Lizzo Returns With a Throwback-Rock Bop, and 11 More New Songs
Every Friday, pop critics for The New York Times weigh in on the week's most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.
'It's been a while,' Lizzo sings in 'Love in Real Life,' after more than a year of commotion involving her social media, her weight and lawsuits from employees. The video (though not the song itself) opens with Lizzo saying she needs 'no views, no likes, real love in real life.' Backed by a swinging beat and rock guitars, Lizzo heads out for a drunken night at a dance club, with a chorus topped by a Prince-like scream. For a few minutes, pleasure solves everything. JON PARELES
The back-flipping upstart Benson Boone runs into a former flame who upends his current relationship on the lively new single 'Sorry I'm Here for Someone Else.' Amid driving percussion, pulsating synths and an escalating sense of urgency, Boone unfurls a satisfying narrative of love lost and regained in a sudden moment of clarity. The only problem is that he has to break another girl's heart in the process. 'Benny, don't do it, Benny don't do it!' he tells himself — but he does it, and lets her down easy with that classic line, 'It's not personal.' LINDSAY ZOLADZ
'Flood' exults in percussive low end: a Bo Diddley drumbeat meshed with a syncopated bass line, below Little Simz rapping in her most hard-nosed bottom range. She lashes out at anyone who'd interfere with 'my genius plan, and that's being as free as I can' and offers career advice: 'Don't trust all the hands you shake.' She's righteous and cynical, with her defenses well fortified by rhythm. PARELES
Agitation is built in to 'Cinderella,' from the where's-the-downbeat intro to the dissonant note that repeats — irregularly — through nearly the entire track. As an industrial dance beat assembles itself, crumbles, and reappears, the vocalist Cole Haden wrestles with the vulnerability of revealing himself to a partner, finally deciding, 'I won't leave as I came.' PARELES
The Norwegian pop experimentalist Jenny Hval takes on a familiar lyrical image — the rose — and turns it into something highly specific and alluringly strange on this first single from her upcoming album, 'Iris Silver Mist.' 'A rose is a rose is a rose is a cigarette,' she sings atop a spare track that features light, hypnotic percussion and subtle blasts of brass. As the arrangement gradually builds into something fuller, Hval sketches a vivid childhood memory of her mother smoking on a balcony, 'long inhales and long exhales performed in choreography over our dead-end town.' ZOLADZ
The 19-year-old Dominican rapper J Noa and her producer, Lowlight, crank up brash horn riffs and hyperactive bongos to hark back to Sugar Hill Gang's 'Apache' and its source, the Incredible Bongo Band's version of 'Apache.' She boasts about her talent, her business and her bank accounts in crisp, rapid, nonstop syllables, punctuated with a 'la-la' refrain that's joyful in its arrogance. PARELES
Even the title — 'loud' embedded in 'Clouds' — speaks to the verbal ambitions of a grown-up J. Cole as he faces his own 'gray hairs' and a rapidly changing world. The track is a two-chord vamp topped with electric piano improvisations, while Cole's rhymes confront the confounding mess that is 2025. He has to brag: 'The planet'll shake when I'm performing.' But he's also worried about 'billionaires who don't care the world's gonna break / as long as they make money off it, pain brings profit' and about songs 'generated by the latest of A.I. regimes' that will make some people ask, 'What happened to human beings?' He can't answer that question. PARELES
Angel Deradoorian, best known as the bassist and singer with Dirty Projectors until 2012, reaches back to Bach — or maybe Procol Harum — in 'Set Me Free.' With a processional beat and harpsichord tones, she sings — joined by her own choral harmonies — about trying to rise above earthly disappointments to accept 'an invitation cosmically.' The song hopes, a little paradoxically, that its constrained, formal elegance can summon liberation. PARELES
Deerhoof's new single holds two songs that stake out extremes. 'Overrated Species Anyhow' is an indie-rock hymn, with a multitracked Satomi Matsuzaki sustaining the melody over tremolo-strummed guitars and bird songs. By contrast, 'Sparrow Sparrow' is speedy, jumpy and intricate, a math-rock tangle of contrapuntal guitars, meter-shifting drums and a vocal melody that somehow lilts like a children's song even as its surroundings go systematically haywire. The two songs are a benefit for the Trevor Project, which supports young L.G.B.T.Q. people. 'Love to all my aliens / lost, despised or feared,' the lyrics of 'Overrated Species Anyhow' attest. PARELES
