
Vindicated woman uses Netflix to plot the perfect revenge on cheating boyfriend
Petty Betty at its finest.
When someone finds out their ex is cheating, sometimes the pettier the action, the better, like keying their car à la Carrie Underwood or staining their clothes before returning them.
However, one woman took the cake on the petty thing she did to her unfaithful beau, and it didn't involve his belongings but instead — her Netflix account.
Advertisement
Posting in the r/pettyrevenge forum on Reddit, she proudly shared her story, writing: '…my ex cheated and we broke up but apparently still felt entitled to my Netflix.'
She explained that he had the nerve to create a new profile on her account to watch the shows the couple would watch together 'on my dime.'
'I didn't yell, didn't revoke access, but renamed the profile to 'Cheater,' switched it to toddler mode…no violence and max parental locks. Even the avatar was a sad cartoon monkey.'
Advertisement
The most hilarious part is that the disloyal guy was annoyed his girlfriend did this — it is her account after all — and texted her, 'Seriously?' in which she replied with an iconic one-word response: 'Seriously.'
The cheating ex-boyfriend had some nerve using his ex's Netflix after he did her dirty.
SB Arts Media – stock.adobe.com
'[I] Then changed the password and blocked him. Enjoy your cartoons, loser. I'm watching 'Bridgerton' in peace,' the vindicated woman wrote.
Many devious Reddit users responded, sharing their similar stories using streaming services to get back at an ex.
Advertisement
'I annoyed the hell out of my ex by locking him out of the Amazon account. He was really financially irresponsible and I didn't want to risk him running up the credit card…He was pissed because he was in the middle of some shows,' one revealed.
Another person chimed in writing, 'I let my ex use my account for 6 months until winter set in where he lived and I heard from mutual friends he was snowed in. THEN I changed the password.'
This woman thought long and hard about how she was going to get back at her cheating ex.
Koray – stock.adobe.com
'I did the same with Spotify after a nasty separation. Changed the settings to low-quality sound while on cellular data, disabled songs with swear words in them, then made a playlist called 'I miss ex's name' which consisted of only Lily Allen's song 'F**k you' (which couldn't even be played),' read a savage comment.
Advertisement
'My ex would also use my Netflix after we broke up. I changed the password the day of the Game of Thrones finale,' quipped another commenter.
Getting even via Netflix is not the only way exes are going about it — some are showing up with receipts.
'I was in bed lying next to him when I saw I had a new message request from a girl who he'd been messaging,' Melissa Viegas told Kennedy News about how she discovered her ex was cheating.
'So I ended up cutting them out and putting them in a 'Sorry for your loss' card,' explained Viegas.
'I showed up to his work and gave him the card. He opened it, stared at it a while.'
Bet that taught him a lesson.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Los Angeles Times
42 minutes ago
- Los Angeles Times
‘The Waterfront': Where crime and dysfunction are a family affair
Kevin Williamson, whose previous screen creations include teen romantic drama ('Dawson's Creek'), meta slasher horror ('Scream') and teen supernatural gothic ('The Vampire Diaries'), has thrown his hat into the popular dysfunctional-family-doing-crimes ring with 'The Waterfront,' premiering Thursday on Netflix. Set in North Carolina, like 'Dawson's Creek,' it's a soap opera with drug smuggling. Welcome to Havenport. As crime families go, the Buckleys are not the Corleones, although their involvement with the darker side of life is generational. (Legitimately they run fishing boats and a fancy restaurant and are sitting on a prize piece of undeveloped seafront property.) Grandpa (deceased) was some kind of troublemaker; father Harlan (Holt McCallany), who fondly