
The Atlanta club where pleasure and hip-hop dealmaking collide
Soon enough, Barney signed the lease for a defunct print shop, repurposed the building and named it 'Magic City.' The club opened in 1985 with just one dancer.
After 40 years of deals, networking and hip-hop history at the club, Magic City is the subject of a five-part docuseries executive-produced by producer and rap mogul Jermaine Dupri.
'Magic City: An American Fantasy' premiered Friday on STARZ, showcasing the outsized national impact of the Atlanta strip club and others like it on hip-hop culture and the industry.
'We would fly back home to go to Magic City from out of town,' Dupri told NBC News. 'It's like going to Orlando and not going to Disney World — you have to go.'
To the So So Def producer, there's more to Mr. Magic's establishment than the women.
'You could be standing by the biggest thief in Atlanta, the biggest drug dealer in Atlanta, the biggest rapper in Atlanta, the biggest basketball player in the world, a movie star, a politician, and they're all in the same area — treated the same, having the same conversations and you wouldn't know the difference, because the club doesn't cater to just one person,' Dupri said.
Strip, as the club is known among regulars, has provided a gauge for hip-hop and R&B hitmaking.
'The connection is very authentic,' Dupri said. 'Hearing your song play in a club is like hearing your song on the radio. You feel like you actually made it.'
In some cases, the aspiration for hip-hop fame comes from the people onstage. Bronx-native Nya Lee used the money she made dancing to fund her rap career.
'In the earlier years, I invested in myself,' she said to NBC News. 'A lot of people didn't think that being a stripper and a rapper could work.'
But it did, and her story was compelling enough to land her a spot on VH1's popular show, 'Love and Hip-Hop: New York.' Not long after, another dancer was introduced to the world through the series: Cardi B, who has since become a global force in entertainment.
Stripping can have a dark side. Outside of Magic City, some dancers have unionized to fight for better work standards, fairer pay and protection from sexual harassment or abuse. Clubs are, after all, an environment in which men are paying for access to women's bodies, whether it's making full contact or at a distance.
And while some perform with the goal of escaping the club and improving their lives, others escape to the club. That was the case for a Memphis, Tennessee, native with two years of undergraduate college credits and a boyfriend who was facing federal charges. Rapper and TV personality Jessica Dime, who is featured in the docuseries, went to the sprawling King of Diamonds in Miami after two friends advised her to leave Memphis. 'It was so much going on in the streets at the time,' Dime said to NBC News. 'When I left, it was the best decision I could have made. Dancing was something that saved me. I would have been in jail or probably dead if I wouldn't have went to Miami.'
Within a few years of performing, she got the attention of Flo Rida and signed to his IMG record label as a rapper.
'What they were giving me to sign, I would have made more in one night at King of Diamonds,' Dime said. She said she knew that if she signed the contract, 'God is going to make sure I stay out of here.'
But the people who work in the clubs don't need to be aspiring rappers to still make an impact on music. Last year, Muni Long's track 'Made for Me' became a hit at Magic City, which Dupri said helped him gauge how well the song would do more broadly, especially since traditional R&B is hard to place in clubs.
'The dancers were singing the song,' Dupri recalled, and so were the patrons.
Rapper Rick Ross' debut single, 'Hustlin,' about the everyday grind in any capacity, was a major success in strip clubs across the country.
'They was playing my record without my requesting it, and I said, 'This is different.' I believe the record was speaking for everybody that was in the club,' Ross said to NBC News. 'You talking to the parking man, you talking to the dancers, you talking to the DJs.'
In 2005, dancers at Magic City introduced South Carolina rapper Young Jeezy's music to DJ Nando, who was the club's resident DJ at the time. With the backing of BMF (Black Mafia Family) and Big Meech, author Joe Cosscarelli says in the docuseries that Jeezy became 'this larger than life, King Pin figure.'
Jeezy's album 'Let's Get It: Thug Motivation 101' was the go-to record throughout Magic City dancer Gigi Maguire's career.
During her time at Magic City as a headlining dancer, Maguire became friends with some of the rappers that would frequent the club. She had been testing different stage names when rapper Lil' Wayne gave her a hand as she sat in on a writing session on his tour bus in Atlanta.
'Wayne was a close friend of mine,' she said. The Young Money emcee was testing lyrics and happened to say, 'Weezy Maguire, show me the money.' Maguire fired back, ''Gigi Maguire, show me the money,' and he said, 'Yoo! That's fire. You should keep that.' Literally, it stuck.'
Maguire also took her roommate Trey Songz's music to Magic City during her featured spots on Mondays.
'We still are, to this day, like family,' she said. 'He's literally like my little brother.'