'Tear apart the elements and they'll recombine,' Laura Misch sings in this ghostly song about loss, 'letting go of all you love' and hoping that 'tears return to tenderness.' Slow, airborne patterns of keyboards and harp waft high above her voice, eventually joined by her saxophone, in a mix that opens up celestial spaces, then turns inward. PARELES
The Bulgarian electronic producer Alper Durmush, now based in Berlin, records as Impérieux. 'Fo Pio' — like the rest of his new album, 'Rezil' — melds the danceable austerity of techno with anxious undercurrents and sounds that can arrive like jump scares. 'Fo Pio' has a midrange drone that waxes and wanes and a blippy, detuned melody that could have come from an early video game; other elements emerge just long enough to keep nerves on edge. PARELES
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Business Insider
5 hours ago
- Business Insider
Addison Rae and the art of the rebrand
The business of being Addison Rae was booming. It was March 2021, and the then-20-year-old had recently become the world's top-earning TikTok star, dancing and lip-syncing her way to nearly 80 million followers and a vast portfolio of brand deals. She'd dropped out of school at Louisiana State University to sign with an agent and move to LA, was preparing to launch her own cosmetics line, and had already secured a second season of her Spotify-exclusive podcast. That summer, she'd make her film debut in Netflix's "He's All That," a role that would lead to a multimillion-dollar deal with the streamer. There was only one thing left to do: Become a pop star. But when the single and music video for Rae's debut single " Obsessed" dropped that month, listeners were anything but. The song was panned as phoned-in influencer slop. "This is proof that nowadays it's so easy to get into the music industry by using the clout you have," one YouTube commenter wrote. Critics weren't much kinder. "'Obsessed' proves she should stick to lip syncing," Langa Chinyoka wrote for entertainment blog Popdust. While the song's reception was almost unanimously negative, the real inciting factor was Rae's audacity to release original music at all: How dare an influencer best known as a purveyor of corny TikTok dance trends envision herself as an actual artist worthy of any stage bigger than an iPhone? Back then, no one could have predicted Rae's debut album, "Addison," would arrive Friday amid a flurry of praise from pop heads and critics alike. Four years after "Obsessed" became a spectacular flop, Rae has masterfully rebranded as the music industry's newest "It" Girl. This time, her strategy is working: her face is back on major magazine covers, she's collaborating and associating with pioneering pop stars like Charli XCX and Rosalía, and is being anointed " the new pop princess" by fans on social media. Against all odds, Rae has pulled off a rare pivot, trading a massive but unenthusiastic audience of passive social media scrollers for critical acclaim and a passionate niche of die-hard fans. As Walden Green wrote for Pitchfork, "Addison Rae has achieved something arguably more impressive than success: coolness." How did she do it? Act I: Flipping the script Rae is hardly the first celebrity to switch lanes, but the transition from TikToker to bona fide celebrity is particularly difficult — just ask Charli D'Amelio or Bella Poarch, both of whom boasted more followers than Rae in 2020, but have so far failed to parlay social-media fame into traditional Hollywood prestige. Lili Colwell, the vice president of digital at Night, a talent representation platform for online creators, said her clients face greater stigma when transitioning into a new discipline, as skeptics often assume that influencers are lazy trend hoppers, not creative forces in their own right. "They don't give these people enough credit," Colwell said. "They're like, 'Oh, they have no talent.'" Growing an audience on TikTok demands a constant churn of content. Rae recently told The New York Times' Popcast she was posting "ridiculous amounts of videos" at her peak popularity, sometimes up to 12 videos per day. Meanwhile, carving a fruitful path in the music industry demands discernment and a distinct point of view. The biggest stars like Taylor Swift and Beyoncé deploy tightly controlled communications strategies to keep their brand identities compelling and consistent. Tara Goodwin, a PR expert and founder of Goodwin Consulting, said for Rae to be taken seriously beyond social media, it was essential that she rejected TikTok's ethos of oversaturation and began sharing with more intention. "On TikTok, she had random posts all the time, never any rhyme or reason," Goodwin said. "Now, it's very curated, it's very strategic." In May 2025, Rae only shared 12 videos on TikTok for the entire month, mostly to promote music videos that were painstakingly styled, shot, and edited — a far cry from the off-the-cuff, low-effort clips that defined her early days on the app. Now, if she's going to lip sync or dance, it's to her own songs. Taking a step back from algorithmic ubiquity not only gave Rae more control over her narrative but also added a crucial layer of mystique to her persona — a key element in transforming her reputation from regular Louisiana girl with a knack for nailing TikTok dances to an aspirational, slightly unknowable celebrity and artist. "She's releasing bits and pieces to intrigue the audience and make them want more," Goodwin said of Rae's current social media strategy. "She's actually now creating a story." Online and in interviews, Rae has managed to sell her rebrand as an earnest progression in her creative coming-of-age. She told The New York Times that, after her TikToker days of hustling for mass appeal and millions of followers, she can finally afford to take risks. "I have this luxury now to be able to play and explore," she said. The fact that it's taken four years for Rae to re-emerge with a different, more adventurous musical persona only makes this arc more convincing. Her evolution didn't happen overnight; instead, Rae's dogged commitment to her new vision is a selling point. "She's no longer just an influencer making music — she's a pop artist who happens to come from an influencer background." Sara Andréasson, PR expert Rae has proudly told news outlets about how she convinced Columbia Records to give her another chance after the failure of "Obsessed" by presenting an elaborate mood board that laid out her new sound and aesthetic in buzzwords ("intense," "glitter"), colors (aquamarine, hot pink), and iconic pop performances. She has been working to personify that character ever since, with every carefully selected public appearance, red carpet look, and new song revealing another layer of her new self-mythology. Sara Andréasson, cofounder of Michele Marie PR, told Business Insider that this strategy has created demand and curiosity. "She's no longer just an influencer making music — she's a pop artist who happens to come from an influencer background." Act II: Finding a backer During her TikTok reign, Rae told BI, "You are who you hang out with." Though she was speaking at the time about how close she was with her family, the statement has become a key tenet of the Rae Rebrand. Rae's music earned its first major stamp of approval from the alt-pop star Charli XCX, who, after hitting it off with Rae in a studio session, asked to contribute a verse to "2 Die 4," a ringtone-era throwback track that was included on Rae's 2023 EP "AR." Before Charli XCX had her major crossover moment in the summer of last year with the ubiquitous acid-green rollout of her album "Brat," the British singer was known as a platinum-selling songwriter for other artists and an ahead-of-the-curve pop prophet in her own right. Her interest in supporting and collaborating with Rae, whom she'd also recruit for the remix of her "Brat" single, "Von Dutch," around the same time, legitimized Rae's artistic pursuits. DJ Louie XIV, a music critic and host of the Pop Pantheon podcast, said he's "keen to ascribe agency" to Rae, even if it could seem like her fame has been propelled by her shrewd choice of collaborators. It's not that he believes Charli is pulling the strings — it's that he trusts her eye for talent. "Maybe I'm buying the hype," he told BI, "but I think if Charli sees something in her, that means something to me." Rae's connection to Charli introduced her to a wider audience, made her more chic by association, and staved off doubts about her staying power. As Brat Summer raged on, Rae took a page out of Charli's cool-girl playbook, crashing parties and smoking cigarettes with club kids, and winning respect from celebrated songwriters like Lorde and Lana Del Rey. To top it off, she generated buzz when she joined Charli onstage for surprise performances during the singer's tour stops at Madison Square Garden and Coachella, and cheekily announced her album release date via a pair of pink underwear while performing the "Aquamarine" remix with Arca at the festival. Act III: Dressing the part Having good style is relatively easy; making your fashion serve a narrative purpose is harder. Rae is largely focused on the latter, using her outfits to signal her new priorities. Gone are the Brandy Melville sweatpants and backward baseball caps that made her look laid-back and accessible, like the average girl at Erewhon. Instead, she's worked closely with Interview magazine fashion director Dara Allen to execute a series of looks that aren't simply pretty or well-fitted, but edgy, flamboyant, and evocative. Rae savvily uses her clothing to evoke movie stars and pop icons and project herself into that lineage, landing a series of indelible fashion