Al Pacino Joins Bobby Moresco-Directed Biopic ‘Maserati: The Brothers'
Al Pacino has joined the cast of 'Maserati: The Brothers,' the biopic directed by Bobby Moresco about the family behind the high-performance automobiles that, along with Ferrari and Lamborghini, Italy is known for.
Pacino's cameo in the film was announced by producer Andrea Iervolino. A rep for Pacino did not immediately respond to a request for comment.
More from Variety
Tessa Thompson to Present First-Ever Cannes Golden Globe Prize for Documentary (EXCLUSIVE)
Nordic Film Institute Honchos Talk Cannes Agenda and Best Memories (EXCLUSIVE)
Ukrainian Filmmakers Weather 'Turbulence,' 'Uncertainty' of Trump 2.0, Set Sights on Post-War Rebuild: 'We Are Still Here'
In 'Maserati' Pacino will be playing businessman Vincenzo Vaccaro, who supported the Maserati family and invested in the early days of the company. Also joining the star-studded film's cast are Gina La Piana ('Intentional') and Tatiana Luter ('Rudy Valentino'), according to a Iervolino statement.
Previously announced 'Maserati' cast comprises Anthony Hopkins, Andy Garcia, Jessica Abla, Michele Morrone and Salvatore Esposito.
Maserati was founded in 1914 in a garage in the central Italian city of Bologna by three brothers: Alfieri, Ettore and Ernesto. The trident that is the company's emblem is a replica of the one found in the Fountain of Neptune in Bologna. From early on, the company –which is now known for exotic luxury cars — was tied to the world of auto racing. Maserati's first Grand Prix racing car, called 'Type 26,' is the vehicle that Alfieri Maserati was driving in the 1927 Messina Cup race when he had a near fatal crash. Alfieri died a few years later, on March 3, 1932, at the age of 44 from complications related to that accident. In 1937, the brothers, while remaining involved, sold a controlling stake in the company that is now owned by Fiat.
Iervolino ('Modì') is the lead producer on the biopic. Nicki Cortese and Wayne Marc Godfrey from Bright White Light ' The Beast' are co-financing and executive producing the project.
The second and final phase of filming of 'Maserati' will start in June in Rome. The film is slated for a worldwide premiere in early Fall 2025, Iervolino said.
Pacino is represented by Josh Lieberman at CAA and Stan Rosenfield at RMG; La Piana by Eris Talent Agency; and Luter by Independent Artist Group.
Best of Variety
All the Godzilla Movies Ranked
Final Oscar Predictions: International Feature – United Kingdom to Win Its First Statuette With 'The Zone of Interest'
'Game of Thrones' Filming Locations in Northern Ireland to Open as Tourist Attractions
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Forbes
14 minutes ago
- Forbes
‘The White Lotus' Stars Walton Goggins And Aimee Lou Wood Reveal The Truth Behind Instagram ‘Feud'
Aimee Lou Wood and Walton Goggins Rick and Chelsea, the tragic lovers from the third season of HBO's The White Lotus, were fan favorites during the show's run earlier this year. The actors who played them also became the center of much gossip after the season came to a close. This was partly due to comments made by Jason Isaac, who played troubled investment banker Timothy Ratliff, in the third season. The cast lived on-set in Thailand for months during the shoot, and Isaac said that tensions could sometimes run high, noting that there were 'fewer deaths but just as much drama' behind the scenes. Rumors of a split between Walton Goggins, who played Rick, and Aimee Lou Wood, who played Chelsea, reached fever pitch when fans noticed that Goggins had unfollowed his co-star on Instagram. Fandom is always thirsty for this kind of drama, but perhaps especially so for a series like The White Lotus, which is all about scandal, betrayal and the woes of the rich and famous. There was blood in the water, and the sharks came circling. Goggins also didn't join his fellow cast members at the finale event, watching it alone instead, though he was in New York for a late-night appearance at the time. I never commented on these rumors. Tawdry gossip has never been something I feel the need or desire to comment on. Gossip journalism is certainly big business, but it's not my cup of tea. I am happy, however, to report on the outcome. In a lengthy interview with the two co-stars over at Variety, they clear the air and put the rumors to bed once and for all. After a discussion of the infamous SNL sketch that mocked Wood's appearance, and Goggins' regret at posting about it on social media, they clear the air. From the interview: He also addressed the NYT interview in which he refused to answer multiple questions about the supposed feud, saying he wouldn't answer them without Wood present. When Wood is asked about the Instagram unfollowing she replies: Goggins makes it clear that saying farewell to co-stars is just part of his process. When he left the show Justified "I went up to Tim [Olyphant], and I hugged him and I said, 'I love you, and I hope I see you in rooms for the rest of my life. I didn't talk to him for almost two years. I've done that with every single thing that I've done.' He continues: It's all part of his 'catharsis' according to Goggins. He would have done the same thing if he'd been following Olyphant or his The Shield co-star Michael Chiklis on Instagram at the time. Still, during the interview he gets up, grabs his phone and follows Wood on Instagram. 