remembers the cocaine trade of his younger days, when people dressed well and were polite, has checked out of all family affairs after a heart attack or two in favor of drinking and cheating on his unusually understanding wife, Belle (Maria Bello). Meanwhile, without telling Harlan, Belle and son Cane (Jake Weary), a disappointed former high school hero, have been providing boats to idiot drug smugglers in order to pay off mortgages and loans that might cause them to lose their aboveboard businesses and cherished identity as the Buckleys of Havenport. When things go south, they get drawn in deeper — Cane, reluctantly, and Harlan, almost enthusiastically. It makes him feel like his old self again and gives him a reason to bully Cane — in order, he imagines, to toughen him up. But he's basically a bully — imposing yet somehow bland. Cane had a chance to play college football in Miami, but his father undercut his confidence; he is still waiting for it to return. 'I'm really good at almost,' he tells high school girlfriend Jenna (Humberly González), whose unexpected return to town has him emotionally unsettled, in spite of having a perfectly lovely wife, Peyton (Danielle Campbell), and a young daughter. 'Almost good enough. Almost a good guy. I'm almost a good husband, father, son. Just not quite, you know.' (Jenna is nominally a journalist, working in Atlanta. 'I read some of your articles online,' says Cade. 'You're a good writer!') The remaining Buckley, younger sister Bree (Melissa Benoist), is not currently doing any crimes, though she earlier burned her family's house down and is now permitted to see her sulky teenage son, Diller (Brady Hepner), only in the presence of a court-appointed chaperon. Not that Diller wants to see her at all; she did burn his house down. ('No one was hurt,' Bree points out. 'Physically,' Diller replies.) But manners are manners, whatever your mother's done, and she was an addict, after all. Now she's out of rehab, going to meetings and working in the family restaurant, though asking to get back into the front office. Perhaps she has an ulterior motive; so many of these characters do. Also in the intertwined mix: Gerardo Celasco as too-buff-by-half Drug Enforcement Administration agent Marcus Sanchez; Michael Gaston as dangerous Sheriff Clyde Porter, an old frenemy of Harlan, seething with class resentment; and Rafael L. Silva as Shawn, the new bartender at the Buckleys' restaurant, whose poor knowledge of mixology raises alarms. Topher Grace is on the cast list for a future appearance. Given that Williamson grew up where the series is set and is the son of a fisherman, one might have hoped for more local color and a little insight into the fishing business, rather than concentrating on the criminal shenanigans and sexy stuff that could happen anywhere and does. (Yes, I have odd hopes.) Instead, everything's a little fuzzy, lacking in detail. Characters put on attitudes and get in and out of trouble — there are shootings and scrapes, surprising reveals and shocking events — but few are, or seem about to develop into, interesting people. (Only three episodes of eight were out for review, so something might well pop; still, that's three hours of television down.) They're a little bland, even, and what happens to any of them, though of idle interest, is never really a compelling question. Belle stands out by virtue of being played by Bello and given at least one scene in which she seems like a regular, empathetic person, and Bree can be sympathetic, given how much her son hates her. I would counsel Peyton, one of the few without an agenda — so far, anyway — to take her daughter and leave town, but I'm guessing that won't happen. If in some ways 'The Waterfront' feels assembled off the shelf, there's enough activity that some viewers, possibly a lot of them, will dig in just to see how this thing caroms into that. That's the engine that runs no small amount of television. It's easy enough to watch. And sometimes 'just OK' equals 'good enough.'