moments, from her pap walk in a baby tee accessorized with Britney Spears' memoir to the white satin lingerie set she wore for her VMAs red carpet debut, which Vogue described as "'Swan Lake' meets Las Vegas showgirl." Andréasson, who has experience dressing A-list celebrities for events, said Rae's style evolution stands out for its use of surrealism and storytelling. Rae in 2021. Gotham/GC Images Rae in 2024. XNY/Star Max/GC Images "She does a great job avoiding the costumey elements of nostalgia and instead reinterprets it with modern tailoring and fresh beauty choices," Andréasson said. "Nostalgia only works when it's recontextualized, and Addison seems to understand that." In a media landscape where rewearing a historic Marilyn Monroe gown or recreating a memorable look from a '90s sitcom are easy ways to score headlines, Rae has avoided the plug-and-play approach. Her style may be full of references, but crucially, she doesn't mimic other celebrities or copy exact outfits. Instead, she prefers to arouse a broader feeling of familiarity. For example, Rae cited the 2006 friendship comedy "Aquamarine" as an inspiration for her song of the same name and her mermaid-inspired look for the 2024 CFDA Awards — not in terms of the movie's content or plot, but in how watching it made her feel. "I wanted to find what aquamarine meant to me," she said. Act IV: Living up to the hype Rae's flair for refracting nostalgia through her own original lens is evident in her new music as much as in her aesthetic. Her debut album "Addison" is full of dreamy, mid-tempo pop that flirts with its influences, from Madonna's "Ray of Light" and Björk's "Post" to Spears' "Blackout" and Del Rey's "Born to Die." As the tracklist dances between decades, genres, and moods, Rae's personal touch fills the gaps. This kaleidescopic technique isn't always radio-friendly, but Rae no longer seems to be aiming for immediate chart success (none of the album's five singles have yet cracked the Billboard Hot 100's top 40, with "Diet Pepsi" peaking the highest at No. 54). And why should she? If there's anyone who knows the drawbacks of an abrupt rise to fame without a sensible plan to sustain it, it's Rae. Instead, she and her team are executing a strategy that prioritizes artistic legitimacy and real staying power, something Rae hinted at in a recent interview with Elle. "I feel like I've surpassed Addison Rae," she said. "It's just Addison now." Going mononymous is a shorthand for prestige: think Madonna, Cher, Beyoncé. Rae hasn't earned that level of name recognition yet, but if her journey thus far is any indication, her ambition, marketing savvy, and willingness to play the long game are not to be underestimated — at least, not anymore. "Back in the '50s, people were discovered in Hollywood by sitting at a lunch counter on a stool. TikTok was her stool," Andréasson said. "It's going to fade away, and all of the new things that she's doing are what she's going to be known for. That's just going to be a postscript in the Addison story."
Washington Post
10 hours ago
- Washington Post
Why a Minneapolis neighborhood sharpens a giant pencil every year
MINNEAPOLIS — Residents will gather Saturday in a scenic Minneapolis neighborhood for an annual ritual — the sharpening of a gigantic No. 2 pencil. The 20-foot-tall (6-meter-tall) pencil was sculpted out of a mammoth oak tree at the home of John and Amy Higgins. The beloved tree was damaged in a storm a few years ago when fierce winds twisted the crown off. Neighbors mourned. A couple even wept. But the Higginses saw it not so much as a loss, but as a chance to give the tree new life. The sharpening ceremony on their front lawn has evolved into a community spectacle that draws hundreds of people to the leafy neighborhood on Lake of the Isles, complete with music and pageantry. Some people dress as pencils or erasers. Two Swiss alphorn players will provide part of this year's entertainment. The hosts will commemorate a Minneapolis icon, the late music superstar Prince , by handing out purple pencils on what would have been his 67th birthday. In the wake of the storm, the Higginses knew they wanted to create a sculpture out of their tree. They envisioned a whimsical piece of pop art that people could recognize, but not a stereotypical chainsaw-carved, north-woods bear. Given the shape and circumference of the log, they came up with the idea of an oversized pencil standing tall in their yard. 'Why a pencil? Everybody uses a pencil,' Amy Higgins said. 'Everybody knows a pencil. You see it in school, you see it in people's work, or drawings, everything. So, it's just so accessible to everybody, I think, and can easily mean something, and everyone can make what they want of it.' So they enlisted wood sculptor Curtis Ingvoldstad to transform it into a replica of a classic Trusty brand No. 2 pencil. 