Jamie Lee Curtis: I had plastic surgery at 25 after comment on set
Jamie Lee Curtis, the Oscar-winning actress, has revealed that she had plastic surgery at the age of 25 after being told on set that her eyes were 'baggy'.
The comment was made by a cinematographer during filming for the 1985 romantic drama Perfect, Curtis said.
'He was like, 'Yeah, I'm not shooting her today. Her eyes are baggy'. It was very embarrassing,' she told 60 Minutes. 'So as soon as the movie finished, I ended up having some plastic surgery.'
The surgery did not go well, according to Curtis, who is now 66. 'I regretted it immediately and have kind of regretted it since,' she said. 'I've become a really public advocate to say to women: 'You're gorgeous and you're perfect the way
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Daily Mail
37 minutes ago
- Daily Mail
Hollywood legend reveals Trump phoned him and accused him of 'wussing out' over 2020 stolen election claims
Playwright David Mamet revealed that President Donald Trump called him and complained that he 'wussed out' over those 2020 stolen election claims. Mamet was the guest on this week's episode of comedian Bill Maher's Club Random podcast. The Pulitzer Prize-winning playwright, screenwriter and author - known for Glengarry Glen Ross, Wag the Dog and The Untouchables - ditched liberalism in 2008 and is a supporter of Trump. Maher, a liberal who's taken swipes at the left for being too 'woke,' commented to Mamet that 'man, each book you get more right-wing,' and recalled how Mamet had come on his HBO show Real Time to publicize the last one. The comedian said that at the time, he thought Mamet was 'hedging' on the so-called 'big lie,' Trump's false claims that the 2020 election was stolen from him. 'You know, you don't know what happened to me the next morning,' Mamet said. Mamet recalled that on Maher's show, he was 'kind of iffy on it, right?' 'Next morning, eight o'clock, the phone rings. Woman on the phone says, "Mr. Mamet, will you hold for the president?"' Mamet recalled. 'I said wait a second, is Biden calling?' 'Is Trump! During the Biden administration. He says, "David, it's Donald Trump." I say, "Oh, Mr. President, thank you for calling to what do I owe the honor?"' the author described. 'He said, "I saw you on Bill Maher yesterday, you were great." He said, "But you wussed out on the question of the stolen election,"' Mamet said. 'And then he talked to me for like 20 minutes about how the election was stolen.' Maher interjected, 'It wasn't!' But this time Mamet took Trump's side. 'Well, I think it was,' the playwright pushed. Maher pointed out that 'they've adjudicated this.' 'They've looked at this. Republicans have looked at it,' Maher said. 'It was tested in court like 60 times. It was thrown out every time. Trump's own commission appointed by his own commissioners to look at the election ...They all said the same thing. It was the most fair, honest election we've ever had.' Christopher Krebs, who served as Director of the Cybersecurity and Infrastructure Security Agency, had called the 2020 election 'the most secure in American history.' In April, Trump revoked Krebs' security clearance via a presidential memorandum and directed Attorney General Pam Bondi and Homeland Security Secretary Kristi Noem to review Krebs' activities during his time working in government. 'I'm not talking about the votes. I'm not talking about counting the votes,' Mamet pressed. 'That the Hunter Biden laptop was suppressed, the COVID information was suppressed. Zuckerberg said himself that the White House pressured him not to bring forward the information on the laptop,' Mamet argued. 'And Rasmussen said, had that come out, there would have been a 17 point spread,' the playwright added. The New York Post broke the Hunter Biden laptop story on October 14, 2020, just weeks before the presidential election. The Biden campaign had officials in the intelligence community sign a letter saying that the information in the laptop being shopped by Trump allies had marks of a Russian disinformation campaign. Since then the Daily Mail and other outlets have authenticated the laptop. Maher wasn't buying Mamet's explanation.
