decision to air the series would 'undoubtedly' cause those who have had their complaint upheld to be 'triggered'. Philippa Childs, head of broadcast union Bectu, has warned the BBC that accusers of Gregg Wallace and John Torode 'will legitimately feel distressed' if the show is aired One former MasterChef worker who claimed Wallace groped her said the airing of the programme would show 'a blatant disregard for the people who have come forward'. While another employee, who claimed Wallace pulled his trousers down in front of her, said the decision was 'profoundly disrespectful'. She added: 'It ultimately sends a message that such behaviour can be overlooked.' Sarah Shafi, a contestant who took part in the latest series of MasterChef, said she believed the upcoming broadcast of MasterChef should be axed out of respect for the complainants. She told the Guardian that 'prominent figures have been abusing their power', adding that there has been an 'enabling environment' that allowed 'individual powerful men' to act inappropriately. Ms Shafi also revealed on Newsnight on Thursday that she was left 'flabbergasted' after being edited out of the hit cooking competition by the BBC following a heated conversation where she felt pressured to agree to the cut. In response to Sarah's complaint, the BBC said that Banijay had 'consulted with all the contestants before that decision was made' and received 'widespread support' to go ahead with broadcasting the show. 'We are sorry that this contestant does not support the decision and we are grateful she raised this with both the BBC and Banijay,' it added. A Banijay UK spokesperson said in a statement: 'We are sorry that Sarah does not support the decision to air this series of MasterChef. We carefully considered her concerns about broadcasting the series and discussed them with the BBC. 'However, having consulted with all contributors in the series ahead of the decision being made, the resounding feeling from those taking part was support for airing the series.' The BBC said it had taken the decision to broadcast the unaired series 'after careful consideration and consultation with the contestants'. In a statement, the corporation said: 'MasterChef is an amazing competition which is life-changing for the amateur chefs taking part. The focus of it has always been their skill and their journey.' The BBC also said it had not yet made a decision on the completed celebrity series and Christmas special, filmed with Torode and food critic Grace Dent. In its statement, the BBC said: 'This has not been an easy decision in the circumstances and we appreciate not everyone will agree with it. 'In showing the series, which was filmed last year, it in no way diminishes our view of the seriousness of the upheld findings against both presenters. We have been very clear on the standards of behaviour that we expect of those who work at the BBC or on shows made for the BBC. 'However, we believe that broadcasting this series is the right thing to do for these cooks who have given so much to the process. We want them to be properly recognised and give the audience the choice to watch the series.' An independent legal review, into behaviour on MasterChef, conducted by the law firm Lewis Silkin began in November and upheld 45 of 83 complaints made against Wallace. In total, 41 people complained. The review that concluded last month said that the 'majority of the substantiated allegations against Wallace related to inappropriate sexual language and humour'. It added that 'a smaller number of allegations of other inappropriate language and being in a state of undress were also substantiated', with 'one incident of unwelcome physical contact' also substantiated. In an interview with the Sun, Wallace tearfully apologised to anyone he had hurt and while he didn't deny being guilty of some of the claims, he believed things had been 'perceived incorrectly'. He said that he understood some of his actions may have offended people and 'weren't socially acceptable' but denied being a 'wrong-un'. Wallace insisted he is 'not trying to play the victim' and claimed his autism diagnosis was partly responsible for some of his alleged behaviour as it means he struggles 'to read people' and can be perceived as 'odd' at times. Torode was the subject of an allegation about using racist language that was upheld as part of a review carried out by law firm Lewis Silkin into the alleged behaviour of co-presenter Wallace. Torode said he had 'no recollection of the incident' and was 'shocked and saddened' by the allegation. The BBC and Banijay have been approached by the Daily Mail for further comment. Gregg Wallace is alleged to have made inappropriate sexual comments towards 13 women who worked with him on a variety of television programmes in a 17-year period. BBC News contacted the star's representatives on Tuesday outlining the full range of allegations. Gregg is alleged to have told 'sexualised' stories and jokes while on the MasterChef set, and openly spoken about his sex life in front of colleagues. He is also alleged to have taken his top off in front of a female colleague saying he wanted to 'give her a fashion show', and to have told another junior worker he wasn't wearing any boxer shorts under his jeans. Further to this, BBC News reported claims Gregg: Showed topless photos of himself to a MasterChef worker and asked for massages Told a female worker on Channel 5's Gregg Wallace's Big Weekends he was fascinated by the fact she dated women and spoke about sex and spanking Showed another worker on the 5 show photos of a woman in her underwear Stared at a female colleague's chest at the BBC Good Food Show in 2010 Openly spoke about his sex life, including how often he was having sex and his ability as a lover, on the show Impossible Celebrities Allegedly told an Eat Well for Less colleague: 'You can come to my car but can you handle the fact everyone will think you got off with a celebrity?' After receiving the letter, Gregg said he would step back from presenting MasterChef

Spooky Jenna Ortega ruffles feathers in frilly dress at Paris premiere of Wednesday season 2
Spooky Jenna Ortega ruffles feathers in frilly dress at Paris premiere of Wednesday season 2

Scottish Sun

timean hour ago

  • Scottish Sun

Spooky Jenna Ortega ruffles feathers in frilly dress at Paris premiere of Wednesday season 2

Wednesday has been viewed 252 million times and counting WOOHOO LA-LA, JEN Spooky Jenna Ortega ruffles feathers in frilly dress at Paris premiere of Wednesday season 2 Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) OO-La-la! Spooky Jenna Ortega ruffles more than some feathers in a frilly dress in Paris. The US star wore the brown frock for the French premiere of the second series of Netflix hit Wednesday, directed by Tim Burton. Sign up for the Entertainment newsletter Sign up 3 Jenna Ortega at the Paris premiere of the second series of Netflix hit Wednesday Credit: Getty 3 With Tim Burton, who directs the Netflix smash Credit: Shutterstock Editorial The show, based on the daughter from The Addams Family, will return next week after the original run became a ratings hit following its release in 2022. On the reception to the first series, Jenna, 22, said: 'I'm still very appreciative and grateful. "We didn't know that anyone was going to watch the show. 'You do these things and you don't know what's to come, so it was very overwhelming.' A former child star, Jenna was catapulted into the A list when Wednesday – viewed 252 million times and counting – launched in 2022. And by her own refreshingly candid admission, that rapid rise to the top was overwhelming. 'To be quite frank, after the show and trying to figure everything out, I was an unhappy person,' she told Harper's Bazaar in May. 'After the pressure, the attention – as somebody who's quite introverted, that was so intense and so scary.' The eight-month shoot in Romania had been challenging, with Jenna revealing: 'I was alone. Never had any hot water. The boilers in two of my apartments were broken, so I always took cold showers.' At least she'll be getting a warm welcome from Wednesday fans as the show returns to their screens. Game of Thrones star looks worlds away from Westeros after glam transformation for Netflix's Addams Family spin-off

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store