'People interpret this however they want to. They should. They should come to this and find whatever they want out of it,' Ingvoldstad said. That's true even if their reaction is negative, he added. 'Whatever you want to bring, you know, it's you at the end of the day. And it's a good place. It's good to have pieces that do that for people.' John Higgins said they wanted the celebration to pull the community together. 'We tell a story about the dull tip, and we're gonna get sharp,' he said. 'There's a renewal. We can write a new love letter, a thank you note. We can write a math problem, a to-do list. And that chance for renewal, that promise, people really seem to buy into and understand.' To keep the point pointy, they haul a giant, custom-made pencil sharpener up the scaffolding that's erected for the event. Like a real pencil, this one is ephemeral. Every year they sharpen it, it gets a bit shorter. They've taken anywhere from 3 to 10 inches (8 to 25 centimeters) off a year. They haven't decided how much to shave off this year. They're OK knowing that they could reduce it to a stub one day. The artist said they'll let time and life dictate its form — that's part of the magic. 'Like any ritual, you've got to sacrifice something,' Ingvoldstad said. 'So we're sacrificing part of the monumentality of the pencil, so that we can give that to the audience that comes, and say, 'This is our offering to you, and in goodwill to all the things that you've done this year.''
Associated Press
11 hours ago
- Associated Press
Why a Minneapolis neighborhood sharpens a giant pencil every year
MINNEAPOLIS (AP) — Residents will gather Saturday in a scenic Minneapolis neighborhood for an annual ritual — the sharpening of a gigantic No. 2 pencil. The 20-foot-tall (6-meter-tall) pencil was sculpted out of a mammoth oak tree at the home of John and Amy Higgins. The beloved tree was damaged in a storm a few years ago when fierce winds twisted the crown off. Neighbors mourned. A couple even wept. But the Higginses saw it not so much as a loss, but as a chance to give the tree new life. The sharpening ceremony on their front lawn has evolved into a community spectacle that draws hundreds of people to the leafy neighborhood on Lake of the Isles, complete with music and pageantry. Some people dress as pencils or erasers. Two Swiss alphorn players will provide part of this year's entertainment. The hosts will commemorate a Minneapolis icon, the late music superstar Prince, by handing out purple pencils on what would have been his 67th birthday. In the wake of the storm, the Higginses knew they wanted to create a sculpture out of their tree. They envisioned a whimsical piece of pop art that people could recognize, but not a stereotypical chainsaw-carved, north-woods bear. Given the shape and circumference of the log, they came up with the idea of an oversized pencil standing tall in their yard. 'Why a pencil? Everybody uses a pencil,' Amy Higgins said. 'Everybody knows a pencil. You see it in school, you see it in people's work, or drawings, everything. So, it's just so accessible to everybody, I think, and can easily mean something, and everyone can make what they want of it.' So they enlisted wood sculptor Curtis Ingvoldstad to transform it into a replica of a classic Trusty brand No. 2 pencil. 'People interpret this however they want to. They should. They should come to this and find whatever they want out of it,' Ingvoldstad said. That's true even if their reaction is negative, he added. 'Whatever you want to bring, you know, it's you at the end of the day. And it's a good place. It's good to have pieces that do that for people.' John Higgins said they wanted the celebration to pull the community together. 'We tell a story about the dull tip, and we're gonna get sharp,' he said. 'There's a renewal. We can write a new love letter, a thank you note. We can write a math problem, a to-do list. And that chance for renewal, that promise, people really seem to buy into and understand.' To keep the point pointy, they haul a giant, custom-made pencil sharpener up the scaffolding that's erected for the event. Like a real pencil, this one is ephemeral. Every year they sharpen it, it gets a bit shorter. They've taken anywhere from 3 to 10 inches (8 to 25 centimeters) off a year. They haven't decided how much to shave off this year. They're OK knowing that they could reduce it to a stub one day. The artist said they'll let time and life dictate its form — that's part of the magic. 'Like any ritual, you've got to sacrifice something,' Ingvoldstad said. 'So we're sacrificing part of the monumentality of the pencil, so that we can give that to the audience that comes, and say, 'This is our offering to you, and in goodwill to all the things that you've done this year.''