This docuseries will be part of STARZ's roster of projects on hip-hop culture. The network's hit drama series, 'P-Valley,' is set at a fictional Southern club and includes two cast members from Magic City's Snack Pack trio of pole dancers, which includes Maguire.
When the retired dancer got a call for a guest appearance for a 'P-Valley' episode on featuring icons of strip, there was controversy over who those legends would be.
'They wanted Cardi B, Blac Chyna and Amber Rose. I used to work with Amber and Chyna and am friends with them. I love Cardi B down. But those are not women that the dance community goes to, to say, 'Hey, I aspire for my dance career to be this,'' Maguire said.
To the women who admire Maguire and the stars she mentioned, their accomplishments and influence in the culture and hip-hop extends beyond strip and has allowed them to leverage their popularity into business ventures that wouldn't have necessarily been available a decade or so ago.
Nya Lee, 32, was 17 when she won a stripping contest two times, using a fake ID at Sin City in the Bronx.
The now-DJ has collaborated with Fabolous, Jadakiss and Ultimate Rap League battle rap legend T-Rex on her projects. Her mixtapes include features with Kash Doll who also started as a Detroit-based stripper.
'Girls seeing me knock down doors made them feel like they could do it too,' Nya Lee said.
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NBC News
7 hours ago
- NBC News
Vampires, romance and billionaires: The bite-size Chinese shows gaining U.S. fans
HONG KONG — As U.S. television series produce longer and fewer episodes, a new genre from China is gaining American fans by going in the opposite direction. Known as minidramas, micro dramas or vertical dramas, they are soap operas condensed into a minute or two per episode. Each show, reminiscent of a telenovela, is split into dozens of chapters, each about two minutes long and with all the soapy elements: cheesy romance, over-the-top drama and abundant cliff-hangers. 'The revenge ones, oh, my God, they're so good,' California-based retail business owner Jacarius Murphy told NBC News in a video interview. Murphy is a fan of the minidramas, known as duanju in Chinese, which focus heavily on romance, revenge and fantasy. The stories tend to involve wealthy characters such as a chief executive who's secretly a vampire or a billionaire living a double life — characters often played by American actors. 'People want this fast dopamine hit, and they can snack on it while they're waiting,' said Anina Net, an American actress based in Los Angeles who has worked on minidramas for the past four years. The genre originated in China, where production companies have tapped into the popularity of short-form, vertical-produced, TikTok-style video content. About half of China's 1.4 billion people consume dramas in this style, according to a report released in March by the state-owned China Netcasting Services Association. The industry made $6.9 billion in revenue last year, more than China's total box office sales. The shows are 'still quite limited in genre, mostly romance-focused, with sweet, domineering CEO tropes and modern settings,' said Kaidi Dai, a Shanghai-based minidrama producer. Now, having figured out the Chinese market, the same companies are expanding into the U.S., where minidramas are finding success just a few years after the failure of Quibi, a short-lived, short-form mobile streaming service. The shows are available on platforms such as ReelShort, DramaBox and GoodShort, which offers free episodes and in-app purchases as well as subscriptions. Minidramas cost far less to make than standard TV shows and can make millions of dollars in revenue through a combination of user purchases and advertising. But adapting them to the U.S. market takes some tweaking, said Chinese filmmaker Gao Feng, also known as Frank Tian, who has a minidrama production company based in New York. Rather than remaking Chinese shows, his company hired longtime U.S. residents to craft stories that would appeal to American audiences. 'I believe that scripts determine 65-70% of a project's success,' he said in an interview. 'Apart from werewolves, CEO romances and hidden identities, we should explore new genres.' While many short dramas have been based on successful Chinese stories, 'if a platform cannot innovate continuously, it will face significant challenges,' he added. Among the most popular shows is 'The Double Life of My Billionaire Husband,' which tells the story of a woman whose husband is better off financially than he appears. All 60 episodes can be viewed in less than 70 minutes on ReelShort, the California-based, Chinese-backed minidrama platform that released it in 2023. 'Hilariously bad, oddly addictive,' reads one IMDb review of the show, which had more than 485 million views on ReelShort as of Friday. The Chinese-backed short-video app has vied with TikTok as the most popular product in the entertainment section of Apple's U.S. app store. 'The short videos on TikTok have laid a solid foundation for the popularity of short dramas,' Yan Min, who helped organize an industry conference in China last year, said in an interview. Min said ReelShort and other companies were advertising on platforms such as YouTube and TikTok to attract new users, catering to the 'evolving viewing habits of younger generations, who have grown up with platforms like TikTok and are accustomed to short, engaging content.' U.S. entertainment companies have taken notice of the trend. Netflix said in May that it was testing a vertical feed made up of clips from its shows and movies, while Disney said last month that it was investing in DramaBox through its accelerator program. Though minidramas seeking U.S. audiences are increasingly using actors with American backgrounds, they often shoot in scenic Chinese locations like the coastal city of Qingdao, with its Western-style villas and architecture, for greater authenticity. 'We seek actors and screenwriters who grew up in the U.S. and naturally embody an American style. Then we incorporate some Chinese elements,' said Ann An, a Beijing-based freelance producer for several minidramas made for foreign audiences. Turnarounds are incredibly fast in the industry as producers strive to keep costs low. An said a show can finish filming in 10 days, with a budget of under $70,000. The biggest key to the success of minidramas, though, is the cliff-hangers, which push viewers to keep paying for the next episode. 'The scriptwriters know exactly where to place these cliff-hangers, and they execute them very well,' said Apple Yang, a minidrama director based in London. That helps explain the appeal of minidramas even if their overall quality is sometimes 'underwhelming,' said Ying Zhu, a professor at Hong Kong Baptist University's Academy of Film. 'Make the dialogue real and less mechanic. Make it funny when possible and biting when needed,' Zhu said. 'One minute can pack in a lot of info if done well.'