Yahoo
an hour ago
- Yahoo
Justin Baldoni Drops Taylor Swift Subpoena in Blake Lively Lawsuit
Taylor Swift no longer has to worry about being dragged into Justin Baldoni's ongoing legal action against his It Ends With Us co-star, Blake Lively. The Wrap reports that on Thursday, he dropped his subpoena against the singer. Baldoni had claimed that Swift was present at Lively's Tribeca penthouse during discussions of rewriting one of the movie's pivotal scenes. Baldoni's suit further claimed that Lively called Reynolds and Swift her 'dragons' à la Game of Thrones in a text message. More from Rolling Stone Neil Young Stands With Taylor Swift, Bruce Springsteen in Trump's Musician War: 'You Work for Us' Taylor Swift's 'Look What You Made Me Do (Taylor's Version)' Featured on 'The Handmaid's Tale' Blake Lively's Lawyers Move to Penalize Justin Baldoni's Team After Taylor Swift Extortion Claim A rep for Swift refuted this description of events earlier this month when news of the subpoena first broke. 'Taylor Swift never set foot on the set of this movie, she was not involved in any casting or creative decisions, she did not score the film, she never saw an edit or made any notes on the film,' the rep told Rolling Stone. The rep said the subpoena was 'designed to use Taylor Swift's name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case.' Swift's law firm, Venable, described the subpoena as an 'abuse of the discovery process.' 'There is no reason for this subpoena other than to distract from the facts of the case and impose undue burden and expense on a non-party,' it said in a statement. Baldoni's lawyer, Bryan Freedman, then alleged in a legal filing that Lively was attempting to extort a statement of support from Swift. He claimed that Lively's lawyers contacted Swift's legal team asking 'that Ms. Swift release a statement of support for Ms. Lively, intimating that, if Ms. Swift refused to do so, private text messages of a personal nature' would come out. Lively's lawyer described these claims as 'categorically false.' Her legal team then moved to penalize Baldoni's team in the form of sanctions and fees over the extortion claim. Three days later, Baldoni's team withdrew the subpoena. Freedman did not immediately return Rolling Stone's request for comment. 'We are pleased that Justin Baldoni and the Wayfarer Parties have withdrawn their harassing subpoenas to Taylor Swift and her law firm,' a rep for Lively said, according to the Wrap. 'We supported the efforts of Taylor's team to quash these inappropriate subpoenas directed to her counsel and we will continue to stand up for any third party who is unjustly harassed or threatened in the process.' In December, Lively accused Baldoni of sexual harassment and spearheading a smear campaign against her; she filed a lawsuit before the year was up. He countersued in January, alleging defamation, extortion, and invasion of privacy. A trial is scheduled for March. Best of Rolling Stone The 50 Best 'Saturday Night Live' Characters of All Time Denzel Washington's Movies Ranked, From Worst to Best 70 Greatest Comedies of the 21st Century
Yahoo
2 hours ago
- Yahoo
How the Dallas Cowboys Cheerleaders Got a 400% Pay Raise
Jada McLean, who helped fight for a pay raise for the Dallas Cowboys Cheerleaders, is pictured in Netflix's America's Sweethearts. Credit - Courtesy of Netflix The second season of America's Sweethearts ends on a triumphant note for the Dallas Cowboys Cheerleaders. In the final 15 minutes of the Netflix documentary series' new season, which airs June 18, Megan, a four-year veteran, excitedly shares the news about a 'life-changing' 400% pay increase that the cheerleaders will be getting. We learn they will also be paid more for their appearances outside of cheering for the Dallas Cowboys. It's a happy ending to a grueling season and a key milestone in the dancers' long fight for fair pay. Over seven episodes, the series tackles how choreographers put together a 36-person cheerleading team for Dallas Cowboys football games. Just because someone has previously been on the team—those dancers are called 'veterans'—doesn't mean they'll make the team the following season. They have to audition again, alongside 'rookies,' people trying out for the first time, during an intense boot camp. So advocating for a pay raise added pressure to the situation. Jada McLean, a five-year veteran who helped lead pay negotiations after being almost evicted from her home, tells TIME that the series' existence played a big role in them getting the increases. In both seasons of America's Sweethearts, dancers talk about how they have to work multiple jobs to pay their bills, even though the Cowboys are valued at more than $10 billion. 