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A ‘Back to the Future' that reminds you of the past

A ‘Back to the Future' that reminds you of the past

Boston Globe6 days ago
Wherever that DeLorean took me, it would surely be a better time and place. But the universe had other plans, so here are a few thoughts:
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'Back to the Future' is a throwback in more than one sense. It can no longer be assumed that a stage musical drawn from a nonmusical hit movie will be dreck.
The 2017 Broadway musical adaptation of 'Groundhog Day' was pretty good. The 2019 Broadway musical adaptation of
very
good. The musical adaptation of '
But 'Back to the Future: The Musical' reminds you why journeys from screen to stage are often a bad idea, destined to land with a splat: Because they are driven, so to speak, by the imperatives of the box office rather than any kind of artistic inspiration or aspiration.
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The best adaptations have something to say. 'Back to the Future' doesn't have much more to say than: Give us your money.
While there are some changes from the movie, a chief problem with this touring production is that
That narrows the interpretive range any of the performers can traverse. While the cast is certainly game, their struggles to make something fresh out of something so pre-fabricated, such an industrial product, are evident.
Lucas Hallauer, who physically resembles the younger Fox, plays restless teenager Marty McFly. Marty is rightly embarrassed by his parents, the ultra-wimpy George (Mike Bindeman, seemingly trying to out-geek Crispin Glover) and slovenly Lorraine (Zan Berube). It's 1985, fully three decades after high school, but George is still being pushed around by Biff (Nathaniel Hackmann), the hulking, none-too-bright fellow who bullied George back then and still has designs on Lorraine.
Within that stifling environment, Marty is understandably eager for adventure. An opportunity for that presents itself when nuclear physicist/mad scientist Doc Brown (David Josefberg) enlists him to help in an attempt to travel through time in the aforementioned DeLorean.
(
But when Doc experiences radiation poisoning while handling plutonium, Marty tries to go for help in the DeLorean, then accidentally stomps on the accelerator too hard and ends up back in 1955. There he encounters his father, George, and his mother, Lorraine, both of them teenagers. George is the same hapless nerd, but Lorraine is … different.
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She always told Marty and his siblings that she was prim and proper when she was in high school. Marty discovers that she was neither. Soon he is experiencing the Freudian nightmare of being hit on by his mom.
For reasons that have to do with the space-time continuum, Marty's very existence hinges on whether he can get George and Lorraine to fall in love. For Marty to be returned to 1985 – to go back to the future — he and the 1955 version of Doc Brown need to harness the power of a lightning strike on town's clocktower.
The nonstop musical and video bombardment in 'Back to the Future' seems designed to pummel the audience into submission and persuade them that their money was well spent. But it comes across as a sign of desperation in the effort to create a live simulacrum of a beloved movie.
A joke in which 1955 George is perplexed by Marty's use of the word 'heavy,' which is not funny the first time, is for some reason brought back a second time. There is some Boston-based pandering: a Tom Brady reference, a throwaway line about the 'Green Monstah.'
One number features the chorus in top hats and tails, for some reason. It should be noted, however, that the chorus is first-rate, the best thing about this 'Back to the Future.' It's far from the first time that has been true in a production that's arrived in Boston from Broadway.
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In the number that opens Act Two, Doc Brown sings 'I can't wait to be/In the 21st century!' You might want to reconsider that, Doc.
BACK TO THE FUTURE: THE MUSICAL
Book by Bob Gale. Music and lyrics by Alan Silvestri and Glen Ballard. Directed by John Rando. Choreography, Chris Bailey. Presented by Broadway In Boston. At Citizens Opera House, Boston.
Through July 20. Tickets from $40. www.BroadwayInBoston.com
Don Aucoin can be reached at
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25 Funny Childhood Lies Adults Believed For Years

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‘Gypsy' Starring Audra McDonald Latest To Set Broadway Closing Date Post-Tony Awards
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