NBC News
a day ago
- NBC News
The Atlanta club where pleasure and hip-hop dealmaking collide
In the early 1980s, Michael Barney and his wife left his hometown of Camden, N.J., and relocated in Atlanta, where he started working in telecommunications and earned the nickname 'Mr. Magic' from colleagues. One night out with friends at a popular strip club, he got the inspiration for what would become a cultural hotspot in the heart of the city. Soon enough, Barney signed the lease for a defunct print shop, repurposed the building and named it 'Magic City.' The club opened in 1985 with just one dancer. After 40 years of deals, networking and hip-hop history at the club, Magic City is the subject of a five-part docuseries executive-produced by producer and rap mogul Jermaine Dupri. 'Magic City: An American Fantasy' premiered Friday on STARZ, showcasing the outsized national impact of the Atlanta strip club and others like it on hip-hop culture and the industry. 'We would fly back home to go to Magic City from out of town,' Dupri told NBC News. 'It's like going to Orlando and not going to Disney World — you have to go.' To the So So Def producer, there's more to Mr. Magic's establishment than the women. 'You could be standing by the biggest thief in Atlanta, the biggest drug dealer in Atlanta, the biggest rapper in Atlanta, the biggest basketball player in the world, a movie star, a politician, and they're all in the same area — treated the same, having the same conversations and you wouldn't know the difference, because the club doesn't cater to just one person,' Dupri said. Strip, as the club is known among regulars, has provided a gauge for hip-hop and R&B hitmaking. 'The connection is very authentic,' Dupri said. 'Hearing your song play in a club is like hearing your song on the radio. You feel like you actually made it.' In some cases, the aspiration for hip-hop fame comes from the people onstage. Bronx-native Nya Lee used the money she made dancing to fund her rap career. 'In the earlier years, I invested in myself,' she said to NBC News. 'A lot of people didn't think that being a stripper and a rapper could work.' But it did, and her story was compelling enough to land her a spot on VH1's popular show, 'Love and Hip-Hop: New York.' Not long after, another dancer was introduced to the world through the series: Cardi B, who has since become a global force in entertainment. Stripping can have a dark side. Outside of Magic City, some dancers have unionized to fight for better work standards, fairer pay and protection from sexual harassment or abuse. Clubs are, after all, an environment in which men are paying for access to women's bodies, whether it's making full contact or at a distance. And while some perform with the goal of escaping the club and improving their lives, others escape to the club. That was the case for a Memphis, Tennessee, native with two years of undergraduate college credits and a boyfriend who was facing federal charges. Rapper and TV personality Jessica Dime, who is featured in the docuseries, went to the sprawling King of Diamonds in Miami after two friends advised her to leave Memphis. 'It was so much going on in the streets at the time,' Dime said to NBC News. 'When I left, it was the best decision I could have made. Dancing was something that saved me. I would have been in jail or probably dead if I wouldn't have went to Miami.' Within a few years of performing, she got the attention of Flo Rida and signed to his IMG record label as a rapper. 'What they were giving me to sign, I would have made more in one night at King of Diamonds,' Dime said. She said she knew that if she signed the contract, 'God is going to make sure I stay out of here.' But the people who work in the clubs don't need to be aspiring rappers to still make an impact on music. Last year, Muni Long's track 'Made for Me' became a hit at Magic City, which Dupri said helped him gauge how well the song would do more broadly, especially since traditional R&B is hard to place in clubs. 'The dancers were singing the song,' Dupri recalled, and so were the patrons. Rapper Rick Ross' debut single, 'Hustlin,' about the everyday grind in any capacity, was a major success in strip clubs across the country. 'They was playing my record without my requesting it, and I said, 'This is different.' I believe the record was speaking for everybody that was in the club,' Ross said to NBC News. 