'It's all so ridiculou. It's just a part of me just saying goodbye to this character so that now Aimee and I will be friends for *#$&ing ever.' Read the full interview at Variety. Read my review of the Season 3 finale of The White Lotus here. So now that the rumors have been put to bed, can we talk about something important again? Like where we think the next season of The White Lotus will take place? I'm hoping it's Africa or maybe Eastern Europe. Or perhaps somewhere in South America or Mexico. It's a big world, after all.
Yahoo
36 minutes ago
- Yahoo
‘Twelve Moons' Debuts First-Look Clip Ahead of Tribeca Premiere, Director Victoria Franco Speaks About Societal Pressures on Women (EXCLUSIVE)
'Twelve Moons,' the feature debut of Mexican filmmaker Victoria Franco, premieres on Saturday in the International Narrative Competition of Tribeca Festival. Variety debuts an exclusive first clip from the film and speaks to the director. The film stars acclaimed Mexican actor Ana de la Reguera, whose career bridges Hollywood and Latin American cinema, alongside Ariel Award winner Enrique Arreola. Filmmaker Michel Franco, Victoria's brother, is a producer on the film, and the Match Factory is handling international sales. More from Variety 'Billy Joel: And So It Goes' Directors Share Inspirational Message From Ailing Singer: 'He Will Be Back' Tribeca Festival: Miley Cyrus' 'Something Beautiful,' Barbara Walters Doc and 11 Other Films We're Excited to See 'The Shadow Scholars,' Executive Produced by Steve McQueen, Debuts Trailer Ahead of North American Premiere at Tribeca (EXCLUSIVE) 'Twelve Moons' follows Sofia, a 40-year-old architect in Mexico City, who has suffered a devastating loss, and must navigate her complex emotions while trying to stay true to herself. As she struggles with her fertility and identity as a woman, both her personal and professional life begin to deteriorate forcing her to look inward to find the light that will lead her forward. In the clip, we see that Sofia has an issue with alcohol consumption, and in the film, we discover she is also a drug user. 'For me, it's really important to portray people who don't feel comfortable with social conventions,' Franco says. 'There are many people who don't feel that they are part of society but feel societal pressure. And as a woman, there is the added pressure to have a child, have a family, be the perfect woman, and I really admire people who are really authentic and don't give in to these pressures.' Sofia is portrayed with empathy and her alcohol and drug dependency should be seen as a 'disease,' Franco says. It is Sofia's way of relaxing when faced with societal expectations and the pressure to conform – to feel 'normal,' overcome her insecurity, and appear self-confident. Unable to conceive, Sofia's life – both personal and professional – starts to unravel. 'She has no boundaries, so she doesn't know how to separate her professional and personal life, and she takes them both so seriously,' the director says. 'She feels that through her architecture, her feelings can become connected with other people. She tries to work in a way that is parallel to her feelings. Architecture is very important in this film, because I portray many places that are representing her feelings through their architecture.' Franco describes Sofia as an 'ethical' architect who tries to create buildings that encourage a feeling of freedom in those who inhabit them. We see her visiting buildings in Mexico City that exemplify that approach, like those designed by the architect Luis Barragán. 'She fights to create spaces that allow people to have more liberty within them. There's a conversation where she's arguing about putting fewer parking lots in order to create more green spaces so people can be happier in these places. 