‘Steven Universe' Sequel In The Works At Prime Video
A sequel of Cartoon Network hit Steven Universe is being developed for Prime Video.
Steven Universe: Lars of the Stars explores the past, present and future of the universe. The sequel follows Lars Barriga, eternal teenager and space outlaw, as he and his pirate crew smuggle contraband, evade the authorities and uncover the darkest secrets of the fallen Gem Empire.
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The news was unveiled at Annecy by creator and EP Rebecca Sugar at a Cartoon Network Studios and Hanna-Barbera Studios Europe session.
Telling the coming-of-age story of a young boy with friends and aliens in the fictional town of Beach City, Steven Universe has been hugely popular for Cartoon Network, running for five seasons and 160 episodes. The new version will, however, not air on the network but on the Amazon streamer if it makes it to greenlight.
Sugar will EP the sequel with producing partner Ian Jones-Quartey.
At Annecy, she revealed the news after playing a song she wrote for the first season of Cartoon Network's Adventure Time: Fionna and Cake.
'I miss my world and my characters,' she said. 'I can't wait to share [the sequel] with you and can't thank you enough for all your support.'
Meanwhile, Cartoon Network has given a 10th season to the longest-running animated series in DC history, Teen Titans Go!.
The Annecy crowd of fans were also treated to clips from upcoming shows including SuperMutant Magic Academy, The Wonderfully Weird World of Gumball and Regular Show.
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Forbes
3 hours ago
- Forbes
Netflix Global Top 10: 3 Indian Films Rank For Second Consecutive Week
Four Indian films, including the latest digital release and box office blockbuster Jaat, have made it to the Netflix global top 10 this week. The film featuring Sunny Deol and Randeep Hooda released on Netflix and secured the spot on Netflix's list of most-watched non-English films for the week ending June 8. The Hindi film Sikandar, Tamil film Retro and third film in Telugu movie HIT 3 made it to the weekly list from Netflix for the second consecutive week. The new digital release Jaat became the fourth most-watched non-English film on Netflix for the week ending June 8. One Hindi, one Telugu and one Tamil film ranked on the list for the second week in a row. Among these was Salman Khan's Sikandar which stood at the ninth rank. Directed by Telugu filmmaker Gopichand Malineni, Jaat recorded 4.1 million views and million watch-hours on Netflix in just three days after it landed online on June 5. It registered 10.3 million watch-hours during this time. Jaat was the most-watched film in seven countries including India, Mauritius, Bahrain, Maldives, Oman, Pakistan and UAE. It also made it among the top ten in 17 countries. Jaat marks Malineni's Bollywood debut which revolves around a brave but eccentric man (Deol as Jaat) and his chance encounter with a Sri Lankan immigrant (Hooda) in India. The film gathers immoral cops, ruthless women and corrupt politicians to complete the world of populist cinema based in hinterlands of India. AR Murugadoss's return to Hindi cinema landed on Netflix on May 25 and was the third most-watched non-English film on the platform in its debut week. In its second week, Sikandar recorded 1.6 million views and 3.5 million watch-hours. It also ranked among the top ten most-watched films in eleven countries across the globe. Murugadoss, who previously made Aamir Khan's Ghajini (2008) and Akira headlined by Sonakshi Sinha and Anurag Kashyap, cast Salman Khan in the titular role of Sikandar for his film. Khan's character is a former Indian king - Sanjay Rajkot aka Sikandar. Rashmika Mandanna (Pushpa fame) plays his wife in the film. Bahubali actor Sathyaraj and Prateik Smita Patil play the antagonist in the movie. The film also stars Sharman Joshi, Kajal Aggarwal and Anjini Dhawan, in important roles. Netflix Global Top 10: HIT The Third Case A poster of 'HIT The Third Case'. Wall Poster Cinema Sailesh Kolanu's Telugu film HIT The Third Case had its Netflix premiere on May 29 and became the sixth most-watched non-English film on the platform. It registered 2.7 million views and 7.1 million watch-hours in its second week on Netflix. HIT The Third Case also ranked among top ten most-watched films in 13 countries around the world for the week ending June 8. Last week, it was the fourth most-watched non-English movie on Netflix. HIT: The Third Case (HIT 3) revolves around a murder spree that a ruthless cop from the homicide team is investigating. Nani and Srinidhi Shetty play the lead roles in the film which also stars Adivi Sesh and Karthi. Suriya's Retro retained its position of seventh most-watched non-English film worldwide on Netflix. After making the debut last week at the seventh slot, Karthik Subbaraj's Retro registered 2.1 million views and 5.9 million watch-hours in its second week. The film stars Suriya and Pooja Hegde in lead roles along with Jayaram, Nassr, Prakash Raj and Juju George. Retro released in theatres in April and opened to mostly positive reviews. Directed by Karthik Subbaraj, the film made global gross collections of nearly $10 million in its first weekend alone. Before it retained a position on Netflix global top 10 list of most-watched non-English films this week.


