
The V&A Museum to host first Schiaparelli exhibition in the UK in 2026
The exhibition "Schiaparelli: Fashion Turned Into Art" will arrive in the British capital between March 21 and November 1, 2026, and will cover the brand's trajectory from the 1920s to the present, as well as the impact of its creator on the history of fashion and other artistic disciplines.
In this regard, it will highlight Elsa Schiaparelli's role as "a nexus of innovation and a key figure within a stellar sphere of fashion, art, and performance," which spanned the cities of Paris, London, and New York between the two world wars and until her retirement in 1954.
The exhibition will feature more than 200 objects, including "garments, accessories, jewelry, paintings, photographs, sculptures, furniture, perfumes, and archival material" from the Schiaparelli house," the museum explained in a note.
Among them will be some of the couturier's most iconic and "radical" designs, such as her "Skeleton" and "Tears" dresses, designed in collaboration with Spanish surrealist artist Salvador Dalí and from the British art institution's collection.
The exhibition will also reference the popularity of Schiaparelli's designs in film and theater productions and will include works by artists such as Pablo Picasso, Jean Cocteau, and Man Ray.
V&A director Tristram Hunt noted that the V&A has one of the largest fashion collections in the world and the most prominent in the case of Schiaparelli's designs, so her collaboration with other artists and the performative world "make the firm and its founder an ideal subject for a spectacular exhibition at the V&A."
"Elsa Schiaparelli's fearless imagination and radical vision redefined the boundaries between fashion and art. This exhibition celebrates her as an enduring influence through iconic collaborations with 20th-century masters and for her pioneering fusion of creativity and commerce," he added.
"Schiaparelli: Fashion Turned Into Art" is the latest show in the V&A's series dedicated to fashion figures, which have explored Christian Dior, Alexander McQueen or, most recently, British model Naomi Campbell.
Tickets for the exhibition, curated by Sonnet Stanfill, Lydia Caston, and Rosalind McKever, will go on sale in autumn 2025.
© EFE 2025. Está expresamente prohibida la redistribución y la redifusión de todo o parte de los contenidos de los servicios de Efe, sin previo y expreso consentimiento de la Agencia EFE S.A.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

LeMonde
7 hours ago
- LeMonde
The dazzling legacy of iconoclastic jewelry designer Attilio Codognato
Everything remained as it was: the Empire-style furniture, the silver objects, the Renaissance bronzes, the rococo chandeliers, the velvet armchairs. On the walls, male nudes by Gilbert & George, the eccentric British artist duo, hung alongside the iconic 1999 portrait of Italian gallerist Massimo De Carlo, bound in silver duct tape and displayed like a painting by his fellow compatriot and artist Maurizio Cattelan. On a sunny February morning, the tall windows overlooking the Grand Canal in Venice were opened. Though cold and immense, the apartment inside the palazzo had not changed since November 2023, when its owner – Italian collector, exhibition curator and jeweler Attilio Codognato – died at the age of 85. "It's as if he just stepped out to buy cigarettes," his son Mario said, standing before the disorderly, stacked art books devoted to Michelangelo, Andy Warhol, Roy Lichtenstein, Jeff Koons… The Codognato name is well-known to insiders for its baroque jewelry crafted from gold and precious stones. In the ballroom of the family apartment, a cardboard triptych from the 1970s by Robert Rauschenberg stood beside felt-plate sculptures by Robert Morris – and even an ordinary broom, displayed next to its 1965 photographic reproduction by Joseph Kosuth. After spending long hours exploring the Biennale, Attilio was introduced to art through the American visual artists of the 1960s and 1970s. Yet, he always returned to the French artist Marcel Duchamp. In the reading room, an entire wall is dedicated to his works: sketches of urinals and handwritten letters to André Breton. The day he took his daughter, Cristina, to the Louvre for the first time, she was left speechless in front of the Mona Lisa: "But Dad, where is her mustache?"


Fashion Network
11 hours ago
- Fashion Network
Armani Privé: Seductive and sizzling black
No appearance by Giorgio Armani at his latest Armani Privé couture show in Paris, but at least, a sumptuous, stylish, sassy and sophisticated collection in a triumph by the great Italian couturier. See catwalk Created pretty much all in black, albeit blended with a rich array of blues, this was fall/winter 2025 collection will go down as one of Armani's most dazzling couture collections ever. Staged inside his neo-classical couture salons on Rue François 1er in the tony 8th arrondissement, the show attracted Angela Basset, Marisa Berenson, and socialite Mouna Ayoub. The Milanese couturier opened with some beautifully cut pants – slim jodhpur style – paired with slinky tunics and boleros, one more elegant that the other. Made in iridescent silks and jacquards, cut with just one lapel, embroidered in Asian tree silhouettes or encrusted with buttons they all looked great. See catwalk His dresses – finished with colored insert or emblazoned with metallic roses – flowed easily. Blending elements of Passementarie, crystals and small showers of beading, the clothes dazzled and glimmered as the models strolled along the faux alabaster catwalk laid out through a series of grand rooms. The whole show building to a great climax – a score of all black looks, starring remarkable liquid metallic silk pants, masculine tuxedos and several looks that featured a path-breaking new garment: a tailcoat cut like a redingote and finished with military frogging. The models wearing this new idea beamed with pride, smiling beneath their black sequinned berets. Backed up by a great soundtrack that mixed up Norman composer Gregoire Jokic's "There Will Be Light" and German jazz singer Max Raabe's retro jazz track "Speak Low". See catwalk 'Black acquires a special luminosity, born of the juxtaposition of velvet and metallic silks and the contrasting pavé crystals and gold of the. linings, suggestively catching indiscreet gazes,' argued Armani in the program notes to this show, which earned a standing ovation from the audience. 'Seductive black defines a stylistic grammar in which opposites come together with grace and harmony,' added Armani. Just like his soundtrack.


Fashion Network
11 hours ago
- Fashion Network
Recovering Giorgio Armani says he will return in September
Giorgio Armani, founder of the iconic Italian fashion house bearing his name, marked his 91st birthday on Friday with a message confirming his return in September, following a recent health issue that forced him to miss the Milan and Paris fashion shows. It was the first time Armani had ever missed one of his own runway events. Last month, the company stated that he was recovering at home but did not disclose further details about his condition. Meanwhile, Italian news agencies reported that he had spent several days in the hospital. 'In the last few weeks, I strongly felt the embrace of those who were thinking of me,' Armani said in an open letter published by several Italian newspapers. He expressed gratitude to his family, colleagues, employees, the media and people on social media. 'Today, on my 91st birthday, I want to thank all of you for the closeness you have shown me. It wasn't easy for me not to hear your applause live. Thank you from the bottom of my heart, and I'll see you again in September,' he added. The next Milan fashion week is scheduled to run from September 23 to September 29.