'I love Luis Barragán, who talks about a spiritual architecture, about architecture where you can feel the connection between the space and the mind, and you can feel connected with it, and it's the architecture of silence too. He won the Pritzker Prize, and his acceptance speech was amazing. It's beautiful.' Speaking about Ana de la Reguera, Franco says: 'Ana has great presence. She has a lovely face. She's a person with a deep, deep soul. And when I talked to her about the script, I felt that she was very connected with the matter of being a woman in her 40s and the social demands that people make. 'And she's an actress who has like 20 years of experience, so I was really amazed when we were talking and playing around, like, 'Imagine the camera is here, and what would you do?,' and she was improvising and doing things that I was amazed by, because sometimes I felt that she had known the character for her entire life, like she has lived with her.' Regarding the cinematography, she comments: 'First of all, I decided that the movie should be black and white, so the spectator had no distractions with the colors, and he could be really connected with the emotions and the state of mind of the character. 'And also, the movie is about architecture as well, so it's very geometrical. We looked for many locations that were really hard to get permission to film there, but we made it. There's a beautiful fountain by Isamu Noguchi, the Japanese artist, for example. 'The cinematographer, Sergio Armstrong G., is a genius. We improvised a lot. We never felt that we were in control of everything. We played with the freedom of being in the moment and sensing where to put the camera. We didn't have a shooting list of everything, and I felt so free. If I didn't have this cinematographer, Sergio, it would be pretty difficult, because I was pretty sure of the emotional state and everything but the visual things… it was Sergio who put everything together to make the movie look like the state of mind of the character.' As in film noir, the film uses light and shade to reflect the internal landscape of the character, but there were other cinematic influences. 'Many times, I felt inspired by Italian Neo Realism, because we didn't have much budget for lighting, but with its realism sometimes the film feels like a documentary, and the camera was very, very humbled, because we didn't need so much lighting to make it look beautiful. And the shadows and the geometric forms are so important.' There are similarities to how she and her brother work, she says. 'We both film chronologically. That was very helpful, because the actress was really involved with the process of the character and the emotions, and we improvised a lot, so the script changed a lot while shooting. Michel also does that, so I believe we're similar in terms of production.' She is full of praise for her brother's contribution as a producer. 'I think he was the best producer because he really got my back, and he just cares about the creativity and the process that I wanted, and he never gave up, for example, in getting some locations. Even though we didn't have enough money, he'd fight for everything. So, it was a paradise working with him.' Next up for Franco, she says, is a film about a teenager in New York, for which she is writing the screenplay now. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
Yahoo
42 minutes ago
- Yahoo
Halle Berry Reveals Why She Hasn't Married Singer-Songwriter Van Hunt
Halle Berry once donned an all-leather jumpsuit — but will she be trading it in for an all-white wedding number? On Tuesday's broadcast of 'TODAY with Jenna & Friends,' the Oscar winner and her partner, singer-songwriter Van Hunt, joined host Jenna Bush Hager as guests — marking their first on-air interview together as a couple. With flowers in hand, Hunt joined Berry to gush about their relationship, though he admitted to that he's ready to take their love to the next level. 'So I put out the proposal, and it's still on hold, as you can see,' Hunt told the outlet. 'It's just out there floating. You know, maybe you can encourage her.' But Berry explained her reluctance to wed in the interview, grounded in a past where not every happily-ever-after went according to script. 'Well, I've been married three times,' she said. 'Van has been married once, and so no, we don't feel like we have to get married to validate our love in any way. We don't.' The Oscar-winner predicted they'll likely tie the knot eventually, but said there's no rush. Berry said the 'I do' isn't about tradition; it's about timing. During her sit-down with Hager, Berry joked that her relationship with Hunt is 'the longest' she's ever been in. 'When you find your person, you find your person — and I now have found my person,' she said with a smile. Megyn Kelly Loses It Over Halle Berry's Intimate Mother's Day Video Halle Berry Has A Few Words For Critics Of Spicy Mother's Day Video With Her Boyfriend Halle Berry Says New Cannes Rules Disqualified Her 'Amazing' Dress