The Guardian
an hour ago
- The Guardian
Ballerina review – Ana de Armas racks up the kills as she pirouettes into John Wick spin-off
That title could cause confusion. The film might accidentally tap into the Frozen customer-base, and millions of wide-eyed little girls in sparkly tutus and tiaras will show up at cinemas with their mums and dads to watch Keanu Reeves let a heavy-set gangster have it in the chops with a round from his specially customised Glock. Well, the confusion is deliberate. Here, the delicacy of ballet and the violence of martial arts are conflated. In this new spin-off feature from Keanu's John Wick action franchise – an auxiliary episode on the timeline, between Wick episodes Three and Four, when JW was lying low, recovering from injuries – a mysterious new action-slash-classical-dance heroine called Eve now grands-jetés her way into the franchise, played by the always stylish Ana de Armas. JW veteran Shay Hatten writes the screenplay and Len Wiseman directs. The central idea returns me an old maxim of mine: people who call action scenes in films 'balletic' have never seen a ballet, or indeed a fight, in their lives. Yet I was sort of hoping that de Armas's ballerina Eve Macarro would put the smackdown on a couple of dozen goons while up on pointe. Sadly no. But I do have to admit that de Armas carries off the essential silliness of Ballerina and, after her performance as Paloma in No Time to Die opposite Daniel Craig's 007, she proves again she can do action, in both couture and daytime wear; she can also carry out the time-honoured lightning-fast choreography of removing a clip from an automatic weapon, inspecting its contents, smacking it back into position with the heel of her palm and then filling someone full of lead. Eve is inducted into the way of violence as a little kid, like Natalie Portman's badass moppet in Luc Besson's Léon, or indeed like John Wick himself; she is secretly trained in weaponry and martial arts at the same time as she is schooled in ballet, the rigour and discipline of which are considered to be complementary to those of beating the jeepers out of someone. It happened after her dad was whacked by a mysterious cult led by a dead-eyed creep called the Chancellor (Gabriel Byrne), and the plucky orphan is taken in by the Ruska Roma group led by Anjelica Huston's implacable Director, and grows to womanhood in this strange, dysfunctional ballet-plus-violence organisation whose income apparently derives from assassination fees. But Eve has always nursed a desire for revenge against the weird tribe who killed her dad. Four John Wick films with Keanu fetishising his guns and sporting his increasingly werewolfy facial hair have been increasingly heavy going but now de Armas mixes things up and she is a smart screen presence. As for the ballet, the emphasis is on Tchaikovsky's Swan Lake; nothing wrong with that, of course, but if the Ballerina sub-franchise continues, let's hope that different works are chosen and we see de Armas actually getting out there on stage in a tutu as opposed to simply racking up the kills. Ballerina is out on 6 June in Australia and the US, and on 7 June in the UK.
Telegraph
an hour ago
- Telegraph
From the World of John Wick: Ballerina: An action spin-off as nasty as it is shoddy
The offer made so far by the John Wick franchise was solid enough: we got four films' worth of Keanu Reeves weaving through a society of assassins with deadly flair. Ballerina, billed as 'From the World of John Wick', is a spin-off that spins out – an exercise in flailing tedium that shows all the signs of a total creative power cut. Reeves is a long way from being in charge, or to blame. He gets what looks suspiciously like an emergency cameo, ceding the spotlight to Ana de Armas as a brand-new, lethally dull trainee assassin called Eve Macarro. Killing Eve is tough. You wish it wasn't, quite honestly. Ballerina was first shot way back in summer 2022, and by all accounts, didn't work. Alleged director Len Wiseman, responsible for the Underworld films and the atrocious 2012 remake of Total Recall, was given his marching orders, leaving Wick regular Chad Stahelski to handle reshoots virtually from scratch, with new characters and subplots commissioned. Lance Reddick then died in March 2023. He's still in this as Charon, the lugubrious concierge, while Ian McShane seems to have halted ageing altogether as his boss. Salvage jobs on blockbusters do sometimes pan out. Then there's the likes of this, which has easily the lousiest photography, stunt work, acting, dialogue, you name it, of the Wick series to date. It's rather like setting expectations with 'From the World of James Bond' and then inflicting Vin Diesel's xXx upon us. The trouble is how little we care about Eve. Childhood trauma (zzz) drives her, after watching her father forced to commit suicide by a feared chieftain named 'The Chancellor' (Gabriel Byrne). So far, so Black Widow. She's a cipherish placeholder, like an AI clone of busier superspies we've lately met (hello, Jennifer Lawrence in Red Sparrow). She's less Atomic Blonde than sub-atomic brunette. Per the title, Eve has barely had time to nurse her bandaged feet as a student ballerina before her Ruska Roma handler, 'The Director' (Anjelica Huston, lacking only a crystal ball) ushers her into the murder game. This is seemingly for no reason other than the craving for revenge at Eve's core, and the fact that, remember, we're in the world of John Wick. De Armas, so sparky enlivening No Time to Die, simply isn't good enough to animate this sock puppet. Her scenes with Byrne, Huston and Norman Reedus as some dormant operative have a spirit-sapping portentousness that's the enemy of fun. 'Fate is a humbling thing,' Byrne declares, until we beg for mercy. It's not just that the action has never looked shoddier. It's also never been nastier – an obvious clue that witty elegance got thrown in the bin, and lowest-common-denominator sadism, using any old FX, filled the breach. Eve gets out of a scrape in a weapons shop using a fistful of grenades and being the right side of a metal table. The goon on the wrong side gets splattered into mincemeat. While prowling some kind of Alpine spa town, she then finds a flamethrower and roasts all comers. These desperate parts will be called the highlights, which is saying absolutely nothing. Reeves, dialled in by The Director to stop Eve killing The Chancellor, arrives strictly under sufferance. He keeps imploring her, 'Leave! Leave!' – he must say the word a dozen times. Each repetition is more fatigued. We feel his pain, and want it to be over.