'You talking to the parking man, you talking to the dancers, you talking to the DJs.' In 2005, dancers at Magic City introduced South Carolina rapper Young Jeezy's music to DJ Nando, who was the club's resident DJ at the time. With the backing of BMF (Black Mafia Family) and Big Meech, author Joe Cosscarelli says in the docuseries that Jeezy became 'this larger than life, King Pin figure.' Jeezy's album 'Let's Get It: Thug Motivation 101' was the go-to record throughout Magic City dancer Gigi Maguire's career. During her time at Magic City as a headlining dancer, Maguire became friends with some of the rappers that would frequent the club. She had been testing different stage names when rapper Lil' Wayne gave her a hand as she sat in on a writing session on his tour bus in Atlanta. 'Wayne was a close friend of mine,' she said. The Young Money emcee was testing lyrics and happened to say, 'Weezy Maguire, show me the money.' Maguire fired back, ''Gigi Maguire, show me the money,' and he said, 'Yoo! That's fire. You should keep that.' Literally, it stuck.' Maguire also took her roommate Trey Songz's music to Magic City during her featured spots on Mondays. 'We still are, to this day, like family,' she said. 'He's literally like my little brother.' This docuseries will be part of STARZ's roster of projects on hip-hop culture. The network's hit drama series, 'P-Valley,' is set at a fictional Southern club and includes two cast members from Magic City's Snack Pack trio of pole dancers, which includes Maguire. When the retired dancer got a call for a guest appearance for a 'P-Valley' episode on featuring icons of strip, there was controversy over who those legends would be. 'They wanted Cardi B, Blac Chyna and Amber Rose. I used to work with Amber and Chyna and am friends with them. I love Cardi B down. But those are not women that the dance community goes to, to say, 'Hey, I aspire for my dance career to be this,'' Maguire said. To the women who admire Maguire and the stars she mentioned, their accomplishments and influence in the culture and hip-hop extends beyond strip and has allowed them to leverage their popularity into business ventures that wouldn't have necessarily been available a decade or so ago. Nya Lee, 32, was 17 when she won a stripping contest two times, using a fake ID at Sin City in the Bronx. The now-DJ has collaborated with Fabolous, Jadakiss and Ultimate Rap League battle rap legend T-Rex on her projects. Her mixtapes include features with Kash Doll who also started as a Detroit-based stripper. 'Girls seeing me knock down doors made them feel like they could do it too,' Nya Lee said.


Forbes
2 days ago
- Forbes
Cardi B Pays Homage To Jay-Z With New Single ‘Imaginary Playerz'
Grammy-winning rapper Cardi B is setting the stage for her long-awaited sophomore album. Am I the Drama?, slated for release next month, arrives next month and marks the Bronx-bred MC's first full-length since 2018. After a string of hit singles like 'WAP' and 'Up' in the first half of the decade and more recently with 'Enough (Miami)' and 'Bongos,' Cardi gave her first taste of Am I the Drama? last month with 'Outside.' Cardi's follow-up single, 'Imaginary Playerz,' shows that she's not just ready to have a good time; she's prepared to show she deserves her spot among rap's greats. The track pays tribute to Jay-Z's 'Imaginary Player,' coincidentally from his own sophomore album. And like Jay-Z on the original, Cardi takes time on the track to toot her own horn. 'Now I spit that other s**t, pretty motherf**ker s**t / Cardi B, every song platinum, I'm not the other b***h / Whatever you was gon' pay hеr, you gotta double it / Gloryhole, b***hes don't know who thеy f**kin' with,' she raps. "My flop and your flop is not the same / If you did my numbers, y'all would pop champagne / If I did your numbers, I would hop out a plane." Earlier this year, Cardi teased that the forthcoming album would deliver something new in the music scene today. "I feel like it's unexpected and I feel like it's something that's not really out right now," she told Billboard. "It's gonna be things that people do expect me and a lot of things people don't expect from me." The past year of has been a whirlwind for Cardi personally, from filing for divorce a second time last July and having her third child last September to her current relationship with New England Patriots player Stefon Diggs. Naturally, that bled over into the recording process. "It's a lot of lover girl things, too, on my album. I've been heartbroken and then I'm loving again, and then I'm exploring again," she said. Am I the Drama? is out Sept. 19.