Tom's Guide
5 hours ago
- Tom's Guide
5 best new movies to stream this weekend on Netflix, Max, Disney Plus, and more (June 14-15)
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Miami Herald
7 hours ago
- Miami Herald
Scott Galloway bluntly predicts major change for Netflix
Scott Galloway, the podcaster and New York University professor, explained his view on June 13 that the last significant battle in the streaming industry was a showdown between Netflix and Hollywood - and Netflix emerged victorious. By expanding production globally, taking advantage of broadband technology, and capitalizing on inexpensive funding, Netflix (NFLX) was able to make large-scale investments similar to Amazon's strategy, Galloway explained, leaving competitors unable to keep pace. The outcome? A major shift in value from traditional studios and entertainment talent to Netflix's investors and subscribers. Don't miss the move: Subscribe to TheStreet's free daily newsletter Netflix's newest version operates as more than just a subscription-based platform - it now combines both subscriptions and advertising in its business model. And nearly 94 million people have chosen Netflix's ad-supported plan since it was introduced fewer than three years ago, according to Galloway. Netflix has proven itself to be a master of adaptation in the media landscape. It started as a mail-order DVD business, toppling the giant Blockbuster. Then it evolved into a streaming powerhouse, upending Hollywood's dominance. Related: Jean Chatzky sends strong message to Americans on Social Security Now, after a decade without major changes, Netflix is transforming once more, Galloway wrote. The company is introducing AI-driven content recommendations, mobile-friendly vertical videos, and a refreshed visual design to take on platforms such as YouTube and TikTok. And once again, the streaming service faces a new challenge. Shutterstock Having won the last streaming war, Netflix now confronts a new threat, Galloway explained in his "No Mercy / No Malice" newsletter. In fact, this prominent challenger is in the ring with all streaming services. "The next streaming war?" Galloway wrote. "YouTube takes on the world." "This year, more people in the U.S. watched YouTube on TVs than on mobile devices - a first," he continued. "YouTube is now the No. 1 distributor of TV content, according to Nielsen. And for the past three months, YouTube registered the largest share of TV viewing (12%) among media companies; Netflix accounted for 7.5%." More on the U.S. economy: Jean Chatzky shares major statement about Social SecurityShark Tank's Kevin O'Leary has blunt words on 401(k) plansDave Ramsey strongly cautions U.S. workers on Social Security YouTube is essentially public access television scaled to the internet, but with vastly superior production quality, observed Galloway. His Markets podcast co-host Ed Elson notes that Gen Z sees YouTube - owned by Alphabet (GOOGL) - as an algorithm-driven force shifting influence away from established brands and toward individual creators. The biggest disruptor to Hollywood, Galloway argues, isn't Netflix chairman's Reed Hastings - it's MrBeast, the YouTube star who has perfected parasocial relationships. In 2023 alone, MrBeast amassed over a billion hours of watch time, surpassing the top Netflix shows. "But just as individual content creators disrupted Hollywood, AI may disrupt content creators," Galloway wrote. While Netflix is expected to invest around $18 billion in content this year, YouTube effectively operates with a content budget of zero, instead sharing ad revenue with its creators. MrBeast has revealed that producing a single video typically costs him $2.5 million. Yet in a striking shift, an AI-generated muzak channel recently surpassed him, becoming the fastest-growing channel on YouTube this month. Related: Shark Tank's Kevin O'Leary makes bold prediction on U.S. economy Galloway argues that the rise of Netflix, YouTube and the competition for streaming audiences has cost us something vital: a shared cultural experience. In 1983, the final episode of M.A.S.H. was a national event, drawing 106 million viewers - nearly half of America, he recalls. By contrast, last year's most-watched scripted TV finale, "Yellowstone," reached just 13 million people, a mere 4% of the country. The shift from scheduled programming to unlimited, on-demand content has fragmented American culture, Galloway suggests - and this fact reflects the loss of two key societal pillars: collective experiences and a shared identity. "Without shared stories, we don't laugh together, love/hate the same heroes/villains, or believe in the same facts when we argue," Galloway wrote. "We lose our empathy, our ability to see each other as human." "It's hard to demonize someone you watched 'Cheers' with every Thursday night; it's easy to hate someone whose cultural references are completely foreign to your feed." Related: Scott Galloway makes major prediction on world economy; 401(k) impact seen The Arena Media Brands, LLC THESTREET is a registered trademark of TheStreet, Inc.