'Having people watch the television show and speak up honestly on behalf of us and say, 'Hey, this is not right. We weren't aware that these girls are making so little'—that motivated us to speak up more for ourselves,' McLean says. Tad Carper, senior vice president of communications for the Cowboys, tells TIME via email: 'We're pleased, as you'll see in the series, that the Dallas Cowboys Cheerleaders were happy with the outcome.' Here's how the Dallas Cowboys Cheerleaders made their case for a pay raise in Season 2 and got to the end zone. Exact pay rates are not discussed in the show, and the Cowboys would not confirm the pay rates to TIME. But NBC Boston reported in 2022 that Dallas Cowboys Cheerleaders made between $15 and $20 an hour, $500 per match, and about $75,000 a year. There is also a history of dissatisfaction with Dallas Cowboys Cheerleader wages. In 2018, former Cowboys cheerleader Erica Wilkins sued, and a 2019 settlement resulted in an increase in the hourly wage from $8 an hour to $12 an hour, and an increase in game day wages from $200 to $400. While the contents of the cheerleaders' contracts are not revealed in America's Sweethearts, the disappointed reactions are well-documented in several off-hand comments throughout the latest season of the show. Some cheerleaders like Armani, a fifth-year veteran, have a job outside of cheerleading that primarily pays their bills, but many do not. Kleine, a 4-year veteran, is working four different jobs while the Cowboys are in season. In the series, Megan points out that the cheerleaders get some services like hair styling and spray tans, as part of the job. 'But at the end of the day, that doesn't pay my rent. I've got student loans, I've got car payments,' she says. The first group meeting in which cheerleaders vent about their pay happens about halfway through Season 2, in Episode 4. 'For us to all be struggling financially, I'm kind of over it,' Jada says over breakfast at a diner with other cheerleaders. 'I would love to leave this place better than it was when we started,' Armani adds. 'Our legacy will be the money,' Jada says. At the beginning of last summer, McLean tells TIME, the cheerleaders started consulting family members of alumni who were in the legal field about what their options were, and then had several meetings with the Cowboys' HR and legal teams. Viewers will see the cheerleaders talking to one another about the need for a pay increase, but their meetings are not on camera. During a Zoom call with the team featured in America's Sweethearts, a group of veterans updated their teammates on the slow progress of negotiations. 'We sat in this meeting and I was almost in tears,' Amanda says on the call. 'It was just breaking my heart the way they were speaking about us.' But she says she's not going to back down on the cause, arguing that the Netflix show has given them a huge platform to leverage: 'If there's any time to do it, it's now that we are relevant and the world is on our side.' She even encourages her teammates to consider not showing up to a practice and stage a walkout. Some members talk about potentially leaving the team for good. While staging a walkout and going on strike may have been talked about, McLean tells TIME they didn't follow through because the dancers were too worried about disappointing fans: 'We didn't want to let people down who were so excited to see the cheerleaders after supporting us through the first season of our television show.' Judy Trammell, a choreographer for the cheerleaders, says in the show, 'A walkout would really make me nervous, but I know people have to fight for certain things to make changes, and I understand that.' The cheerleaders continued to hold meetings to discuss the issue of pay. Amanda does bring up pay during a progress check-in she has with Trammell and the director of the team, Kelli Finglass. 'I do hope that one day we can get the cheerleaders paid more,' Amanda tells them. 'We work extremely hard, and I think all of these girls would quit their full-time jobs in order to be Dallas Cowboys Cheerleaders.' Trammell replies: 'But why do we want people to quit their full-time jobs when that's what's so impressive about ya'll?' Speaking with TIME, McLean responded to that comment: 'The reality of having to balance two or three or four jobs isn't easy, and it's hard to be the best at something when you feel like you're having to spread yourself thin in other areas instead of fully committing to that one thing.' Though she fought for the pay raise for her teammates, McLean will not be returning to the Dallas Cowboys, citing the workload and a general desire for a more flexible schedule. When asked what valuable life lessons she's learned as a Dallas Cowboys Cheerleader, she brought the conversation back to fair pay. She hopes their fight for fair pay inspires other women to speak up in their own jobs, arguing, 'at the end of the day, you don't know what's going to come from it, and it may be something that benefits you or the people who come after you.' And she hopes the Netflix series will give people a greater appreciation for the hard work that goes into cheerleading. 'We're not just pretty faces out there shaking pom poms," she says. "We're true athletes. We're women who are successful outside of the uniforms.' Write to Olivia B. Waxman at